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Catalogo Leonardo
LEONARDO DA VINCI OIL PAINTING REPRODUCTION ARTI FIORENTINE FIRENZE ITALY There is no artist more legendary than Leonardo. In the whole History of Art, no other name has created more discussions, debates and studies than the genius born in Vinci in 1452. Self-Portrait, 1515 Red Chalk on paper 33.3 x 21.6 cm. Biblioteca Reale Torino As far as we know, this extraordinary dra- wing is the only surviving self-portrait by the master. The Annunciation, 1474 tempera on panel 98 X 217 cm. Galleria degli Uffizi THE BATTLE OF ANGHIARI The Battle of Anghiari is a lost painting by Leonardo da Vinci. This is the finest known copy of Leonardo’s lost Battle of Anghiari fresco. It was made in the mid-16th century and then extended at the edges in the early 17th century by Rubens. The Benois Madonna, 1478 Oil on canvas 49.5x33 cm Hermitage Museum Originally painted on wood, It was transferred to canvas when It entered the Hermitage, during which time it was severely demaged GOLD LEAF FRAME DETAIL Woman Head, 1470-76 La Scapigliata, 1508 Paper 28 x 20 cm Oil on canvas 24.7 x 21 cm Galleria degli Uffizi Firenze Parma Galleria Nazionale Lady with an ermine, 1489-90 Oil on wood panel 54 x 39 cm Czartoryski Museum The subject of the portrait is identified as Cecilia Gallerani and was probably painted at a time when she was the mi- stress of Lodovico Sforza, Duke of Milan, and Leonardo was in the service of the Duke. Carved gold frame Ritratto di una sforza, 1495 Uomo vitruviano, 1490 Gesso e inchistro su pergamena Matita e inchiostro su carta 34x24 cm. -
3 LEONARDO Di Strinati Tancredi ING.Key
THE WORKS OF ART IN THE AGE OF DIGITAL REPRODUCTION THE THEORETICAL BACKGROUND The Impossible Exhibitions project derives from an instance of cultural democracy that has its precursors in Paul Valéry, Walter Benjamin and André Malraux. The project is also born of the awareness that in the age of the digital reproducibility of the work of art, the concepts of safeguarding and (cultural and economic) evaluation of the artistic patrimony inevitably enter not only the work as itself, but also its reproduction: “For a hundred years here, as soon as the history of art has escaped specialists, it has been the history of what can be photographed” (André Malraux). When one artist's work is spread over various museums, churches and private collections in different continents, it becomes almost impossible to mount monograph exhibitions that give a significant overall vision of the great past artist's work. It is even harder to create great exhibitions due to the museum directors’ growing – and understandable – unwillingness to loan the works, as well as the exorbitant costs of insurance and special security measures, which are inevitable for works of incalculable value. Impossible Exhibitions start from these premises. Chicago, Loyola University Museum of Art, 2005 Naples, San Domenico Maggiore, 2013/2014 THE WORKS OF ART IN THE AGE OF DIGITAL REPRODUCTION THE PROJECT In a single exhibition space, Impossible Exhibitions present a painter's entire oeuvre in the form of very high definition reproductions, making use of digital technology permitting reproductions that fully correspond to the original works. Utmost detail resolution, the rigorously 1:1 format (Leonardo's Last Supper reproduction occupies around 45 square meters!), the correct print tone – certified by a renowned art scholar – make these reproductions extraordinarily close to the originals. -
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Leonardo and Sfumato Author(S): Alexander Nagel Source: RES: Anthropology and Aesthetics, No
The President and Fellows of Harvard College Peabody Museum of Archaeology and Ethnology Leonardo and sfumato Author(s): Alexander Nagel Source: RES: Anthropology and Aesthetics, No. 24 (Autumn, 1993), pp. 7-20 Published by: The President and Fellows of Harvard College acting through the Peabody Museum of Archaeology and Ethnology Stable URL: http://www.jstor.org/stable/20166875 . Accessed: 06/12/2014 22:26 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The President and Fellows of Harvard College, Peabody Museum of Archaeology and Ethnology, J. Paul Getty Trust are collaborating with JSTOR to digitize, preserve and extend access to RES: Anthropology and Aesthetics. http://www.jstor.org This content downloaded from 128.95.104.66 on Sat, 6 Dec 2014 22:26:32 PM All use subject to JSTOR Terms and Conditions Leonardo and sfumato ALEXANDERNAGEL Le cas particulier de L?onard de Vinci nous propose une de used, it almost always appears as an adjectival past ces co?ncidences remarquables qui exigent de nous un participle of the verb. Thus, Vasari describes the softer retour sur nos habitudes et comme un r?veil de d'esprit style made possible by oil painting as a "sfumata notre attention au milieu des id?es nous furent qui maniera," the humanist Daniele Barbaro speaks of transmises. -
