Sonya Sklaroff

Total Page:16

File Type:pdf, Size:1020Kb

Sonya Sklaroff SONYA SKLAROFF SOLO EXHIBITIONS 2016 “New York State of Mind”, Air France La Première & Business Lounge – JFK NY “New York Portraits Part V”, Galerie Sparts, Paris, France 2015 “New York: Inside & Out”, Galerie Anagama, Versailles, France Sonya SKLAROFF – monograph launch, Sofitel New York 2014 “New York Portraits Part IV”, Galerie Sparts, Paris, France 2013 Latest Works, Galerie Anagama, Versailles, France 2012 “A Celebration of New York”. Gallery Space at Sofitel. New York - NY 2011 “New York Portraits Part III”, Galerie Sparts, Paris, France Galerie Anagama, Versailles, France “A Celebration of New York”. Gallery Space at Sofitel. New York - NY 2010 “Urban Perspectives”, Jenkins Johnson Gallery – Chelsea / New York - NY 2009 «New York Portraits, Part II», Galerie Sparts, Paris, France «City Thoughts», David Findlay Gallery, New York, NY 2008 «Lightscapes: Finding Beauty in the Mundane», Corning Gallery, New York, NY «New York: Here & Now», Jenkins Johnson Gallery, San Francisco, CA «State of Mind», Corning Gallery, New York, NY «The City», Steuben, New York, NY 2007 «New York Portraits, Part I», Galerie Sparts, Paris, France 2006 «The City Re-Examined», David Findlay Gallery, New York, NY «New York, New York», Jenkins Johnson Gallery, San Francisco, CA 2005 «America the Beautiful», Water Street Gallery, New York, NY 2004 «City Views», David Findlay Gallery, New York, NY «New York Perspective», Jenkins Johnson Gallery, San Francisco, CA 2003 «Urban Rhapsody», French Institute Alliance Française, New York, NY «American Perspectives», Sofitel Lafayette Square, Washington, DC Cultural Services of the French Embassy, New York, NY 2002 «Always…», French Consulate, New York, NY Steuben, New York, NY 2001 «New York Stories», Gale - Martin Gallery, New York, NY Steuben, New York, NY 2000 «Cityscapes & Interiors», Allen Sheppard Gallery, New York, NY 1999 «A Personal New York», Allen Sheppard Gallery, New York, NY 1997 Gallery at Roundabout, New York, NY 1995 Gallery at Roundabout, New York, NY GROUP EXHIBITIONS 2015 Galerie Sparts, Paris, France Galerie Anagama, Versailles, France 2014 Galerie Sparts, Paris, France Galerie Anagama, Versailles, France SONYA SKLAROFF 2013 La Garlande, Saint-Clar, France Galerie Anagama, Versailles, France 2012 La Garlande, Saint-Clar, France Galerie Sparts, Paris, France Galerie Anagama, Versailles, France Jenkins Johnson Galleries, New York, NY & San Francisco, CA 2011 “Before the Fall: Remembering the World Trade Center”, NYState Museum, Albany Galerie Sparts, Paris, France Galerie Anagama, Versailles, France La Garlande, Saint-Clar, France “Latest Works”, Galerie Anagama, Versailles, France Jenkins Johnson Gallery, New York, NY Jenkins Johnson Gallery, San Francisco, CA Cavalier Galleries, Nantucket, MA 2010 Galerie Anagama, Versailles, France Jenkins Johnson Gallery, New York, NY Jenkins Johnson Gallery, San Francisco, CA Architecture Urbaine, Galerie des Remparts, Bordeaux, France «In the Mix», La Maison de la Culture, Neuilly, France Cavalier Galleries, Nantucket, MA Galerie Sparts, Paris, France 2009 «Eye on Wall Street», Federal Hall, New York, NY Jenkins Johnson Gallery, San Francisco, CA Cavalier