DOCSLIB.ORG

Concert & Dance Listings • Cd Reviews • Free Events • Festival Listings

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Concert & Dance Listings • Cd Reviews • Free Events • Festival Listings CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS • FESTIVAL LISTINGS FREE BI-MONTHLY Volume 6 Number 3 May-June 2006 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — W ARREN C ASEY of the Wicked Tinkers Francis Awe: Talking the Gospel of the Drum BY AUDREY COLEMAN nd one and go!!!” Immediately the four men standing in a semi-circle begin playing the hourglass-shaped drum each has slung over his shoulder. Using “J”-shaped wooden inside this issue: sticks, they each beat out a different rhyth- “A mic pattern against the two-headed dundun. Seated in the center, powerfully striking the Gualaguetza large djembe in front of him is Nigerian master drummer Francis Awe. He closes his eyes for a Festival moment, listening to the polyrhythmic effect, and then brings his sparkling gaze to each dundun in turn. Close-cropped black and silver hair crowns his head and his white, long- Conjunto Jardin sleeved tee-shirt stretches at the seams over his paunch as if the energy inside him is pushing to get out. “I want to see the bouncing!” he sings out. “Yeah! Yeah!” PLUS: So opens the dundun class Francis Awe holds for a small group of adults at Holy Name of Jesus School in Central Los FESTIVAL LISTINGS Angeles every Sunday afternoon. It is an intense two hours of ensemble and individual playing, punctuated by the master’s Ross Altman’s words on drumming technique, Yoruba culture, learning, and life. How Can I Keep From Talking Leader of the Nigerian Talking Drum Ensemble since 1985, Francis Awe has performed extensively around the Larry Wines’ United States as well as Mexico, Germany, India, and, of Tied to the Tracks course, Africa. In its Los Angeles home base, the Ensemble has appeared at such venues as the J. Paul Getty Museum, the Notes from Possum Pie Inn Los Angeles Theatre Center, the John Anson Ford Amphitheatre, the Los Angeles Music Center and major cul- Calendar of Events tural festivals. Awe has recorded sessions with such notables as Michael Jackson and Stevie Wonder. On-Going Music & Dance The 55-year old musician from Nigeria plays all manner FRANCIS AWE page 26 & much more... COVER PHOTO BY AMANDA RYAN Page 2 FolkWorks May-June 2006 EDITORIAL Dear Readers Cultural Center (up the Sepulveda PUBLISHERS & EDITORS Leda & Steve Shapiro Los Angeles is not known nationally pass) and Culver City Summer LAYOUT & PRODUCTION as a hotbed of either Folk or Roots/World Concert Music Festival. See page 3 for Alan Stone Creative Services music – and yet, as Larry Wines will tell some of the free concerts in May and FEATURED WRITERS you, there are actually many places to June. Brooke Alberts, Lookaround hear “folk” music and more than you May and June is also the folk and Ross Altman would think to hear Roots/World music. traditional music festival season. Some How Can I Keep From Talking S David Bragger, Old-Time Oracle In this issue, we turn you on to a new E of the best festivals are local or rela- N O Uncle Ruthie Buell S venue, Club Tropical where Molly White tively close by such at the Topanga A Y Halfway Down the Stairs (who is occasionally on KPFK) presents a N Banjo Fiddle Contest and Folk Music O S Valerie Cooley, That Reminds Me... series of World Music on Friday Y Festival, the Summer Solstice Folk B Linda Dewar, Grace Notes O nights….Balkan, Klezmer, African and T Music, Dance and Storytelling Festival O H Richard Gee, Law Talk more. Other clubs, while not making it P brought to you by the California Roger Goodman their mainstay, are often finding the “dif- BY LEDA & STEVE SHAPIRO Traditional Music Society (CTMS) as Keys to the Highway ferent sound” people are looking for, in well as the Cajun, Creole Music Fron Heller, the city’s ethnic communities. Tangiers, Temple Bar, Festival in Simi Valley and the Long Beach Bayou Notes from Possum Pie Inn Little Pedros, Knitting Factory and even The Echo some- Festival. Dennis Roger Reed times present folk or “roots” music. So maybe L.A., in its This year the Long Beach Bayou Festival brings you Reed’s Ramblings search for the