Guide to the Pamphlet Collection
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Borough of Bedford Local Access Forum
Borough of Bedford Local Access Forum Minutes of meeting held on 17th January 2012 at Committee Room 2, Borough Hall commencing at 6.30pm Members Observers Bob Wallace - Chairman Phill Fox – Bedford Borough Council James Russell – Vice Chairman Simon Fisher – Bedford Borough Council David Mitchell Lizzie Barnicoat – Secretary Nigel Jacobs Apologies Barry Ingram Graham Watson Steve Bunstead David Binns Sarah Hollands Andy Gerrard Mark Egar 1. Welcome by Chairman Bob Wallace welcomed everyone to the meeting, thanking everyone for attending following the rearrangement. 2. Public Questions There were no public questions received, as no members of the public present. 3. Correspondence Received The Secretary detailed the correspondence received between meetings; a number of items had been received from the Eastern Region LAF Coordinator including an invite to the Natural England LAF Conference which the Chairman would be attending. There had also been information regarding Access for all training, Minerals and Waste consultation document, and Huddle training information which would be detailed further during the meeting. There was also correspondence regarding LAF representation on Local Nature Partnerships which also would be discussed during the meeting. Page 1 It was raised if the BoBLAF had received any information on funding for community paths, and discussions around promoting partnership work, it was noted that at present nothing had been received, however, the Secretary to circulate any information if received. The Forum Secretary had made an application to Project Involve which had been denied, those present then discussed how best to ensure information is shared and accessible to the public. It was agreed that in the interim period remaining with the Borough Council website as the access point to be continued with. -
Year in Review 2014–2015 About Bard Graduate Center
Year In Review 2014–2015 About Bard Graduate Center Founded in 1993 by Dr. Susan Weber, Bard Graduate Center is a research institute in New York City. Its MA and PhD programs, research initiatives, and Gallery exhibitions and publications, explore new ways of thinking about decorative arts, design history, and material culture. A member of the Association of Research Institutes in Art History (ARIAH), Bard Graduate Center is an academic unit of Bard College. Executive Planning Committee Dr. Barry Bergdoll Sir Paul Ruddock Edward Lee Cave Jeanne Sloane Verónica Hernández de Chico Gregory Soros Hélène David-Weill Luke Syson Philip D. English Seran Trehan Fernanda Kellogg Dr. Ian Wardropper Trudy C. Kramer Shelby White Dr. Arnold L. Lehman Mitchell Wolfson, Jr. Martin Levy Philip L. Yang, Jr. Jennifer Olshin Melinda Florian Papp Dr. Leon Botstein, ex-officio Lisa Podos Dr. Susan Weber, ex-officio Ann Pyne Published by Bard Graduate Center: Decorative Arts, Design History, Material Culture Printed by GHP in Connecticut Issued August 2015 Faculty Essays Table of Contents 3 Director’s Welcome 5 Teaching 23 Research 39 Exhibitions 51 Donors and Special Events Two-piece dress made for Madame Hadenge on the occasion of her honeymoon. France, 1881. Cotton Vichy fabric, bodice lined in white cotton. Les Arts Décoratifs, collection Union française des arts du costume, Gift Madame L. Jomier, 1958, UF 58-25-1 AB. Photographer: Jean Tholance. 2 Director's Welcome Director’s Welcome This is the fifth edition of Bard Graduate Center’sYear in Review. In looking at previous issues, it is remarkable to note how far we have travelled —and flourished—in four years. -
The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
468 KB Adobe Acrobat Document, Opens in A
Campden & District Historical and Archæological Society Regd. Charity No. 1034379 NOTES & QUERIES NOTES & QUERIES Volume VI: No. 1 Gratis Autumn 2008 ISSN 1351-2153 Contents Page From the Editor 1 Letters to the Editor 2 Maye E. Bruce Andrew Davenport 3 Lion Cottage, Broad Campden Olivia Amphlett 6 Sir Thomas Phillipps 1792-1872: Bibliophile David Cotterell 7 Rutland & Chipping Campden: an unexplained connection Tim Clough 9 Putting their hands to the Plough, part II Margaret Fisher 13 & Pearl Mitchell Before The Guild: Rennie Mackintosh Jill Wilson 15 ‘The Finest Street Left In England’ Carol Jackson 16 Christopher Whitfield 1902-1967 John Taplin 18 From The Editor As I start to edit this issue, I have just heard of the sad and unexpected