The Image of Empire in Joseph Conrad's Lord

Total Page:16

File Type:pdf, Size:1020Kb

The Image of Empire in Joseph Conrad's Lord THE IMAGE OF EMPIRE IN JOSEPH CONRAD’S LORD JIM Approved: Richard Garrett Date: __May 2, 2012___________ i THE IMAGE OF EMPIRE IN JOSEPH CONRAD’S LORD JIM __________________ A Seminar Paper Proposal Presented to The Graduate Faculty University of Wisconsin-Platteville __________________ In Partial Fulfillment of the Requirement for the Degree Masters of Science in Education __________________ by Wang Qing (Gina) 2011 ii ACKNOWLEDGEMENTS Upon finishing this thesis, I felt indebted to a group of people, without whom the seminar paper would have never been brought to the present shape. I’d like to take this opportunity to express my sincere gratitude to all of them. First and foremost, my deepest gratitude goes first to my supervisor, Prof. Garret Richard, whose useful suggestions, incisive comments and constructive criticism have contributed greatly to the completion of this thesis. He devotes a consideration portion of his time to reading my first script and making suggestion for further revisions. His tremendous assistance in developing the framework for analysis and in having gone through the draft versions of this paper several times as well as his great care in life deserve more tanks than I can find words to express. Next in importance, I am greatly indebted to all the other teachers, who have taught me and enlightened me directly and indirectly during the years’ life of study. Special thanks should go to my friends, classmates and my family, who have been accompanying me and providing me with much help which will be remembered in my whole life. Last but not least, I am really grateful to all those who have devoted much of their precious time to reading this thesis and offered me much beneficial advice. Preface iii THE IMAGE OF EMPIRE IN JOSEPH CONRAD’S LORD JIM Wang Qing (Gina) Under the Supervision of Prof. Garret Richard April 25th, 2011 Joseph Conrad (1857-1924) is no doubt a great pioneer on the subject of Imperialism and colonialism. Among his masterpieces, Lord Jim (1900) is regarded as his representative work for Imperialism. The novel predominantly evokes the adventure tale. This narrative form tells the stories of brave men and eager boys in the mysterious, unknown regions they discover. The attraction the form held for Joseph Conrad is revealed in myriad ways throughout his work. It acknowledges Conrad’s nihilism and modernism. Joseph Conrad uses sailor Marlow and Jim as his interpreters to express his own ambivalence and complicated emotions toward Empire. On one side, he criticizes the merciless and violent conduct of invaders, on the other side; he is a member of the British Empire so that to some extent he compromises to Empire. This paper analyses colonialism and the image of Empire in Lord Jim to contribute to Chinese literature criticism concerned with the subject and provide a good way for people to learn English in a literary way. TABLE OF CONTENTS iv APPROVAL PAGE………………………………...………………….…….….............i TITLE PAGE………………………………………………………………..….……….ii ACKNOWLEDGEMENT PAGE………………………………………………. ……..iii PREFACE…………………….……………………………………………………. ......iv TABLE OF CONTENTS…………………………….…………………………..............v CHAPTER I. INTRODUCTION…………………………...…………………………1 Introduction Statement of the Problem Definitions of Terms CHAPTER II. REVIEW OF LITERATURE………………………………………........5 Expansion of empire Civilization of empire Individuals of empire CHAPTER III. CONCLUSIONS AND RECOMMENDATIONS……………………..13 The Influence of Expansion Theoretical Support for Building Empire REFERENCES……………………………………….………………………………….18 v CHAPTER I INTRODUCTION Joseph Conrad is regarded as one English modern writer and plays a significant role in English and world literature. “His works are divided into 3 different categories: sea novels, jungle novels and political novels” (Zheng, 2005). He was born in Poland, later joined a merchant fleet of the British Empire and became a British citizen. Because of his extraordinary sailing life and complicated coming-of-age experiences, his works reflect profound social and historical intensions that arose related to imperialism and colonialism. There is no doubt that he was a great pioneer. His bold explorations and vivid descriptions about the invaders’ behavior of aggression make his novels recondite and classic. In comparison with Conrad’s political novels, relatively more research of the other two categories (sea novels and jungle novels) has been done. Famous scholars in China such as Wang Guanglin and Yin Qiping have achieved extraordinary success on studying Conrad’s sea novels. As the political ones contain more full-length novels, which belong to the works of Conrad’s later stage, it is difficult to understand the language and context. However, there is a trend in studying his political works in recent years. Hu Qiang is the most well known researcher for “A Review of Western Studies of Conrad’s Political Trilogy.” Lord Jim (1900) is one of the representative works of his