new and different, is turning to its ethnic “The French Quarter and N’Orleans at Night,” present- Dave Soyars, Dave’s Corner “roots” and turning on a new generation to the soulful ing some fine talent. They are offering a couple free Larry Wines, Tied to the Tracks diversity in our midst. The music, dancing, food and passes to the first one to email to [email protected] EDITORS th st David Ascher • Marie Bruno crafts of our city is as diverse as it is magnificent. and on May15 - and again on June 1 . So mark that on your Mary Pat Cooney • Britt Nicole-Peterson nNew young musicians are swinging into action – taking calendar for two free passes. Only one set per person. Diane Sherman • Chris Stuart their traditions and mixing them up! Middle Eastern Finally, a bit further afield (but a relatively short plane CONTRIBUTING WRITERS music becomes “new Age” with Azam Ali, VOCO sings ride) is the ever-wonderful Northwest Folklife Festival. If Audrey Coleman • Lisa Forstein songs based in the old-time Appalachian tradition, then you haven’t had the pleasure, check out their website and Jim Lee • Pat MacSwyney powers up with an original Sacred Harp holler. Ashley book your tickets now. (One of these days we will figure Susan Michaels • Joel Okida Gigi “Gee” Rabe • Ron Young Maher does the singer songwriter thing, but swings it up out how to get our city to sponsor something similar DISTRIBUTION into African with dancers and Sengalese drummers. But ….we can only just imagine). Brooke Alberts • Ross Altman sometimes it is the soul of simple tradition that makes us We would be amiss not to mention a significant Beverly/Irwin Barr • Anna Byrne sit up and take notice: The CSUN based Zimbabwean change that has entered our lives. We are now grandpar- Judy CaJacob • Jim Cope influenced Masanga Marimba Band, is playing about ents to two beautiful baby girls. Yup twins. This has Linda Dewar • Mary Dolinskis town, making their joyful noise! Don’t miss their chil- already changed our lives and we anticipate this will con- Marge Gajicki • Sharon Gates Cliff Gilpatric • Sue Hunter dren’s concerts as well. All these local favorites have tinue. So keep looking at FolkWorks and don’t be sur- Holly Kiger • Bill/Mary Anne McCarthy developed a fiercely loyal following for a reason. More prised if the future pages will contain more things to do Nan McKinley • Russ/Julie Paris and more people are hearing something important in with young children. We’ve been meaning to do this for Milt Rosenberg • Doug Moon these voices. It is all around us and like good music of all years but we now have personal motivation. Daria Simolke • Aliana Smith genres, it satisfies the soul, something for which we are in We hope this all motivates you to get out and experi- Sylvia Stachura • Mimi Tanaka Roy Wells • Lynn Worrilow • Ron Young great need in this world. ence that wonderful folk, traditional (and maybe not so LOGO DESIGN This time of year also offers the best in free concerts traditional) music and dance that will be coming our way Tim Steinmeier with Grand Performances downtown, the Skirball soon. See you out and about. Thanks to all those who have supported and inspired us, especially Warren Casey of the Wicked Tinkers. IN THIS ISSUE Published bi-monthly by FolkWorks a 501 (c)(3) non-profit organization an affiliate of EDITORIAL..................................................2 Country Dance and Song Society (CDSS). FANTASTIC FUN FOLK FESTIVALS......3 BOARD OF DIRECTORS KEYS TO THE HIGHWAY ....................... 4 GOING MODAL WITH THE Brooke Alberts • Linda Dewar APPALACHIAN DULCIMER Kay Gilpatric • Roger Goodman NOTES FROM POSSUM PIE INN .......... 5 Don Kiger • Holly Kiger THE ROYAL TREATMENT, THRONE AND ALL Teresa Modnick • Gitta Morris TIED TO THE TRACKS ........................... 6 Steve Shapiro • Mimi Tanaka IN PRAISE OF LOCAL VENUES Monika White • Ron Young A TASTE OF GUELAGUETZA..................7 Leda Shapiro, Executive Director DAVE’S CORNER OF THE WORLD ..... 8 ADVISORY BOARD ON-GOING STORYTELLING EVENTS. 8 Richard Gee • Howard & Roz Larman CONJUNTO JARDIN: Sabrina Motley • Colin Quigley ESTE ES NUEVO SON JAROCHO.......... 9 Cait Reed • Lisa Richardson REED’S RAMBLINGS ............................ 