Toby Schmitz CV
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Windows Magazine Winter 2015
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EWEN LESLIE | Actor
SHANAHAN EWEN LESLIE | Actor FILM Year Production / Character Director Company 2020 PETER RABBIT 2: THE RUNAWAY Will Gluck Colombia Pictures Pigling Bland 2018 THE NIGHTINGALE Jennifer Kent Bron Studios Goodwin 2016 SWEET COUNTRY Warwick Thornton Bunya Productions Harry 2016 THE BUTTERFLY TREE Priscilla Cameron Midwinter Flims Al 2016 LARRIKINS Chris Miller DreamWorks Animation Hotspur & Tim Minchin 2015 THE DAUGHTER Simon Stone Fate Films Oliver 2013 THE MULE Tony Mahony The Mule Productions P/L Les 2012 THE RAILWAY MAN Jonathan Teplitzky Archer Street Productions Thompson 2012 DEAD EUROPE Tony Krawitz Dead Europe P/L Isaac 2011 SLEEPING BEAUTY Julia Leigh Sleeping Beauty Productions Birdman Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 2007 THREE BLIND MICE Matthew Newton Dirtyrat Films P/L. Sam 2006 KOKODA Alister Grierson GFN Productions Wilstead 2004 2004 2005 JEWBOY Tony Krawitz Porchlight Films Yuri (Selected for Un Certain Regard at 2005 Cannes Film Festival) 2002 DOPPLEGANGERS Matthew Bird Daedalus Pictures for 2002 Lead POV Festival 2001 PUSHING STACEY Damian Wyvill Producer: Nikki Cavanaugh Police Officer 1998 JUSTICE Ron Elliott West Coast Pictures James TELEVISION Year Production/Character Director Company 2020 OPERATION BUFFALO Peter Duncan ABC/Porchlight Films Leo Carmichael 2019 THE GLOAMING Michael Rymer Sweet Potato Films/STAN Alex O’Connell 2019 THE LUMINARIES Claire McCarthy Working -
PROGRAM Prize Fighter
LA BOITE THEATRE COMPANY & BRISBANE FESTIVAL PRESENTS PRIZE FIGHTER BY FUTURE D. FIDEL PROGRAM Presented by La Boite Theatre Company & Brisbane Festival 5 - 26 September 2015 at the Roundhouse Theatre CAST Luke, Ensemble Margi Brown-Ash Rita, Nyota, Sofia, Ensemble Sophia Emberson-Bain Kadogo, Tim, Ensemble Thuso Lekwape Moses, Matete, Jeff Wilkie, Ensemble Gideon Mzembe Isa Pacharo Mzembe Aunty, Alaki, Old Man, Wayne Durain, Ensemble Kenneth Ransom PRODUCTION TEAM Writer Future D Fidel Director Todd MacDonald Dramaturg Chris Kohn Designer Bill Haycock Lighting Designer David Walters Composer/Sound Designer Felix Cross Video Designer optikal bloc Movement & Fight Director Nigel Poulton Design Intern Hahnie Goldfinch Lighting Design Secondment Christine Felmingham Stage Manager Heather O’Keeffe Assistant Stage Manager Ariana O’Brien Rehearsal Photography Dylan Evans Special thanks to Emmanuel Otti, Brisbane Boxing, Coleman Tyre Company Wacol and Corporate Box Gym. 1 WRITER’S NOTES Future D. Fidel In the world that depends on technology, it is hard to miss breaking news on an 8.9 Magnitude Earthquake that kills 19 people or the news about a massacre of five people in the middle of Europe. Surprisingly enough, if I asked you about one of the greatest mass killings in the world after WWII, I wouldn’t be surprised if you said the war in Iraq, Afghanistan or Pakistan. The death toll in these three countries combined is recorded to be approximately 371,000 people since 2001according to Watson Institute – Cost of War. This is not close to half the great genocide of Rwanda that claimed almost a million lives. The Democratic Republic of Congo is well known for its richness in natural resources and minerals such as gold, diamond, coltan, petroleum to name a few. -
50 Years of the Stables Griffin Theatre Podcast Series