death on 26th July after a very short illness, of Felicity Ashbee, aged 95, a daughter of Charles and Janet Ashbee. Her funeral was held on 6th August and there is to be a Memorial Tribute to her on 2nd October at the Art Workers Guild in London. Felicity has been the authority on her parents’ lives for many years now and her Obituary in the Independent described her as ‘probably the last close link with the inner circle of extraordinary creative talents fostered or inspired by William Morris’ … her death ‘marks its [the Arts & Crafts movement] formal and final passing’. This first issue of Volume Number VI is a bumper issue full of connections. John Taplin, Andrew Davenport and Tim Clough (Editor of Rutland Local History & Record Society), after their initial queries to the Archive Room, all sent articles on their researches; the pieces on Maye Bruce and Thomas Phillipps are connected with new publications; there is an ‘earthy’ connection between with the Plough, Rutland and Bruce researches and the Phillipps and Whitfield articles both have Shakespeare connections. -
Alumni Revue! This Issue Was Created Since It Was Decided to Publish a New Edition Every Other Year Beginning with SP 2017
AAlluummnnii RReevvuuee Ph.D. Program in Theatre The Graduate Center City University of New York Volume XIII (Updated) SP 2016 Welcome to the updated version of the thirteenth edition of our Alumni Revue! This issue was created since it was decided to publish a new edition every other year beginning with SP 2017. It once again expands our numbers and updates existing entries. Thanks to all of you who returned the forms that provided us with this information; please continue to urge your fellow alums to do the same so that the following editions will be even larger and more complete. For copies of the form, Alumni Information Questionnaire, please contact the editor of this revue, Lynette Gibson, Assistant Program Officer/Academic Program Coordinator, Ph.D. Program in Theatre, The Graduate Center, City University of New York, 365 Fifth Avenue, New York, NY 10016-4309. You may also email her at [email protected]. Thank you again for staying in touch with us. We’re always delighted to hear from you! Jean Graham-Jones Executive Officer Hello Everyone: his is the updated version of the thirteenth edition of Alumni Revue. As always, I would like to thank our alumni for taking the time to send me T their updated information. I am, as always, very grateful to the Administrative Assistants, who are responsible for ensuring the entries are correctly edited. The Cover Page was done once again by James Armstrong, maybe he should be named honorary “cover-in-chief”. The photograph shows the exterior of Shakespeare’s Globe in London, England and was taken in August 2012. -
XIX Century Murano Glass Tableware Kindle
GLASS FOR THE TABLE : XIX CENTURY MURANO GLASS TABLEWARE PDF, EPUB, EBOOK Andrea Morucchio | 51 pages | 01 Jan 2000 | Arsenale | 9788877432131 | English, Italian | San Giovanni Lupatoto, United States Glass for the Table : XIX Century Murano Glass Tableware PDF Book Sort By:. Item Location see all. Fusing The process of founding or melting the batch. Heating pieces of glass in a kiln or furnace until they bond. The unofficial capital of glassmaking is perhaps known best for their dazzling chandeliers and opulent vases, which add a pop of color and sophistication to any room. Mentioned for accuracy Sign In Register. Cart 0. Originally established in in Pittsburgh , the first city to use coal for fuel in glassmaking, the company survived under several different firms until Much modern glass must be heated to about 2, degrees Farenheit, followed by a maturing period when the molten glass cools to a working temperature of about 2, degrees Farenheit. For a downloadable PDF, click here 27 pages. Since childhood he has shown great interest in art. Attributed to Salviati Dott. After annealing, the disk is cut into panes. In the master suite of a Long Island home, a motorized cabinet containing a Samsung television stands at the foot of the bed. Result is a polychrome design that is visible only when seen in cross section. So called because one surviving example is said to have belonged to Saint Hedwig of Silesia. Made by inflating a large gather, swinging it until it forms a cylinder, detaching it from the blowpipe, cutting it lengthwise, reheating it, and allowing it to slump to the form of a flat sheet. -
Illustrations