10 Tom Sauber MUSIC AND MUSIC CULTURE CD REVIEWS ...................................... 11-12 CONTACT INFORMATION JULIE LEE LETS US WALK ON THE P.O. Box 55051, Sherman Oaks, CA 91413 STILLHOUSE ROAD ................................13 Phone: 818-785-3839 HOUSE ON THE HILL CONCERT- MARCH 4, 2006 [email protected] • www.FolkWorks.org ©2006 FolkWorks All Rights Reserved ON-GOING MUSIC HAPPENINGS........15 CALENDAR OF EVENTS ................. 16-17 AD RATES ON-GOING DANCE HAPPENINGS .......18 Size 1 X 3X 6X OLD TIME ORACLE .............................. 19 SALTY DOGS AND RED HOT BANANAS Full Pg $660 $600 $550 THAT REMINDS ME... ........................... 20 1/2 pg $385 $350 $300 THE BARN DANCE 1/4 pg $235 $210 $185 MOTHERLAND MUSIC...........................21 1/8 pg $150 $125 $100 CLUB TROPICAL 1/16 pg $85 $75 $65 SUPPORTS WORLD MUSIC ..................22 SPECIFICATIONS WITH CRYPTONOCHE SERIES Full Pg ................................. 9.5 x 15" ARMENIAN ART AT CAFAM .................23 1/2 pg H ......................... 9.5 x 7.375" LOOKAROUND ....................................... 23 MANIPULATE ME! 1/4 pg V..................... 4.625 x 7.375" 1/8 pg H .................... 4.625 x 3.625" LAWTALK ................................................ 24 1/16 pg V .................
Load more

Recommended publications
  • Ho Li Day Se Asons and Va Ca Tions Fei Er Tag Und Be Triebs Fe Rien BEAR FAMILY Will Be on Christmas Ho Li Days from Vom 23
    Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 12. Ja nuar macht De cem ber 23rd to Ja nuary 12th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 12. Janu ar 2004 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. Bei die ser Ge le gen heit be dan ken day 12th, 2004. We would like to thank all our custo - wir uns für die gute Zusam menar beit im ver gange nen mers for their co-opera ti on in 2003. It has been a Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY...............................2 BEAT, 60s/70s.........................66 AMERICANA/ROOTS/ALT. ........................19 SURF ........................................73 OUTLAWS/SINGER-SONGWRITER ..................22 REVIVAL/NEO ROCKABILLY .......................75 WESTERN .....................................27 BRITISH R&R ...................................80 C&W SOUNDTRACKS............................28 INSTRUMENTAL R&R/BEAT ........................80 C&W SPECIAL COLLECTIONS ......................28 COUNTRY AUSTRALIA/NEW ZEALAND ...............29 POP ......................................82 COUNTRY DEUTSCHLAND/EUROPE .................30 POP INSTRUMENTAL ............................90
    [Show full text]
  • ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
    AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein.
    [Show full text]
  • Steve Cropper | Primary Wave Music
    STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band.
    [Show full text]
  • April May June
    May 2005 vol 40, No.5 April 30 Sat Songs and Letters of the Spanish Civil War, co-sponsored with and at the Peoples’ Voice Cafe May 1 Sun Sea Music Concert: Dan Milner, Bob Conroy & Norm Pederson + NY Packet; 3pm South St.Melville Gallery 4WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 9 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Sat Chantey Sing at Seamen’s Church Institute, 8pm 15 Sun Sacred Harp Singing at St. Bart’s, Manhattan; 2:30 pm 19 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church, Bronx 20 Fri Bill Staines, 8pm at Advent Church ☺ 21 Sat For The Love of Pete; at Community Church 22 Sun Gospel & Sacred Harp Sing, 3pm: location TBA 22 Sun Balkan Singing Workshop w/ Erica Weiss in Manhattan 22 Sun Sunnyside Song Circle in Queens; 2-6pm 27-30 Spring Folk Music Weekend --see flyer in centerfold June 1WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 2 Thur Newsletter Mailing; at Club office, 450 7th Ave, #972, 7 pm 7 Tue Sea Music Concert: Mick Moloney + NY Packet; 6pm South Street Seaport Melville Gallery 11 Sat Chantey Sing at Seamen’s Church Institute, 8pm 13 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Tue Sea Music Concert: The NexTradition + NY Packet; 6pm 16 Thur: Sara Grey & Kieron Means; location to be announced 19 Sun Sacred Harp Singing at St.