sea novels both in thought and artistic style. Having reviewed the excellent journals and other related periodicals; many researchers have become interested in the special feature of narration in Lord Jim. They discuss art, form, structure and function of narration in third person in this novel. Besides, the use of impressionism and the exploration of morality also attract many researchers’ attention. These articles emphasize Conrad’s use of the way impressionism and the deep psychological meaning of Jim, the main character. However, fewer studies stress the theme of the images of loneliness, symbolism and so on. Lord Jim develops and adds complexity, and it also presents the tension between the self-interest of individuals and the demands of the prevailing social organization. The invaders’ disgusting conduct and serious abuses are the inner information revealed in the text. Besides, in order to fulfill the Empire theory, the author analyses the invaders with context closely explore 1 anti-imperialism. What is more, the significance of observing and recording in Conrad’s fiction is the transition from Imperialism to Empire which begins to take place at the turn of the twentieth century to supersede governmental authority in areas of development. Regarding the former research, this paper looks at the research work on Lord Jim through the lens of imperialism which has not been fully developed in Chinese literary criticism and many English literary works like Lord Jim can be a good learning tool for understanding western culture and history. 2 Statement of the Problem What is the image of empire in Conrad’s Lord Jim? How does Conrad express the idea of empire in Lord Jim? Jim is the main character in this novel and he has his own conflicts. Does Jim represent Conrad? How should Lord Jim be categorized? 3 Definition of Terms Empire: There is no precise definition about the word “Empire.” In a broad sense, there are 9 different meanings consulted to Webster’s Encyclopedic Unabridged Dictionary according to the occasions and customs. The first one which is the exact meaning in this essay means “an aggregate of nations or peoples ruled over by an emperor or other powerful sovereign or government: usually a territory of greater extent than a kingdom, as the former British Empire, French Empire, Russian Empire, Byzantine Empire or Roman Empire” (p.468). In a narrow sense, Empire usually indicates those strong monarchy countries with a vast expanse of land, lots of colonies and persisted traditions. Generally, the countries can be titled as Empire is approved internationally. Throughout history, the mainly Empires like these are listed as Roman Empire, the Ottman Empire, the German Empire and so on. And according to Oxford English Dictionary, Empire has two different concepts in old and modern English. The older concept refers to “Imperial rule or dignity” (p.187), which means “Supreme and extensive political dominion, esp. that exercised by an ‘emperor’ (in the earlier senses) or by a sovereign state over its dependencies.”(p.187) The modern concept that is also Conrad being used in Lord Jim means, “That which is subject to imperial rule.”(p.187) including “ An extensive territory (esp. an aggregate of many separate states) under the sway of an emperor or supreme ruler; also, an aggregate of subject territories ruled over by a sovereign state.”(p.187) and “ the empire” (p.188). There are also four famous Empires to help with understanding, “before 1804 often spec the ‘Holy Roman’ or ‘Romano -- Germanic’ empire”, “Great Britain with its dominions, colonies, and dependencies; the British Empire; freg. The overseas dominions, etc. as opposed to Great Britain”, “the rule of Napoleon Bonaparte as Emperor of the French 1804-15, or the period of this” and “the rule of Napoleon III as Emperor of the French, 1852-70, or the period of this, usually as second Empire”(p.188). 4 CHAPTER II LITERATURE REVIEW This chapter describes the image of the British Empire in Lord Jim through three aspects, which are: the expansion of the empire, the civilization of the empire and the individual of the empire. To begin the paper, it is necessary to illustrate the background empires, especially the British Empire, and about the era in this novel. Then it aims to analyze the specific cultural elements, such as, language, theory and colonial culture to express the suffering of colonial people vividly. At last, which is the core of the paper, it will elaborate the individual’s view of the Empire through the leading character, Jim, which emphasizes contradictoriness and oppression when he faces the big environment, namely, the Empire. Expansion of empire The British Empire, which is regarded as a typical Empire from 19th to the beginning of 20th, possesses a great many colonies from east to west on the earth. In early 17th century, British Empire began to take shape and established many colonies in North America including today’s United States, some parts in Canada and a few small islands, such as Jamaica, around the coastline of the Caribbean at that time.
