TABLE OF CONTENTS
Acknowledgments » 2 The Narrative Society » 3 Awards: Call for Nominations » 4 Program-at-a-Glance » 5 Featured Speakers and Plenaries » 7 Hotel Information » 10 Hotel Map & Floor Plans » 11 Restaurant List » 12
Program
Thursday Contemporary Narratology I : 9:00 AM - 10:30 AM » 14 Workshop on Teaching Narrative : 10:45 AM - 12:00 PM » 14 Pedagogy Poster Session : 12:00 PM - 1:00 PM » 14 Concurrent Session A : 1:00 PM - 2:40 PM » 15 Concurrent Session B : 2:50 PM - 4:20 PM » 17 Concurrent Session C : 4:30 PM - 6:00 PM » 19 Newcomers’ Dinner : 6:00 PM - 8:00 PM » 21 Opening Plenary with Robert J. Thompson : 8:00 PM - 9:30 PM » 21 Opening Reception : 9:30 PM - 11:00 PM » 21
Friday Concurrent Session D : 8:30 AM - 10:10 AM » 22 Concurrent Session E : 10:20 AM - 12:00 PM » 24 Plenary with Michael Toolan : 1:00 PM - 2:30 PM » 27 Concurrent Session F : 2:45 PM - 4:15 PM » 27 Concurrent Session G : 4:30 PM - 6:00 PM » 29 Contemporary Narratology II : 6:15 PM - 7:45 PM » 31
Saturday Concurrent Session H : 8:30 AM - 10:10 AM » 32 Concurrent Session I : 10:20 AM - 12:00 PM » 34 Business Lunch : 12:00 PM - 1:30 PM » 37 Plenary with Johanna Drucker : 1:30 PM - 3:00 PM » 37 Concurrent Session J : 3:15 PM - 4:45 PM » 37 Concurrent Session K : 5:00 PM - 6:30 PM » 39 Narrative Party & Dance : 9:00 PM - 1:00 AM » 41
Sunday Concurrent Session L : 8:30 AM - 10:00 AM » 42 Concurrent Session M : 10:10 AM - 11:40 AM » 43 Contemporary Narratology III : 11:45 AM - 1:15 PM » 45
Index » 46 Acknowledgments
A very special thank you to Georgetown University, the conference staff, and the conference committee, as well as to the following sponsors:
The Center for New Designs in Learning and Scholarship The Department of English Georgetown University The Georgetown College The Office of the Dean The Graduate School The Lannan Programs
CONFERENCE STAFF
Edward J. Maloney Conference Director
Paul Beccio Larry McReynolds Roopika Risam Yasmine Shamma Gorky Cruz Jessica Pan Robyn Russo Michael Dumlao Robert Pongsajapan Joselyn Schultz
CONFERENCE COMMITTEE Leona Fisher Patricia O’Connor Department of English Department of English Georgetown University Georgetown University
David Lipscomb Patrick O’Malley Independent Scholar Department of English Georgetown University
Kelly Marsh Daniel Punday Department of English Department of English Mississippi State University Purdue University Calumet
Paul Miller Brian Richardson Department of English Department of English Davidson College University of Maryland, College Park
THE Narrative SOCIETY
The Society for the Study of Narrative Literature is an international nonprofit association of scholars dedicated to the investigation of narrative; its elements, techniques, and forms; its relations to other modes of discourse; and its power and influence in cultures past and present.
“Narrative” for us is a category that may include the novel, epic poetry, history, biography, autobiography, film, the graphic arts, music, performance, legal writing, medical case histories, and more.
The Society sponsors the International Conference on Narrative each year. The first conference was held at The Ohio State University in 1986, and in subsequent years, the meeting has been held at sites across the United States, Canada, and France. At each conference, approximately 300 speakers address issues of narrative from a variety of positions and perspectives.
There are currently approximately a thousand members in SSNL, and new members are always welcome. Membership in the Society includes a subscription to Narrative (winner of the 1993 award for Best New Journal from the Council of Editors of Learned Journals), as well as to the Society’s newsletter, which contains information about the annual conference, MLA sessions, the online discussion group, and other activities.
executive board
Executive Committee
President Conference Liaison Gerald Prince, University of Pennsylvania, 2007 Alan Nadel, University of Kentucky First Vice President Electronic Communications Coordinator Margaret Homans, Yale University, 2007 Edward J. Maloney, Georgetown University Second Vice President Archivist Priscilla Walton, Carleton University, 2007 George Perkins, Eastern Michigan University Past President Membership Coordinator Dorothy Hale, University of California, Berkeley, Ted Mason, Kenyon College 2007 Secretary-Treasurer and Editor, Narrative James Phelan, The Ohio State University
Executive Council Eileen Gillooly, Columbia University, 2005-2007 Brian McHale, The Ohio State University, 2005-2007 Beth Boehm, University of Louisville, 2006-2008 Jesse Matz, Kenyon College, 2006-2008 Carol Colatrella, Georgia Institute of Technology, 2007-2009 Garrett Stewart, University of Iowa, 2007-2009 AWARDS: call for nominations
The Barbara Perkins and George Perkins Award
In 1994, acting on the suggestion of its President, Janice Carlisle, The Society for the Study of Narrative Literature established an award that “honors the many past and continuing contributions of Barbara Perkins and George Perkins to the development and success of the Society, including the founding of both The Journal of Narrative Technique and the Society itself. The award, presented annually to the book that makes the most significant contribution to the study of narrative,” offers a prize of $1000 plus a contribution of $500 toward expenses for the winning author to attend the Narrative Conference where the award will be presented. The first Perkins Award was announced at the MLA meeting in Chicago in December, 1995, and presented at the Tenth Anniversary Conference at The Ohio State University in April 1996.
This year the Perkins Prize will be judged by Professors Dorothy Hale, Alison Booth, and Amy Elias. For books published in 2006, please send inquiries or informal, brief written nominations to the Chair of the judging committee, Professor Dorothy Hale, [email protected].
Publisher, third party, and self-nominations are appropriate. Nominations should be submitted as soon as possible. The committee begins its deliberations in the spring; nominations received after June 1 will be at a disadvantage.
The winner will be announced at the MLA Convention in December 2007, and the prize presented at the annual Narrative Conference the following spring.
Best Graduate Student Paper
All graduate students who present papers at the conference are invited to compete for the prize for the best graduate student paper. The winner will receive a copy of a Perkins Prize-winning book of his or her choice and will be encouraged to expand the winning paper for consideration by Narrative. In addition, the 2007 award winner will be eligible for $500 toward expenses to attend the 2008 conference. Submit papers electronically as attachments (Word PC-compatible files) to both of the judges, Beth A. Boehm ([email protected]) and Jesse Matz ([email protected]), no later than Monday, April 9, 2007. Papers must be unrevised conference presentations.
program-at-a-glance
Thursday, March 15, 2007 7:30 AM - 6:00 PM Registration 9:00 AM - 10:30 AM Contemporary Narratology I 10:45 AM - 12:00 PM Workshop on Teaching Narrative* 12:00 PM - 1:00 PM Pedagogy Poster Session* 1:00 PM - 2:40 PM Concurrent Session A 2:50 PM - 4:20 PM Concurrent Session B 4:30 PM - 6:00 PM Concurrent Session C 6:00 PM - 8:00 PM Newcomers’ Dinner*
8:00 PM - 9:30 PM Opening Plenary with Robert J. Thompson 9:30 PM - 11:00 PM Opening Reception*
Friday, March 16, 2007 7:30 AM - 6:00 PM Registration 8:30 AM - 10:10 AM Concurrent Session D 10:20 AM - 12:00 PM Concurrent Session E 1:00 PM - 2:30 PM Plenary with Michael Toolan 2:45 PM - 4:15 PM Concurrent Session F 4:30 PM - 6:00 PM Concurrent Session G 6:15 PM - 7:45 PM Contemporary Narratology II
Saturday, March 17, 2007 7:30 AM - 6:00 PM Registration 8:30 AM - 10:10 AM Concurrent Session H 10:20 AM - 12:00 PM Concurrent Session I 12:00 PM - 1:30 PM Business Lunch* 1:30 PM - 3:00 PM Plenary with Johanna Drucker 3:15 PM - 4:45 PM Concurrent Session J 5:00 PM - 6:30 PM Concurrent Session K 9:00 PM - 1:00 AM Narrative Party & Dance*
Sunday, March 18, 2007 8:30 AM - 12:00 PM Registration 8:30 AM - 10:00 AM Concurrent Session L 10:10 AM - 11:40 AM Concurrent Session M 11:45 AM - 1:15 PM Contemporary Narratology III
*turn page for details program-at-a-glance (DETAILS)
WORKSHOP ON TEACHING Narrative (THURSDAY)
This workshop will focus on narratology and pedagogy, and will involve brief presentations on teaching narrative—including a look at syllabi, new texts, exercises and assignments—followed by a discussion with all participants on their teaching strategies.
PEDAGOGY POSTER SESSION (THURSDAY)
Following the Workshop on Teaching Narrative, the Poster Session will feature presentations by colleagues about approaches to teaching narrative with examples of their work in poster format. This is an informal brown-bag lunch session, so please feel free to bring your lunch.
NEWCOMeRS’ DINNER (THURSDAY)
The Newcomers’ Dinner is a chance for first- and second-time attendees to meet with folks who have been coming to the conference for many years. For those people who would like to join a veteran of the conference for dinner, please meet in room Constitution B at 6:00 PM to break into dinner groups. Each group will decide on a place to eat at that time and leave shortly after.
OPENING RECEPTION (THURSDAY)
Immediately following the Opening Plenary, the Opening Reception will be held in Constitution C, D & E and is open to all conference participants and guests. The reception is an informal opportunity to meet and reconnect with other members of the Narrative Society. The Conference Staff & Committee look forward to welcoming you. Light hors d’oeuvres and cash bar will be available. Drink tickets are in your registration packet.
BUSINESS LUNCH (SATURDAY)
All conference participants are welcome to join the Narrative Society Executive Committee on Saturday for the Business Lunch. The Executive Committee will give updates on the Society’s annual awards, the location of the 2008 Narrative Conference, and discuss other business items. A plated lunch will be served.
narrative party & DANCE (SATURDAY)
All conference participants and guests are invited to the annual conference party & dance. This year the dance will feature music by DJ Jamie Mizell. A cash bar and snacks will be available throughout the evening.
Featured SPEAKERS and PlenarIES
Thursday, March 15, 2007 8:00 PM – 9:30 PM
Robert J. Thompson Professor of Media and Popular Culture and Director of the Center for the Study of Popular TV Syracuse University
From Episode to Serial: The Evolution of Television Narrative With the emergence of shows like LOST, 24, and the oeuvre of HBO, mainstream American television narrative has entered an era of hyper-serialization. Catalyzed by technologies like cable, the VCR, and, more recently, the digital video recorder and online episode offerings, changes in the standards of TV storytelling have transformed the medium. We’ll trace these changes by concentrating on two prime-time series, The Love Boat and St. Elsewhere.
Robert J. Thompson is the founding director of the Center for the Study of Popular Television at Syracuse University, where he is also a Trustee Professor of Television and Popular Culture at the S.I. Newhouse School of Public Communications. He was a visiting professor for six summers at Cornell University and served for nine years as professor and director of the N.H.S.I. Television and Film Institute at Northwestern University.
Professor Thompson is the general editor of an ongoing series of books about television published by Syracuse University Press. He is the former president of the National Popular Culture Association and lectures across the country on the subject of television and popular culture. In 1991 and 1992, he was awarded the Stephen H. Coltrin Award for Excellence in Communication Theory by the International Radio & Television Society.
Thompson is the author or editor of five books: Television’s Second Golden Age (Continuum, 1996), Prime Time, Prime Movers (Little, Brown, 1992), Adventures on Prime Time (Praeger, 1990), Television Studies (Praeger 1989) and Television in the Antenna Age (Blackwell, 2005).
Hundreds of radio and TV programs and publications have featured Professor Thompson’s commentary, including: CBS’s “60 Minutes”, “48 Hours”, “The Early Show” and “The Evening News with Dan Rather”; NBC’s “Dateline”, “Today” and “Later Today”; ABC’s “20/20”, “World News Tonight”, and “Good Morning America”; PBS’s “Newshour”; MSNBC’s “Headlines & Legends”, and “Playback”; CNN’s “Newsstand”; CNBC’s “Upfront Tonight with Geraldo Rivera”; Fox News Channel’s “O’Reilly Factor”; NPR’s “All Things Considered”, “Morning Edition”, “Talk of the Nation”, “Fresh Air”, “On the Media”, and “Anthem”; The New York Times, The Washington Post, The Wall Street Journal, USA Today, Time, Newsweek Fortune, TV Guide, and Variety.
He holds a BA in political science from the University of Chicago and an MA and Ph.D. in radio, television and film from Northwestern University.