Galleries, Nantucket, MA David Findlay Gallery, New York, NY Galerie Sparts, Paris, France 2008 Flushing Council on Culture & the Arts, Flushing - NY E&VE Auction house - Drouot Montaigne, Paris, France Galerie Sparts, Paris, France Lagalery, St Paul de Vence, France Jenkins Johnson Gallery, San Francisco, CA Cavalier Galleries, Nantucket, MA David Findlay Gallery, New York, NY 2007 Galerie des Remparts, Bordeaux, France Lagalery, St Paul de Vence, France Jenkins Johnson Gallery, San Francisco, CA Cavalier Galleries, Nantucket, MA David Findlay Gallery, New York, NY Galerie Sparts, Paris, France 2006 Jenkins Johnson Gallery, San Francisco, CA Cavalier Galleries, Nantucket, MA David Findlay Gallery, New York, NY Galerie Ange Bova, Nice - France McGrath Dunham Gallery, Castine, ME Paul & Shark – “Fashion Meets Art”, New York, NY SONYA SKLAROFF 2005 Jenkins Johnson Gallery, San Francisco, CA David Findlay Gallery, New York, NY Cavalier Galleries, Nantucket, MA RICE / POLAK Gallery, Provincetown, MA SVG Collection, Nantucket, MA McGrath Dunham Gallery, Castine, ME 2004 80 Washington Square East Galleries, New York, NY David Findlay Gallery, New York, NY Sherry French Gallery, New York, NY Jenkins Johnson Gallery, San Francisco, CA McGrath Dunham Gallery, Castine, ME SVG Collection, Nantucket, MA 2003 Arnot Art Museum, Elmira, NY DFN Gallery, New York, NY SVG Collection, Nantucket, MA 80 Washington Square East Galleries, New York, NY Jenkins Johnson Gallery, San Francisco, CA McGrath Dunham Gallery, Castine, ME Sherry French Gallery, New York, NY 2002 SITE Santa Fe, Santa Fe, NM Sherry French Gallery, New York, NY Jenkins Johnson Gallery, San Francisco, CA SVG Collection, Nantucket, MA RISD Works Gallery, Providence, RI Cartier – “Fashion Meets Art”, New York, NY 2001 Arnot Art Museum, Elmira, NY SVG Collection, Nantucket, MA Jenkins Johnson Gallery, San Francisco, CA Sherry French Gallery, New York, NY 80 Washington Square East Galleries, New York, NY Northern Westchester Center for the Arts, Mt. Kisco, NY Media Gallery, Boston, MA 2000 Atmosphere Gallery, New York, NY Monique Goldstrom Gallery, New York, NY Sherry French Gallery, New York, NY Jenkins Johnson Gallery, San Francisco, CA Flint Museum of Art, Flint, MI 80 Washington Square East Galleries, New York, NY SVG Collection, Nantucket, MA Trudy Labell Fine Art, Naples, FL SONYA SKLAROFF 1999 Memorial Art Gallery - University of Rochester, Rochester, NY O'Farrell Gallery, Brunswick, ME Lupine Gallery, Monhegan Island, ME Bilski Fine Art, Ltd., Chappaqua, NY Paesaggio Gallery, West Hartford, CT Mark Humphrey Gallery, Southampton, NY Sherry French Gallery, New York, NY Beth Urdang Gallery, Boston, MA Gallery at Roundabout, New York, NY SVG Collection, Nantucket, MA 1998 Sherry French Gallery, New York, NY Gordon College, Wenham, MA Albright Knox Art Gallery, Buffalo, NY Flint Museum of Art, Flint, MI 1997 Sherry French Gallery, New York, NY McNay Museum of Art, New York, NY Albright Knox Art Gallery, Buffalo, NY Flint Institute of Arts, Flint, MI Vero Beach Center for the Arts, Vero Beach, FL Alicia Torres Fine Art, New York, NY Gallery on 2 nd , New York, NY O’Farrell Gallery, Brunswick, ME Shirley Fiterman Gallery, New York, NY San Jacinto College