    [Show full text]
  • 2015 Regional Music Scholars Conference Abstracts Friday, March 27 Paper Session 1 1:00-3:05
    2015 REGIONAL MUSIC SCHOLARS CONFERENCE A Joint Meeting of the Rocky Mountain Society for Music Theory (RMSMT), Society for Ethnomusicology, Southwest Chapter (SEMSW), and Rocky Mountain Chapter of the American Musicological Society (AMS-RMC) School of Music, Theatre, and Dance, Colorado State University March 27 and 28, 2015 ABSTRACTS FRIDAY, MARCH 27 PAPER SESSION 1 1:00-3:05— NEW APPROACHES TO FORM (RMSMT) Peter M. Mueller (University of Arizona) Connecting the Blocks: Formal Continuity in Stravinsky’s Sérénade en La Phrase structure and cadences did not expire with the suppression of common practice tonality. Joseph Straus points out the increased importance of thematic contrast to delineate sections of the sonata form in the beginning of the nineteenth century. Igor Stravinsky exploited other musical elements (texture, range, counterpoint, dynamics, etc.) to delineate sections in his neoclassical works. While theorists have introduced large-scale formal approaches to Stravinsky’s works (block juxtaposition, stratification, etc.), this paper presents an examination of smaller units to determine how they combine to form coherence within and between blocks. The four movements of the Sérénade present unique variations of phrase construction and continuity between sections. The absence of clear tonic/dominant relationships calls for alternative formal approaches to this piece. Techniques of encirclement, enharmonic ties, and rebarring reveal methods of closure. Staggering of phrases, cadences, and contrapuntal lines aid coherence to formal segments. By reversing the order of phrases in outer sections, Stravinsky provides symmetrical “bookends” to frame an entire movement. Many of these techniques help to identify traditional formal units, such as phrases, periods, and small ternary forms.
    [Show full text]
  • 1 a Conversation with Abigail Washburn by Frank
    A Conversation with Abigail Washburn by Frank Goodman (9/2005, Puremusic.com) It’s curious in the arts, especially music, that success or notoriety can sometimes come more easily to those who started late, or never even planned to be an artist in the first place. But perhaps, by the time that music seriously enters their life, people they’ve met or other things that they’ve done or been interact with that late-breaking musical urge and catalytically convert it into something that works, takes shape or even wings. And so many who may have played the same instrument or sung or composed the same style of music all their lives may never have been rewarded, or at least noticed, for a life’s work. Timing, including the totality of what one brings to the table at that particular time, seems to be what matters. Or destiny, perhaps, if one believes in such a thing. By the time that musical destiny came knocking at Abigail Washburn’s door, her young life was already paved with diverse experiences. She’d gone abroad to China in her freshman year at college, and it changed her fundamentally. She became so interested in that culture and that tradition that it blossomed into a similar interest in her own culture when she returned, and she went deeply into the music of Doc Watson and other mountain music figures, into old time and clawhammer banjo music in particular. She’d sung extensively in choral groups already, so that came naturally. She was working as a lobbyist and living in Vermont, and had close friends who were a string band.
    [Show full text]
  • Reglas De Congo: Palo Monte Mayombe) a Book by Lydia Cabrera an English Translation from the Spanish
    THE KONGO RULE: THE PALO MONTE MAYOMBE WISDOM SOCIETY (REGLAS DE CONGO: PALO MONTE MAYOMBE) A BOOK BY LYDIA CABRERA AN ENGLISH TRANSLATION FROM THE SPANISH Donato Fhunsu A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature (Comparative Literature). Chapel Hill 2016 Approved by: Inger S. B. Brodey Todd Ramón Ochoa Marsha S. Collins Tanya L. Shields Madeline G. Levine © 2016 Donato Fhunsu ALL RIGHTS RESERVED ii ABSTRACT Donato Fhunsu: The Kongo Rule: The Palo Monte Mayombe Wisdom Society (Reglas de Congo: Palo Monte Mayombe) A Book by Lydia Cabrera An English Translation from the Spanish (Under the direction of Inger S. B. Brodey and Todd Ramón Ochoa) This dissertation is a critical analysis and annotated translation, from Spanish into English, of the book Reglas de Congo: Palo Monte Mayombe, by the Cuban anthropologist, artist, and writer Lydia Cabrera (1899-1991). Cabrera’s text is a hybrid ethnographic book of religion, slave narratives (oral history), and folklore (songs, poetry) that she devoted to a group of Afro-Cubans known as “los Congos de Cuba,” descendants of the Africans who were brought to the Caribbean island of Cuba during the trans-Atlantic Ocean African slave trade from the former Kongo Kingdom, which occupied the present-day southwestern part of Congo-Kinshasa, Congo-Brazzaville, Cabinda, and northern Angola. The Kongo Kingdom had formal contact with Christianity through the Kingdom of Portugal as early as the 1490s.
