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Albere Albe 1
a b 1 ALBERE ALBERE ALBERE ALBERE ELECTRONICS GmbH ALBERE ELECTRONICS GmbH ALBERE ELECTRONICS GmbH PRODUCT-LIST 2020 All Products Excluding Shipping Fees TM Price per Unit (or otherwise explained) 2 In Euro albere TM albere TM albereGamepads ALBERE ELECTRONICS GmbH ALBERE ELECTRONICS GmbH ALBERE ELECTRONICS GmbH a b 1 ALBERE ALBERE ALBERE ALBERE ELECTRONICS GmbH ALBERE ELECTRONICS GmbH ALBERE ELECTRONICS GmbH ID CATEGORY TITLE TM 2 albere TM albere TM albere ALBERE ELECTRONICS GmbH GAMEPADS Lanjue USB GamePad 13001-S (PC) ALBERE ELECTRONICS GmbH ALBERE ELECTRONICS GmbH GAMEPADS Tracer Gamepad Warrior PC GAMEPADS VR Bluetooth Gamepad White GAMEPADS Esperanza Vibration Gamepad USB Warrior PC/PS3 GAMEPADS Gembird JPD-UDV-01 GAMEPADS Competition PRO Powershock Controller (PS3/PC) GAMEPADS PDP Rock Candy Red GAMEPADS PC Joystick USB U-706 GAMEPADS Konix Drakkar Blood Axe GAMEPADS Gembird USB Gamepad JPD-UB-01 GAMEPADS Element GM-300 Gamepad GAMEPADS Intex DM-0216 GAMEPADS Esperanza Corsair Red GAMEPADS Havit HV-G69 GAMEPADS Nunchuck Controller Wii/Wii U White GAMEPADS Esperanza Fighter Black GAMEPADS Esperanza Fighter Red GAMEPADS VR Bluetooth Gamepad 383346582 GAMEPADS 744 GAMEPADS CO-100 GAMEPADS Shinecon SC-B01 GAMEPADS Gamepad T066 GAMEPADS Media-Tech MT1506 AdVenturer II GAMEPADS Scene It? Buzzers XBOX 360 Red GAMEPADS Media-Tech MT1507 Corsair II Black GAMEPADS Esperanza EGG107R Black/Red GAMEPADS Esperanza Wireless Gladiator Black GAMEPADS 239 GAMEPADS PowerWay USB GAMEPADS Nunchuck Controller Wii/Wii U Red GAMEPADS Powertech BO-23 -
Nordic Game Is a Great Way to Do This
2 Igloos inc. / Carcajou Games / Triple Boris 2 Igloos is the result of a joint venture between Carcajou Games and Triple Boris. We decided to use the complementary strengths of both studios to create the best team needed to create this project. Once a Tale reimagines the classic tale Hansel & Gretel, with a twist. As you explore the magical forest you will discover that it is inhabited by many characters from other tales as well. Using real handmade puppets and real miniature terrains which are then 3D scanned to create a palpable, fantastic world, we are making an experience that blurs the line between video game and stop motion animated film. With a great story and stunning visuals, we want to create something truly special. Having just finished our prototype this spring, we have already been finalists for the Ubisoft Indie Serie and the Eidos Innovation Program. We want to validate our concept with the European market and Nordic Game is a great way to do this. We are looking for Publishers that yearn for great stories and games that have a deeper meaning. 2Dogs Games Ltd. Destiny’s Sword is a broad-appeal Living-Narrative Graphic Adventure where every choice matters. Players lead a squad of intergalactic peacekeepers, navigating the fallout of war and life under extreme circumstances, while exploring a breath-taking and immersive world of living, breathing, hand-painted artwork. Destiny’s Sword is filled with endless choices and unlimited possibilities—we’re taking interactive storytelling to new heights with our proprietary Insight Engine AI technology. This intricate psychology simulation provides every character with a diverse personality, backstory and desires, allowing them to respond and develop in an incredibly human fashion—generating remarkable player engagement and emotional investment, while ensuring that every playthrough is unique. -
Mapeamiento De La Producción De Videojuegos En Multiplataforma: Un Estudio De Casos En Cinco Países Latinoamericanos Más Canadá