Featured SPEAKERS and PlenarIES
Friday, March 16, 2007 1:00 PM – 2:30 PM Michael Toolan Professor of Applied English Linguistics University of Birmingham
Narrative Progression in the Short Story: A Corpus Stylistic Approach What really goes on when a reader reads (experiences) a short story? What can we say about the knowledge and the expecta- tions that each successive word, sentence, and paragraph of a story causes particular readers to attend to, or visualize (‘have or put in mind’)? In corpus linguistic analysis, the more mechanical or automatic (“analyst-neutral”) the proposed mechanism the better, without embarrassment. So if, as I do, one assumes that while everything in a story is read, some and perhaps only a small part of that text carries the main burden of signalling prospection or narrativity and by that means does the main work of creating reader responses and expectations (suspense, surprise, tension, confusion or mystery, and so on); and if one believes that the core narrativity-bearing material must, for psychological reality, be relatively easily noticed and distinguished textual material (i.e., foregrounded text); then one is prompted, by stylistics, narratological, corpus linguistic and any other plausible means, to try to specify these most prominent materials—words, phrases, sentences—which (the argument runs) perform this core narrativity task, therefore stand somewhat taller than the full circumambient text, and can be derived or pinpointed by relatively mechanical or automatic means.
Michael Toolan is Professor of Applied English Linguistics at the University of Birmingham. Professor Toolan has an MA in English Language and Literature from Edinburgh University, and a D. Phil. in English from Oxford University. He teaches courses in Stylistics, Language and the Law, Narrative Analysis, and Linguistic Theory. He convenes the MA programme in Literary Linguistics.
Professor Toolan is a reader/adviser on book proposals and manuscripts for various publishers; adviser on tenure/promotion decisions to several universities; and has been external examiner of doctoral theses or BA or MA programmes at numerous universities.
Professor Toolan is a founding member of the International Association for the Integrational Study of Language and Communication (IAISLC) and editor of the Journal of Literary Semantics, published by Walter de Gruyter.
Featured Speakers and PlenarIES
Saturday, March 17, 2007 1:30 PM – 3:00 PM Johanna Drucker Robertson Professor of Media Studies University of Virginia
Graphic Devices: Narration or Navigation? This talk examines ways in which graphic features of print media and electronic media structure texts and reading processes. The central question is whether these are aspects of narration and thus inherent to and integral with conventional features of narrative. Is navigation, whether in print or electronic media, a narrative act? Or a mechanical one? Navigation devices in book forms and electronic works will be used to focus this study on graphic features of particular works, some anomalous, and some conventional, across a spectrum of visual and textual productions.
Johanna Drucker is the Robertson Professor of Media Studies at the University of Virginia, where she is also a Professor in the English Department. She has published and lectured widely on topics related to the history of artists’ books, experimental typography, modern and contemporary art, digital aesthetics, and the history of writing.
Her most recently published title, Sweet Dreams: Contemporary Art and Complicity. (University of Chicago Press, 2005), was the basis of an exhibition she co-curated at the University of Virginia Art Museum in 2006, Complicit! She is well-known for her work as a book artist and experimental writer. Recent works include: From Now (Cuneiform Press, 2005), Cuba (published as a collaboration by Brad Freeman, 2006), and Testament of Women (Druckwerk and Granary, 2006). She is currently finishing work on a critical history of graphic design with collaborator Emily McVarish to be published in 2008.
hotel INFORMATION
Conference Centre Rooms on the Constitution Level (two floors down from the lobby) will serve as the gathering place for registration, presentations, plenaries, concurrent sessions, posters, roundtables, book exhibits, and refreshments.
Metro Take the Blue, Red, or Orange line to the Metro Center stop. There is an entrance to the Grand Hyatt Washington in the station.
Parking The Grand Hyatt has several parking options:
• Valet Parking: $26.00 per night, including in/out privilege • Self-Parking: $20.00 per night, with no in/out privileges
Please note, the maximum height for all parking is 6’5”. Parking for oversized vehicles is available at the Marriott Metro Center for $35.00 per day or Union Station for $15.00 per day. Please be aware, there is limited availability for self-parking.
Internet All rooms are wired for high-speed Internet access. You can also access the Internet from a number of locations around the hotel, including main lobby.
Security Badges must be worn during all Conference events.
Business Services The business center at the Grand Hyatt offers:
Desktop publishing Word processing Equipment rental Copiers Secretarial services Office supplies PC’s Fax machines Photocopying Name tags Printers Transparencies Color copying Typewriters
The Business Center is open Monday through Friday 7:30 AM – 6:00 PM and Saturday 8 AM – Noon. It is located on the Lagoon Level, close to the Conference Theater.
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RESTAURANT List
Washington, DC has an excellent selection of fine dining establishments. Below are some suggestions for restuarants near the hotel. More recommendations can be found at: http://grandwashington.hyatt.com/hyatt/hotels/services/local/dining/index.jsp
AMERICAN CUISINE
GRAND SLAM SPORTS BAR Grand Hyatt Washington 202-582-1234 GRAND CAFE Grand Hyatt Washington 202-582-1234 CHEF GEOFF’S 13th Street, between E & F Streets NW 202-464-4461 CLYDE’S OF GALLERY PLACE 707 G Street NW 202-349-3700 DISTRICT CHOP HOUSE 509 7th Street NW 202-347-3434 ELLA’S PIZZA 901 F Street NW 202-638-3434 MATCHBox 713 H Street NW 202-289-4441 M&S GRILLE 1301 F Street NW 202-347-1500 OLD EBBITT GRILL 675 15th Street NW 202-347-4800
ASIAN CUISINE
HAAD THAI 1100 New York Avenue NW 202-682-1111 TONY CHENG’S 619 H Street NW 202-842-8669 OYA 799 9th Street NW 202-393-1400 KAZ SUSHI BISTRO 1915 I Street NW 202-530-5500 SUSHI AOI 1100 New York Avenue NW 202-408-7770 SUSHI TARO 1503 17th Street NW 202-462-8999
FINE DINING
VIA PACIFICA Grand Hyatt Washington 202-582-1234 701 701 Pennsylvania Avenue NW 202-393-0701 BUTTERFIELD 9 600 14th Street NW 202-289-8810 INDEBLEU 707 G Street NW 202-333-2538 KINKEAD’S 2000 Pennsylvania Avenue NW 202-296-7700 TEN PENH 1001 Pennsylvania Avenue NW 202-393-4500 TOSCA 1112 F Street NW 202-367-1990 RED SAGE 605 14th Street NW 202-638-4444 ZOLA 800 F Street NW 202-654-0999
STEAKHOUSES
BOBBY VAN’S 809 15th Street NW 202-589-0060 CAPITAL GRILLE 601 Pennsylvania Avenue NW 202-737-6200 CAUCUS ROOM 401 9th Street NW 202-393-1300 CHARLIE PALMER’S 101 Constitution Avenue NW 202-547-8100 FINN & PORTER 900 10th Street NW 202-719-1600 MORTON’S OF CHICAGO 1050 Connecticut Avenue NW 202-955-5997 RUTH’S CHRIS 724 9th Street NW 202-393-4488 SAM & HARRY’S 1200 19th Street NW 202-296-4333 SMITH & WOLLENSKy 1121 19th Street NW 202-466-1100 THE PALM 1225 19th Street NW 202-293-9091 12 2007
PROGRAM 14 THURSDAY THURSDAY, MARCH 15,2007 CONSTITUTION FOYER 10:45 AM –12:00PM 9:00 AM –10:30 AM 12:00 PM–1:00 7:30 AM –6:30PM CONSTITUTION B CONSTITUTION B CONSTITUTION B Jungah Kim, Teachers College,Columbia University (Im)possibilities inWriting Autobiography Peggy Lindsey, Wright StateUniversity Significant Learninginthe GeneralSurveyLiteratureCourse Ellen Peel,SanFranciscoStateUniversity Sane/Zany: Erin Flanagan,Wright StateUniversity Constructing NarrativeThroughCauseandEffect Katherine Nash,UniversityofVirginia Fictional Minds is aninformalbrown-baglunchsession,sopleasefeelfreetobring yourlunch. colleagues aboutapproachestoteachingnarrativewithexamples oftheirworkinposterformat.This Following theWorkshoponTeaching Narrative,thePosterSessionwillfeaturepresentationsby PEDAGOY POSTERSESSION Brian Richardson,UniversityofMaryland James Phelan, The OhioStateUniversity Irene Kacandes,DartmouthCollege discussion withallparticipantsontheirteachingstrategies. teaching narrative—includingalookatsyllabi,newtexts,exercisesandassignments—followedby This workshopwillfocusonnarratologyandpedagogy, and willinvolvebriefpresentationson WORKSHOP ONTEACHINGnarrative “Place, Space,and Shlomith Rimmon-Kenan,HebrewUniversityofJerusalem “Toward a Theory ofNarrative Acts” Frederick Aldama, The OhioStateUniversity “Configuration Revisited:NegativeMetaphorsonthe‘FinalFrontier Brian McHale, The OhioStateUniversity Chair: Governing Forces CONTEMPORARY NARRATOLOGYI REGISTRATION Emma Kafalenos,Washington UniversityinSt.Louis S/Z Life, Endof andJudgementinaGraduateNarrativeTheorySeminar ” ’” 15 THURSDAY
007 , 2 15 MARCH THURSDAY, Patricia O’Connor, Georgetown University Patricia O’Connor, Naomi Lee, Georgetown University En-Shu Robin Liao, Teachers College, Columbia University Teachers En-Shu Robin Liao, Y POSTER SESSION SESSION GOGY POSTER PEDA Prolusion University of Vermont Robyn Warhol, Graduate Undergraduate, Beyond: and Classroom the in Narrative Teaching and Law Research in Literature and Faculty Collaborative Marquette University Christine Krueger, University Colleen Willenbring, Marquette University Kaye Wierzbicki, Marquette Agency and Subjectivity of Rethinking the Issues “Stories of the Levelers: How My Family History Became Fiction” Learning Narrative Theory through Crafting Historical Fiction Chair: Georgetown University Patricia O’Connor, out Historical Fiction” Plotting Time: “Fiddling with Narration, Focalization, and Jill Hollingsworth, Georgetown University Secondary “Placing the Narrative in Historical Context: Getting the Facts Right through Primary and Source Research” Mary Katherine Conlon, Georgetown University Archived Resources and Interviews in Crafting an “With Inspiration from Past Experiences, the Role of Accurate Piece of Historical Fiction” Ian McClain-Caldwell, Georgetown University Maggie Ronkin, Georgetown University Moral Order” and Positioning in Producing a Local “Voicing Scholar Sigwalt, Independent Valerie “Achieving Recognition through Dialogic Re-positioning” Karim Sadek, Georgetown University First Look” A “The Limits of Recognition: Fathali Moghaddam, Georgetown University Respondent CONCURRENT SESSION A Life: The ‘Struggle for Recognition’ Narrating Moral Selves in Everyday Across Cultures Chair: Naomi Lee, Georgetown University in Narrative” and Responsibility Totalitarianism’ “‘Semiotic WILSON ROOSEVELT CONSTITUTION B CONSTITUTION 1:00 PM – 2:40 PM 1:00 PM – 2:40 PM 12:00 PM – 1:00 PM 16 THURSDAY THURSDAY, MARCH 15,2007 1:00 PM–2:40 1:00 PM–2:40 1:00 PM–2:40 CONSTITUTION E CABIN JOHN ARLINGTON “The Trouble WithLatimer:CognitionandUnreliableNarration inGeorgeEliot’s Jeremy Carmack, The OhioStateUniversity “Growing Uncertainty:LevelsofUnreliabilityin Ana Castillo’s Patrick Hamilton,CollegeMisericordia “Before UnreliabilityinFordMadoxFord’s Paul McCormick, The OhioStateUniversity Narration” “What CognitiveandRhetoricalNarrative Theories CanDoforEachOther: The CaseofUnreliable James Phelan, The OhioStateUniversity Chair: Current (andRecurrent)IssuesintheStudyofUnreliableNarration “Concretions andGrowths:NarrationMetamorphosisinSpofford’s ‘The Amber Gods’” Susan Griffin,UniversityofLouisville “Hawthorne’s Stutter” Zachary Lamm,LoyolaUniversityChicago “Performing Interiority:Narrating‘Right’ Feelingin Sarah Mesle,NorthwesternUniversity “The Harmonist: The NarrativeCelebrityinHenryWard Beecher’s Phillip Maciak,UniversityofVirginia Chair: The Nineteenth-Century American Novel “‘I Assumes IKnow’: A LessoninHowNottoReadNative American Texts” Gina Caison,Universityof Alabama atBirmingham “It MattersWhoSpeaks: Authorship, Authenticity, and Appropriation inIndian County” Kirby Brown,Universityof Texas atSan Antonio “Franz Boas,ZoraNealeHurstonandtheRacializedPoliticsofSelf-Exposure” Miriam Jaffe-Foger, RutgersUniversity “Equivocal Attachments in Asian American Women’s Writing” Sue Kim,Universityof Alabama atBirmingham Chair: The Autobiographical GestureinEthnicTexts: ThePitfallsof Authenticity CONCURRENT SESSIONA James Phelan, The OhioStateUniversity Sarah Mesle,NorthwesternUniversity Sue Kim,Universityof Alabama atBirmingham The GoodSoldier Uncle Tom’s Cabin ” Sapogonia Life ofJesus ” ” ” The LiftedVeil ” 17 THURSDAY ” Lost