Illustrations 1. Valentin Drausch and Hans Schlottheim, und vier weltlichen Kurfürsten mit Symbolen Trumpeter Automa ton, 1582, Kunsthistorisches ihrer Krönungsämters, 1500–1536, Aachen Museum, Vienna. Photo: KHM- Museum s- Stadtarchiv, DA 24. Photo: Anne Gold. 27 verband. 3 10. Christusmantel, 1525, Weltliche Schatz - 2. Hans Schlottheim, London Nef, 1580–1590, kammer, Vienna. Photo: KHM- British Museum, London. Photo © The Trustees Museumsverband. 29 of the British Museum. All rights reserved. 18 11. Christusmantel (detail), 1525, Weltliche 3. Hans Schlottheim, Écouen Nef, 1580–1590, Schatzkammer, Vienna. Photo: KHM- Musée national de la Renaissance, Écouen. Museums verband. 29 Photo: RMN- Grand Palais / Art Resource, New 12. Allegory of the Emperor and the Pope, ca. 1495, York (Hervé Lewandowski). 18 National Gallery of Art, Washington, D.C. 4. Burghley Nef, 1527–1528, The Victoria and Rosenwald Collection, 1958.8.157. Photo cour- Albert Museum, London. Photo © Victoria and tesy National Gallery of Art, Washington, Albert Museum. 20 D.C. 31 5. Limbourg Brothers, January: New Year’s Reception 13. Giuseppe Arcimboldo, Vertumnus, 1590, of the Duke Jean de Berry, from the Très Riches Skoklosters Slott, Stockholm. Photo courtesy Heures, 1411–1416, Musée Condé, Chantilly, of Skoklosters Slott, Stockholm. 34 Ms. 65, fol. 1v. Photo: RMN- Grand Palais / Art 14. Hans Schlottheim, Christmas Crib Automa- Resource, New York (René-Gabriel Ojéda). 21 ton, 1588, formerly in the Mathematisch- 6. Hans Schlottheim, London Nef (detail), 1580– Physikalischer Salon, Dresden. Photo: bpk 1590, British Museum, London. Photo © The Bildagentur / Staatliche Kunstsammlungen / Trustees of the British Museum. 24 Art Resource, New York. 38 7. Hans Schlottheim, Écouen Nef (detail), 1580– 15. -
Destination Medcruise-3
Destination QUARTERLY MARCH 2004 ISSUE 3 Via Portuguese ports Portugal – host of the 2004 European Football Championships he staging of the 2004 UEFA offering the visitor European Football entertainment twenty four hours Championships (EURO 2004) a day. The Euro 2004 final will be Thas provided Portugal with played at the new Luz Stadium some of the most modern sporting on July 4, owned by Sport Lisboa venues in the world. In addition, the e Benfica. It has been built next construction of road infrastructures to to the original football pitch and access the stadia and the nine host great care has been taken to cities has now been completed. retain the style of the original EURO 2004 will take place between June 12 ground, known to Sport Lisboa e and July 4, and will make Portugal the focus of Benfica fans as the ‘cathedral’. supported by four giant masts, reminiscent of the world’s attention, with about 9bn people Lisbon will receive Oceana, Caronia, Bremen the Portuguese ships that sailed the oceans watching the event on television. The country is and Wind Surf during the EURO finals but the during the age of the great Discoveries. preparing to welcome around 500,000 tourists only call co-inciding with a live match is the In the far south of Portugal, the Algarve who will be on holiday and hoping at the same German cruiseship Bremen (ironically the match welcomes Euro 2004 fans to Faro/Loulé where time to support their own national team. is between France and England!). this famous tourist region offers the ideal Lisbon mixes tradition with the modernity, Lisbon (below) has three cruise terminals relaxing holiday. -
Days out on a Budget
Days Out on a Budget Royal Greenwich Families Information Service. Tel: 020 8921 6921 Email: [email protected] 1 This listing provides some ideas of places to visit within the local area and central London with your child(ren). We have selected places that are free or low cost. This is a developing list and we would be pleased to receive details of any other places or activities you can recommend. Please contact us, tel. 020 8921 6921, email [email protected]. Please note that this information is correct at time of print but is liable to change at any time. With regards Royal Greenwich Families Information Service Contents Museums & galleries Pages 3 – 9 Local venues 3-4 Venues around London 5-9 Parks, gardens & farms 10 – 18 Local venues 10-14 Venues around London 15-18 Visit the woods 19 Other 20 Travel information 20 Royal Greenwich Families Information Service. Tel: 020 8921 6921 Email: [email protected] 2 Museums & Galleries – Local Venues Firepower The Royal Artillery Museum, Royal Arsenal, Woolwich, SE18 6ST. Tel. 020 8855 7755 Email: [email protected]; Web: www.firepower.org.uk Price: Adult £5.30 / Child £2.50 / Concessions £4.60 (ES40, Seniors 60+; Students – ID required) Inclusive child admission during holidays - access to all activities £6.50. Tuesday-Saturday: 10am-5pm, last admission 4pm. Closed Sunday & Monday Buses: 177, 180, 472, 161, 96, 99, 469, 51, 54 / Rail/DLR: Woolwich Arsenal The Museum offers an insight into artillery and the role that the Gunners and their equipment have played in our Nation’s History. -