Florence Florence Can Boast Many Histories – Artistic, Financial, Religious, the Central Point of the City’S Political and Cultural Development
AGENZIA PER IL TURISMO FIRENZE florence Florence can boast many histories – artistic, financial, religious, the central point of the city’s political and cultural development. cultural, political. These are so rich that it is impossible to sum By virtue of its geographic position and social climate, Florence them up in a few short lines. One word, however, has always dis- exercised a function of equilibrium in the history and art of the pe- tinguished the city in the eyes of the world: the Renaissance. riod known as the Renaissance. After various vicissitudes involving the Florentine Republic and history Medici restorations, another historic era started for Florence in a brief 1530 with the establishment of the Grand Duchy of Tuscany. The The early Etruscan settlements sprang up on the hill of Fiesole, power of the city grew, reaching a peak with the defeat of arch-ri- while the Romans established themselves (in 59 BC) on the plain val Siena in 1555. The House of the Medici died out in the 18th around the Arno. The Forum of Roman Florentia was situated where century, giving way to the rule of the Habsburg-Lorraine, under Piazza della Republica stands today, and the inner circle of walls whom Florence also conquered Lucca (1847). Finally, the Duchy ran along today’s Via Tornabuoni, Via Cerretani and Via del Pro- entered the Kingdom of Italy in 1859 following a plebiscite. consolo. Florence was the capital of unified Italy from 1865 to 1870, dur- Miniato and Reparata were the first patron saints of Florence, ing which time Giuseppe Poggi produced an urban planning proj- which became an episcopal see in the 4th century. -
Mona Lisa's Smiles in Leonardo's Drawings
Mona Lisa's smiles in Leonardo's drawings SORANZO, Alessandro <http://orcid.org/0000-0002-4445-1968>, DANYEKO, Olga and ZAVAGNO, Daniele Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17314/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version SORANZO, Alessandro, DANYEKO, Olga and ZAVAGNO, Daniele (2017). Mona Lisa's smiles in Leonardo's drawings. Art and Perception, 5 (5), p. 410. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Mona Lisa's smiles in Leonardo's drawings Soranzo, A., Danyeko O. and Zavago D.– – [email protected] INTRODUCTION EXPERIMENT RESULTS AND DISCUSSION 7 Emotions play a fundamental role in everyday life; every thought, attitude or action has an emotional The perceptual change of expression in both Mona Lisa and Bella Principessa might arise from a counterpart. This project investigates the emotions expressed in Leonardo da Vinci (1452-1519)'s work. masterly use of the sfumato technique. Sfumato can be described in terms of smoothly graded The adherence to visual realism expressed by Renaissance and post-Renaissance artists is an asset to passages from one colour to another, from one tonality to another, from one brightness to another, or 6 the study of emotional expression. Visual arts, in general, are an ideal archive where every aspect of even the combination of the aforementioned cases. Leonardo himself defined sfumato as “without the visual world has been represented. -
Sinner to Saint
FINAL-1 Sat, Nov 4, 2017 7:27:38 PM tvupdateYour Weekly Guide to TV Entertainment For the week of November 12 - 18, 2017 Sinner to saint Kimberly Hébert Gregoy and Jason Ritter star in “Kevin (Probably) Saves the World” INSIDE •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 •Hollywood Q&A Page14 In spite of his selfish past — or perhaps because of it — Kevin Finn (Jason Ritter, “Joan of Arcadia”) sets out to make the world a better place in “Kevin (Probably) Saves the World,” airing Tuesday, Nov. 14, on ABC. All the while, a celestial being known as Yvette (Kimberly Hébert Gregory, “Vice Principals”) guides him on his mission. JoAnna Garcia Swisher (“Once Upon a Time”) and India de Beaufort (“Veep”) also star. WANTED WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS GOLD/DIAMONDS BUY SELL Salem, NH • Derry, NH • Hampstead, NH • Hooksett, NH ✦ 37 years in business; A+ rating with the BBB. TRADE Newburyport, MA • North Andover, MA • Lowell, MA ✦ For the record, there is only one authentic CASH FOR GOLD, Bay 4 Group Page Shell PARTS & ACCESSORIES YOUR MEDICAL HOME FOR CHRONIC ASTHMA We Need: SALESMotorsports & SERVICE IT’S MOLD ALLERGY SEASON 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLE 1 x 3” DON’T LET IT GET YOU DOWN INSPECTIONS Are you suffering from itchy eyes, sneezing, sinusitis We are the ORIGINAL and only AUTHENTIC or asthma?Alleviate your mold allergies this season. Appointments Available Now CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car 978-683-4299 at 527 So. -