Television Text” Television ” Six Feet Under, , Decalogue Ann Veronica 007 , 2 15 MARCH THURSDAY, : How Fans Use Point-Of-View Fiction to Deepen : How Fans Use Point-Of-View One Tree Hill One Tree is Frakkin’ Huge: Viewing Practice and Expansive Form in Televisual Serial Televisual Practice and Expansive Form in Huge: Viewing is Frakkin’ Stephen Keane, Georgetown University Antje Anderson, Hastings College Antje Amber Davisson, Rensselaer Polytechnic Institute Amber Davisson, Rensselaer Battlestar Galactica CONCURRENT SESSION B Narratives Television Chair: University Tufts Anne Moore, “ Narratives” Ari Blatt, University of Virginia in Contemporary France” Televisual the Writing TV: “Book The Ohio State University Sean O’Sullivan, Narrative: Television of Transformations “Three Antje Anderson, Hastings College Antje Problem of Narrating the Urban in Mid-Nineteenth-Century German Fiction” or: On the “City Envy, Northwestern University Jules Law, Narrative in the Nineteenth Century” “The Secret Life of Fluids: Modern vs. Gothic University of Louisville Mary Rosner, Falls” Sublime of Victoria “Re-representing the Victorian Forest University Elizabeth Evans, Wake and City Streets in H.G. Wells’ Tropes “Spatial Paul Booth, Rensselaer Polytechnic Institute Construction of Character Narrative Implications of Online Identity Through Virtuality: “Reality Profiles” Shira Chess, Rensselaer Polytechnic Institute and Recapping the “Commentary Without Pity: Rewatching, Retelling, Elia Nelson, Rensselaer Polytechnic Institute Respondent Narrating the City Chair: RRENT SESSION A SESSION URRENT CONC that Art of Fan Types and Exploding Narratives: Four New Media, Fans, of Narrative Interaction Expand our Understanding Chair: Polytechnic Institute Amber Davisson, Rensselaer of “Expanding the World and Events” Understanding of Characters Institute Rensselaer Polytechnic Tebordo, Kaitlyn Through Possibilities How Fans Communicate New Narrative “Recombination and Remediation: Music Videos” WILSON CONSTITUTION C CONSTITUTION B CONSTITUTION 2:50 PM – 4:20 PM 1:00 PM – 2:40 PM 1:00 PM – 2:40 PM 1:00 PM – 2:40 PM 18 THURSDAY THURSDAY, MARCH 15,2007 2:50 PM–4:20 2:50 PM–4:20 2:50 PM–4:20 2:50 PM–4:20 CONSTITUTION E CABIN JOHN ROOSEVELT ARLINGTON “The Agency oftheLetter: JamesWeldon Johnson’s Valerie Rohy, UniversityofVermont “Velvet CoatsandManicured Nails:ZoraNealeHurston(Re)ClassifiestheBody” Tanya Kam,UniversityofWisconsin-Whitewater “Discursive Authority andBlackWomen’s Autobiography” Judylyn Ryan,OhioWesleyan University Chair: Narrating RaceandGender “The Epic(al)asShortNarrative: Gregory Rutledge,UniversityofNebraska,Lincoln “Circularity andPostmodernNarrativeBeginningsin Toni Morrison’s Catherine Romagnolo,LebanonValley College “ Cameron Bushnell,UniversityofMaryland Chair: Reading Morrison “Rescripting ‘MarthaStewart’ Post-9/11” Priscilla Walton, CarletonUniversity “Domesticity andWomen’s LaborinSilentFilms” Jamie Barlowe,Universityof Toledo “Work forWomen inCharlottePerkinsGilman’s HousekeepingFictions” Carol Colatrella,GeorgiaInstituteof Technology Chair: Domestic Variation: CulturalNarrativesofHousekeeping Warhol’s “How arewegoingtowrite‘Oouh’?: Technology, Transcription, andDistributedNarrativein Andy Paul Benzon,RutgersUniversity “Portrait ofthe Artist asa Young Checklist: Benjamin Widiss,PrincetonUniversity “Graphs, Novels,Moretti” Audrey Jaffe, Universityof Toronto Chair: Graphs, Checklists,andTranscriptions CONCURRENT SESSIONB Jazz in Translation: DevelopingaRacialPolitics” Rachel E.Frier, The CatholicUniversityof America Jessica Pan,GeorgetownUniversity Carol Colatrella,GeorgiaInstituteof Technology Rochelle Rives,BoroughofManhattanCommunityCollege,CityUniversityNew York a ” Beloved andthePoeticsofScale” A HeartbreakingWorkofStaggeringGenius Autobiography ” Beloved ” ” 19 THURSDAY ” .A. Hoffmann’s .A. Hoffmann’s Guide ’s ’s 007 , 2 15 MARCH THURSDAY, ” ” At Swim-Two-Birds Sandman and Susan Mooney, University of South Florida Susan Mooney, Elisabeth Ford, Wellesley College Elisabeth Ford, Wellesley Alan Nadel, University of Kentucky Avi Kempinski, Fort Hays State University Kempinski, Fort Hays State Avi Susan Mooney, University of South Florida Susan Mooney, Modernist and Postmodernist Poetics of “Resisting Irresistible Nation and the Spanish Civil War: Ruins and Engagement from Outside and Within” Aviva Briefel, Bowdoin College Aviva Horror and the Female Director” Technologies: “Uncanny Postmodern Narratives and Narration Chair: University of Freiburg Alber, Jan The Significance of the Metaleptic Jumps and Interpretation: Towards “Narratology as a First Step Diverse Styles in Gary Johnson, University of Findlay Voice” of Approach to Embedded Narratives: John Barth and the Significance Rhetorical “A CONCURRENT SESSION C the Production of the Real and Technologies Natural Machines: Visual Chair: College Elisabeth Ford, Wellesley Body” Transgressive a Bitch: Hip Hop and the “She’s Marilyn Reizbaum, Bowdoin College They’re Going: Scottish Settings in Film” “They Know Where Cultural Narratives Chair: Alan Nadel, University of Kentucky Kilt” a Snake in Mel Gibson’s There’s “Revenge as a Faith-Based Initiative: Why University Hortense Spillers, Vanderbilt Culture” “Song and Sermon: Readings on US Political Donald Pease, Dartmouth College and the Democracy to Come” “American Studies Interpretive Communities RRENT SESSION B SESSION URRENT CONC Rethinking the Narrative Chair: University Kempinski, Fort Hays State Avi Sebald” of W.G. a Narrator in the Works “The Muted I: Locating Northwestern University Jason Malikow, Cooper voice’: Narrator and Reader Identity in Dennis “‘one adequate, coherent University Juljana Gjata, Rutgers Construction in E.T Subject: Protagonists and Narrators Under “Defining the Unified Golden Pot WILSON ROOSEVELT CONSTITUTION B CONSTITUTION D CONSTITUTION 4:30 PM – 6:00 PM 4:30 PM – 6:00 PM 2:50 PM – 4:20 PM 2:50 PM – 4:20 PM 2:50 PM – 4:20 PM 20 THURSDAY THURSDAY, MARCH 15,2007 4:30 PM–6:00 4:30 PM–6:00 4:30 PM–6:00 4:30 PM–6:00 CONSTITUTION B CONSTITUTION E CABIN JOHN ARLINGTON “‘Alive andwell livinginWashington’: Narrativity, CasebookLogic, andLegalPedagogy” Aaron McKain, The OhioStateUniversity “A MindofOne’s Own:NarrationandInfluence in Virginia Woolf’s Elizabeth Marsch, The OhioStateUniversity “Fool MeOnce,ortheEthicsofReader ‘Entrapment’” John Nees, The OhioStateUniversity Eyes Were Watching God “New Approaches toSettinginNarrative:Rhetoricaland Cognitive PerspectivesonPlacein Julie O’LearyGreen, The OhioStateUniversity “Story, Discourse,andtheMythicReferentinRaoulPeck’s Two Danielle MinaDadras, The OhioStateUniversity Chair: Project Narrative:Work inProgressatOhioStateUniversity Debates about Trauma” “Meaning, Representing,andFeeling:BrainScienceEmbodimentinRecentLiterary-Historical Catherine Kerr, HarvardMedicalSchool “Stories aboutWalls: OrganicDynamisminPoe’s andHawthorne’s Houses” Thomas Otten,BostonUniversity “Mindful Possessions: The GhostStoriesofJamesandWharton” Jane Thraikill, UniversityofNorthCarolinaatChapelHill Chair: Haunted Chambers:Literature,Neuroscience,andtheEmbodiedMind “Certified Authors” Tom Cerasulo,ElmsCollege “On MinimalismandLiteraryHistory” Samuel Cohen,UniversityofMissouri-Columbia “‘We Don’tLiveHere Anymore,’ orRealismandRealEstate” Andrew Hoberek,UniversityofMissouri-Columbia Chair: Maximum Minimalism “‘Always thatsameoldstory’:Lyric RepetitioninthePoemsofJamesMerrill” Siobhan Phillips, Yale University “Arrhythmias: ModernistsDeregulatetheHeartbeat” Chinnie Ding,HarvardUniversity “Motion ofMultitude: Yeats andthe Theater ofaSingleGesture” Lawrence Switzky, HarvardUniversity Chair: Narrative Minimalisms CONCURRENT SESSIONC Andrew Hoberek,UniversityofMissouri-Columbia David Herman, The OhioStateUniversity Jane Thraikill, UniversityofNorthCarolinaatChapelHill Lawrence Switzky, HarvardUniversity ” Lumumba Mrs. Dalloway s” ” Their 21 THURSDAY . . St. Elsewhere and (1907)” The Love Boat , and the oeuvre of HBO, mainstream American , and the oeuvre of HBO, mainstream The American Scene American The 24 , 007 , 2 15 MARCH THURSDAY, LOST Edward J. Maloney, Georgetown University Georgetown Edward J. Maloney, Ganina Lagodsky, Temple University Temple Ganina Lagodsky, changes by concentrating on two prime-time series, OPENING plenary Opening Remarks: Robert J. Thompson, Syracuse University NARRATIVE TELEVISION OF EVOLUTION THE SERIAL: TO EPISODE FROM the emergence of shows like With Catalyzed by technologies like television narrative has entered an era of hyper-serialization. the digital video recorder and online episode offerings, cable, the VCR, and, more recently, trace these changes in the standards of TV storytelling have transformed the medium. We’ll Opening Reception the Opening Reception will be held in Constitution C, D Immediately following the Opening Plenary, The reception is an informal opportunity to & E and is open to all conference participants and guests. & Committee The Conference Staff meet and reconnect with other members of the Narrative Society. tickets are look forward to welcoming you. Light hors d’oeuvres and cash bar will be available. Drink in your registration packet. NewComers’ Dinner attendees to meet with folks who have Dinner is a chance for first- and second-time The Newcomers’ For those people who would like to join a veteran of been coming to the conference for many years. PM to break into dinner groups. please meet in room Constitution B at 6:00 the conference for dinner, time and leave shortly after Each group will decide on a place to eat at that RRENT SESSION C SESSION URRENT CONC to Narrativizing Jouissance Approaches Lacanian The Imploded Narrative: Chair: University Temple Ganina Lagodsky, Who Cannot Experience Jealousy” The Jouissance of Heroines Adultery: “Modern Novels of University Temple Daniel O’Hara, in Henry James’ “Symbolic Self-Investiture University of Virginia David Sigler, the See-Saw of Desire” Traversing Without Castration?: “Is Narrative Possible