South, Houston, TX 1996 Eich Space, New York, NY Sherry French Gallery, New York, NY McNay Museum of Art, San Antonio, TX City Without Walls, Newark, NJ Silvermine Guild Arts Center, New Canaan, CT Alicia Torres Fine Art, New York, NY Bromfield Gallery, Boston, MA Denise Bibro Fine Art, New York, NY RISD Alumni Juried Exhibition, Providence; Boca Raton; San Francisco; Philadelphia 1995 City Without Walls, Newark, NJ 80 Washington Square East Galleries, New York, NY Paris, New York, Kent, Kent, CT Sherry French Gallery, New York, NY Bayview Gallery, Camden, ME RISD Alumni Juried Exhibition, Providence, RI; Boston, MA SONYA SKLAROFF BIBLIOGRAPHY 2015 • Emmanuel Fevre, “Le New York Lumineux de Sonya Sklaroff”, Côté Yvelines March 3 2014 • Sonya Sklaroff, Monography, Preface by Harlan Coben. Paris, France: Livre D’Art • Oertel, Pierre, New York Art City, documentary film 2013 • Sonya Sklaroff, Block-Notes, La Gazette de l'Hôtel Drouot, March 29, 2013, 2012 • Gala Lutteroth, Water From Above, Documentary Film, May 2012 • Bill Van Siclen, “I Love the Light of New York”, The Providence Journal, May 13 2011 • Beatrice Dillies, “New York, Saint Clar: Deux Phares pour les Peintres”, La Dépêche du Midi, December 28 • Florence Benzacar and Silvie Burban, “L’Agenda”, Elle Decoration, May 2011 2010 ° Linda S. Price, “Approaching Art with the Intensity of an Athlete,” American Artist Magazine, April 2010 ° American Arts Quarterly – Winter 2010 ° Ravi Shankar, Voluptuous Bristle, Georgetown, KY: Finishing Line - Press, 2010 . 2009 City Journal, New York City, Cover, Summer 2009 2008 • Gallery Guide West – cover and feature article – May 2008 • Literature, Evanston, IL: McDougal Littell 2007 ° Laura Marzouk, "Sonya Sklaroff à la lumière ", France Amérique – web ed., October ° Brian Sherwin, "Art Space Talk: Sonya Sklaroff", www.MyArtSpace.com, November 23, ° John O'Hern, "Reflective Measures", American Art Collector, August 2006 ° “Two Opportunities to see 8 th Annual Realism Invitational Coast to Coast”, American Art Collector, June ° “Jenkins Johnson Gallery”, American Arts Quarterly, Fall, 2006 SONYA SKLAROFF 2004 ° Site Matters: The Lower Manhattan Cultural Council’s World Trade Center Artists Residency, 1997-2001 . New York: DAP Distributed Art Publishers, 2004 2003 ° Francoise Cestac, "Une Rapsodie Urbaine en Peinture", Edition Internationale du Figaro, France Amérique, Nov. 1-7 ° Jessica Dawson, "The Windows of Opportunity", The Washington Post , May 22 ° Indepth Arts News: "Sonya Sklaroff: American Perspectives", www.absolutearts.com , ° "Après une Année Difficile, des Motifs d'Espoir", Edition Internationale du Figaro , France- Amérique, January 25-31. ° Gregory Peterson, "Portrait of An Artist: Following the Career of Sonya Sklaroff", www.ArtCritical.com , January. 2002 ° "Sonya Sklaroff et les Lumières de New York", Edition Internationale du Figaro , France- Amérique, October 5-11. ° Sara Gilbert, "City Slickers", USArt , September. ° Kirk Ellis, "If You Can Make it There…", Santa Fean , September. ° Stephen Kinzer, "For Artists, A Sanctuary From Sept. 11", The New York Times , January 23. ° Gregory Peterson,
Recommended publications
  • Sonya Sklaroff