50 Years of the Stables Griffin Theatre Podcast Series Episode Ten: Writing from the Heart With David Berthold and Tommy Murphy Director David Berthold and playwright Tommy Murphy discuss the pressures of adapting Timothy Conigrave’s beautiful memoir Holding the Man for the Stables stage, the deep emotional currency that the piece holds, and their interactions with Timothy’s family in the process. Host: AC - Angela Catterns Guests: DB - David Berthold TM - Tommy Murphy Angela Catterns: 2020 marks the 50th birthday of Griffin Theatres Company home: the Stables Theatre. I’m Angela Catterns. Join us as we celebrate the anniversary in this special series of podcasts, where we’ll hear about the theatre’s history and talk to some of the country’s most celebrated artists. Angela Catterns (AC): In more than 30 years of Griffin Theatre Company at the Stables Theatre, no production has been more successful than Holding the Man. The original production, adapted for the stage by Tommy Murphy, and directed by David Berthold, premiered in 2006 in a critically- acclaimed, sold out season. Tommy Murphy and David Berthold, both on tight travel schedules, joined us separately, but within hours of each other for this podcast; part of the series celebrating 50 Years of the Stables. AC: Welcome David, thank you for finding time to join our podcast series. David Berthold (DB): Great to be here Angela. AC: Thank you. So, you grew up in the theatre I read, is that right? DB: Um, well only to the extent that quite early on in my life I became involved in amateur drama in um, in Newcastle. -
2013 NIDA Annual Report
NATIONAL INSTITUTE OF DRAMATIC ART THEATRE FILM TELEVISION 215 ANZAC PARADE KENSINGTON NSW 2033 POST NIDA UNSW SYDNEY NSW 2052 PHONE 02 9697 7600 2013 NIDA Annual Report FAX 02 9662 7415 EMAIL [email protected] ABN 99 000 257 741 NATIONAL INSTITUTE OF DRAMATIC ART Theatre, Film, Television WWW.NIDA.EDU.AU ABOUT NIDA The National Institute of Dramatic Art (NIDA) is a public, not-for-profit company and is accorded its national status as an elite training institution by the Australian Government. CONTENTS We continue our historical association with the University of New South Wales and maintain FROM THE CHAIRMAN 4 strong links with national and international arts training organisations, particularly through membership of the Australian Roundtable for Arts Training Excellence (ARTATE) and through FROM THE DIRECTOR / CEO 5 industry partners, which include theatre, dance and opera companies, cultural festivals and UNDERGRADUATE STUDIES 8 film and television producers. NIDA delivers education and training that is characterised by quality, diversity, innovation GRADUATE STUDIES 10 and equity of access. Our focus on practice-based teaching and learning is designed to HIGHER EDUCATION STATISTICS 11 provide the strongest foundations for graduate employment across a broad range of career opportunities and contexts. NIDA OPEN 12 Entry to NIDA’s higher education courses is highly competitive, with around 2,000 NIDA OPEN STATISTICS 13 applicants from across the country competing for an annual offering of approximately 75 places across undergraduate and graduate disciplines. The student body for these PRODUCTIONS AND EVENTS AT courses totalled 166 in 2013. NIDA PARADE THEATRES 14 NIDA is funded by the Australian Government through the Ministry for the Arts, DEVELOPMENT 15 Attorney-General’s Department, and is specifically charged with the delivery of performing arts education and training at an elite level. -
Guest Biographies: * Distribution, Sales and Financing Executives * Other Panel & Roundtable Moderators/Speakers London