CONSTITUTION C CONSTITUTION 6:00 PM – 8:00 PM 4:30 PM – 6:00 PM 4:30 PM – 6:00 PM 8:00 PM – 9:30 PM 9:30 PM – 11:00 PM 9:30 PM – 11:00 CONSTITUTION A & B & A CONSTITUTION CONSTITUTION C, D & E & D C, CONSTITUTION FRIDAY, MARCH 16, 2007
7:30 AM – 6:00 PM REGISTRATION CONSTITUTION FOYER
CONCURRENT SESSION D
8:30 AM – 10:10 AM Narrative and Theory: Dreams, Disability, and Mental Health WILSON Chair: Richard Walsh, University of York
Richard Walsh, University of York “Why Dreams Disturb the Sleep of Narrative Theory”
Sarah Birge, The Pennsylvania State University “Private ‘I’s and Public Minds: Disability, Detective Novels and Narrative”
Gemma Bertram, University of Nottingham Theodore Stickley, University of Nottingham “The Arts and Mental Health: A Narrative Inquiry”
Eva Kuttenberg, The Pennsylvania State University “Aesthetics meets Pathology: Melitta Breznik’s Grief Pathography Nachtdienst” FRI D AY
8:30 AM – 10:10 AM Gender and History ROOSEVELT Chair: Ruth Page, University of Central England
Michelle Massé, Louisiana State University “The Foster Child of Silence and Slow Time: Aging, Gender, and J.M. Coetzee’s Slow Man”
Molly Westerman, University of North Carolina at Chapel Hill “Gendered (In)discipline: Victorian Legacies and Waterland’s Uneasy Historian”
Anne Salvatorre, Rider University “Patriarchal Authority and Gendered Storytelling in Achebe’s Things Fall Apart and Arrow of God”
Ruth Page, University of Central England “Towards a Post-Feminist Narratology: Bridget Jones, Plot Structure and the Self-Help Genre”
8:30 AM – 10:10 AM In the Canon for All the Wrong Reasons CABIN JOHN Chair: Jason Arthur, University of Missouri-Columbia
Jason Arthur, University of Missouri-Columbia “Beating the Hyphen”
Steve Lovett, Metropolitan Community College “Come Back to the Spider Woman, Tayo: Leslie Fiedler and Leslie Marmon Silko’s Ceremony”
Shannon McMahon, Creighton University “Excavating the Silences: Gaspar de Alba’s Desert Blood and the American Detective Story”
Jeremy Reed, Oregon State University “Same Stories, New Places: The Joy Luck Club and American Individualism”
22 23 FRIDAY ” s Short Fiction” and the Ideals of ” ” ” The Bone People Midnight’s Children Midnight’s No Directions Ceremony as Suspense Narrative” 007 16, 2 MARCH FRIDAY, A Heartbreaking Work of Staggering Genius Heartbreaking Work of Staggering A ” Scoundrel Time The Moon and the Bonfires Miriam Coronel Ferrer, University of the Philippines Miriam Coronel Ferrer, Yasmine Shamma, Georgetown University Yasmine Amy Woodbury, Tufts University Tufts Amy Woodbury, Sara Loe, University of Southern California “Architecture and the Novel—Identity and Place in Andrew Martino, Southern New Hampshire University The Symbiotic Relationship between Narrator and Place in “Among the Hills of the Last Horizon: Cesare Pavese’s University of California, Irvine Katherine Voyles, Plotting and (Non)Circulation in the Victorian Back’: Domesticity, Have Found My Way “‘I Would Novel” Elizabeth Anker, Wake Forest University Wake Anker, Elizabeth me, you’ll have to swallow a whole world’: understand “‘To Human Rights” Holly Stave, Northwestern State University Theology in Holy Family: Postcoloniality and “Keri Hulme’s Places and Spaces in Narrative Chair: The Ohio State University Jennifer Gregory, “Darkness and the Definition of Space in James Hanley’s Daniel Hannah, Lakehead University Daniel Hannah, Lakehead “Narrating White Masculinity in Dave Eggers’ Narratives Myth and Nationalism in Postcolonial Chair: Roopika Risam, Georgetown University Narrative in Mahasweta Devi’ “National Mythologies: Rewriting the Hindu Nationalist University Almila Ozdek, George Washington of Silenced Histories” The Voice “Mythical Narratives of Resistance: RRENT SESSION D SESSION URRENT CONC Autobiography Memoir and Chair: University of Louisiana at Lafayette Heather Momyer, Stage” Theoretical “Performance on a of Nevada, Reno Stacy Burton, University “Narrative and Experience” University Tufts Amy Woodbury, Reading “‘Calling Lillian Hellman!’ ARLINGTON CONSTITUTION C CONSTITUTION D 8:30 AM – 10:10 AM AM – 10:10 8:30 8:30 AM – 10:10 AM AM – 10:10 8:30 8:30 AM – 10:10 AM AM – 10:10 8:30 FRIDAY, MARCH 16, 2007
CONCURRENT SESSION D
8:30 AM – 10:10 AM Reading the Body as Narrative CONSTITUTION E Chair: Joselyn Schultz, Georgetown University
Paul Plisiewicz, Antipodes “Olfaction and Subversion: Epistemological Domain and Postcolonial Discourse in Salman Rushdie’s Midnight’s Children”
Alrick Knight, Loyola University Chicago “The Olfactory Novel: The Use and Function of Odors in Lopez Bago’s La Prostituta”
Jessica Garces, University of Pennsylvania “(Mis)reading Body Language in Camus’ The Stranger”
Marjorie Rhine, University of Wisconsin-Whitewater “I Think, Therefore I Suffer: How the Narrative’s Turn to Introspective Consciousness in Buddenbrooks Parallels the Break-Down of the Body”
FRI D AY Roundtable Discussion
8:30 AM – 10:10 AM Thomas Pynchon’s Against the Day CONSTITUTION B Chair: Thomas Schaub, University of Wisconsin-Madison
Thomas Schaub, University of Wisconsin-Madison Alan Nadel, University of Kentucky Amy Elias, University of Tennessee Brian McHale, The Ohio State University Bernard Duyfhuizen, University of Wisconsin-Eau Claire Molly Hite, Cornell University
CONCURRENT SESSION E
10:20 AM – 12:00 PM Digital Media WILSON Chair: Fernanda Bonacho, Escola Superior de Comunicação Social, Lisbon
Sarah Henstra, Ryerson University “Solicited History: The Interview in the Digital Archive”
Christopher Kilgore, University of Tennessee, Knoxville “A Reader Abs/Orb/ed: Blake’s Multimedia Mythology”
Peter J. Rabinowitz, Hamilton College “‘You May be Surprise to Receive My Letter’: Toward a Narratology of Scambaiting”
Allen Kwan, Carleton University “Performing Ethics in Games”
24 25 FRIDAY ” The Squire of Low Diana of the Crossways ” 007 16, 2 MARCH FRIDAY, The Mill on the Floss ” , c. 1520)” Nancy Easterlin, University of New Orleans Leona Fisher, Georgetown University Leona Fisher, Alison Booth, University of Virginia “A Touch in the Deep: De Quincey and the Palpable Autobiography” in the Deep: De Quincey and the Palpable Touch “A Syracuse University May, Vivian Julia Cooper’sAnna Textual Re-Reading for White Supremacy: “Refusing to be a ‘phonograph’ Politics” Shannon Case, North Carolina State University Tramp-Writer” The Roadside Reflections of Chris Massie, Man of your talents, etc’: “‘A University of Warwick Sherah Wells, Autobiographical Novel” Problematization of the Antonia White’s “I am Sick of Clara: Anne Ibos-Augé, Independent Scholar France Narratives (XIIth-XIVth centuries)” Insertions in Northern and Narration: Lyrical “Lyricism York Nicola McDonald, University of in Popular Middle English Romance ( “Desire Out of Order: Exceeding Resolution Degree the Personal and the Public Telling Chair: Benjamin Bishop, University of California, Irvine Marion Wajngot, Stockholm University Marion Wajngot, Three Nineteenth-Century Novels” The Dinah Motif in “Narrative Hermeneutics: Narrative Poems, Narrative Lyrics Chair: Nancy Easterlin, University of New Orleans Tales” Ballads and Lyrical Approach to Lyrical Cognitive A “Narrative and Knowledge: at Martin Tennessee University of Christopher Coffman, Innovation in James Merrill’s Authorial Elision and Narrative and aspect, copied to the life’: “‘Voice The Changing Light at Sandover RRENT SESSION E SESSION URRENT CONC Novel Structure in the Victorian Chair: Austin Texas, of Rachel Hertz, University and Meredith’s Temporality Narrative Masculine’: Were “‘Times State University Shalyn Claggett, Mississippi Fiction” in Mary Elizabeth Braddon’s “The Science of Character University Ashley Byock, Northwestern Context in Eliot’s “Realist Structure and ARLINGTON ROOSEVELT CABIN JOHN 10:20 AM – 12:00 PM 10:20 10:20 AM – 12:00 PM 10:20 10:20 AM – 12:00 PM 10:20 FRIDAY, MARCH 16, 2007
CONCURRENT SESSION E
10:20 AM – 12:00 PM Narrative and the Eighteenth-Century Novel CONSTITUTION E Chair: Ricardo L. Ortíz, Georgetown University/California State University, Los Angeles
Miruna Stanica, Stanford University “Inanimate Objects and Motivation in Defoe’s Fiction”
Michael Genovese, University of Virginia “Metaphor, Sympathy, and Finance in The Adventures of David Simple”
Kelly McGuire, University of California, Los Angeles “Narrative Mortality in Henry Fielding’s A Journal of a Voyage to Lisbon”
Lorri Nandrea, University of Wisconsin-Stevens Point “Style as Singularity in Tristram Shandy”
10:20 AM – 12:00 PM Trauma, Race and Ethnicity CONSTITUTION C Chair: Roopika Risam, Georgetown University
Elizabeth Weston, Western Kentucky University FRI D AY “The Wound as Story/ The Story of the Wound: Narrative Aspects of Trauma and its Aftermath”
Jane Carr, University of Virginia “Circum-Atlantic Narratives of Slavery From Within and Without: Obi, Blake and Burn!”
Ben Graves, University of California, Berkeley “Affect and Affiliation in Brick Lane”
Jean Wyatt, Occidental College “Circular Narrative Cyclical Time in Louise Erdrich’s Painted Drum”
10:20 AM – 12:00 PM Performing Gender CONSTITUTION B Chair: Beth A. Boehm, University of Louisville
Ruth D. Johnston, Pace University “Masked Repetitions: Jewish Disappearing Acts and the Construction of Gender”
Christine Coffman, University of Alaska, Fairbanks “Orlando as Trans Narrative”
Kerstin Fest, University College Cork “‘I watch my face gradually breaking up’—Female Masquerade and Outer Appearance in Jean Rhys”
10:20 AM – 12:00 PM Narrative at Work CONSTITUTION D Chair: David Lipscomb, Georgetown University
David Lipscomb, Georgetown University “Telling Tales in Corporate Communications”
Steve Denning, Independent Scholar “Organizational Storytelling”
Mae Kuykendall, Michigan State University “No Imagination: The Marginal Role of Narrative in Corporate Law”