    SONYA SKLAROFF WWW.SONYASKLAROFF.COM SOLO EXHIBITIONS 2019 Galerie Anagama, Versailles, France 2018 Galerie Ferrari, Vevey, Switzerland Galerie Sparts, Paris, France 2017 Galerie Anagama, Versailles, France 2016 Galerie Sparts, Paris, France Galerie Next, Toulouse, France 2015 Galerie Anagama, Versailles, France 2014 Galerie Sparts, Paris, France 2013 Galerie Anagama, Versailles, France 2011 Galerie Sparts, Paris, France 2010 Jenkins Johnson Gallery, New York, NY 2009 Galerie Sparts, Paris, France David Findlay Galleries, New York, NY 2008 The Gallery at Steuben Glass, New York, NY Jenkins Johnson Gallery, San Francisco, CA 2007 Corning Gallery, New York, NY Galerie Sparts, Paris, France 2006 David Findlay Gallery, New York, NY Jenkins Johnson Gallery, San Francisco, CA 2005 Water Street Gallery, New York, NY 2004 David Findlay Gallery, New York, NY Jenkins Johnson Gallery, San Francisco, CA 2003 French Institute Alliance Francaise, New York, NY Sofitel Lafayette Square, Washington, DC 2002 French Consulate, New York, NY Steuben, New York, NY Cartier, New York, NY 2001 Gale-Martin Fine Art, New York, NY Steuben, New York, NY 2000 & 1999 Allen Sheppard Gallery, New York, NY 1997 & 1995 Gallery at Roundabout, New York, NY TWO AND THREE PERSON EXHIBITIONS 2019 Portland Art Gallery, Portland, ME 2010 Maison de la Culture, Neuilly sur Seine, France 2002 RISD Works Gallery, Providence, RI SVG Collection, Nantucket, MA 2001 Media Gallery, Boston, MA SVG Collection, Nantucket, MA 1999 Gallery at Roundabout, New York, NY 611 Broadway #717 New
    [Show full text]
  • Robert and Anne Dickey House Designation Report
    Landmarks Preservation Commission June 28, 2005, Designation List 365 LP-2166 ROBERT and ANNE DICKEY HOUSE, 67 Greenwich Street (aka 28-30 Trinity Place), Manhattan. Built 1809-10. Landmark Site: Borough of Manhattan Tax Map Block 19, Lot 11. On October 19, 2004, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Robert and Anne Dickey House and the proposed designation of the related Landmark Site (Item No. 2). The hearing was continued to April 21, 2005 (Item No. 1). Both hearings had been duly advertised in accordance with the provisions of law. Sixteen people spoke in favor of designation, including representatives of State Assemblyman Sheldon Silver, the Lower Manhattan Emergency Preservation Fund, Municipal Art Society of New York, New York Landmarks Conservancy, Historic Districts Council, and Greenwich Village Society for Historic Preservation. Two of the building’s owners, and five of their representatives, testified against designation. In addition, the Commission received numerous communications in support of designation, including a resolution from Manhattan Community Board 1 and letters from City Councilman Alan J. Gerson, the Northeast Office of the National Trust for Historic Preservation, Preservation League of New York State, and architect Robert A.M. Stern. The building had been previously heard by the Commission on October 19, 1965, and November 17, 1965 (LP-0037). Summary The large (nearly 41 by 62 feet), significantly intact Federal style town house at No. 67 Greenwich Street in lower Manhattan was constructed in 1809-10 when this was the most fashionable neighborhood for New York’s social elite and wealthy merchant class.
