Stephen N. Borunda
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Latin American Perspectives
Latin American Perspectives http://lap.sagepub.com/ Representing Absences in the Postdictatorial Documentary Cinema of Patricio Guzmán Patrick Blaine Latin American Perspectives 2013 40: 114 originally published online 19 September 2012 DOI: 10.1177/0094582X12460486 The online version of this article can be found at: http://lap.sagepub.com/content/40/1/114 Published by: http://www.sagepublications.com On behalf of: Latin American Perspectives, Inc. Additional services and information for Latin American Perspectives can be found at: Email Alerts: http://lap.sagepub.com/cgi/alerts Subscriptions: http://lap.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav >> Version of Record - Dec 6, 2012 OnlineFirst Version of Record - Sep 19, 2012 What is This? Downloaded from lap.sagepub.com at Queens University on August 19, 2013 460486LAPXXX10.1177/0094582X12460486Latin American PerspectivesBLAINE 2012 Representing Absences in the Postdictatorial Documentary Cinema of Patricio Guzmán by Patrick Blaine For nearly 40 years, Patricio Guzmán has explored the complex relationships between time, memory, and absence in postdictatorial Chile while infusing his documentaries with personal narrative and devices more commonly seen in literary fiction. His films have redefined the genre from the advent of the New Latin American Cinema through the 2010s and are characterized by marked subjectivity and the representation of absence in the postdictatorial context. His filmmaking, beginning in the early 1970s and ending with his latest film, Nostalgia de la luz (2010), constitutes the most complete attempt in any medium to document Chilean national life before, during, and after the Pinochet dictator- ship (1973–1990). -
Redalyc.Cine Chileno E Industria El Desafío Que Falta
Signo y Pensamiento ISSN: 0120-4823 [email protected] Pontificia Universidad Javeriana Colombia Véliz M., Fernando Cine chileno e industria el desafío que falta Signo y Pensamiento, vol. XXV, núm. 48, enero-junio, 2006, pp. 149-169 Pontificia Universidad Javeriana Bogotá, Colombia Disponible en: http://www.redalyc.org/articulo.oa?id=86004810 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto FERNANDO VÉLIZ M.* Cine chileno e industria… Chilean film and industry…the el desafío que falta still missing challenge El cine chileno es un campo discursivo de la industria Chilean cinema is a discursive field of the audiovisual audiovisual aún en proceso de crecimiento. Su historia está industry, still in development stage. Its history is loaded cargada de imprecisiones y múltiples inicios que muchas with vagueness and multiple beginnings that often break veces quedan truncos; es un cine que se ha comprometido at the outset. It is a kind of cinema committed to social con los problemas sociales, pero que también ha sabido issues, which at the same time is not foreign to alienation de lejanías y silencios impuestos; es un cine artesanal que and censorship from above. It is an artsy type that aspires aspira a mirar como industrial; es un cine que narra desde to seem industrial. Chilean cinema narrates from the third el tercer mundo, muchas veces con un 98% de consumo (en world, while 98% of the country’s internal consumption sus momentos más fuertes) de producción norteamericana; (at peak times) pertains to US productions. -
Notes on Human Rights and Film in Post-Dictatorship Chile, 1990-2004