Philippe Carrard, Dartmouth College “When Wall Street Sighs: Narratives of the Market and Personification” 26 27 FRIDAY ” 21 Grams y: y: 007 16, 2 MARCH FRIDAY, Patricia O’Connor, Georgetown University Patricia O’Connor, Irene Kacandes, Dartmouth College Arcana Albright, University of Pennsylvania Arcana Contemporary Film Chair: Angeles University of California, Los Jason Gendler, Narration” Travel Time The Perils and Paradoxes of Restricted “Primer: Monica Filimon, Rutgers University Study on the Destabilization of Perception in A “Reconstructing the Postmodern Mirror: Ball State University Patrick Collier, Neo-Romanticism” Vexed and Narratives of Progress: M. Night Shyamalan’s Twists “Plot Chair: Irene Kacandes, Dartmouth College Arrest in Nazi-Occupied and Accretions to a Memory of Mistaken Identity “‘Adding the Holocaust’: Greece” Alabama at Birmingham of Zayzafoon, University Youssef Lamia Ben Women” Tunisian the Eyes of The Holocaust through Typhus: of the “Year Carol Bardenstein, University of Michigan in Representations of the Analogy and Empathy and Stakes of Comparison: Critiquing “Taboos Holocaust and the Nakba” University in St. Louis Erin McGlothlin, Washington Adopting the Holocaust Narrative” “Implications of CONCURRENT SESSION F of Holocaust Narrative Dangerous Crossings: Borrowings plenary analysis, the more mechanical or automatic (“analyst-neutral”) the proposed mechanism the better, proposed mechanism the better, or automatic (“analyst-neutral”) the analysis, the more mechanical without embarrassment. Introduction: of Birmingham University Michael Toolan, hort Stor Progression in the S Narrative Approach Corpus Stylistic A What can we say about a reader reads (experiences) a short story? What really goes on when and paragraph of a expectations that each successive word, sentence, the knowledge and the in mind’)? In corpus linguistic readers to attend to, or visualize (‘have or put story causes particular WILSON ROOSEVELT 2:45 PM – 4:15 PM 2:45 PM – 4:15 PM 1:00 PM – 2:30 PM 1:00 PM – 2:30 PM CONSTITUTION A & B & A CONSTITUTION FRIDAY, MARCH 16, 2007
CONCURRENT SESSION F
2:45 PM – 4:15 PM Literature and Built Environments CONSTITUTION D Chair: Deanna Kreisel, University of British Columbia
Deanna Kreisel, University of British Columbia “Area Railings”
Scott MacKenzie, University of British Columbia “Stonehenge”
Andrea Zemgulys, University of Michigan “Woolf’s Tumbled Mansion”
Deborah Pfuntner, Texas A&M University “Reading the New Scottish Parliament Building as Narrative”
2:45 PM – 4:15 PM Economics and Narrative ARLINGTON Chair: Anna Kornbluh, University of California, Irvine
FRI D AY Anna Kornbluh, University of California, Irvine “London Nineteenth Century, Capital of Realism, Or, On Marx’s Victorian Novel”
Michael Tratner, Bryn Mawr College “Uncovering Capital: Adam Smith and the Narrative Form of the Classical English Novel”
Cynthia Port, Ursinus College “Temporal Accounting: Virginia Woolf’s Economies of Aging”
2:45 PM – 4:15 PM Borders of Identity and Narrative CONSTITUTION E Chair: Inmaculada Lara-Bonilla, Syracuse University
Carla Mettling, Columbia College of Missouri “Time, Consciousness, Memory, and Identity: Narrative Structures in the Novels of Louise Erdrich”
Laura Beard, Texas Tech University “Reading Indian Residential School Narratives as Testimonial Literature”
Robert Affeldt, University of Texas, Pan American “Border Narratives: Student Writing, Spaces and Literacies”
2:45 PM – 4:15 PM Cognitive Approaches to Narrative CONSTITUTION B Chair: Lisa Zunshine, University of Kentucky
Ellen Spolsky, Bar-Ilan University “Narrative as Nourishment”
Porter Abbott, University of California, Santa Barbara “Understanding Not Understanding: Two Stories by Ballard & García Márquez”
Suzanne Keen, Washington and Lee University “Authors’ Empathy: Bounded, Ambassadorial, and Broadcast Strategic Empathy”
28 29 FRIDAY ” Germinal 007 16, 2 MARCH FRIDAY, ” Philip Sandifer, University of Florida Philip Sandifer, Per Krogh Hansen, University of Southern Denmark Megan Ward, Rutgers University Megan Ward, Gorky Cruz, Georgetown University Gorky Cruz, Georgetown Lyndsay Brown, University of Florida Lyndsay “Perfection Out of Order: Combinatorial Narratives of Fan Video” Lars-Ake Skalin, University of Örebro, Sweden “Non-Naturalizable Features in Narrative Fiction” Fragmentation of Narrative/Narratives of Fragmentation Chair: University of Florida Philip Sandifer, The Narrative Structure of Mathematical Proof” “Quod Est Demonstratum: Chris Eklund, University of Florida “The Comics Page as Schizophrenic Surface” G CONCURRENT SESSION Contradiegesis Chair: Per Krogh Hansen, University of Southern Denmark “Unreliable Narration in Cinema: Facing the Cognitive Challenge Raised in Literary Studies” Aarhus Henrik Skov Nielsen, University of “Will and Counter-Will: Literature, Psychology and Politics” Reading the Social in the Nineteenth-Century Novel Reading the Social in the Nineteenth-Century Chair: University Vanderbilt Hoffer, Lauren Wood Experience in The Collection and Presentation of Knowledge and “‘They Claim to be nothing else’: Pickwick Papers Carolyn Lesjak, Simon Fraser University Acts of Dispossession” Things and “Victorian Stanford University Maria Wang, and Strangers: Durkheim, Simmel and “Averages RRENT SESSION F SESSION URRENT CONC Fiction American Latin Chair: of California, Santa Barbara Cheyla Samuelson, University Cortázar” of Julio in the (Im)possible Worlds Adult Desire Adolescence and “The Boundaries of Tampa of James Lopez, University Satirical Novel (1980-2006)” American “The Latin University Robert Baah, Seattle Pacific and Juan Donoso” Arenas, Luis Borges, Reinaldo on Unreliable Narration: Jorge “Variations WILSON ROOSEVELT CABIN JOHN CONSTITUTION C CONSTITUTION 4:30 PM – 6:00 PM 4:30 PM – 6:00 PM 2:45 PM – 4:15 PM 2:45 PM – 4:15 PM 2:45 PM – 4:15 PM FRIDAY, MARCH 16, 2007
CONCURRENT SESSION G
4:30 PM – 6:00 PM Narrative and New Media: Postmodern Perspectives CABIN JOHN Chair: Michael Mirabile, Reed College
Michael Mirabile, Reed College “New Media Spectacularizations of the Real and the Challenges of Critique”
Royal S. Brown, Queens College, City University of New York “Dark City: The Mythologies of Premodernity and Modernity in a Postmodern Fantasy”
Jan Mieszkowski, Reed College “Reflections on Sublime and Beautiful Media Wars”
4:30 PM – 6:00 PM Narrative as a Method of Study and (Self) Research in Arts and Humanities ARLINGTON Chair: Beatriz Vera-Lopez, The University of Nottingham
Beatriz Vera-Lopez, The University of Nottingham Pablo Jiménez Trujillo, North West University of Indiana “Theory and Praxis of a Scholarship of Learning Foreign Modern Languages and Cultures (FMLC)” FRI D AY
Simon Coffey, King’s College London “Narrative Identity and the Language Learning Project”
Lamphone Phonevilay, Université de Montréal / École des hautes études en sciences sociales de Paris “Narratives as a Source Of Knowledge and a Methodological Framework: A Hermeneutical Reflection Based on the Contribution of French Sociologist Nicole Lapierre and German Philosopher Hans- Georg Gadamer”
4:30 PM – 6:00 PM Adaptations: To and From Film CONSTITUTION B Chair: Julie Flynn, Independent Scholar
Emily Anderson, Knox College “Fictional Narrative, Adaptation, and Wuthering Heights”
Jan Baetens, Katholieke Universiteit Leuven “‘I Shall Sit on Your Graves’ and the Aesthetics of the New Wave Novelizations”
Ji-Young Um, University of Washington “Chronicle of a War Foretold: Graham Greene’s The Quiet American”
4:30 PM – 6:00 PM All in the Family: Endogamy in Normative Marriage and Family Narratives CONSTITUTION D Chair: Jen Shelton, Texas Tech University
Jen Shelton, Texas Tech University “Adoption and Incest in the Marriage Plot”
Carolyn Dever, Vanderbilt University “‘We are closer married’: The Family Romance of Michael Field”
Denis Flannery, University of Leeds “An Endogamy Effect: Henry James and the Power of Queer Waiting”
30 31 FRIDAY ” ” Elizabeth Costello ” The Light of Day Bastard Out of Carolina and 007 16, 2 MARCH FRIDAY, The Color Purple ” James Phelan, The Ohio State University James Phelan, Roberta Tucker, University of South Florida Tucker, Roberta Robyn Russo, Georgetown University Robyn Russo, Georgetown “Theory of Mind and Fictions of Transparency” “Theory of Mind and Fictions of Independent Scholar Alan Palmer, “Action” Tampere Maria Mäkelä, University of Mind of Fiction” Biased Textually and the Teller-effects, “The Cycle of Necessity: Unreliability, “The Novel Against Ideas: Testimony versus Philosophy in J.M. Coetzee’s versus Philosophy in J.M. Coetzee’s Testimony Against Ideas: “The Novel GY II CONTEMPORARY NARRATOLO Agents Minds Of Narrative Chair: Lisa Zunshine, University of Kentucky Atwood, Swift, and Coetzee Chair: University of Houstin, Victoria Cindy Schnebly, Swift’s “Narrative Editing and Performance in Graham University of Maryland Jennifer Wellman, Atwood’s Conflicting Narratives and Positions of Silence in Absence of Light’: Presence, Like the “‘A Assassin The Blind Barbara Mark Maslan, University of California, Santa RRENT SESSION G SESSION URRENT CONC and Children Stories of Mothers Chair: Paterson University Judith Broome, William Narratives of Child Murder” Painful for the Light of Day’: Too “‘Stories State University Kelly Marsh, Mississippi “Surviving the Mother’s in Story University of Virginia Atwell, Mary Stewart ‘Friend of My Alice Munro’s I See It’: Feminist Dialogics in My Mother Saw Life and the Way “‘The Way and ‘Menesteteung’“ Youth’ CONSTITUTION E CONSTITUTION B CONSTITUTION C CONSTITUTION 6:15 PM – 7:45 PM 4:30 PM – 6:00 PM 4:30 PM – 6:00 PM 4:30 PM – 6:00 PM 32 SATURDAY SATURDAY, MARCH 17,2007 CONSTITUTION FOYER 8:30 AM –10:10 AM 8:30 AM –10:10 AM 8:30 AM –10:10 AM 7:30 AM –6:00PM CABIN JOHN ROOSEVELT WILSON “Death Castrationandthe Tragedy ofPeter Pan: A LacanianInterpretationofPeterand Wendy” Alvin Henry, UniversityofCalifornia,Berkeley “Narrative Fantasy:PhillipaPearce’s Donna Cox,GrimsbyInstituteofHigherEducation “From theObjectto Thing: Lacan’s SubjectFormationthroughPerrault’s Fairy Tales” Amin Erfani,EmoryUniversity “Enfant Terrible: Narrative,Subjectivity, andtheStoryafter Theory” Kelly D.McGuire,EmmanuelCollege Chair: through Lacan A LacanPrimer:throughChildren’s Narrative, Children’s Narrative Breakdown oftheNovel” “(Im)possible Trust inHermanMelville’s Hildegard Hoeller, CollegeofStaten Island,CityUniversityofNew York “New Ways ofPerversion:Mimesis,Markets,andModernism” H. ErikButler, EmoryUniversity “William DeanHowells,NarrativeRealism,andProductBranding” Benjamin Graydon,Vanderbilt University Chair: Markets inNarratives “Sex andHistoryin Pamela Cooper, UniversityofNorthCarolinaatChapelHill King” “The OntologicalMetalepseasanInstrumentoftheFantasticGenrein Clotilde Landais,UniversityofLaSorbonneNouvelle Cloud “The LessReliabletheNarrator, theMoreBelievableStory:ReadingM.P. Shiel’s Monique Morgan,McGillUniversity “The ‘GrimFantasy’ ofMagicRealist Tropes inOctaviaButler’s Matthew Bolton, The OhioStateUniversity Chair: Science FictionandFantasy CONCURRENT SESSIONH REGISTRATION asScienceFiction” Alvaro Tarrago, ImmaculataUniversity Kelly D.McGuire,EmmanuelCollege Heather Hicks,Villanova University Oryx andCrake ” A DogSoSmall The Confidence-Man ” : FinanceCapitalismandthe Kindred The DarkHalf ” byStephen The Purple 33 SATURDAY ” Testimonies” The Final Solution ” ” ” My Drowning Fugitive Pieces The Spoils of Poynton ” 7 , 200 17 MARCH SATURDAY, Roderick Hudson Erica Lipper, Georgetown University Erica Lipper, David Herman, The Ohio State University David Herman, Marion Gold, University of Toronto Marion Gold, University of Christine McBride, Stanford University Christine McBride, Stanford