Recommended publications
  • Lord Jim, by Joseph Conrad
    Lord Jim, by Joseph Conrad AUTHOR'S NOTE When this novel first appeared in book form a notion got about that I had been bolted away with. Some reviewers maintained that the work starting as a short story had got beyond the writer's control. One or two discovered internal evidence of the fact, which seemed to amuse them. They pointed out the limitations of the narrative form. They argued that no man could have been expected to talk all that time, and other men to listen so long. It was not, they said, very credible. After thinking it over for something like sixteen years, I am not so sure about that. Men have been known, both in the tropics and in the temperate zone, to sit up half the night 'swapping yarns'. This, however, is but one yarn, yet with interruptions affording some measure of relief; and in regard to the listeners' endurance, the postulate must be accepted that the story was interesting. It is the necessary preliminary assumption. If I hadn't believed that it was interesting I could never have begun to write it. As to the mere physical possibility we all know that some speeches in Parliament have taken nearer six than three hours in delivery; whereas all that part of the book which is Marlow's narrative can be read through aloud, I should say, in less than three hours. Besides--though I have kept strictly all such insignificant details out of the tale--we may presume that there must have been refreshments on that night, a glass of mineral water of some sort to help the narrator on.
    [Show full text]
  • Rebel Ladies
    CHAPTER XIII Rebel Ladies I will not attempt to describe [my] first interview with my family since the commencement of my exile in August.1 I was now with them at the house of my son-in-law Dr. B. B. Lenoir. But how altered that house, how changed his interesting family. Lenoir's is a principal and important sta­ tion and depot on the E. T. & G. R. R. twenty miles below Knoxville. In some respects it is the most valuable property in Tennessee or the West. It contains between two and three thousand acres of land, much of it island and river bottom. Upon it have been erected a cotton spinning fac­ tory, planing machines, mills and other large improvements of several kinds. When I last saw it before there were in its barns, cribs, meat­ houses, any extent of these supplies necessary for the subsistence of an army. The cellars were filled with groceries of all kinds. The forests on the property were scarcely excelled anywhere for their extent or their value. These extended to and embraced the dwelling house and the out­ buildings. The outstanding crop in August before promised a yield of _ About September I, the enemy came and took whatever of supplies they chose to of all kinds. They exhausted the smokehouse and cellar of all the necessaries of life, cut down the forests as they pleased, and erected in their fertile fields villas of cabins for their soldiers. They took possession of Dr. Lenoir's office and established in it their headquarters for General James M.
    [Show full text]
  • THE CONCEPT of the DOUBLE JOSEPH'conrad by Werner
    The concept of the double in Joseph Conrad Item Type text; Thesis-Reproduction (electronic) Authors Bruecher, Werner, 1927- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 16:33:07 Link to Item http://hdl.handle.net/10150/318966 THE CONCEPT OF THE DOUBLE JOSEPH'CONRAD by Werner Bruecher A Thesis Snbmitted to tHe Faculty of the .' DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS In the Graduate College THE OTHERS TTY OF ' ARIZONA ' STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in The University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable with­ out special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholar­ ship. In all other instances, however, permission must be obtained from the author. SIGNED: APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below ^/viz.