Guest biographies: * Distribution, sales and financing executives * Other Panel & Roundtable moderators/speakers London Production Finance Market (PFM) Company Profile The London Production Finance Market (PFM) occurs each October in association with The BFI London Film Festival and is supported by the London Development Agency, UK Film Council, UK Trade and Investment (UKTI), Skillset, City of London Corporation and Peacefulfish. The invitation-only PFM last year registered 50 producers and more than 150 projects with US$1.16 billion of production value and nearly 60 financing guests including UGC, Rai Cinema, Miramax, Studio Canal, Lionsgate, Nordisk, Ingenious, Celluloid Dreams, Aramid, Focus, Natixis, Bank of Ireland, Sony Pictures Classics, Warner Bros. and Paramount. Film London is the UK capital's film and media agency. It sustains, promotes and develops London as a major international film-making and film cultural capital. This includes all the screen industries based in London - film, television, video, commercials and new interactive media. Helena MacKenzie Helena Mackenzie started her career in the film industry at the age of 19 when she thought she would try and get a job in the entertainment industry as a way out of going to Medical School. It worked! Many years and a few jobs later she is now the Head of International at Film London. Her journey to Film London has crossed many paths of international production, distribution and international sales. At Film London, she devised and runs the Film Passport Programme, runs the London UK Film Focus and the Production Finance Market (PFM), as well as working with emerging markets such as China, India and Russia. -
EWEN LESLIE | Actor
EWEN LESLIE | Actor FILM Year Production / Character Director Company 2017 THE NIGHTINGALE Jennifer Kent Bron Studios Goodwin 2016 SWEET COUNTRY Warwick Thornton Bunya Productions Harry 2016 THE BUTTERFLY TREE Priscilla Cameron Midwinter Flims Al 2016 LARRIKINS Chris Miller DreamWorks Animation Hotspur & Tim Minchin 2015 THE DAUGHTER Simon Stone Fate Films Oliver 2013 THE MULE Tony Mahony The Mule Productions P/L Les 2012 THE RAILWAY MAN Jonathan Teplitzky Archer Street Productions Thompson 2012 DEAD EUROPE Tony Krawitz Dead Europe P/L. Isaac 2011 SLEEPING BEAUTY Julia Leigh Sleeping Beauty Productions. Birdman 2007 THREE BLIND MICE Matthew Newton Dirtyrat Films P/L. Sam 2006 KOKODA Alister Grierson GFN Productions. Wilstead Shanahan Management Pty Ltd Level 3 | Berman House | 91 Campbell Street | Surry Hills NSW 2010 PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] 2004 2004 2005 JEWBOY Tony Krawitz Porchlight Films. Yuri (Selected for Un Certain Regard at 2005 Cannes Film Festival) 2002 DOPPLEGANGERS Matthew Bird Daedalus Pictures for 2002 Lead POV Festival. 2001 PUSHING STACEY Damian Wyvill Producer: Nikki Cavanaugh Police Officer 1998 JUSTICE Ron Elliott West Coast Pictures. James TELEVISION Year Production/Character Director Company 2017 FIGHTING SEASON Ben C. Lucas Goalpost Pictures Ted 2017 SAFE HARBOUR Glendyn Ivin Matchbox Pictures Ryan 2016 TOP OF THE LAKE: CHINA GIRL Jane Campion See Saw Films Pyke & Ariel Kleiman 2015 RAKE Various Essential Media & Bevan Entertainment 2015 JANET KING SEASON 2 Various Screentime Patrick Boccaro 2014 DEADLINE GALLIPOLI Michael Rymer Full Clip Productions Keith Murdoch 2013 WONDERLAND Various Freemantle Media Australia Nick 2013 TOP OF THE LAKE Jane Campion See Saw Films Steve & Garth Davis 2012 MR & MRS MURDER Various Freemantle Media Hugo 2012 REDFERN NOW Various Blackfella Films/ABC TV Mr Parish 2012 DEVIL’S DUST Jessica Hobbs Fremantle Media. -
CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint)
-Season Three- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint) Toby Stephens was born in London, England and trained at the London Academy of Music and Dramatic Art (LAMDA). He has gained critical acclaim as a stage and screen actor and upcoming work includes the feature film 13 Hours: The Secret Soldiers of Benghazi directed by Michael Bay, and And Then There Were None for the BBC. He will also star opposite Timothy Spall and John Hurt in Nick Hamm’s The Journey. Previous television roles include: “Vexed” (BBC), “Robin Hood” (BBC), “Wired” (ITV), “The Wild West” (BBC 1), “Jane Eyre” (BBC 1), “Sharpe’s Challenge” (ITV), “The Best