Deborah Carlin, University of Massachusetts, Amherst Deborah Carlin, University of Massachusetts, in Jim Grimsley’s Aftereffects Traumatic and “Narrative Effects Deborah Schiffrin, Georgetown University Deborah Schiffrin, “Old Language in New Stories: Narrative Functions of Code-Switching in Holocaust Contemporary Narratives of Trauma Chair: Gert Buelens, Ghent University The Case of Michael Chabon’s Theory: Trauma in Turn a Performative “Towards Annje Wiese, University of Colorado, Boulder Trilogy” Agota Kristof’s “Genealogy of the Postmodern Self: Narrative and Rewriting in Justin Neuman, University of Virginia Anne Michaels’s of The Case “Narrative and the Messianic: “Risk Narratives and Guilt: Breastfeeding in the 21st Century” “Risk Narratives and Guilt: Breastfeeding in Approaches to Narrative Linguistic Chair: The Ohio State University David Herman, Burton Bradstock Research Labs Andrew Salway, Approach” Corpus-based A Theory: “New Foundations for Narrative Natalie Schilling-Estes, Georgetown University in Teenagers American African “Narrative and Identity in the Interview Setting: Case Studies from DC” Washington, Public and Personal Narratives Chair: James Luberda, University of Connecticut Thesis” “Narrative Metacognition and the Narrative Identity Toronto Marion Gold, University of Theoretical” The Personal and the “Narrative: Erin Seaton, Merrimack College Narratives of Identity in a Close-knit Community” Adolescent Girls’ “Common Knowledge: Rural Polytechnic Institute and State University Bernice Hausman, Virginia RRENT SESSION H SESSION URRENT CONC Age the Gilded Henry James and Chair: State University Michigan Teahan, Sheila “Reading James Reading University Christine McBride, Stanford Disavowal in “On Repression and Representation: York State University of New at Buffalo, University Sophia Forster, Age Realism and Utopianism” “Narrative Stasis in Gilded ARLINGTON CONSTITUTION E CONSTITUTION C CONSTITUTION B 8:30 AM – 10:10 AM AM – 10:10 8:30 8:30 AM – 10:10 AM AM – 10:10 8:30 8:30 AM – 10:10 AM AM – 10:10 8:30 8:30 AM – 10:10 AM AM AM – 10:10 8:30 34 SATURDAY SATURDAY, MARCH 17,2007 10:20 AM –12:00PM 10:20 AM –12:00PM 8:30 AM –10:10 AM CONSTITUTION D ROOSEVELT WILSON “Sketching theNarrativeSchema” Brigitte Rath,Institutfur Allgemeine undVergleichende Literaturwissenschaft “Pertinent ChallengesinNarrativeResearch” Henrik Scharfe, Aalborg University “In theShadowofGenette” Rolf Reitan,Universityof Aarhus “Two-Dimensional NarrativeVelocity” Stephan Packard,Ludwig-Maximilians-UniversitätMünchen Chair: Narrative SchemesandStructures “Optimality, Narrative,andIdeology” Jonathan Goodwin,EastCarolinaUniversity “Neo-aesthetics, andthePossibilitiesLimitationsofNarrative” renée c.hoogland,RadboudUniversityNijmegan “Painting asDisciplinarity:Gaddis’s Theory of Art” Lisa Siraganian,SouthernMethodistUniversity Formalism andPhenomenology” “The Author andtheCharacterin Aesthetic Activity: NarratologyattheCrossroadsbetween Marina Grishakova,Universityof Tartu Chair: Neo-aesthetics andNarrative CONCURRENT SESSIONI “‘After us,notoutofus’:ReadingtheUtopianMomentinD.H.Lawrence’ Erwin Rosinberg,PrincetonUniversity “Trauma andNarrative:Virginia Woolf’s Reina van derWiel,BirkbeckCollege,UniversityofLondon “The MakingofCelebrity:GertrudeSteinandtheMechanicsModernist Kristin Gilger, UniversityofVirginia “‘The Cool Ache ofBeingOutsideLife’:SilenceandPowerinEvelynScott’s Kecia McBride,BallStateUniversity Chair: Modernism andGender CONCURRENT SESSIONH Stephan Packard,Ludwig-Maximilians-UniversitätMünchen renée c.hoogland,RadboudUniversityNijmegan Kecia McBride,BallStateUniversity The Waves ” s Autobiography” Women inLove The NarrowHouse ” ” 35 SATURDAY ” Emma ” ” Emma Ulysses ” The Trial 7 , 200 17 MARCH SATURDAY, ” Persuasion Patrick O’Malley, Georgetown University Patrick O’Malley, Jesse Matz, Kenyon College Louise Hornby, University of California, Berkeley University of Louise Hornby, Laura White, University of Nebraska, Lincoln “Beyond the Romantic Gypsy: Narrative Disruptions and Ironies in Ruth Baldwin, University of California, Berkeley “The Rhetoric of Anna Udden, Stockholm University Austen’s “Reported Speech and Historical Hermeneutics: Rereading Jane Patrick Carr, The Ohio State University Patrick Carr, The Cultural Logic of Immersion in “‘I do not like that other world’: The Ohio State University Stephen Kern, and Narrative” “Modernism, Modernity, Austen Jane Chair: University of California, Santa Barbara Young, Kay “The Imagining Mind of Emma Woodhouse” Julia Kent, American University of Beirut American Julia Kent, Respondent Modernism and Narrative Chair: Adam Putz, University of Minnesota, Duluth Painful Case’” ‘A Joyce’s “Depressing the Reader: Journalism and James University Aviv Tel Eyal Segal, The Case of Texts: “The Problem of Ending in Kafka’s RRENT SESSION I SESSION URRENT CONC Temporalities Considering Novel Chair: California, Berkeley University of Louise Hornby, of Modernism” Temporality and the “Stillness, Sequence, University of Haifa Yahav-Brown, Amit Novels” in Defoe’s Time Personal Time’: “‘Now was my University of Haifa Ben-Yishai, Ayelet of Precedent” Force Temporal The as Device: “Time ARLINGTON CABIN JOHN CONSTITUTION E 10:20 AM – 12:00 PM 10:20 10:20 AM – 12:00 PM 10:20 10:20 AM – 12:00 PM 10:20 36 SATURDAY SATURDAY, MARCH 17,2007 10:20 AM –12:00PM 10:20 AM –12:00PM 10:20 AM –12:00PM CONSTITUTION C CONSTITUTION D LATROBE “Fragmenting theOedipus:FiftiesFreudandPsychoanalyticNarrative inColdW Denis Jonnes,UniversityofKitakyushu “Wartime ‘Lite’ Narratives: The U.S.BondDriveCampaign,1941-1946” Mary Anne Schofield, Villanova University “Feeling Good About WhiteNationalism:CollegeLifeaftertheCivilWar” Travis Foster, University ofWisconsin-Madison “Early U.S.Novels:EpisodicStructureandtheProblemofSocialCohesion” Matthew Garrett,StanfordUniversity Chair: US NationalandSocialIdentity “From theSilkRoadtoIndochina,aFolk Tale’s Inversions” Ben Vu Tran, UniversityofCalifornia,Berkeley “Representations ofRevoltin Nguyen LapDuy, UniversityofCalifornia,Irvine “Revolutionary Narrationin Rebekah LinhCollins,UniversityofCalifornia,Berkeley Chair: Colonialism andtheModernNovelinVietnam “Unframing theDominicanRepublicasSexualParadiseinNellieRosario’ Donette Francis,BinghamtonUniversity, StateUniversityofNew York “Gendered PoeticsofHome: A StudyofBushra Al-Bustani’s ‘PoemforIraq’” Wafa Abdullatif Zeinal Abidin, UniversityofMosul,Iraq “Me andNarratology” Bushra Al-Bustani, UniversityofMosul,Iraq “The FamilyofNations,andNationsasFamiliesinMarjaneSatrapi’ Susan Friedman,UniversityofWisconsin-Madison Chair: Violence: Iraq,Iran,and theDominicanRepublic Cosmopoetics andWomen’s NationalNarrativesinTimes ofWar and CONCURRENT SESSIONI M. KeithHarris,UniversityofVirginia Dorothy Hale,UniversityofCalifornia,Berkeley Susan Friedman,UniversityofWisconsin-Madison Bà-Dầm Ngọn CỏGióĐùa ” ” s Persepolis s SongoftheWater Saints ” ar America” ” 37 SATURDAY A plated A and Collier’s The Turn of the Screw The Turn 7 , 200 17 MARCH SATURDAY, ” Bleak House Daniel Punday, Purdue University Calumet Purdue Daniel Punday, and the Typology of Doubles” Typology and the Friederike von Schwerin-High, Pomona College Daniel Punday, Purdue University Calumet Daniel Punday, Coverage” The Illiad GRAPHIC DEVICES: NARRATION OR NAVIGATION? GRAPHIC DEVICES: NARRATION of print media and electronic media structure This talk examines ways in which graphic features is whether these are aspects of narration and texts and reading processes. The central question features of narrative. Is navigation, whether in print thus inherent to and integral with conventional one? Navigation devices in book forms and or electronic media, a narrative act? Or a mechanical on graphic features of particular works, some electronic works will be used to focus this study a spectrum of visual and textual productions. anomalous, and some conventional, across University The Lannan Program in the Department of English at Georgetown Co-sponsored by Johanna Drucker, University of Virginia Johanna Drucker, plenary Introduction: Matthew Clark, York University York Matthew Clark, “ Ghent University Melissa De Bruyker, “The Narrativity of the Literary Doppelgänger” “Provisional, Approximate, Unreliable and Wrong: Handwriting in the Novels of William Vollman” Approximate, Unreliable and Wrong: “Provisional, Jackson, University of North Carolina at Charlotte Tony “Letters and Spirits in Doubles Panel Chair: University of Virginia Amanda Sigler, “Unsuspecting Narrative Doubles in Serial Publication: James’s Maine CONCURRENT SESSION J Handwriting in the Novel Chair: Purdue University Calumet Daniel Punday, “Sloppy Handwriting” University Brian Chanen, Warsaw Lunch Business Executive Committee on are welcome to join the Narrative Society All conference participants annual will give updates on the Society’s The Executive Committee Lunch. Saturday for the Business other business items. the 2008 Narrative Conference, and discuss awards, the location of lunch will be served. WILSON ROOSEVELT 3:15 PM – 4:45 PM 3:15 PM – 4:45 PM 1:30 PM – 3:00 PM 1:30 PM – 3:00 PM 12:00 PM – 1:30 PM 12:00 PM – 1:30 PM CONSTITUTION A & B & A CONSTITUTION CONSTITUTION A & B A CONSTITUTION 38 SATURDAY SATURDAY, MARCH 17,2007 3:15 PM–4:45 3:15 PM–4:45 3:15 PM–4:45 3:15 PM–4:45 CONSTITUTION D CONSTITUTION E CABIN JOHN ARLINGTON “Boredom andNarrativeFormin Dorothy Richardson’s Allison Pease,JohnJayCollege, CityUniversityofNew York “Frederick DouglassandtheErotics ofLiteracy” Gillian Silverman,UniversityofColorado atDenver “Dionne Brand’s Anti-National Canadian Appeal” Elizabeth Yukins, SimonFraserUniversity Chair: Proscriptions forWriting “July 4to August 4:ParadigmaticandPalimpsesticPlots inFordMadoxFord’s Melba Cuddy-Keane,Universityof Toronto “Justice andMultipleSubjectivity” Lindsay Holmgren,McGillUniversity “The Effects ofFreeIndirectDiscourse:EmpathyRevisited” Joe Bray, UniversityofSheffield Chair: Empathy andFreeIndirectDiscourse “Speaking forthePoorand Acting fortheHeroinein Michael Lewis,UniversityofVirginia “First-Person FreeIndirectDiscoursein Karen Leibowitz,UniversityofCalifornia,Berkeley “Narrative Castration:BlurringtheLinebetween Author andSpeakerin Angela Hall-Godsey, GeorgiaStateUniversity Chair: Charlotte BrontëandHerInfluences Focalization inJeanRhys” “‘Then You Were Enmeshedin All SortsofComplications’:SecondPersonNarrationandShifting Lisa Brundage, The GraduateCenterof The CityUniversityofNew York “Bi-gendered andDoubled: The DualFocalizersofCharlotteBrontë’s Helen Davis, The GraduateCenterof The CityUniversityofNew York “George putseverythingoutoffocus’:FocalizationandNarrationinH.D.’ Jody Rosen, The GraduateCenterof The CityUniversityofNew York Chair: Charlotte Brontë,JeanRhys,andH.D. Focalization atWork: ShiftingVoices andVaried EyesintheNarrativesof CONCURRENT SESSIONJ Elizabeth Yukins, SimonFraserUniversity Brian Artese, Agnes ScottCollege Genevieve Gagne-Hawes,New York University Jody Rosen, The GraduateCenterof The CityUniversityofNew York Villette ” Shirley Pilgrimage ” ” Shirley Jane Eyre s HERmione ” The GoodSoldier and ” Villette ” ” 39 SATURDAY Strong 7 , 200 17 MARCH SATURDAY, and the Progressive Stages of the Lacanian Hysteric” ” ” Rome Deadwood The Wire ” Chanelle Lee Fillion, Georgetown University Matt Dubord, University of California, Los Angeles Matt Dubord, University of California, Los Sarah Mittelholzer, Georgetown University Sarah Mittelholzer, Aaron Worth, Brandeis University Aaron Worth, Michael Booth, Haverford College “The Rhetoric of The University of Melbourne Lindsay Coleman, “Alma Garrett: Slavica Rankovic, University of Bergen Author” of the Distributed Narratives and the Voice Traditional Themselves: Tell “Of Stories that College Sun Lee, Wellesley Yoon and Crumpled Surfaces: Narrative, Identity and the Everyday” Time “Extensive New Wave Theorizing HBO’s Chair: Brandeis University Aaron Worth, “Deleuze and K CONCURRENT SESSION and the Role of the Narrator Narrative Truth Chair: David Gorman, Northern Illinois University Truth?” “Narrative—and Detective Fiction Chair: The Ohio State University Allison Fisher, Submerged Experimentation in Dorothy Sayers’s Usual and Natural Form of Expression’: “‘A Poison Karin M. Danielsson, Malardalen University This’—Retelling and Redundancy in Hillerman” you Some of Told Already “‘I Susanna Lee, Georgetown University “1968: Radical Politics and French Crime Fiction” RRENT SESSION J SESSION URRENT CONC Short Story Identity and The Chair: University Baylor Luke Ferretter, Magazine Fiction” Women’s Sylvia Plath’s “Procrustean Identity: University Michelle Farrell, Georgetown Short Stories” Two Representation in on Hybrid Identity and Vision Mia Couto’s “Mozambican Writer University Auburn Miriam Clark, Contemporary Short Stories” in Cultural Difference Anthem of Bedrock: Representing “The National WILSON LATROBE ROOSEVELT CONSTITUTION C CONSTITUTION 5:00 PM – 6:30 PM 5:00 PM – 6:30 PM 3:15 PM – 4:45 PM 3:15 PM – 4:45 PM 3:15 PM – 4:45 PM 40 SATURDAY SATURDAY, MARCH 17,2007 5:00 PM–6:30 5:00 PM–6:30 5:00 PM–6:30 5:00 PM–6:30 CONSTITUTION E CABIN JOHN ARLINGTON LATROBE “Disturbing thePerpetualPeaceof ‘TheDead’” Paul Saint-Amour, PomonaCollege “Who’s theStranger?:Jews,Women, andBastardsin Hilary Schor, UniversityofSouthernCalifornia “Bad Hospitality:Hitchcock’s LostCamera” Ned Schantz,McGillUniversity Chair: Hospitality andNarrative “Bluebeard’s Exoticand Alien Wives: Anna LeonowensandtheBurdenof Testimony” Heta Pyrhonen,UniversityofHelsinki Walter Scott’s “Death’s Heir, Die’s Husband:FrankOsbaldistone’s EntranceintoaDeadlyFamilyHistoryinSir Catherine England,UniversityofSouthCarolina “Inscrutable Revenge,or, thePsychopathologyofCapitalisminVictorian SensationFiction” Anna Jones,UniversityofCentralFlorida Chair: Anxieties andInfluencesintheNineteenthCentury “Reading Romola” Rachel Ablow, UniversityatBuffalo, StateUniversityofNew York “Romola Reading” David Kurnick,ColumbiaUniversity “Sleeping, Dying,Reading” Kent Puckett,UniversityofCalifornia,Berkeley Chair: Reading, Feeling,Drifting,Dying “Darwin’s ImpersonalExpressions” Janis McLarrenCaldwell,UniversityofCalifornia,SantaBarbara “The RedundancyofPersonsin Lisa Sternlieb, The PennsylvaniaStateUniversity “Infrastructuralism: Caroline Levine,UniversityofWisconsin-Madison Chair: Impersonal Victorians CONCURRENT SESSIONK Ned Schantz,McGillUniversity Michael Matin,Warren WilsonCollege Kent Puckett,UniversityofCalifornia,Berkeley Caroline Levine,UniversityofWisconsin-Madison Rob Roy Bleak House ” anditsSuccessors” Daniel Deronda ” Daniel Deronda ” 41 SATURDAY This year The Sweet ” ” 7 , 200 17 MARCH SATURDAY, Gravity’s Rainbow Gravity’s The Metamorphosis ” Katie Aberbach, Georgetown University Katie Anita Sherman, American University American Anita Sherman, “How Musical a Narrative Can be” DANCE narrative party & to the annual conference party & dance. All conference participants and guests are invited cash bar and snacks will be available throughout A the dance will feature music by DJ Jamie Mizell. the evening. Hereafter Music in Fiction Chair: The Pennsylvania State University Gregory Pierrot, Music as (hi)story in Time’: Nation “‘It’s Mark Goble, University of California, Irvine Soundtracks” “Fitzgerald’s Arts, Serbia Milos Zatkalik, University of RRENT SESSION K SESSION URRENT CONC and Readerly Satisfaction Narrative Progression Chair: Tromso of Anniken Greve, University and Ontological Readerly Progression Technique, Narrative “The (Un)making of Sense: Kafka’s Repercussions in Franz of California, Berkeley Ashley Barnes, University Account of Reader Satisfaction” Detail-Oriented A “Solitary Pleasure: of Houstin, Victoria James Holm, University Banks’ Fritz Heider Reads Russell Tensions: Instabilities and “Engaging Readers through CONSTITUTION B CONSTITUTION C CONSTITUTION 5:00 PM – 6:30 PM 5:00 PM – 6:30 PM 5:00 PM – 6:30 PM 9:00 PM – 1:00 AM 9:00 PM – 1:00 CONSTITUTION A & B A CONSTITUTION SUNDAY, MARCH 18, 2007
8:30 AM – 12:00 PM REGISTRATION CONSTITUTION FOYER
CONCURRENT SESSION L
8:30 AM – 10:00 AM Closer to Life: Plotting the Real/ Crossing Genre in Twentieth-Century WILSON Aesthetics Chair: Sonnet Retman, University of Washington
Sonnet Retman, University of Washington “Romancing the Real in Sullivan’s Travels”
H. N. Lukes, New York University “‘Recorders Ages Hence’: Strange Brother, Modernity, and the Impossibility of Queer Narrative”
Janet Sarbanes, California Institute of the Arts “From Happenings to Events: The Scripting of Art as Life in Fluxus Counterculture”
8:30 AM – 10:00 AM Film and History ROOSEVELT Chair: Nicole Flynn, Tufts University
Jeremy Powell, University of North Carolina at Chapel Hill “Forgetting Temporalities and the Idea of Minimal Narrative: Escape from the Cinegeometric Trap of Rose Hobart (with Reference to the Map of Lost Highway)”
Judith Sarnecki, Lawrence University “Narrating Paradox: French Cinema Under Nazi Occupation”
Paul Miller, Davidson College “Theories of Viewer Response in Documentary Film: Sizing Up McElwee’s Sherman’s March”
8:30 AM – 10:00 AM Narratives of the State ARLINGTON Chair: Rebecca L. Walkowitz, University of Wisconsin-Madison
Amanda Claybaugh, Columbia University “The Freedmen’s Bureau and Functionary Writing”
Lisi Schoenbach, University of Tennessee “‘State-Blindness’: James, Wells, and Democratic Institutions”
Rebecca L. Walkowitz, University of Wisconsin-Madison “Narratives Beyond the State: J. M. Coetzee’s World System of Books”
8:30 AM – 10:00 AM Narrative Medicine: Suffering Bodies and Embodied Readers CONSTITUTION E Chair: Tara McGann, American University
Tara McGann, American University “Intimations of Mortality: Pain, Suffering, and the Embodied Reader of George Eliot’s ‘Janet’s Repentance’”
Maura Spiegel, Columbia University “Phantom Reader/Phantom Limb: The Narrative Ethics of Coetzee’s Slow Man” S U N D AY Linda Raphael, George Washington University School of Medicine “Inside Knowledge: Ian McEwan’s Saturday”
42 43 SUNDAY ” ” ” ” Absalom, Absalom! Absalom, ” ” Brokeback Mountain The Day the Leader was Killed Absalom, Absalom! Absalom, In the Shadow of No Towers 2007 18, MARCH SUNDAY, I Is a Long Memoried Woman Christy A. Cannariato, University of California, Santa Barbara Christy Laura J. Fyfe, George Mason University Megan Haury, University of Virginia Megan Haury, Dana Luciano, Georgetown University Dana Luciano, Georgetown “Naguib Mahfouz and the Limits of Allegory: A Reading of A Allegory: “Naguib Mahfouz and the Limits of Narratives of Science and History in Popular Culture Chair: Jennifer Burwell, Ryerson University of Daydreams” The Stuff “Physics and Popular Culture: Angeles Mitchum Huehls, University of California, Los “Historical Comics as Narrative in Spiegelman’s Dartmouth Medical School Priya Venkatesan, Approaches to Science” “Narrative History and Race Chair: University Virginia Luminita Dragulescu, West “The I of the (Narrative) Eye” Magali Michael, Duquesne University History Other-Wise: Grace Nichol’s “Telling Mohammad Salama, San Francisco State University William Faulkner William Chair: Ashland University David FitzSimmons, in William Faulkner’s Fiction” Time Layers of Representations of Narrative Order: Graphing “Visual University of Virginia Megan Haury, Narrative and Narrating Empire in Indies’: Mastering to the West “‘So I Went Sangina Patnaik, University of California, Berkeley Ethics of Encounter in The ‘Is’: and “Between ‘Was’ Temporality and Queer Desire and Queer Temporality Chair: University Tufts Ashley Shelden, “Disfiguring Love” University Yale Agruss, David and Queer Desire in Temporality “Nostalgia for the Present: Duquesne University Ann Glowzenski, Lee as a Time Narrative Use of Nonlinear daily tedious sorrow’: Marge Piercy’s “Escaping the ‘dismal of Separatist Politics” Tool M CONCURRENT SESSION RRENT SESSION L SESSION URRENT CONC WILSON ROOSEVELT CONSTITUTION C CONSTITUTION D CONSTITUTION 8:30 AM – 10:00 AM AM – 10:00 8:30 8:30 AM – 10:00 AM AM AM – 10:00 8:30 10:10 AM – 11:40 AM AM – 11:40 10:10 10:10 AM – 11:40 AM AM – 11:40 10:10 SUNDAY, MARCH 18, 2007
CONCURRENT SESSIOn M
10:10 AM – 11:40 AM Lost in Translation ARLINGTON Chair: Emma Kafalenos, Washington University in Saint Louis
Emma Kafalenos, Washington University in Saint Louis “Reading Narrative Causalities in Translations”
Hiie Saumaa, University of Tennesee, Knoxville “Translation in Modernist Narrative: Gertrude Stein’s Narrator-Translator and Bilingual Narrative”
Leo Tak-Hung Chan, Lingnan University “Foreign Yet Familiar, Global Yet Local: The Murakami Phenomenon and Reader Reaction to Translated Fiction”
10:10 AM – 11:40 AM Ethics of Digression CABIN JOHN Chair: Steven Belletto, Lafayette College
Steven Belletto, Lafayette College “Salinger’s Digression”
Amy Johnson, University of Wisconsin-Madison “Pure Story: Digression in Flaubert’s Parrot”
David LaCroix, University of Kentucky “Signifyin’ Digression: Narration and the Pressures of Blackness in Uncle Tom’s Cabin”
10:10 AM – 11:40 AM Narrative Frameworks and Narrative History CONSTITUTION B Chair: Kathryn Jett, Georgetown University
Mari Hatavara, University of Tampere “‘Was the Past Now?’ Temporality, Tenses and Heterodiegetic Narration in Historical Novels”
Christian Quendler, University of Innsbruck “Interfaces of Fiction: Historicizing Narrative Frame Theory”
Tahera Aziz, London South Bank University “Sound and Narrative: Towards a Practice-based Exploration of the ‘Violence Hub’ Hypertext Format”
10:10 AM – 11:40 AM Conrad CONSTITUTION D Chair: Monica F. Jacobe, The Catholic University of America
James Fromm, Independent Scholar “‘only as a glow brings out a haze’: Conradian Simile and Narrative Depth of Field”
Kelly Innes, The Pennsylvania State University “Terror and Cosmopolitics: Narrating Ethics in Under Western Eyes”
Sarah Copland, University of Toronto “From Preface to Text: Analogy and the Hourglass Shape of the Modernist Novel in Conrad’s ‘Preface’ and The Nigger of the ‘Narcissus’” S U N D AY
44 45 SUNDAY The ” ” Dictee A Tree Grows in Brooklyn Tree A