    [Show full text]
  • Heart of Darkness (Paginated)
    Heart of Darkness (paginated) Heart of Darkness Conrad, Joseph, 1857-1924 Electronic Text Center, University of Virginia Library All on-line databases About the electronic version Heart of Darkness Conrad, Joseph, 1857-1924 Creation of machine-readable version: Judy Boss Conversion to TEI-conformant markup: University of Virginia Library Electronic Text Center ca. 225 kilobytes -- rounded up to the nearest 5KB Publisher: Charlottesville, Va. Copyright 1999, by the Rector and Visitors of the University of Virginia http://etext.lib.virginia.edu/ Commercial use prohibited; all usage governed by our Conditions of Use:http://etext.lib.virginia.edu/conditions.html 1993 About the print version Heart of Darkness Joseph Conrad Note: Checked against the Signet Classics reprint: New American Library spell-check and verification made against printed text using WordPerfect spell checker Published: 1902 Revisions to the electronic version http://chss.montclair.edu/english/furr/i2l/hod-uva.html (1 of 54) [4/5/2004 7:59:47 AM] Heart of Darkness (paginated) October 1992 corrector David SeamanSpellchecked; unambiguous line-end hyphenation removed; basic TEI tagging; paginated to the Signet Classic edition, based on source information supplied by Judy Boss. [email protected]. Commercial use prohibited; all usage governed by our Conditions of Use: http://etext.lib.virginia.edu/conditions.html Page 65 The NELLIE, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide.
    [Show full text]
  • Bibliography and References
    Bibliography and References (NoTE: the following list does not pretend to be exhaustive; items are only included if they are mentioned in text.) Primary sources and collections Conrad, J., Heart of Darkness (Harmondsworth: Penguin Modern Classics, 1982, first published 1902). Conrad, J., Preface to The Nigger of the Narcissus ( 1897) (Penguin Modern Classics Edition). Conrad, J., Tales ofHearsay and Last Essays (London, 1928 and 1955). Cox, C. B. (ed.), Casebook: Heart of Darkness, Nostromo, Under Western Eyes (London, 1981). Dean, L. F. (ed.), Heart of Darkness: Backgrounds and Criticism (Engle­ wood Cliffs, NJ, 1960). Kimbrough, R. ( ed.), Heart of Darkness: An Authoritative Text, Criti­ cism, Backgrounds, Sources, 3rd edn (New York & London: Norton edn, 1988). Mudrick, M. (ed.), Conrad: A Collection of Critical Essays (Twentieth Century Views Series) (Englewood Cliffs, NJ, 1966). Sherry, N. (ed.), Conrad: The Critical Heritage (London, 1973). Secondary sources Achebe, C., 'An Image of Africa: Racism in Conrad's Heart of Dark­ ness' ( 1975) (amended 1987), reprinted in Kimbrough (ed.) ( 1988). Baker, R. S., 'Watt's Conrad' (1981 and 1986) in Kimbrough (ed.) (1988). Bakhtin, M. M., The Dialogic Imagination (Austen, Texas, 1981). Barthes, R., S/Z (London, 1975; orig. in French 1970). 84 HEART OF DARKNESS Barthes, R., /mage-Music-Text: Essays (translated and edited by Heath, S.,) (Glasgow, 1977). Belsey, C., Critical Practice (London, 1980). Belsey, C., TheSubjectofTragedy (London, 1985). Benjamin, W., Illuminations (Glasgow, 1977). Bhabha, H. K., 'The other question: difference, discrimination, and the discourse of colonialism', in Barker et al. (eds), Literature, Politics, and Theory (London, 1986). Blake, S. L., 'Racism and the Classics: Teaching Heart of Darkness', College Language Association Journal, 25, no.