    [Show full text]
  • Todos Los Toros Y Osos De La Bolsa Port
    TODOS LOS TOROS Y OSOS DE LA BOLSA Ricardo A. Fornero Universidad Nacional de Cuyo Revisado y ampliado 2018 1 2 TODOS LOS TOROS Y OSOS DE LA BOLSA Las palabras y su materialización 4 Esculturas bursátiles del toro y el oso 5 Esculturas bursátiles del toro 5 Un toro que sacude el mundo 6 1709 Las palabras bears y bulls para designar a los bajistas y los alcistas en la Bolsa 8 1924 El toro y el oso , de Isidore Bonheur, en la Bolsa de Nueva York 17 Ventana: Una escultura con un tema similar al de la obra de Bonheur 1931 El toro y el oso en la entrada del edificio fallido de la Bolsa de De- 21 troit 1985 Bulle und Bär , el toro y el oso de Frankfurt 24 1987 En la Plaza de la Bolsa de Hong Kong no hay toros, sino búfalos 26 1988 Toro y oso en el interior de la Bolsa de Singapur 27 Ventana: M Bull, el otro toro de Singapur 1989 Charging bull , el toro de Wall Street 31 1994 El primer toro bursátil en Corea se instala en una firma de inversión 35 1995 Una escultura de toro y oso para el nuevo edificio de la Bolsa de Estambul 36 1997 El oso y el toro de la Bursa Malaysia 38 2002 El toro coreano de la Asociación de Inversión 40 2003 El toro en Bull Ring, Birmingham: Una simbolización comercial, no una representación bursátil 42 2004 Los dos toros de la Bolsa de Shenzhen y la escultura del buey pio- nero 44 2004 El toro y el oso de la Bolsa en una estampilla de Luxemburgo 49 3 2005 Korea Exchange como mercado consolidado y los toros de la Bolsa de Corea 51 2005 El toro de Sofía y el cambio del logotipo de la Bolsa búlgara 54 2005 Toro y oso en
    [Show full text]
  • September 2015
    Manhattan Community Board 1 Full Board Meeting WEDNESDAY, SEPTEMBER 30, 2015 6:00 PM LMHQ 150 Broadway, 20th Floor Catherine McVay Hughes, Chairperson Noah Pfefferblit, District Manager Lucy Acevedo, Community Coordinator Diana Switaj, Director of Planning and Land Use Michael Levine, Planning Consultant CB1's OFFICE HAS MOVED Please update your records to reflect the following changes: Manhattan Community Board 1 1 Centre Street, Room 2202 North New York, NY 10007 Tel: (212) 669-7970 Fax: (212) 669-7899 Website: http://www.nyc.gov/html/mancb1/html/ho me/home.shtml Email: [email protected] Manhattan Community Board 1 Public Hearing Community Board 1 Capital and Expense Budget Request for FY 2017 Manhattan Community Board 1 Public Session Comments by members of the public (6 PM to 7 PM) (Please limit to 1-2 minutes per speaker, to allow everyone to voice their opinions) Welcome: The Downtown Alliance Guest Speaker: Captain Jonathan Boulware, Executive Director, South Street Seaport Museum Manhattan Community Board 1 Business Session • Adoption of July 2015 minutes • Chairperson’s Report – C. McVay Hughes • District Manager’s Report – N. Pfefferblit Peck Slip School (PS 343) Opened Peck Slip School (PS 343) Opened Mayor de Blasio and Lower Manhattan leaders announce new $100 million City commitment to coastal resiliency City will leverage commitment to bolster National Disaster Resilience Competition (NDRC) Application; Senator Squadron, Manhattan Borough President Brewer, Councilmember Chin, US Representative Velazquez, Catherine McVay Hughes and others distribute "go bags" Pope Francis makes historic visit to the 9/11 Memorial and Museum He paid his respects to the victims and led a multireligious peace gathering.
    [Show full text]
  • ROBERT and ANNE DICKEY HOUSE, 67 Greenwich Street (Aka 28-30 Trinity Place), Manhattan
    Landmarks Preservation Commission June 28, 2005, Designation List 365 LP-2166 ROBERT and ANNE DICKEY HOUSE, 67 Greenwich Street (aka 28-30 Trinity Place), Manhattan. Built 1809-10. Landmark Site: Borough of Manhattan Tax Map Block 19, Lot 11. On October 19, 2004, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Robert and Anne Dickey House and the proposed designation of the related Landmark Site (Item No. 2). The hearing was continued to April 21, 2005 (Item No. 1). Both hearings had been duly advertised in accordance with the provisions of law. Sixteen people spoke in favor of designation, including representatives of State Assemblyman Sheldon Silver, the Lower Manhattan Emergency Preservation Fund, Municipal Art Society of New York, New York Landmarks Conservancy, Historic Districts Council, and Greenwich Village Society for Historic Preservation. Two of the building’s owners, and five of their representatives, testified against designation. In addition, the Commission received numerous communications in support of designation, including a resolution from Manhattan Community Board 1 and letters from City Councilman Alan J. Gerson, the Northeast Office of the National Trust for Historic Preservation, Preservation League of New York State, and architect Robert A.M. Stern. The building had been previously heard by the Commission on October 19, 1965, and November 17, 1965 (LP-0037). Summary The large (nearly 41 by 62 feet), significantly intact Federal style town house at No. 67 Greenwich Street in lower Manhattan was constructed in 1809-10 when this was the most fashionable neighborhood for New York’s social elite and wealthy merchant class.