The Ledger & Times, January 6, 1956
Murray State's Digital Commons The Ledger & Times Newspapers 1-6-1956 The Ledger & Times, January 6, 1956 The Ledger and Times Follow this and additional works at: https://digitalcommons.murraystate.edu/tlt Recommended Citation The Ledger and Times, "The Ledger & Times, January 6, 1956" (1956). The Ledger & Times. 2596. https://digitalcommons.murraystate.edu/tlt/2596 This Newspaper is brought to you for free and open access by the Newspapers at Murray State's Digital Commons. It has been accepted for inclusion in The Ledger & Times by an authorized administrator of Murray State's Digital Commons. For more information, please contact [email protected]. • _ 1' • — -.••••••••••••••••• ..•-••.••••••••••••• .••••• _ Amp ' •. 7 - 4.1,•4041.4".• n044 4474. 4•14-- • a nnr- 411.444,4=4.41744 in ; T . I _ -• 4•711 ••,•• _ i • -1111n.— ...i.......aoesiosaeaa—nasieeretsientiglanheradeli "RI • MN= 916 Selected As. A Best All Round Kentucky Community Newspaper Largest Largest Circulation In The 16 In Circulation The City; Largest City; Largest Circulation In Circulation In The County The County XURRAY POPULATION 10,100 Vol. LXXVII No. 5 - iinited Press IN OUR 77th WAR Murray, Ky.,Triday Afternoon, January 6, 1956 NEW FARM PROGRAM IN FINAL FORM BURBANK'S BIRTH OF THE UNIVERSt On Monday Ike-Harriman Philosophies Will Be Presented -Approval cr' Differ Greatly In Outlook- - TirCongressfor By MERRIMAN SMITH on the heels of his State of the a a Press White House Writer Union message which described i-• By LYLE C. WILSON million dollar state budget surplus United •he nation's economy as flourishing United Press Staff Correspondent at so much a head - $5 *off for — KEY WEST, Fla. -
Crimson in the Very Wrong Fairy Tale
CRIMSON IN THE VERY WRONG FAIRY TALE by Liz Jasper Copyright © Liz Jasper, 2012 All Rights Reserved SMASHWORDS EDITION Cover by Kimberly Van Meter Copy Edits by Martha Trachtenberg Line Edits by Angela Pica This book is a work of fiction and any resemblance to persons, living or dead, or places, events or locales is purely coincidental. The characters are productions of the authors' imagination and used fictitiously. PRAISE FOR LIZ JASPER'S NOVELS "Jo is terrific! An entertaining lighthearted romp!" -Midwest Book Review on UNDERDEAD "Kept me on the edge of my seat anxious to find out more. I was thoroughly engaged from beginning to end. This is a great story to curl up with on a rainy day. -Coffee Time Romance on UNDERDEAD "Hilariously funny...a page-turner extraordinaire" -MyShelf on UNDERDEAD "UNDERDEAD had me grinning from the first line! Off-beat, charming, irreverent and so much fun to read I couldn't put it down." - Mary Buckham, award-winning author of Break Into Fiction "People of any age and from every walk of life will enjoy this intelligently written, humorous take of a normal girl's entry into the paranormal." -Grunion Gazzette on UNDERDEAD "FIVE Angels! "Very Funny" - Fallen Angel Reviews on UNDERDEAD IN DENIAL "Jo is one of those comfort characters. You know the ones you can't wait to revisit, the ones that leave you smiling and nodding as you race through their newest adventure….Another favorite and keeper." - Futures Mystery Anthology Magazine on UNDERDEAD IN DENIAL ACKNOWLEDGEMENTS Thank you Super Tuesdays—Ginger, Kat, Jen, Helen, Judythe, Sheila, and Mary— for holding my feet to the fire and for being unfailingly generous with support. -
3Rd Chronicles DECEMBER 2020 Summerville Presbyterian Church 407 S