    [Show full text]
  • WINNIE VERLOC and HEROISM in the SECRET AGENT THESIS Presented to the Graduate Council of the University of North Texas in Parti
    7w WINNIE VERLOC AND HEROISM IN THE SECRET AGENT THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of Master of Arts By Cynthia Joy Henderson, B.A. Denton, TX May, 1993 Henderson, Cynthia Joy. Winnie Verloc and Heroism in The Secret Agent. Master of Arts (English), May 1993, 77 pp., bibliography, 65 titles. Winnie Verloc's role in The Secret Agent has received little initial critical attention. However, this character emerges as Conrad's hero in this novel because she is an exception to what afflicts the other characters: institutionalism. In the first chapter, I discuss the effect of institutions on the characters in the novel as well as on London, and how both the characters and the city lack hope and humanity. Chapter II is an analysis of Winnie's character, concentrating on her philosophy that "life doesn't stand much looking into," and how this view, coupled with her disturbing experience of having looked into the "abyss," makes Winnie heroic in her affirmative existentialism. Chapters III and IV broaden the focus, comparing Winnie to Conrad's other protagonists and to his other female characters. TABLE OF CONTENTS INTRODUCTION . - - - - - - - 1 CHAPTER I THE PLAYERS AND THEIR SETTING . 5 CHAPTER II WINNIE . .......... 32 CHAPTER III WINNIE AMONG CONRAD'S MEN AND WOMEN . 60 CHAPTER IV MADNESS AND DESPAIR . 71 WORKS CITED . ... 76 WORKS CONSULTED . ...... 79 iii INTRODUCTION The Secret Agent, although primarily approached by the critics as a political novel, is also a social and a domestic drama played out in the back parlour of a secret agent's pornography shop, and on the dreary streets of London.
    [Show full text]
  • General AP Hill at Gettysburg
    Papers of the 2017 Gettysburg National Park Seminar General A.P. Hill at Gettysburg: A Study of Character and Command Matt Atkinson If not A. P. Hill, then who? May 2, 1863, Orange Plank Road, Chancellorsville, Virginia – In the darkness of the Wilderness, victory or defeat hung in the balance. The redoubtable man himself, Stonewall Jackson, had ridden out in front of his most advanced infantry line to reconnoiter the Federal position and was now returning with his staff. Nervous North Carolinians started to fire at the noises of the approaching horses. Voices cry out from the darkness, “Cease firing, you are firing into your own men!” “Who gave that order?” a muffled voice in the distance is heard to say. “It’s a lie! Pour it into them, boys!” Like chain lightning, a sudden volley of musketry flashes through the woods and the aftermath reveals Jackson struck by three bullets.1 Caught in the tempest also is one of Jackson’s division commanders, A. P. Hill. The two men had feuded for months but all that was forgotten as Hill rode to see about his commander’s welfare. “I have been trying to make the men cease firing,” said Hill as he dismounted. “Is the wound painful?” “Very painful, my arm is broken,” replied Jackson. Hill delicately removed Jackson’s gauntlets and then unhooked his sabre and sword belt. Hill then sat down on the ground and cradled Jackson’s head in his lap as he and an aide cut through the commander’s clothing to examine the wounds.
    [Show full text]
  • JOSEPH CONRAD: THREE NOVELS Joseph Conrad in 1923, Aged About 65 (Estate of John Conrad/Photo T
    JOSEPH CONRAD: THREE NOVELS Joseph Conrad in 1923, aged about 65 (Estate of John Conrad/photo T. and R. Annan and Sons) JOSEPH CONRAD: THREE NOVELS Heart of Darkness The Secret Agent The Shadow-Line Joseph Conrad Edited with an introduction and notes by NORMAN PAGE M MACMILLAN Introduction, notes, glossary and chronology © Norman Page 1995 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1P 9HE. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published 1995 by THE MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world ISBN 978-0-333-61096-1 ISBN 978-1-349-23831-6 (eBook) DOI 10.1007/978-1-349-23831-6 A catalogue record for this book is available from the British Library Typeset by EXPO Holdings, Malaysia Contents A Note on the Text vi Introduction ix Heart of Darkness 1 The Secret Agent 93 The Shadow-Line 339 Notes 446 Glossary of Nautical Terms 451 A Conrad Chronology 453 v A Note on the Text Heart of Darkness was begun in mid-December 1898 and finished within about a month.