    [Show full text]
  • Felicia Young CV
    Felicia Young ECOLOGICAL, COMMUNITY-BASED ART & CULTURAL ORGANIZING WORK Founder / Executive Director Earth Celebrations Inc., New York City, 1991 - Present Founded Earth Celebrations, a non-profit organization based in New York City dedicated to engaging communities to generate ecological and social change through the arts. Conceived, directed, designed and produced all programming. Built diverse sector partnerships and grassroots coalition efforts through neighborhood and citywide ecological and cultural projects engaging residents, youth, artists, schools, community service centers, academic institutions, municipalities and government officials. Projects raised awareness, mobilized action and impacted policy change including the 15 year Save Our Gardens project that led to the preservation of hundreds of community gardens in New York City. Earth Celebrations Community-Engaged Ecological Art Projects • Ecological City: A Cultural & Climate Solutions Action Project, 2017-2019, Lower East Side, NYC. • Vaigai River Restoration Pageant, 2013-2015, Madurai, South India • Hudson River Restoration Pageant, 2009-2012, Hudson River Park, Downtown, New York City • Save Our Gardens Pageants, 1991-2005, Lower East Side Community Gardens, New York City Earth Celebrations Community Organizing Programs Vaigai River Restoration Project, 2013-2015, Madurai, Tamil Nadu, South India. Initiated and founded an international and local community-engaged ecological and cultural project and citywide effort to restore the Vaigai River Madurai, India. Conceived, built and implemented project, enlisting sponsor/partners: Dr. Geeta Mehta (Asia Initiatives & Columbia University, Department of Urban Studies and Architecture), Dhan Foundation in Madurai, India Lower East Side Garden Preservation Coalition, 1994-1999. Initiated and managed grassroots effort to preserve community gardens and coalition of over 40 gardens New York City Coalition for the Preservation of Gardens, 1996-1999.
    [Show full text]
  • The Other Tribeca: Immigrant Work and Incorporation Amid Affluence
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 The Other Tribeca: Immigrant Work and Incorporation amid Affluence Elizabeth A. Miller Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/77 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE OTHER TRIBECA: IMMIGRANT WORK AND INCORPORATION AMID AFFLUENCE by ELIZABETH A. MILLER A dissertation submitted to the Graduate Faculty in Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 © 2014 ELIZABETH A. MILLER All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Sociology in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Nancy Foner Date Chair of Examining Committee John Torpey Date Executive Officer Mehdi Bozorgmehr Mitchell Duneier Nancy Foner William Kornblum THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT THE OTHER TRIBECA: IMMIGRANT WORK AND INCORPORATION AMID AFFLUENCE by ELIZABETH A. MILLER Advisor: Nancy Foner Tribeca, a small, affluent neighborhood in the lower west side of Manhattan, is a microcosm of the service-and-information-based economic structure that characterizes many communities in other American cities today, and thus provides an opportunity to study the effects of this system. Tribeca residents are predominantly wealthy and work in high-end service-oriented professions, so they consume low-end personal services produced locally.