Man” (ITV), “The Queen’s Sister” (Channel 4), “Waking the Dead” (BBC 1), “Poirot” (ITV), “Cambridge Spies” (BBC 2), “Perfect Strangers” (BBC 2), and “The Tenant of Wildfell Hall” (BBC 1). Recent film credits include: Believe with Natasha McElhone and Brian Cox, All Things to All Men alongside Gabriel Byrne and Rufus Sewell, and the lead role in The Machine for Content Film. Other film work includes: Severance, The Rising: Ballad of Mangal Pandey, Die Another Day, Possession, The Announcement, Onegin, Photographing Fairies, Sunset Heights, Cousin Bette, The Great Gatsby, Twelfth Night, and Orlando. Toby is an accomplished stage actor, both in London’s West End and on Broadway. Theater credits include ‘Elyot’ opposite Anna Chancellor in “Noel Coward’s Private Lives,” ‘Georges Danton’ in “Danton’s Death” (National Theatre Olivier), ‘Henry’ in “The Real Thing” (The Old Vic), ‘Thomas’ in “A Doll’s House,” ‘Jerry’ in -
Supplementary Submission No. 136.2
SUPPLEMENTARY SUBMISSION NO. 136.2 To: Cheryl Scarlett Committee Secretariat Australian federal parliament Joint Select Committee on Cybersafety Inquiry From: Stewart Healley Date: 15th May, 2011 Re: Last Supplementary Submission to Joint Select Committee on Cybersafety Inquiry Hi Cheryl Thank you for your interest and support in looking at the current situation regarding CyberSafety with respect to Cyberbullying. To assist with providing some statistical information on Cyberbullying I have attached a Case Study list of Cyberbullying Offenders in Australia over the period of 2010 to 2011. My Original Case List contained some 22 Cases and I have added to this with a Supplementary Case List (Appendix A), to reveal a Total of 30 Offenders for this same period. I have included some additional and relevant Case Studies from the USA and the UK to help present the broad nature and extent that Cyberbullying now presents. I have also included some relevant information from the UK on the latest involvement of Facebook working with the UK Police actively engaged in Policing the Internet and sending out Warning Notices to Offenders and their Parents when detected of Cyberbullying Behaviour. I have also included some relevant information on the Australian situation and address the fact that at least one Australian Expert, Professor Ken Rigby has acknowledged the fact that: “Prof Rigby said most children tended to grow out of bullying.” “But there is a small group of about 10 per cent who are identified as being extreme bullies in early secondary and they continue, and these are the people we are most concerned about." I would like to point out that this small group of about 10 % of students - need to be streamed into a Police Charge / Caution – Court Diversionary Program – with a Restorative Justice Approach. -
Embargoed to 7Pm 3 Sept
MEDIA RELEASE August 2016 EMBARGOED TO 7PM 3 SEPT. Belvoir’s Artistic Director Eamon Flack has unveiled an optimistic and wildly entertaining season of plays for the company’s 2017 Season. There are inventive new plays from Australia and around the world, there are return seasons and tours of popular plays and two of our favourite stage actors in two great classics. Toby Schmitz returns to the Belvoir stage, after a three year absence, in The Rover by Aphra Behn. Schmitz takes the swashbuckling titular role in this raucous and outrageous battle of the sexes from the woman widely considered the first professional female playwright. Flack has reunited his award-winning team from his 2014 sell out hit The Glass Menagerie to find the same freshness and beauty in Henrik Ibsen’s Ghosts. Pamela Rabe stars as the fierce mother Helene Alving. ‘Our 2016 Season has been very much about reflecting on our past, both for Belvoir and in a wider cultural sense,’ says Flack. ‘With the 2017 Season we are taking an imaginative leap into the future. In this season, characters dream big in the midst of disaster and confusion. They fight passionately for a brighter future. This is a season of plays that unleashes the possibility that maybe the 21st century won’t be an unmitigated disaster.’ Two of the most inventive and exciting plays out of New York’s Playwrights Horizons in recent years are Hir by Taylor Mac and Anne Washburn’s Mr Burns, a Post-Electric Play, and they are both in our 2017 Season. -