Staging Dirty War Memory: Notes on Human Rights and Film in Post-Dictatorship Chile, 1990-2004 Steve J. Stern History Department University of Wisconsin-Madison Colloquium Paper for Yale University, Program in Agrarian Studies, Friday 7 November 2008. NOTE: PLEASE DO NOT CITE WITHOUT PERMISSION. CONTEXT: This is an exploratory paper, in the spirit of a workshop on research in progress. In keeping with the spirit of the Agrarian Studies seminars, the written version is preliminary, more like a set of narrative notes than a complete annotated paper. I welcome feedback, and consider the analysis tentative. After completing my current trilogy project (the third volume should appear in 2009) and its corresponding Spanish- language editions, I hope to launch a comparative research project on cinema and memory making about “dirty war” in Argentina, Chile, Peru, with exploration of transnational and U.S. aspects, as well. What you see in this paper is one tiny exploratory slice of the larger project. A key focus of the new project, if I undertake it, will be the social geography of empathy and othering on the one hand, and moral complicity on the other. The premise is that film is an important commodity of mass culture as well as artistic endeavor in Latin America during the last half-century. Film (and in some contexts, theater) can therefore offer insight on the making and exclusions of moral community in times of divided memory about “dirty war” and its legacies. The author may be contacted by e-mail, [email protected], or telephone, 608-263-1841, or mail: Prof. -
Machuca(2004)
MACHUCA (2004) Study Notes Dir. Andrés Wood Written by Ana Valbuena Curriculum links GCSE level topics - the young person in society, social and historical issues. Themes include friendship, family, social differences and historical events. Sinopsis Chile, 1973. Gonzalo Infante y Pedro Machuca son dos niños de once años que viven en Santiago, el primero en un barrio acomodado y el segundo en un humilde poblado ilegal recientemente instalado a pocas manzanas de distancia, dos mundos separados por una gran muralla invisible que algunos, en su afán por hacer realidad los sueños de una época llena de esperanzas revolucionarias, quieren derribar. Uno de estos soñadores, el director de un colegio religioso privado, el padre McEnroe, con el apoyo de parte de los padres, integra en el elitista colegio a chicos de familias de escasos recursos procedentes del poblado, con la firme decisión de que aprendan a respetarse mutuamente. Es así como Pedro Machuca está en la misma clase de Gonzalo Infante y entre ellos nace una amistad llena de descubrimientos y sorpresas. Pero a las dificultades objetivas de este intento de integración se agregan las que se derivan del clima de abierto enfrentamiento social que vive la sociedad chilena... (http://www.todocine.com/mov/00512232.htm) Synopsis 1973 Chile and two boys become friends against a background of social unrest, as a public school tries to reform itself by taking in underprivileged kids. In a bid to foster mutual respect and tolerance, Father McEnroe - the headmaster of this private parochial school - admits children from the poor shantytown families. He is determined they will learn to respect each other. -
By Guillermo Calderón Translated by William Gregory
presents B by Guillermo Calderón Translated by WIlliam Gregory May 21 - 24, 2020 | Online Running time: 90 minutes, no intermission Directed by Jivesh Parasram Featuring Carmen Aguirre, María Escolan, Lissa Neptuno, and Lili Robinson Lighting Design by Itai Erdal Production Design by Christie Watson Assistant Direction by Shanae Sodhi Stage Management by Zoe Bellis Operations and Production Support by Kellee Ngan Box Office Coordination by Sena Cagla Consultation by Carmen Aguirre B was first presented at the Royal Court Theatre on the 28 September 2017 Rumble Theatre is grateful to operate on the traditional, unceded territories of the Coast Salish peoples of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), and Səl̓ílwətaɬ (Tsleil-Waututh) Nations. Rumble Theatre | 1422 William St, Vancouver BC V5L 2P7 | www.rumble.org Email: [email protected] | Facebook | Instagram | Twitter A NOTE FROM THE RUMBLE TEAM When we first decided to produce Guillermo Calderon’s play B as part of our 2019-20 season, it looked a lot different in our minds. We imagined it as a live, intimate theatrical performance that would take place in the cozy confines of the Havana Theatre. Much has changed since then, including our vision for this show. What has stayed the same is the initial spark that drew us to the text. In B, we entertain the question: What does it mean to long to be part of a political moment that ultimately you are isolated from? What does it mean to feel left behind, or outside? In approaching the form of comedy it’s an interesting thing to try to distance ourselves from the dismissive and derogatory term Idiot, and instead look at its etymological origins—where a more accurate interpretation of the word Idiot may simply mean, an outsider. -