    [Show full text]
  • Printable Version
    MICHELE BRODY 2244 Bronx Park E, 4H, Bronx, NY 10467, (646) 522-9924, www.michelebrody.com, [email protected] SOLO EXHIBITIONS 2017 Reflections in Tea, Yavapai College Art Gallery, Prescott, AZ 2016 Marking Time, The Project Space: Julio Valdez Studio, New York, NY Reflections in Tea, Bronx Museum of the Arts, Bronx, NY 2014 Reflections in Tea, Andrew Freedman Home, Bronx, NY 2013 Harlem Roots, Casa Frela, New York, NY Reflections in Tea, chashama 461 Gallery, New York, NY 2012 Reflections in Tea, Hudson Guild-Guild Gallery II, New York, NY Drawing Roots, Hudson Guild-Guild Gallery II, New York, NY 2011 Reflections in Tea, Brooklyn Botanic Garden, Brooklyn, NY Nature Preserve, Urban Institute for Contemporary Art, Grand Rapids, MI 2010 Incubation, Roosevelt Island Student Community Center, New York, NY 2009 Tea Cart Stories, Lower East Side Tenement Museum: Tenement Window Installation, New York, NY 2008 Entering from the Inside, Temple Judea Museum, Elkins Park, PA Reflections in Tea, Brenda Taylor Gallery, New York, NY 2006 Grass Skirt Extra Large III, Hunter Museum of American Art, Chattanooga, TN Vermont Preserve, Burlington City Arts, Firehouse Gallery, Burlington, VT. 2005 Environmental Architectonica, Karpio + Facchini Gallery, Miami, FL. 2004 Looking Out, Littlejohn Contemporary, New York, NY Taking Root: Germany, Dina4 Projekte, Munich, Germany 2003 Visiting Artist Exhibition, Marywood University Art Department, Scranton, PA. 2002 Burguet Project One, Le Quai de la Batterie, Atelier-galerie d’Art contemporain, Arras, France. Michele Brody, Duncan Smith Theater and Gallery, Holmdel, NJ. 2001 Centrosurnorte Jacob Karpio Gallery, San José, Costa Rica. Re-Covering the Cityscape: Having Our Say About NYC, Blue Heron Arts Center, New York, NY.
    [Show full text]
  • NYT Living in 050611
    LIVING IN | TRIBECA The Land of the $800 Stroller By JOHN FREEMAN GILL Published: May 6, 2011 Ozier Muhammad/The New York Times A jungle gym at the new playground on Pier 25 provides a child-friendly vantage point on TriBeCa, which has added an average of more than 100 families a year since 2000. (The high-rise in the background is in Battery Park City.) On Sept. 11, 2001, TriBeCa, the Lower Manhattan loft district two blocks north of the World Trade Center, shook. Much of the neighborhood saw one if not both hijacked airliners fly into the twin towers. Residents watched aghast as bodies and then the buildings themselves crashed to earth. Clouds of ash descended on the streets as if in some macabre snowstorm. “After 9/11 there was a sense of paralysis in the neighborhood — of ‘Oh, my God, what has happened, and will it happen again, and is it safe to live here?’ ” recalled Barrie Mandel, a senior vice president of the Corcoran Group who has lived and sold real estate in TriBeCa since the 1980s. But within a year, Ms. Mandel said, “with leadership from The Tribeca Trib,” the newspaper that has long helped make a community out of the neighborhood, “most people decided, one person at a time, ‘Yes, it could happen again,’ but they decided to stay and help merchants reopen their businesses, and help the neighborhood come back and revive.” Revive it did, and long before the killing last week of Osama bin Laden, the mastermind of the attacks, an act that has helped bring the neighborhood a kind of closure.
    [Show full text]
  • The Washington Street Urban Renewal Project
    University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 2001 Moving Historic Structures: The aW shington Street Urban Renewal Project Diane Alyssa Jackier University of Pennsylvania Follow this and additional works at: http://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Jackier, Diane Alyssa, "Moving Historic Structures: The ashinW gton Street Urban Renewal Project" (2001). Theses (Historic Preservation). 331. http://repository.upenn.edu/hp_theses/331 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Jackier, Diane Alyssa (2001). Moving Historic Structures: The Washington Street Urban Renewal Project. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. http://repository.upenn.edu/hp_theses/331 For more information, please contact [email protected]. Moving Historic Structures: The aW shington Street Urban Renewal Project Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Jackier, Diane Alyssa (2001). Moving Historic Structures: The Washington Street Urban Renewal Project. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: http://repository.upenn.edu/hp_theses/331 MOVING HISTORIC STRUCTURES: THE WASHINGTON STREET URBAN RENEWAL PROJECT Diane Alyssa Jackier A THESIS Historic Preservation Presented to tlie Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE 2001 [\^ilyf L V- ^ Jrvisor (^ (y Reader \ David G. De Long, Ph.D. Eugenie L. Birch Professor of Architecture in Historic Preservation Professor and Chair of City and Regional Planning l/\yiAlMA9 Graduate [Group Chair Frank G.