    [Show full text]
  • Highway Patrol Dragnet Popeye and Pals the Tom And
    Daniel Boone EFFECTIVE 3/21/21 ALL TIMES EASTERN / PACIFIC MONDAY - FRIDAY SATURDAY SUNDAY 6:00a Dragnet The Beverly Hillbillies 6:00a The Powers of Matthew Star 6:30a My Three Sons The Beverly Hillbillies 6:30a 7:00a Saved by the Bell (E/I) 7:00a Toon In With Me Popeye and Pals 7:30a Saved by the Bell (E/I) 7:30a 8:00a Leave It to Beaver Saved by the Bell (E/I) 8:00a The Tom and Jerry Show 8:30a Leave It to Beaver Saved by the Bell (E/I) 8:30a 9:00a Saved by the Bell (E/I) 9:00a Perry Mason Bugs Bunny and Friends 9:30a Saved by the Bell (E/I) 9:30a 10:00a The Flintstones 10:00a Matlock Maverick 10:30a The Flintstones 10:30a 11:00a The Flintstones 11:00a In the Heat of the Night Wagon Train 11:30a The Jetsons 11:30a 12:00p 12:00p The Waltons The Big Valley 12:30p 12:30p The Brady Bunch Brunch 1:00p 1:00p Gunsmoke Gunsmoke 1:30p 1:30p 2:00p 2:00p Bonanza Bonanza 2:30p 2:30p 3:00p The Rifleman 3:00p Rawhide Gilligan's Island Three Hour Tour 3:30p The Rifleman 3:30p 4:00p Have Gun, Will Travel 4:00p Wagon Train 4:30p Wanted: Dead or Alive 4:30p 5:00p Adam-12 The Rifleman Mama's Family 5:00p 5:30p Adam-12 The Rifleman Mama's Family 5:30p 6:00p The Flintstones 6:00p The Love Boat 6:30p Happy Days 6:30p The Three Stooges 7:00p M*A*S*H M*A*S*H 7:00p 7:30p M*A*S*H M*A*S*H 7:30p 8:00p The Andy Griffith Show 8:00p 8:30p The Andy Griffith Show Svengoolie Columbo 8:30p 9:00p Gomer Pyle, U.S.M.C.
    [Show full text]
  • Highway Patrol the Facts of Life Rawhide SUBJECT to CHANGE Alfred Hitchcock Presents Lost in Space Star Trek
    Daniel Boone EFFECTIVE 9/30/19 ALL TIMES EASTERN / PACIFIC MONDAY - FRIDAY SATURDAY SUNDAY 6:00a The Facts of Life The Beverly Hillbillies ALF 6:00a 6:30a Diff'rent Strokes The Beverly Hillbillies ALF 6:30a 7:00a The Beverly Hillbillies Bat Masterson Saved by the Bell (E/I) 7:00a 7:30a My Three Sons Bat Masterson Saved by the Bell (E/I) 7:30a 8:00a Leave It to Beaver Trackdown Saved by the Bell (E/I) 8:00a 8:30a Leave It to Beaver Trackdown Saved by the Bell (E/I) 8:30a 9:00a Have Gun, Will Travel Saved by the Bell (E/I) 9:00a Perry Mason 9:30a Have Gun, Will Travel Saved by the Bell (E/I) 9:30a 10:00a The Flintstones 10:00a Matlock Maverick 10:30a The Flintstones 10:30a 11:00a The Flintstones 11:00a Diagnosis Murder Wagon Train 11:30a The Flintstones 11:30a 12:00p 12:00p In the Heat of the Night The Big Valley 12:30p 12:30p The Brady Bunch Brunch 1:00p 1:00p Gunsmoke Gunsmoke 1:30p 1:30p 2:00p 2:00p Bonanza Bonanza 2:30p 2:30p 3:00p The Rifleman 3:00p Rawhide Gilligan's Island Three Hour Tour 3:30p The Rifleman 3:30p 4:00p Wanted: Dead or Alive 4:00p Wagon Train 4:30p Wanted: Dead or Alive 4:30p 5:00p The Rifleman The Monkees 5:00p Charlie's Angels 5:30p The Rifleman The Monkees 5:30p 6:00p The Flintstones 6:00p The Three Stooges The Love Boat 6:30p The Flintstones 6:30p 7:00p M*A*S*H M*A*S*H 7:00p Wonder Woman 7:30p M*A*S*H M*A*S*H 7:30p 8:00p The Andy Griffith Show 8:00p 8:30p The Andy Griffith Show Svengoolie 8:30p Columbo 9:00p Gomer Pyle, U.S.M.C.