Screenings at 5:00 Pm
ALL SCREENINGS AT 5:00 PM WITH ENGLISH SUBTITLES FREE AND OPEN TO THE PUBLIC HUMANITIES GATEWAY 1070 McCORMICK SCREENING ROOM FOR DETAILED INFORMATION ABOUT THE FILMS AND PREVIEWS, VISIT OUR WEBSITE: http://www.humanities.uci.edu/spanishandportuguese/events/ OR OUR FACEBOOK PAGE http://www.facebook.com/UCIfilmfestival2014 * A sneak preview of selected scenes to be presented by the director Lorena Manríquez. Festival Directors: Alex Borucki, Viviane Mahieux, Jacobo Sefamí Festival Organizers: Pedro Acuña, Romina Green, James Hirsch, Patricia Quintana April 28 – En la puta vida (In This Tricky Life) Q&A after the film with star Mariana Santangelo* Year - 2001 Director – Beatriz Flores Silva Country – Uruguay, Argentina, Cuba, España, Bélgica Time – 103 minutes Language – Spanish with English subtitles Format – DVD Click for preview Elisa, 27, dreams of opening her own hairdressing salon in one of the rich districts of the Uruguayan capital. A bit of a rebel, one day Elisa moves out of her mother's house with her two children and breaks up with Garcia, her boss and lover who has infuriated her by not wanting to get married. So, in the space of twenty-four hours, Elisa finds herself without a roof over her head, without a man, without a job and without money. Her best friend Loulou finds her a job - in the brothel run by Dona Jacqueline. And without really being aware of it, Elisa slides into prostitution, which leads her to Barcelona. She falls in love, she is exploited, she gets involved in transvestite gang wars, and meanwhile just dreams of earning enough money for her little beauty salon back home. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
City Ofsouth Gate
_______inatgDetment: ___________________ RECEIVED City of 1 South Gate CITY COUNCIL OFFIS?VA%ENrJA IICLL For the Regular Meeting of July 26. 2016 City Clerk: Cann Michael Flad SUBJECT: APPROVAL OF CITY COUNCIL MEETING MINUTES. PURPOSE: To historically preserve the events of the City Council Meetings. RECOMMENDED ACTION: Approving the Special and Regular Meeting minutes of May 24, 2016 &June7,2016. FISCAL IMPACT: None. ANALYSIS: The minutes are provided to the City Council on the Wednesday prior to their regular business meeting. Amendments should be provided to the City Clerk’s Office within 24 hours of a City Council Meeting so that verification of the record and corrections are made accordingly. A revised document will be provided to the City Council prior to the Meeting. BACKGROUND: The minutes typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. ATTACHMENT(S): Special City Council Meeting minutes of May 24, 2016 & June 7, 2016 Regular City Council Meeting minutes of May 24, 2016 1 1 CITY OF SOUTH GATE SPECIAL CITY COUNCIL MEETING MINUTES TUESDAY, MAY 24, 2016 CALL TO ORLWR W. H. (Bill) De Witt, Mayor called a Special City Council meeting to order at 5:30 p.m. ROLL CALL Carmen Avalos, City Clerk PRESENT Mayor W. H. (Bill) De Witt, Vice Mayor Maria Davila, Council Member Maria Belen Bernal, Council Member Gil Hurtado, and Council Member Jorge Morales; City Manager Michael Flad, Special Legal Counsel Jerry Ruiz ABSENT/EXCUSED City Treasurer Gregory Martinez and City Attorney Raul F. -
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill. -
Narrow but Endlessly Deep: the Struggle for Memorialisation in Chile Since the Transition to Democracy