Escuela de Periodismo, Universidad Mayor Mapeamiento de la Producción de Videojuegos en multiplataforma: Un estudio de casos en cinco países latinoamericanos más Canadá Escuela de Periodismo Universidad Mayor Noviembre 2011 Dr. Oscar Jaramillo Prof. Lucía Castellón Prof. Francisco Mas FORMULACION GENERAL PROYECTO. Esta investigación se enmarca en una propuesta internacional canadiense – latinoamericana para mapear el estado de la industria de contenidos digitales interactivos vinculados a los videojuegos para desarrollar políticas de incremento del emprendimiento en esta área y analizar sus aplicaciones al mejoramiento de la calidad de la educación en los países de la región, incorporando los videojuegos en los procesos de aprendizaje formales que permitan la generación de competencias profesionales de los estudiantes y marcos epistemológicos que les permitan futuras competencias para aprender a aprender de manera permanente. SINTESIS DEL ESTADO DEL ARTE . Durante la última década, el mercado de los videojuegos se ha convertido en una plataforma multimillonaria, cuyo nivel de facturación rivaliza con el resto de la industria de la entretención. 1 Escuela de Periodismo, Universidad Mayor Sólo durante 2008, Microsoft, Nintendo y Sony se vendieron 101 millones de consolas a nivel mundial. Ese mismo año el título más vendido fue Mario Kart para Wii con 13.64 millones de copias1. Cabe señalar que la mayor parte de las estadísticas que se manejan son a nivel global, del mercado estadounidense, europeo y asiático. No existen cifras confiables acerca del mercado latinoamericano, ni menos del chileno. Más aún si consideramos que según la Business Software Alliance (BSA), Chile lidera el ranking de países con mayor nivel de piratería de software con un 67%, seguido por Turquía ( 64%), México (56%) y Polonia (56%). -
Videojuegos Como Forma De Repensar La Relación Entre Estética Y Política
Videojuegos como forma de repensar la relación entre estética y política. Reflexiones desde la periferia Sebastián Gómez Urra Introducción Mi objetivo es plantear la inquietud de pensar los videojuegos como un caso de estudio no solamente importante, sino también necesario para entender hoy nuestra cultura. Este trabajo se hará cargo de la ausente perspectiva latinoamericana al respecto, ausencia entendible como síntoma y como consecuencia de variadas motivaciones económicas y socioculturales que han, de cierta forma, relegado a nuestro continente a la periferia de la estructura que forma esta industria cultural. La industria de los videojuegos, considerada ya por el gobierno británico desde hace casi diez años como una parte fundamental de la economía perteneciente al sector de las industrias culturales y creativas1 (Creative Industries Economic Estimates), ha llegado a ser considerada por algunos autores (Dyer-Witheford y de Peuter; Kirkpatrick, Computer Games and the Social Imaginary) como el ejemplo paradigmático del ca- pitalismo actual. Bajo esta perspectiva, toda industria que implique algún tipo de labor intelectual ha tendido a seguir los patrones instaurados por los regímenes lúdicos de trabajo que sustentan la constante alimentación de información y creatividad que el capitalismo cognitivo posfordista requiere para su funcionamiento. Mi intención, por tanto, es recontextualizar este discurso en la rea- lidad latinoamericana. Para ello, me enfocaré en dos aristas propuestas por Dyer-Witheford y de Peuter en Games of Empire, que muestran a la industria de los videojuegos como una estrategia de avanzada del 1 Con esto quiero hacer énfasis en la existencia de políticas públicas y fondos culturales dedicados específicamente a ella. -
The First but Hopefully Not the Last: How the Last of Us Redefines the Survival Horror Video Game Genre
The College of Wooster Open Works Senior Independent Study Theses 2018 The First But Hopefully Not the Last: How The Last Of Us Redefines the Survival Horror Video Game Genre Joseph T. Gonzales The College of Wooster, [email protected] Follow this and additional works at: https://openworks.wooster.edu/independentstudy Part of the Other Arts and Humanities Commons, and the Other Film and Media Studies Commons Recommended Citation Gonzales, Joseph T., "The First But Hopefully Not the Last: How The Last Of Us Redefines the Survival Horror Video Game Genre" (2018). Senior Independent Study Theses. Paper 8219. This Senior Independent Study Thesis Exemplar is brought to you by Open Works, a service of The College of Wooster Libraries. It has been accepted for inclusion in Senior Independent Study Theses by an authorized administrator of Open Works. For more information, please contact [email protected]. © Copyright 2018 Joseph T. Gonzales THE FIRST BUT HOPEFULLY NOT THE LAST: HOW THE LAST OF US REDEFINES THE SURVIVAL HORROR VIDEO GAME GENRE by