    [Show full text]
  • Trib Oct. Full For
    THETRIBECATRIB Vol. VIII No. 2 OCTOBER 2001 HITTING HOME The story of terror, crisis and caring in our own backyard. A SPECIAL ISSUE CARL GLASSMAN 2 THE TRIBECA TRIB OCTOBER 2001 3 ANOTE TO OUR READERS This month’s Trib looks different. Like our community, it has been transformed by the cataclysmic events of Sept. 11. While we have provided the latest and most important information available at press time (see page 47), this issue is less a newspaper than a kind of family album, a chronicle of who we are as a community and what we faced in the wake of last month’s horror. As we go to press, a cloud both metaphorical and real hangs over us. Many remain displaced; the livelihoods of our businesses are threatened; the near future of our schools and their programs is in doubt. We worry about the very air we breathe. Worst of all, not a few of us bear the loss of friends, family members, co-workers and neighbors. But the news is not all bad. This month, we also want to remember that in difficult times, our neighbors came together in countless acts of courage and kindness toward the rescue effort and toward each other. It is a privilege to be a community newspaper in such a community. Next month, the Trib will look the way it used to. Though none of us in Lower Manhattan, I suppose, will ever be quite the same. Carl Glassman, Editor THETRIBECATRIB VOLUME 8 ISSUE 2 OCTOBER 2001 Trinity Church Wall Street PUBLISHERS CARL GLASSMAN AND APRIL KORAL Shares the Grief EDITOR CARL GLASSMAN ASSOCIATE EDITOR And Hope of Our Community RONALD DRENGER COPY EDITOR JESSICA RAIMI Please Join Us for Worship CONTRIBUTORS Sundays at 3 pm OLIVER E.
    [Show full text]
  • The Routledge Handbook of Remix Studies and Digital Humanities
    THE ROUTLEDGE HANDBOOK OF REMIX STUDIES AND DIGITAL HUMANITIES In this comprehensive and highly interdisciplinary companion, contributors reflect on remix across the broad spectrum of media and culture, with each chapter offering in-depth reflections on the relationship between remix studies and digital humanities. The anthology is organized into sections that explore remix studies and digital humanities in relation to topics such as archives, artificial intelligence, cinema, episte- mology, gaming, generative art, hacking, pedagogy, sound, and VR, among other sub- jects of study. Selected chapters focus on practice-based projects produced by artists, designers, remix studies scholars, and digital humanists. With this mix of practical and theoretical chapters, editors Navas, Gallagher, and burrough offer a tapestry of critical reflection on the contemporary cultural and political implications of remix studies and the digital humanities, functioning as an ideal reference manual to these evolving areas of study across the arts, humanities, and social sciences. This book will be of particular interest to students and scholars of digital humanities, remix studies, media arts, information studies, interactive arts and technology, and digi- tal media studies. Eduardo Navas is Associate Research Professor of Art at The School of Visual Arts at The Pennsylvania State University, PA. He implements methodologies of cultural ana- lytics and digital humanities to research the crossover of art and media in culture. His production includes art and media projects, critical texts, and curatorial projects. Navas is co-editor of The Routledge Companion to Remix Studies (2015), Keywords in Remix Studies (2018), and has published extensively on remix theory and practice. He is Research Faculty in the College of Arts and Architecture’s Art & Design Research Incubator (ADRI).
    [Show full text]