Season Two- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint)
-Season Two- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint) Toby Stephens was born in London, England and trained at the London Academy of Music and Dramatic Art (LAMDA). He has gained critical acclaim as a stage and screen actor. In 2011, Toby starred as ‘Jack Armstrong’ in the BBC Comedy Drama “Vexed.” Previous television roles include “Robin Hood” (BBC), “Wired” (ITV), “The Wild West” (BBC 1), “Jane Eyre” (BBC 1), “Sharpe’s Challenge” (ITV), “The Best Man” (ITV), “The Queen’s Sister” (Channel 4), “Waking the Dead” (BBC 1), “Poirot” (ITV), “Cambridge Spies” (BBC 2), “Perfect Strangers” (BBC 2), and “The Tenant of Wildfell Hall” (BBC 1). In 2012 Toby filmed Believe with Natasha McElhone and Brian Cox, and in 2013 starred as one of the leads in All Things to All Men alongside Gabriel Byrne and Rufus Sewell. Toby also wrapped filming in Caradog James’ The Machine for Content Film. Other film work includes: Severance, The Rising: Ballad of Mangal Pandey, Die Another Day, Possession, The Announcement, Onegin, Photographing Fairies, Sunset Heights, Cousin Bette, The Great Gatsby, Twelfth Night, and Orlando. Toby is an accomplished stage actor – both in London’s West End and on Broadway. Theater credits include ‘Elyot’ opposite Anna Chancellor in “Noel Coward’s Private Lives,” ‘Georges Danton’ in “Danton’s Death” (National Theatre Olivier), ‘Henry’ in “The Real Thing” (The Old Vic), ‘Thomas’ in “A Doll’s House” and ‘Jerry’ in “Betrayal” (Donmar Warehouse), ‘Mr. Horner’ in “The Country Wife,” ‘Anthony Cavendish’ in “The Royal Family,” ‘Japes’ -
¾ the World at Your Feet!
JhWdi79JegdjYanegZhZcihi]Z½ 12th CANBERRA INTERNATIONAL FILM FESTIVAL Wednesday 29 October – Sunday 9 November 2008 PROGRAM DENDY CINEMA Dendy Cinemas Canberra Level 2, North Quarter Canberra Centre ARC CINEMA National Film and Sound Archive McCoy Circuit Acton ¾j^[mehbZ Wjoekh\[[j canberrafilmfestival.com.au The Canberra International Film Festival is proudly presented by … Welcome Some years ago I spent some time in New Orleans and fell in love with Creole cooking. I met the owner of a great little bookstore who Canberra International Film Festival acknowledges the financial assistance of showed me a cookbook (she said her mother swore by it) called Talk About Good. Why am I talking about Creole cooking and a book? Because this year’s Festival feels like it has all the right ingredients and recipes – a gumbo for every palate – talk about good! The festival has expanded considerably – 75 screenings, 41 films, Founding Partner Major Partners 12 days – and served from the state-of-the-art facilities at the Dendy Cinemas and Arc Cinema. Screenings at the NFSA are legendary, and this year there are 5 totally gourmet selections, including Fassbinder’s epic. Another new ingredient is that most days will have screenings from lunch through to supper, so there’s an opportunity for everyone to taste what the world has to offer. Each day is jam packed with cinematic delights. The Festival is only made possible through the commitment of our dedicated partners. The University of Canberra, our founding partner, continues its support, as does DHL Worldwide Express Corporate Partners who constantly amaze us by how swiftly they transport prints around the globe.