Joseph Gonzales An Independent Study Thesis Presented in Partial Fulfillment of the Course Requirements for Senior Independent Study: The Department of Communication March 7, 2018 Advisor: Dr. Ahmet Atay ABSTRACT For this study, I applied generic criticism, which looks at how a text subverts and adheres to patterns and formats in its respective genre, to analyze how The Last of Us redefined the survival horror video game genre through its narrative. Although some tropes are present in the game and are necessary to stay tonally consistent to the genre, I argued that much of the focus of the game is shifted from the typical situational horror of the monsters and violence to the overall narrative, effective dialogue, strategic use of cinematic elements, and character development throughout the course of the game. -
Please Biofeed the Zombies: Enhancing the Gameplay and Display of a Horror Game Using Biofeedback
Please Biofeed the Zombies: Enhancing the Gameplay and Display of a Horror Game Using Biofeedback Andrew Dekker Erik Champion Interaction Design, School of ITEE, Media Arts, COFA, UNSW, PO Box 259 University of Queensland, Ipswich, Australia Paddington, NSW 2021 Australia [email protected] [email protected] ABSTRACT commercial computer game, allowing for more dynamic, This paper describes an investigation into how real-time but unpredictable, but also more personalized and situated low-cost biometric information can be interpreted by game experiences. computer games to enhance gameplay without fundamentally changing it. We adapted a cheap sensor, (the The primary benefit of incorporating this technique into Lightstone mediation sensor device by Wild Divine), to computer games is that game developers can offer control record and transfer biometric information about the player over direction of game play and game events to the player. (via sensors that clip over their fingers) into a commercial Rather than the flow and progression within the game being game engine, Half-Life 2. linear and scripted [13], a series of events can be strung together in a sequence that better appeals to the individual. During game play, the computer game was dynamically modified by the player’s biometric information to increase For example, Rouse [12] agrees that allowing the system to the cinematically augmented “horror” affordances. These choose methods of conveying emotion dynamically rather included dynamic changes in the game shaders, screen then forcing players to take specific emotional journeys is a shake, and the creation of new spawning points for the fundamental aspect of enhancing computer games. -
Reasnow S1 User Manual
User Manual of ReaSnow S1 ReaSnow S1 User Manual V1.4 Jan, 2021 This manual is the intellectual property of ReaSnow. It must only be published in its original form. Using parts or republishing altered parts of this document is prohibited without permission from ReaSnow. http//www.reasnow.com PAGE 1 / 30 User Manual of ReaSnow S1 Table of Contents Chapter 1:Introduction to ReaSnow S1 1.1 Major Features of ReaSnow S1 1.2 Technical Specifications 1.3 Diagram Chapter 2:Quick Guide 2.1 Upgrade Firmware 2.2 Mouse Settings 2.3 Console and game settings 2.4 Wiring 2.5 ReaSnow Manager APP Chapter 3:ReaSnow Manager APP 3.1 Home 3.2 Manager 3.3 Settings 3.4 Add Config 3.5 Edit Config 3.7 Global Settings Chapter 4:Macro 4.1 Macro Manager 4.2 Macro Glossary 4.3 Examples and Explanations Chapter 5:Steering Wheel 5.1 Introduction 5.2 Usage 5.3 Notes Chapter 6:Flight Stick, Arcade Stick, and Other Controllers 6.1 Wiring 6.2 Add a Config Chapter 7:Bluetooth Controllers 7.1 Wiring 7.2 Add a Config 7.3 Pairing Chapter 8:Restoration 8.1 Restore factory defaults http//www.reasnow.com PAGE 2 / 30 User Manual of ReaSnow S1 Chapter 1:Introduction to ReaSnow S1 ReaSnow S1 is a high-end gaming converter created by ReaSnow Team, Professional mouse optimization for FPS games is embedded in it. Accurate and stable aiming can be got easily with your preferred mouse and keyboard. And it's also an all-around converter, most of the consoles in the market are compatible, such as: PS5 S&D/PS4 Pro&Slim/PS4/PS3/ Xbox Series X&S/ Xbox One X&S/Xbox One/XBox 360/ Nintendo Switch. -
Financial Results 2018/2019|Geographic Breakdown