    [Show full text]
  • Early Mexican American Literature and the Production of Transnational Counterspaces, 1885-1958 Diana Noreen Rivera
    University of New Mexico UNM Digital Repository English Language and Literature ETDs Electronic Theses and Dissertations 9-12-2014 Remapping the U.S. "Southwest": Early Mexican American Literature and the Production of Transnational Counterspaces, 1885-1958 Diana Noreen Rivera Follow this and additional works at: https://digitalrepository.unm.edu/engl_etds Recommended Citation Rivera, Diana Noreen. "Remapping the U.S. "Southwest": Early Mexican American Literature and the Production of Transnational Counterspaces, 1885-1958." (2014). https://digitalrepository.unm.edu/engl_etds/30 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in English Language and Literature ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. i Díana Noreen Rivera Candidate English Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Jesse Alemán, Chairperson Dr. María Cotera Dr. Kathleen Washburn Dr. Emilio Zamora ii REMAPPING THE U.S. “SOUTHWEST”: EARLY MEXICAN AMERICAN LITERATURE AND THE PRODUCTION OF TRANSNATIONAL COUNTERSPACES, 1885-1958 By DÍANA NOREEN RIVERA B.A., English, University of Texas Pan American, 2003 M.A., English, University of Texas Pan American, 2005 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy English The University of New Mexico Albuquerque, New Mexico July, 2014 iii ©2014, Díana Noreen Rivera iv Dedication To my mother and father Whose never-ending love, encouragement and wisdom Guides me, always To Sam Whose partnership, support and love Fulfills me on this journey through life To the memory of my grandmothers And todo mi familia Who have crisscrossed Borders, nations, oceans, and towns And shared with me their stories.
    [Show full text]
  • In Honolulu's Christ Church in Kailua, Which Will Repeat Next Hemenway Theatre, UH Manoa Campus: Wed
    5 The Fear Factor 8 Pritchett !ICalendar 13 Book Bonanza l!IStraight Dope Volume 3, Number 45, November 10, 1993 FREE Interview by JOHN WYTHE WHITE State Representative DaveHagino has spent 15 years fighting the system he's a partof- and theparty he belongs to. !JiORDERS BOOKS & MUSIC· BORDERS BOOKS & MUSIC· BORDERS BOOKS & MUSIC· BORDERS BOOKS & MUSIC· BORDERS BOOKS & MUSIC· BORDERS BOOKS & MUSIC· BORDERS BOOKS 8 ,,,, :,..: ;o 0 0 � �L � w ffi 8 Cl 0 ;,<; 0::: w 0 il,1.. � SELECTION: w 2 No Comparison 00 Cl 0::: i0 co co 0 ;o 0 -- -- co�:. 0 0 7' $�··· C nw oco ;o· · 0 m � co 0 0 w7' ::c: :::: C w 0:co 0 ;o 0 m � co 0 0 ci: � $ C w Borders® Books &Music. n ;o8 0 m The whole idea behind Finda book or music store the new Borders Books w;o co .- Borders Books & Music is to &Music. 0 with more titles and 0 w7' create an appealing place with Welcome to the new � $ we'll shop there. C more selection. So we brought Borders Books &Music. w () 100,000 in over book titles, more times the average store. Borders co 0 than 5 times the average bookstore. especially excels in classical and ;o It 0 CD m .r::;"' � OJ ;o What that means is that Borders jazz recordings. 0 E w (.) "' i co .r::; 'l' CD I 0 E 0 offersmore history, more com­ Borders also carries the area's (!) 0 """' 7' H-1 Fwy. w puters, more cooking. More of broadest selection of videotapes, � Waikele/Waipahu Exit 7 ::::: C everything, not just more copies including classic and foreign films.