New Glass Review 10.Pdf
'New Glass Review 10J iGl eview 10 . The Corning Museum of Glass NewG lass Review 10 The Corning Museum of Glass Corning, New York 1989 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, dal3 sie the 1988 calendar year. innerhalb des Kalenderjahres 1988 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1989 Alle Rechtevorbehalten, 1989 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-119-X ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 er Wunsch zu verallgemeinern scheint fast ebenso stark ausgepragt Jury Statements Dzu sein wie der Wunsch sich fortzupflanzen. Jeder mochte wissen, welchen Weg zeitgenossisches Glas geht, wie es in der Kunstwelt bewer- tet wird und welche Stile, Techniken und Lander maBgeblich oder im Ruckgang begriffen sind. Jedesmal, wenn ich mich hinsetze und einen Jurybericht fur New Glass Review schreibe (dies ist mein 13.), winden he desire to generalize must be almost as strong as the desire to und krummen sich meine Gedanken, um aus den tausend und mehr Dias, Tprocreate. -
Arms and the (Tax-)Man: the Use and Taxation of Armorial Bearings in Britain, 1798–1944
Arms and the (tax-)man: The use and taxation of armorial bearings in Britain, 1798–1944. Philip Daniel Allfrey BA, BSc, MSc(Hons), DPhil. Dissertation submitted in partial fulfilment of the requirements for the degree of MLitt in Family and Local History at the University of Dundee. October 2016 Abstract From 1798 to 1944 the display of coats of arms in Great Britain was taxed. Since there were major changes to the role of heraldry in society in the same period, it is surprising that the records of the tax have gone unstudied. This dissertation evaluates whether the records of the tax can say something useful about heraldry in this period. The surviving records include information about individual taxpayers, statistics at national and local levels, and administrative papers. To properly interpret these records, it was necessary to develop a detailed understanding of the workings of the tax; the last history of the tax was published in 1885 and did not discuss in detail how the tax was collected. A preliminary analysis of the records of the armorial bearings tax leads to five conclusions: the financial or social elite were more likely to pay the tax; the people who paid the tax were concentrated in fashionable areas; there were differences between the types of people who paid the tax in rural and urban areas; women and clergy were present in greater numbers than one might expect; and the number of taxpayers grew rapidly in the middle of the nineteenth century, but dropped off after 1914. However, several questions have to be answered before -
THE U.S. STATE, the PRIVATE SECTOR and MODERN ART in SOUTH AMERICA 1940-1943 By
THE U.S. STATE, THE PRIVATE SECTOR AND MODERN ART IN SOUTH AMERICA 1940-1943 by Olga Ulloa-Herrera A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2014 George Mason University Fairfax, VA The U.S. State, the Private Sector and Modern Art in South America 1940-1943 A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University by Olga Ulloa-Herrera Master of Arts Louisiana State University, 1989 Director: Michele Greet, Associate Professor Cultural Studies Spring Semester 2014 George Mason University Fairfax, VA Copyright 2014 Olga Ulloa-Herrera All Rights Reserved ii DEDICATION This is dedicated to Carlos Herrera, Carlos A. Herrera, Roberto J. Herrera, and Max Herrera with love and thanks for making life such an exhilarating adventure; and to María de los Angeles Torres with gratitude and appreciation. iii ACKNOWLEDGEMENTS I would like to express the deepest appreciation to my committee chair Dr. Michele Greet and to my committee members Dr. Paul Smith and Dr. Ellen Wiley Todd whose help, support, and encouragement made this project possible. I have greatly benefited from their guidance as a student and as a researcher. I also would like to acknowledge Dr. Roger Lancaster, director of the Cultural Studies Program at George Mason University and Michelle Carr for their assistance throughout the years.