2018/2019 ANNUAL RESULTS 27 JUNE 2019 WELCOME| MANAGEMENT BOARD Jürgen GOELDNER Deborah BELLANGE John BERT Luc HENINGER Thomas BARRAU CHAIRMAN VICE CHAIRMAN & CFO CHIEF OPERATING OFFICER PRODUCTION DIRECTOR MARKETING DIRECTOR 2 HIGH RESULTS| A VERY GOOD PERFORMANCE OVER THE YEAR SALES REACHED €126M 1 THE €100M ANNUAL THRESHOLD EXCEEDED & NEW €110M OBJECTIVE ALSO CROSSED! 2 HIGHER OPERATING INCOME : €14.1M AN EXCELLENT « WHAT’S NEXT » (APRIL 19) 3 SHOWING EXCITING PERSPECTIVES 3 1. REMINDER ON FOCUS PERFORMANCE TRACK RECORD Table of contents 2. 2018-2019 A RECORD YEAR FOR THE GROUP 3. OUTLOOK GREAT PERSPECTIVES 5 FOCUS HOME INTERACTIVE| PARTNERSHIPS WITH MORE EXPERIENCED STUDIOS 2015 2018 TODAY 6 FOCUS HOME INTERACTIVE| UPGRADE OF THE QUALITY OF OUR GAMES 83 2014-2015 2018-2019 72 67 77 +5 77 74 1 to 49 50 to 70 71 to 85 1 to 49 50 to 70 71 to 85 7 2018-2019| FOCUS UNDER THE SPOT-LIGHT ‘’They’re serving a starving market.‘’ JIM STERLING REVIEWING ‘’A PLAGUE TALE’’ ‘’Focus Home Interactive has been knocking out of the park with Vampyr, The Surge, Call of Cthulhu and now A Plague Tale.’’ ‘’They’re an example of what type of service a mid-tier publisher should provide to the game industry.‘’ 8 2018-2019| FOCUS UNDER THE SPOT-LIGHT 360° COMMUNICATION REACH MAINSTREAM AUDIENCE EDUCATE PLAYERS Farming Simulator 19| TV Ad World War Z | Dev Diary “It takes something special to get through the filter, so A Plague Tale: Innocence — take a bow.” REACH LIFESTYLE AUDIENCE REACH CORE AUDIENCE “Anyway: good job Focus Plague Tale| TV Ad with Sean Bean -
Nacon Annonce Wrc 9, Wrc 10 Et Wrc 11
Communiqué de presse NACON ANNONCE WRC 9, WRC 10 ET WRC 11 Lesquin, le 19 mars 2020 – NACON et son studio de développement KT Racing sont ravis de révéler WRC 9, jeu vidéo officiel du FIA World Rally Championship. Après le succès de WRC 8, WRC 9 réserve de nombreuses améliorations et nouveautés à tous les amateurs de jeux de rallye. Le jeu sera disponible dès le 3 septembre 2020 sur PlayStation®4, Xbox One et Epic Games Store pour PC et ultérieurement sur Nintendo Switch. NACON est aussi très heureux d’annoncer que WRC 9 est en cours de développement pour les consoles Xbox Series X et PlayStation®5, pour lesquelles plus d’information sont à venir dans les prochains mois. À cette occasion, NACON et KT Racing annoncent également la poursuite de leur accord de licence avec WRC Promoter jusqu’en 2022 pour le développement et l’édition de WRC 10 et de WRC 11. Découvrez la vidéo d’annonce de WRC9 : https://youtu.be/tYVEjuzl3CU Avec WRC 9, les équipes passionnées du studio français KT Racing n’ont pas ménagé leurs efforts pour continuer à répondre aux attentes des fans les plus exigeants en quête de toujours plus de réalisme et de challenge. Un mode carrière enrichi pour encore plus de challenge Salué comme offrant l’un des meilleurs modes Carrière des jeux de racing, WRC 8 avait conquis le cœur des fans. Il est de retour dans WRC 9 avec des mécaniques de gameplay enrichies et de nouvelles possibilités de faire progresser son écurie, des épreuves encore plus diversifiées et un lien plus fort avec ce que vivent les équipes du championnat tout au long de l’année. -
P Ub Lishin G/Distrib Ution
Daedalic Entertainment GmbH Publishing/Distribution Papenreye 51 | 22453 Hamburg | Germany phone +49 (0) 40 / 432 612 70 mail [email protected] | web www.daedalic.de facebook.com/daedalic | @daedalic Key Contacts Our Expertise Daedalic is one of Germany’s most acclaimed publishers and developers, having won numer- ous awards for genre-defining game series such as Deponia, Edna & Harvey, The Whis- pered World and Memoria. Daedalic publishes and develops high-quality games of all genres, with a strong focus on narrative games and compelling characters. Carsten Fichtelmann Daedalic is currently developing a new line- CEO & Founder up of innovative games, across console, PC and +49 (0) 40 / 806 011 30 mobile platforms – including Silence, the suc- [email protected] cessor to renowned The Whispered World, The Devil’s Men, a wholly unique detective/adven- ture title featuring a unique group of characters and a gripping narrative, Ken Follett’s The Pillars of the Earth and The Long Journey Home the first game from Daedalic Studio West. Platforms PC, PlayStation 4, Xbox One, Wii U and Mobile PC Stephan Harms COO Key Projects Console +49 (0) 40 / 845 041 19 [email protected] Deponia, Blackguards series, The Whispered World, Silence, The Night of the Rabbit, Edna & Harvey, The Dark Eye Adventure series, Ken Fol- lett’s The Pillars of the Earth, The Long Journey Handheld Home, The Devil’s Men. Company Facts Mobile • Employees: 115 PUBLISHING • Award Highlights: 21 German Developer Steffen Roche Awards (incl. »Studio of the Year« 2009 and Studio Manager 2013), six German Computer Game Awards MMOs MMOs DEVELOPMENT +49 (0) 40 / 307 290 98 (incl. -