3rd chronicles DECEMBER 2020 Summerville Presbyterian Church 407 S. Laurel Street, Summerville, SC 29483 Vol. XXIV, No. 12 843-871-0280, www.summervillepres.org We are a Christ‐centered church which values an open and friendly congregation that is dedicated to the spiritual growth of all God’s children and is called by God’s Spirit to serve our neighbors, locally and globally. FROM YOUR PASTOR Table Of Contents From Your Pastor…...........1 Brothers and Sisters in Christ, Worship……………..….......2‐3 At the time of this writing, I have begun a six-week continuing Grow……………..…….….....4‐5 education class through Pittsburgh Theological Seminary entitled Congregaonal Care….…...6 “Thinking about the Future of Your Church: Scenario Planning Post Serve…..…………….…...........7 -Pandemic.” I was attracted to this course because I believe that Give………………………………. 8 the church will look quite different post-pandemic, and I want to Things I Remember...........9 acquire some tools that can help us plan for a new reality. Notes from a Church Mouse…………..………..……10 One of those tools is called the Three Horizons framework. The Birthdays…………..…….…..10 Three Horizons is a methodology for working with transformational change, framing the discus- Military Prayer List…..…..11 sion in terms of the shift from the established patterns of the first horizon to the emergence of Historic Tidbits………….....11 new patterns in the third, via the transitional activity of the second. I see the Three Horizons Staff Lisng.....................12 model represented in the Advent season and the work of the church. Ministry Team Lisng…...12 Prior to Jesus’ first Advent, the people were firmly embedded in the First Horizon. -
Episode 9999 Story 2: Leonardo Da Vinci, Vittima Illustre Di Una Crisi
Episode 9999 Story 2: Leonardo da Vinci, vittima illustre di una crisi diplomatica Pittore, scultore, musicista, inventore, scienziato… Leonardo da Vinci è stato un vero genio rinascimentale. Un uomo che amava conoscere il mondo e viaggiare. E che decise di passare gli ultimi anni della sua vita in Francia, su invito di re Francesco I, che gli mise a disposizione un castello nella valle della Loira. Ora, pensare che persino un artista del calibro di Leonardo venga trascinato nel vortice di tensione e dispetti diplomatici che oggi vede contrapposte Francia e Italia mi preoccupa e mi rattrista profondamente. Ma, soprattutto, mi fa sentire un brivido di imbarazzo. Com’è possibile, mi chiedo, che il governo italiano sia caduto così in basso? Ma andiamo per ordine. E vediamo quali sono state le principali tappe di quest’assurda vicenda. Nel 2017, l’Italia —nella persona dell’allora ministro della Cultura, Dario Franceschini— ha stipulato un accordo con il Louvre, in vista, appunto, del cinquecentenario della morte di Leonardo. Da tempo, il prestigioso museo parigino —che già possiede alcuni capolavori del maestro, tra cui la Gioconda— sta preparando una grande monografica dedicata al genio toscano. Per la realizzazione della mostra, prevista per l’autunno, il Louvre ha firmato un contratto per il prestito dei principali dipinti e disegni leonardeschi custoditi nelle collezioni pubbliche italiane. Qualche esempio: il San Girolamo della Pinacoteca vaticana, l’Uomo vitruviano e gli studi per la Battaglia di Anghiari delle Gallerie dell’Accademia di Venezia, la Scapigliata della Galleria nazionale di Parma, il Ritratto di musico della Biblioteca ambrosiana di Milano e l’Annunciazione, uno splendido dipinto a olio e tempera conservato alla Galleria degli Uffizi, a Firenze. -
International Differences in Ethical Standards and in the Interpretation of Legal Frameworks
International differences in ethical standards and in the interpretation of legal frameworks SATORI Deliverable D3.2 Authors: Philip Brey (University of Twente) (lead author) Part 1: Philip Brey & Wessel Reijers (University of Twente), Sudeep Rangi & Dino Toljan (UNESCO), Johanna Romare & Göran Collste (Centre for Applied Ethics, Linköping University) Part 2: Zuzanna Warso and Marcin Sczaniecki (Helsinki Foundation for Human Rights) on the basis of contributions from Agata Gurzawska (University of Twente), Johanna Romare (Centre for Applied Ethics, Linköping University), Sudeep Rangi & Dino Toljan (UNESCO), Leyre de Sola Perea, Concepcion Martin Arribas & Laura Herrero Olivera (Instituto de Salud Carlos III), Zuzanna Warso, Marcin Sczaniecki (Helsinki Foundation for Human Rights) September 2015 Contact details for corresponding author: Prof. dr. Philip Brey, University of Twente [email protected] This deliverable and the work described in it is part of the project Stakeholders Acting Together on the Ethical Impact Assessment of Research and Innovation - SATORI - which received funding from the European Commission’s Seventh Framework Programme (FP7/2007-2013) under grant agreement n° 612231. Contents Introduction to the report ..................................................................................................................... 4 PART 1: Differences between Value systems in Europe and the world ........................................... 6 1.1 Introduction ...........................................................................................................................