NARROW BUT ENDLESSLY DEEP THE STRUGGLE FOR MEMORIALISATION IN CHILE SINCE THE TRANSITION TO DEMOCRACY NARROW BUT ENDLESSLY DEEP THE STRUGGLE FOR MEMORIALISATION IN CHILE SINCE THE TRANSITION TO DEMOCRACY PETER READ & MARIVIC WYNDHAM Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Creator: Read, Peter, 1945- author. Title: Narrow but endlessly deep : the struggle for memorialisation in Chile since the transition to democracy / Peter Read ; Marivic Wyndham. ISBN: 9781760460211 (paperback) 9781760460228 (ebook) Subjects: Memorialization--Chile. Collective memory--Chile. Chile--Politics and government--1973-1988. Chile--Politics and government--1988- Chile--History--1988- Other Creators/Contributors: Wyndham, Marivic, author. Dewey Number: 983.066 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press. Cover photograph: The alarm clock, smashed at 14 minutes to 11, symbolises the anguish felt by Michele Drouilly Yurich over the unresolved disappearance of her sister Jacqueline in 1974. This edition © 2016 ANU Press I don’t care for adulation or so that strangers may weep. I sing for a far strip of country narrow but endlessly deep. No las lisonjas fugaces ni las famas extranjeras sino el canto de una lonja hasta el fondo de la tierra.1 1 Victor Jara, ‘Manifiesto’, tr. Bruce Springsteen,The Nation, 2013. -
An Analysis of Film As a Tool of Collective Memory in the Aftermath of the Dictatorships in Argentina and Chile Megan C
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 Constructing Memory in the Wake of Tragedy: An Analysis of Film as a Tool of Collective Memory in the Aftermath of the Dictatorships in Argentina and Chile Megan C. Schneider Claremont McKenna College Recommended Citation Schneider, Megan C., "Constructing Memory in the Wake of Tragedy: An Analysis of Film as a Tool of Collective Memory in the Aftermath of the Dictatorships in Argentina and Chile" (2019). CMC Senior Theses. 2256. https://scholarship.claremont.edu/cmc_theses/2256 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College Constructing Memory in the Wake of Tragedy: An Analysis of Film as a Tool of Collective Memory in the Aftermath of the Dictatorships in Argentina and Chile submitted to Professor Sarah Sarzynski by Megan Schneider for Senior Thesis 2019 April 29, 2019 ii Contents Acknowledgements .......................................................................................................... iv Abstract .............................................................................................................................. v Chapter 1: Introduction ..................................................................................................... 1 Chapter 2: Statement of Methodology ............................................................................. -
SAY IT LOUD Black and Proud with Windy City Black Pride and Chicago Windy City Black Pride-SGL
THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 July 7, 2010 • vol 25 no 40 www.WindyCityMediaGroup.com page 6 SAY IT LOUD Black and Proud with Windy City Black Pride and Chicago Windy City Black Pride-SGL The two organizations marked Black Pride with a variety of events, including celebrations in the park, workshops, re- ceptions and a historic HIV forum. Find out more on pages 8 and 19. Photos by Mason Harrison Activist and page 19 Allegations page 16 Artemis Singers page 17 Moving Pictures page 14 The Beekman Boys tJuly 7, 2010 nightspots Raise the Roof Gays love a parade! pages 16-17 pick it up take it home Richard Knight, Jr. reviews two new films—The Kids Are All Right (left) and La Mission (right). Plus, read Richard’s Pride Fest is best! Showing page 28 ChicagoPride for 8 years. page 14 interview with “Kids” director Lisa Cholodenko on page 15, and Lawrence Ferber’s interviews with Julianne Moore (page 14) and la Mission’s Benjamin Bratt and Jeremy Ray valdez (page 16). Brought to you by the combined efforts of page 20 2 July 7, 2010 July 7, 2010 3 index NEWS Byrd replacement & DADT 4 “A GENEROUS, NEARLY Detailing Obama’s deeds 4 Ariz. teen takes action 5 NOTE-PERFECT PORTRAIT OF A Greg Harris’ award 5 MODERN FAMILY. Organization in controversy 6 Exquisitely played by Annette Bening and Julianne Moore.” Passages: Miras 6 MANOHLA DARGIS Office of LGBT Health closing? 7 Tobacco use and LGBTs 7 Historic Black forum 8 AFC and IN-CARE 8 Alvarez’s Pride Awards 9 “HILARIOUS AND HEARTFELT.