    [Show full text]
  • Annual Financial Report 30 June 2020
    Australasian Performing Right Association Limited (a company limited by guarantee) and its controlled entity ABN 42 000 016 099 Annual Financial Report 30 June 2020 Australasian Performing Right Association Limited and its controlled entity Annual Report 30 June 2020 Directors’ report For the year ended 30 June 2020 The Directors present their report together with the financial statements of the consolidated entity, being the Australasian Performing Right Association Limited (Company) and its controlled entity, for the financial year ended 30 June and the independent auditor’s report thereon. Directors The Directors of the Company at any time during or since the financial year are: Jenny Morris OAM, MNZM Non-executive Writer Director since 1995 and Chair of the Board A writer member of APRA since 1983, Jenny has been a music writer, performer and recording artist since 1980 with three top 5 and four top 20 singles in Australia and similar success in New Zealand. Jenny has recorded nine albums gaining gold, platinum and multi-platinum status in the process and won back to back ARIA awards for best female vocalist. Jenny was inducted into the NZ Music Hall of Fame in 2018. Jenny is also a non-executive director and passionate supporter of Nordoff Robbins Music Therapy Australia. Jenny presents their biennial ‘Art of Music’ gala event, which raises significant and much needed funds for the charity. Bob Aird Non-executive Publisher Director from 1989 to 2019 Bob recently retired from his position as Managing Director of Universal Music Publishing Pty Limited, Universal Music Publishing Group Pty Ltd, Universal/MCA Publishing Pty Limited, Essex Music of Australia Pty Limited and Cromwell Music of Australia Pty Limited which he held for 16 years.
    [Show full text]
  • An Analysis of Public Participation in the Water Industry
    UNLV Theses, Dissertations, Professional Papers, and Capstones 12-1997 Public Participation Program Development: An analysis of public participation in the water industry Marcia Lynne Holmberg Univeristy of Nevada Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Civic and Community Engagement Commons, Communication Commons, and the Water Resource Management Commons Repository Citation Holmberg, Marcia Lynne, "Public Participation Program Development: An analysis of public participation in the water industry" (1997). UNLV Theses, Dissertations, Professional Papers, and Capstones. 279. http://dx.doi.org/10.34917/1480617 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. PUBLIC PARTICIPATION PROGRAM DEVELOPMENT: AN ANALYSIS OF PUBLIC PARTICIPATION IN THE WATER INDUSTRY Marcia Lynne Hoimbeig Bachelor of Arts University
    [Show full text]
  • WV Graded Music List 2011
    2011 WV Graded Music List, p. 1 2011 West Virginia Graded Music List Grade 1 Grade 2 Grade 3 Grade 4 Grade 5 Grade 6 Grade Artist Arranger Title Publisher 1 - Higgins, John Suo Gan HL 1 - McGinty Japanese Folk Trilogy QU 1 - McGinty, Anne Elizabethan Songbook, An KJ 1 - Navarre, Randy Ngiele, Ngiele NMP 1 - Ployhar Along the Western Trail BE 1 - Ployhar Minka BE 1 - Ployhar Volga Boat Song BE 1 - Smith, R.W. Appalachian Overture BE Variant on an Old English 1 - Smith, R.W. BE Carol 1 - Story A Jubilant Carol BE 1 - Story Classic Bits and Pieces BE 1 - Story Patriotic Bits and Pieces BE 1 - Swearingen Three Chorales for Band BE 1 - Sweeney Shenandoah HL 1 Adams Valse Petite SP 1 Akers Berkshire Hills BO 1 Akers Little Classic Suite CF 1 Aleicheim Schaffer Israeli Folk Songs PO 1 Anderson Ford Forgotten Dreams BE 1 Anderson Ford Sandpaper Ballet BE 1 Arcadelt Whiting Ave Maria EM 1 Arensky Powell The Cuckoo PO 1 Bach Gardner Little Bach Suite ST Grand Finale from Cantata 1 Bach Gordon BO #207 1 Bach Walters Celebrated Air RU 1 Bain, James L. M Wagner Brother James' Air BE 1 Balent Bold Adventure WB Drummin' With Reuben And 1 Balent BE Rachel 1 Balent Lonesome Tune WB 1 Balmages Gettysburg FJ 2011 WV Graded Music List, p. 2 1 Balmages Majestica FJ 1 Barnes Ivory Towers of Xanadu SP 1 Bartok Castle Hungarian Folk Suite AL 1 Beethoven Clark Theme From Fifth Symphony HL 1 Beethoven Foulkes Creation's Hymn PO 1 Beethoven Henderson Hymn to Joy PO 1 Beethoven Mitchell Ode To Joy CF 1 Beethoven Sebesky Three Beethoven Miniatures Al 1 Beethoven Tolmage
    [Show full text]