Pc Games Compatibility & Possibilities
PC GAMES COMPATIBILITY & POSSIBILITIES Left Right Others 3 AXES 5 AXES Progressive Progressive Force PC GAMES Wheel Gas Brake Progressive Progressive Progressive MODE MODE Clutch Handbrake Feedback Cockpit View Cockpit View Possibilities BMW M3™ CHALLENGE YES Colin McRAE™ DIRT YES CROSS RACING CHAMPIONSHIP YES 2005 ™ F1 CHALLENGE ‘99-02 ’™ YES F1 2001™ YES FLATOUT™ YES FLATOUT™ 2 YES GTR -FIA GT Racing Game- ™ YES GTR 2 - FIA GT Racing Game-™ YES GT LEGENDS ™ YES GRAND PRIX LEGENDS ™ YES THRUSTMASTER «RGT PRO Force Feedback – Clutch Pedal Edition» Racing Wheel Release 02/2008 "THRUSTMASTER is a registered trademark of Guillemot Corporation S.A. All other trademarks and game titles are property of their respective owners. Not a product officially licensed nor endorsed by game publishers. Illustrations not binding. Content and specifications are subject to change without notice." PC GAMES COMPATIBILITY & POSSIBILITIES Left Right Others 3 AXES 5 AXES Progressive Progressive Force PC GAMES Wheel Gas Brake Progressive Progressive Progressive MODE MODE Clutch Handbrake Feedback Cockpit View Cockpit View Possibilities LIVE FOR SPEED ™ YES NASCAR® YES SIM RACING ™ NASCAR® YES RACING 4™ NASCAR® YES RACING 2002 SEASON™ NASCAR® YES RACING 2003 SEASON™ NASCAR® YES THUNDER 2004™ netKar PRO™ YES RACE - The official WTCC Game™ YES RACE™ 07 YES R-FACTOR ™ YES RICHARD BURNS RALLY™ YES THRUSTMASTER «RGT PRO Force Feedback – Clutch Pedal Edition» Racing Wheel Release 02/2008 "THRUSTMASTER is a registered trademark of Guillemot Corporation S.A. All other trademarks and game titles are property of their respective owners. Not a product officially licensed nor endorsed by game publishers. Illustrations not binding. -
GAMES FUNDING GUIDE1 INTRODUCTION Media Deals Which Focuses on the Creative Sector with a Strong Interest in Video Gaming
GAMES GUIDE2016 GAMES FUNDING GUIDE1 INTRODUCTION Media Deals which focuses on the creative sector with a strong interest in video gaming. Video games are a growing cultural force and It is only intended to be the latest version of this many countries and private coperations have guide, not a definitive one, since with each year decided to establish measures to help with their new funding opportunities are established and we development, production, marketing and distribu- will update the guide accordingly. As such this is a tion. work in progress. We want to warn potential read- ers that all the categories of investors presented In 2015, with more than €19 billion of revenues in this brochure are not exhaustive. the Chinese gaming market, closely followed by The guide is structured into four major parts: the United States, was ranked at the 1st place in Video games projects funding, Video games the world. Over the same period Germany, United investment funding, Financial Services dedicated Kingdom and France were respectively the 5th, to video game companies and Fiscal tools for 6th and 7th largest video game markets. In com- video games. These parts might be seperated into parison with China, the aggregate gaming mar- smaller categories and are than sorted by country ket value of United Kingdom, Germany, France, in alphabetical order. Spain and Italy amounted to €11,35 billion in 2015. According to the Newzoo’s video games re- We have made this guide because there was both port in April 2016, the global game market should a need and a demand on the part of the game generate a total of $99,6 billion (€89 billion) in rev- developers all over Europe for a one-stop list of enues in 2016, up 8.5% compared to 2015.