2007 18, MARCH SUNDAY, ” Watt ” : Narrative from Underground” Lolita Gerald Prince, University of Pennsylvania Deborah Martinsen, Columbia University Joyce Zonana, Borough of Manhattan Community College, City University of New York of New of Manhattan Community College, City University Joyce Zonana, Borough rigins and Destinations Meir Sternberg, Tel Aviv University Aviv Tel Meir Sternberg, Narrativity” Tests “How the Law-Code O Chair: University Aviv Tel Yacobi, Tamar The Play of Knowledge” Addressee: “The Reader vs. the Fictive Brian Richardson, University of Maryland “Multiple Implied Readers” GY III CONTEMPORARY NARRATOLO Postmodern Narratives Chair: Andrea Macrae, University of Nottingham Study of Interdiegetic Deixis in John Fowles’ Cognitive Poetic A Come? “How Far Have We Woman French Lieutenant’s of the Negev Shoshana Benjamin, Ben-Gurion University The Case of “Narrative Dissonance: Deborah Martinsen, Columbia University “Nabokov’s Narrative Performance Narrative Chair: Scholar Elif Sonmez, Independent “On Stage and Unbound” of Wisconsin-Madison Jong-Im Lee, University and Narrative Performance in “Performative Narrative York of New of Manhattan Community College, City University Joyce Zonana, Borough of Folk Drama: Betty Smith’s Adaption “The Narrative RRENT SESSION M SESSION URRENT CONC LATROBE CONSTITUTION B CONSTITUTION C CONSTITUTION 11:45 AM – 1:15 PM 11:45 10:10 AM – 11:40 AM AM – 11:40 10:10 10:10 AM – 11:40 AM AM – 11:40 10:10 INDEX
Broome, Judith 31 A Brown, Kirby 16 D Brown, Lyndsay 29 Abbott, Porter 28 Dadras, Danielle Mina 20 Brown, Royal S. 30 Aberbach, Katie 41 Danielsson, Karin M. 39 Brundage, Lisa 38 Abidin, Wafa Abdullatif Zeinal 36 Davis, Helen 38 Buelens, Gert 33 Ablow, Rachel 40 Davisson, Amber 17 Burton, Stacy 23 Affeldt, Robert 28 Denning, Steve 26 Burwell, Jennifer 43 Agruss, David 43 Dever, Carolyn 30 Bushnell, Cameron 18 Al-Bustani, Bushra 36 De Bruyker, Melissa 37 Butler, H. Erik 32 Alber, Jan 19 Ding, Chinnie 20 Byock, Ashley 25 Albright, Arcana 27 Dragulescu, Luminita 43 Aldama, Frederick 14 Drucker, Johanna 9, 37 Anderson, Antje 17 Dubord, Matt 39 Anderson, Emily 30 C Duy, Nguyen Lap 36 Anker, Elizabeth 23 Duyfhuizen, Bernard 24 Caison, Gina 16 Artese, Brian 38 Caldwell, Janis McLarren 40 Arthur, Jason 22 Cannariato, Christy A. 43 Atwell, Mary Stewart 31 Carlin, Deborah 33 Aziz, Tahera 44 E Carmack, Jeremy 16 Easterlin, Nancy 25 Carr, Jane 26 Eklund, Chris 29 Carr, Patrick 35 Elias, Amy 24 B Carrard, Philippe 26 England, Catherine 40 Case, Shannon 25 Baah, Robert 29 Erfani, Amin 32 Cerasulo, Tom 20 Baetens, Jan 30 Evans, Elizabeth 17 Chan, Leo Tak-Hung 44 Baldwin, Ruth 35 Chanen, Brian 37 Bardenstein, Carol 27 Chess, Shira 17 Barlowe, Jamie 18 Claggett, Shalyn 25 Barnes, Ashley 41 F Clark, Matthew 37 Beard, Laura 28 Farrell, Michelle 39 Clark, Miriam 39 Belletto, Steven 44 Ferrer, Miriam Coronel 23 Claybaugh, Amanda 42 Ben-Yishai, Ayelet 35 Ferretter, Luke 39 Coffey, Simon 30 Benjamin, Shoshana 45 Fest, Kerstin 26 Coffman, Christine 26 Benzon, Paul 18 Filimon, Monica 27 Coffman, Christopher 25 Bertram, Gemma 22 Fillion, Chanelle Lee 39 Cohen, Samuel 20 Birge, Sarah 22 Fisher, Allison 39 Colatrella, Carol 18 Bishop, Benjamin 25 Fisher, Leona 25 Coleman, Lindsay 39 Blatt, Ari 17 FitzSimmons, David 43 Collier, Patrick 27 Boehm, Beth A. 26 Flanagan, Erin 14 Collins, Rebekah Linh 36 Bolton, Matthew 32 Flannery, Denis 30 Conlon, Mary Katherine 15 Bonacho, Fernanda 24 Flynn, Julie 30 Cooper, Pamela 32 Booth, Alison 25 Flynn, Nicole 42 Copland, Sarah 44 Booth, Michael 39 Ford, Elisabeth 19 Cox, Donna 32 Booth, Paul 17 Forster, Sophia 33 Cruz, Gorky 29 Bray, Joe 38 Foster, Travis 36 Cuddy-Keane, Melba 38 Briefel, Aviva 19 Francis, Donette 36
46 INDEX
Friedman, Susan 36 Hoberek, Andrew 20 Kornbluh, Anna 28 Frier, Rachel E. 18 Hoeller, Hildegard 32 Kreisel, Deanna 28 Fromm, James 44 Hoffer, Lauren Wood 29 Krueger, Christine 15 Fyfe, Laura J. 43 Hollingsworth, Jill 15 Kurnick, David 40 Holm, James 41 Kuttenberg, Eva 22 Holmgren, Lindsay 38 Kuykendall, Mae 26 hoogland, renée c. 34 Kwan, Allen 24 G Hornby, Louise 35 Gagne-Hawes, Genevieve 38 Huehls, Mitchum 43 Garces, Jessica 24 L Garrett, Matthew 36 Gendler, Jason 27 I LaCroix, David 44 Genovese, Michael 26 Lagodsky, Ganina 21 Gilger, Kristin 34 Ibos-Augé, Anne 25 Lamm, Zachary 16 Gjata, Juljana 19 Innes, Kelly 44 Landais, Clotilde 32 Glowzenski, Lee Ann 43 Lara-Bonilla, Inmaculada 28 Goble, Mark 41 Law, Jules 17 Gold, Marion 33 Lee, Jong-Im 45 Goodwin, Jonathan 34 J Lee, Naomi 15 Gorman, David 39 Jackson, Tony 37 Lee, Susanna 39 Graves, Ben 26 Jacobe, Monica F. 44 Lee, Yoon Sun 39 Graydon, Benjamin 32 Jaffe, Audrey 18 Leibowitz, Karen 38 Green, Julie O’Leary 20 Jaffe-Foger, Miriam 16 Lesjak, Carolyn 29 Gregory, Jennifer 23 Jett, Kathryn 44 Levine, Caroline 40 Greve, Anniken 41 Johnson, Amy 44 Lewis, Michael 38 Griffin, Susan 1 6 Johnson, Gary 19 Liao, En-Shu Robin 15 Grishakova, Marina 34 Johnston, Ruth D. 26 Lindsey, Peggy 14 Jones, Anna 40 Lipper, Erica 33 Jonnes, Denis 36 Lipscomb, David 26 Loe, Sara 23 H Lopez, James 29 Hale, Dorothy 36 Lovett, Steve 22 Hall-Godsey, Angela 38 K Luberda, James 33 Hamilton, Patrick 16 Kacandes, Irene 14, 27 Luciano, Dana 43 Hannah, Daniel 23 Kafalenos, Emma 14, 44 Lukes, H. N. 42 Hansen, Per Krogh 29 Kam, Tanya 18 Harris, M. Keith 36 Keane, Stephen 17 Hatavara, Mari 44 Keen, Suzanne 28 M Haury, Megan 43 Kempinski, Avi 19 Hausman, Bernice 33 Kent, Julia 35 Maciak, Phillip 16 Henry, Alvin 32 Kern, Stephen 35 MacKenzie, Scott 28 Henstra, Sarah 24 Kerr, Catherine 20 Macrae, Andrea 45 Herman, David 20, 33 Kilgore, Christopher 24 Mäkelä, Maria 31 Hertz, Rachel 25 Kim, Jungah 14 Malikow, Jason 19 Hicks, Heather 32 Kim, Sue 16 Maloney, Edward J. 21 Hite, Molly 24 Knight, Alrick 24 Marsch, Elizabeth 20
47 INDEX
Marsh, Kelly 31 Rath, Brigitte 34 Martino, Andrew 23 O Reed, Jeremy 22 Martinsen, Deborah 45 Reitan, Rolf 34 O’Connor, Patricia 15, 27 Maslan, Mark 31 Reizbaum, Marilyn 19 O’Hara, Daniel 21 Massé, Michelle 22 Retman, Sonnet 42 O’Malley, Patrick 35 Matin, Michael 40 Rhine, Marjorie 24 O’Sullivan, Sean 17 Matz, Jesse 35 Richardson, Brian 14, 45 Ortíz, Ricardo L. 26 May, Vivian 25 Rimmon-Kenan, Shlomith 14 Otten, Thomas 20 McBride, Christine 33 Risam, Roopika 23, 26 Ozdek, Almila 23 McBride, Kecia 34 Rives, Rochelle 18 McClain-Caldwell, Ian 15 Rohy, Valerie 18 McCormick, Paul 16 Romagnolo, Catherine 18 McDonald, Nicola 25 P Ronkin, Maggie 15 McGann, Tara 42 Rosen, Jody 38 Packard, Stephan 34 McGlothlin, Erin 27 Rosinberg, Erwin 34 Page, Ruth 22 McGuire, Kelly 26 Rosner, Mary 17 Palmer, Alan 31 McGuire, Kelly D. 32 Russo, Robyn 31 Pan, Jessica 18 McHale, Brian 14, 24 Rutledge, Gregory 18 Patnaik, Sangina 43 McKain, Aaron 20 Ryan, Judylyn 18 Pease, Allison 38 McMahon, Shannon 22 Pease, Donald 19 Mesle, Sarah 16 Peel, Ellen 14 Mettling, Carla 28 Pfuntner, Deborah 28 Michael, Magali 43 S Phelan, James 14, 16, 31 Mieszkowski, Jan 30 Sadek, Karim 15 Phillips, Siobhan 20 Miller, Paul 42 Saint-Amour, Paul 40 Phonevilay, Lamphone 30 Mirabile, Michael 30 Salama, Mohammad 43 Pierrot, Gregory 41 Mittelholzer, Sarah 39 Salvatorre, Anne 22 Plisiewicz, Paul 24 Moghaddam, Fathali 15 Salway, Andrew 33 Port, Cynthia 28 Momyer, Heather 23 Samuelson, Cheyla 29 Powell, Jeremy 42 Mooney, Susan 19 Sandifer, Philip 29 Prince, Gerald 45 Moore, Anne 17 Sarbanes, Janet 42 Puckett, Kent 40 Morgan, Monique 32 Sarnecki, Judith 42 Punday, Daniel 37 Saumaa, Hiie 44 Putz, Adam 35 Schantz, Ned 40 Pyrhonen, Heta 40 N Scharfe, Henrik 34 Schaub, Thomas 24 Nadel, Alan 19, 24 Schiffrin, Deborah 33 Nandrea, Lorri 26 Q Schilling-Estes, Natalie 33 Nash, Katherine 14 Schnebly, Cindy 31 Quendler, Christian 44 Nees, John 20 Schoenbach, Lisi 42 Nelson, Elia 17 Schofield, Mary Anne 36 Neuman, Justin 33 Schor, Hilary 40 Nielsen, Henrik Skov 29 R Schultz, Joselyn 24 Schwerin-High, Friederike von 37 Rabinowitz, Peter J. 24 Seaton, Erin 33 Rankovic, Slavica 39 Segal, Eyal 35 Raphael, Linda 42
48 INDEX
Shamma, Yasmine 23 Vera-Lopez, Beatriz 30 Shelden, Ashley 43 Voyles, Katherine 23 Shelton, Jen 30 Sherman, Anita 41 Sigler, Amanda 37 Sigler, David 21 W Sigwalt, Valerie 15 Wajngot, Marion 25 Silverman, Gillian 38 Walkowitz, Rebecca L. 42 Siraganian, Lisa 34 Walsh, Richard 22 Skalin, Lars-Ake 29 Walton, Priscilla 18 Sonmez, Elif 45 Wang, Maria 29 Spiegel, Maura 42 Ward, Megan 29 Spillers, Hortense 19 Warhol, Robyn 15 Spolsky, Ellen 28 Wellman, Jennifer 31 Stanica, Miruna 26 Wells, Sherah 25 Stave, Holly 23 Westerman, Molly 22 Sternberg, Meir 45 Weston, Elizabeth 26 Sternlieb, Lisa 40 White, Laura 35 Stickley, Theodore 22 Widiss, Benjamin 18 Switzky, Lawrence 20 Wierzbicki, Kaye 15 Wiese, Annje 33 Willenbring, Colleen 15 T Woodbury, Amy 23 Worth, Aaron 39 Tarrago, Alvaro 32 Wyatt, Jean 26 Teahan, Sheila 33 Tebordo, Kaitlyn 17 Thompson, Robert J. 7, 21 Thraikill, Jane 20 Y Toolan, Michael 8, 27 Yacobi, Tamar 45 Tran, Ben Vu 36 Yahav-Brown, Amit 35 Tratner, Michael 28 Young, Kay 35 Trujillo, Pablo Jiménez 30 Yukins, Elizabeth 38 Tucker, Roberta 31 Z U Zatkalik, Milos 41 Udden, Anna 35 Zayzafoon, Lamia Ben Youssef 27 Um, Ji-Young 30 Zemgulys, Andrea 28 Zonana, Joyce 45 Zunshine, Lisa 28, 31 V van der Wiel, Reina 34 Venkatesan, Priya 43
49 2W]ZVIT1VNWZUI\QWV
6IZZI\Q^M1VY]QZa Editors: Michael Bamberg and Allyssa McCabe Clark University, USA / University of Massachusetts, Lowell
Narrative Inquiry is devoted to providing a forum for theoretical, empirical, and methodological work on narrative. Articles appearing in Narrative Inquiry draw upon a variety of approaches and methodologies in the study of narrative as a way to give contour to experience, tradition, and values to next generations. Particular emphasis is placed on theoretical approaches to narrative and the analysis of narratives in human interaction, including those practiced by researchers in psychology, linguistics and related disciplines. More information can be found on the editors’ website . Narrative Inquiry is the continuation of the Journal of Narrative and Life History (Lawrence Erlbaum Associates).
: - (print) / - (electronic)
*WIZL Editors Editorial Assistant Michael Bamberg, Clark University, USA Kristin Breen, Clark University Allyssa McCabe, University of Massachusetts, Lowell Alek Shapiro, Clark University
Editorial Board Shoshana Blum-Kulka, Hebrew University, Jerusalem William Labov, University of Pennsylvania Greer Cavallaro Johnson, Gri th University Kristin M. Langellier, University of Maine Anna De Fina, Georgetown University Masahiko Minami, San Francisco State University Teun A. van Dijk, Pompeu Fabra University, Barcelona Elliot Mishler, Harvard Medical School Mark Freeman, College of the Holy Cross Katherine Nelson, City University of New York James Paul Gee, University of Wisconsin, Madison Elinor Ochs, University of California, Los Angeles Alexandra Georgakopoulou, Kings’s College, London Uta M. Quasthoff , University of Dortmund Shirley Brice Heath, Stanford University Mark B. Tappan, Colby College, Waterville Wendy Hollway, University of Leeds
2706*-62)516;8=*41;016/+758)6A ___JMVRIUQV[KWU