    [Show full text]
  • Joseph Conrad's Heart of Darkness and Francis Ford
    THE EVIL OF MODERNITY: JOSEPH CONRAD’S HEART OF DARKNESS AND FRANCIS FORD COPPOLA’S APOCALYPSE NOW Michel Maslowski Paris IV Sorbonne Cywilizator, oszalały Kurtz, One of the civilizers, a madman named Kurtz, Miał kość słoniową ze śladami krwi, A gatherer of ivory stained with blood, Na memoriale o światłach kultury Scribbed in the margin of his report Pisał “ohyda” a więc już wstępował On the Light of Culture “The horror.” And climbed W dwudziesty wiek. Into the twentieth century. Czesław Miłosz, A Poetical Treatise, 1956 After December 13, 1981 the front pages of world press showed a photograph of a tank in front of the Moskwa Cinema in gray wintertime Warsaw. A huge inscription on the building announced: “Apocalypse Now.” It was the beginning of martial law in Poland. Apocalypse Now by Francis Ford Coppola, is a fi lm adaptation of Joseph Conrad’s 1899 novella Heart of Darkness, which has inspired many artists and still continues to do so. For Czesław Miłosz it presented a prophetic vision of the 20th c.: the time of world wars, genocides and totalitarianisms. The Zeitgeist from Miłosz’s A Poetical Treatise is wearing a necklace made of cut off heads resembling those stuck on the palisade in Kurtz’s camp. For T.S. Eliot, whose 1925 poem The Hollow Men appears in Coppola’s fi lm, Conrad’s work portends a crisis of humankind by stigmatising the “fragility of the base on which modern people built their dilapidating ark, namely language.”1 The literary critic Juan Asensio points out another example of a work directly inspired by Conrad’s novella: The Portage to San Cristobal of A.H.
    [Show full text]
  • Joseph Conrad
    Joseph Conrad Joseph Conrad (born Józef Teodor Konrad Korzeniowski, Joseph Conrad Polish: [ˈjuzɛf tɛˈɔdɔr ˈkɔnrat kɔʐɛˈɲɔfskʲi] ( listen); 3 December 1857 – 3 August 1924) was a Polish-British writer[1][note 1] regarded as one of the greatest novelists to write in the English language.[2] Though he did not speak English fluently until his twenties, he was a master prose stylist who brought a non-English sensibility into English literature.[note 2] Conrad wrote stories and novels, many with a nautical setting, that depict trials of the human spirit in the midst of what he saw as an impassive, inscrutable universe.[note 3] Conrad is considered an early modernist,[note 4] though his works contain elements of 19th-century realism.[3] His narrative style and anti-heroic characters[4] have influenced numerous authors, and many films have been adapted from, or inspired by, his works. Numerous writers and critics have commented that Conrad's fictional works, written largely in the first two decades of the 20th century, seem to have anticipated later world events.[5][6] Conrad in 1904 Writing near the peak of the British Empire, Conrad drew, among by George Charles Beresford other things, on his native Poland's national Born Józef Teodor Konrad [7]:290, 352[note 5] experiences and on his own experiences in the Korzeniowski French and British merchant navies, to create short stories and 3 December 1857 novels that reflect aspects of a European-dominated world— Berdychiv, Russian including imperialism and colonialism—and that profoundly Empire explore
    [Show full text]