The Escape and Suicide of John Wilkes Booth
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
[, F/ V C Edna Hammer Cooley 1986 APPROVAL SHEET
WOMEN IN AMERICAN THEATRE, 1850-1870: A STUDY IN PROFESSIONAL EQUITY by Edna Hammer Cooley I i i Dissertation submitted to the Faculty of the Graduate School of the University of Maryland in parti.al fulfillment of the requirements for the degree of Doctor of Philosophy ~ /, ,, ·' I . 1986 I/ '/ ' ·, Cop~ I , JI ,)() I co uI (~; 1 ,[, f/ v c Edna Hammer Cooley 1986 APPROVAL SHEET Title of Dissertation: Women in American Theatre, 1850-1870: A Study in Professional Equity Name of Candidate: Edna Hammer Cooley Doctor of Philosophy, 1986 Dissertation and Approved: Dr. Roger Meersman Professor Dept. of Communication Arts & Theatre Date Approved: .;;Jo .i? p ,vt_,,/ /9Y ,6 u ABSTRACT Title of Dissertation: Women in American Theatre, 1850- 1870~ A Study_ in Professional Equi!:Y Edna Hammer Cooley, Doctor of Philosophy, 1986 Dissertation directed by: Dr. Roger Meersman Professor of Communication Arts and Theatre Department of Communication Arts and Theatre This study supports the contention that women in the American theatre from 1850 to 1870 experienced a unique degree of professional equity with men in the atre. The time-frame has been selected for two reasons: (1) actresses active after 1870 have been the subject of several dissertations and scholarly studies, while relatively little research has been completed on women active on the American stage prior to 1870, and (2) prior to 1850 there was limited theatre activity in this country and very few professional actresses. A general description of mid-nineteenth-century theatre and its social context is provided, including a summary of major developments in theatre in New York and other cities from 1850 to 1870, discussions of the star system, the combination company, and the mid-century audience. -
The Hamlet of Edwin Booth Ebook Free Download
THE HAMLET OF EDWIN BOOTH PDF, EPUB, EBOOK Charles H Shattuck | 321 pages | 01 Dec 1969 | University of Illinois Press | 9780252000195 | English | Baltimore, United States The Hamlet of Edwin Booth PDF Book Seward, Lincoln's Secretary of State. I mean—. Melania married Donald Trump in to become his third wife. Kennedy and was later inspired by Ronald Reagan. Born as Michelle LaVaughn Robinson, she grew up in a middle-class family and had a conventional upbringing. So exactly as you said, he ran away with her to America, leaving his wife, Adelaide Booth, and his son, Richard, in a mansion in London. Americans are as divided as ever. Because many people held up John Wilkes Booth as a great actor. He would never learn his lines, so in order to generate excitement on stage, he would improvise a lot of physical violence. Booth personally, but I have always had most grateful recollection of his prompt action on my behalf. Her sense of fashion has become a great source of inspiration for many youngsters across the world. Grant, also wrote to Booth to congratulate him on his heroism. He had a volatile emotional life. It was a decision he soon came to regret. Jimmy Carter was the 39th President of America and aspired to establish a government which was both, competent and compassionate. Goff Robert Lincoln. You're right that he was volcanic and that he was like a lightning bolt. Edwin and John Wilkes Booth would have quarrels over more than just politics, as well. Bon Jovi has also released two solo albums. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of com puter printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI EDWTN BOOTH .\ND THE THEATRE OF REDEMPTION: AN EXPLORATION OF THE EFFECTS OF JOHN WTLKES BOOTH'S ASSASSINATION OF ABRAHANI LINCOLN ON EDWIN BOOTH'S ACTING STYLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael L. -
William Shakespeare's
classic repertory company STUDY GUIDE William Shakespeare’s JULIUS CAESAR Education Outreach Supporters Funded in part by generous individual contributors, the National Endowment for the Arts, Massachusetts Cultural Council, Foundation for MetroWest, Fuller Foundation, The Marshall Home Fund, Roy A. Hunt Foundation, and Watertown Community Foundation. This program is also supported in part by grants from the Billerica Arts Council, Brookline Commission for the Arts, Canton Cultural Council, Brockton Cultural Council, Lawrence Cultural Council, Lexington Council for the Arts, Marlborough Cultural Council, Newton Cultural Council, Watertown Cultural Council, and Wilmington Cultural Council, local agencies which are supported by the Massachusetts Cultural Council, a state agency. Classic Repertory Company is produced in cooperation with Boston University College of Fine Arts School of Theatre NEW REP ADMINISTRATIVE OFFICE 200 DEXTER AVENUE WATERTOWN, MA 02472 the professional theatre company in residence at the artistic director jim petosa managing director harriet sheets arsenal center for the arts A Timeline of Shakespeare’s Life 1564 Born in Stratford-upon-Avon 1582 Marries Anne Hathaway 1585 Moves to London to pursue theatre career 1592 London closes theatres due to plague 1593 Starts to write sonnets 1594 Publishes first works of poetry 1594 Starts managing, as well as writing for, the Lord Chamberlain’s Men 1599 Writes Julius Caesar 1600 Writes Hamlet, one of his most well-known plays 1603 The Lord Chamberlain’s Men is renamed the King’s Men in honor of the new King James’ patronage 1604 Retires from acting 1613 The Globe Theatre burns down 1614 The Globe Theatre is rebuilt 1616 Dies and is buried at Holy Trinity Church in Stratford-Upon-Avon adapted from http://absoluteshakespeare.com/trivia/timeline.htm C.1600 JOHN TAYLOR THE CHANDOS PORTRAIT, LONDON PORTRAIT GALLERY, NATIONAL Why do we read Shakespeare? Shakespeare’s works are over 400 years old. -
John Wilkes Booth's Capture and Death Stories
-K! O o O Digitized by the Internet Archive in 2012 with funding from State of Indiana through the Indiana State Library http://archive.org/details/johnwilkesboothsOOIinc Accounts of John Wilkes Booth's Capture and Death Stories of eyewitnesses, first-hand or passed down Surnames beginning with A-L From the files of the Lincoln Financial Foundation Collection back, so as to place himself very far west- ward of his point of debarkation in Vir- ginia. ! But he would travel in a direct course from Bluff Point, j where he. orosjsgd take f to eastern Maryland, and this would him through Port Royal on the Rappahan- j nock river, in time to be intercepted there by the o.itgoing cavalrymen. "When, therefore, 25 men, under one Lieutenant Dougherty, arrived at his office door, Baker placed the whole under control ' of his former lieutenant colonel. E. .1. Con- '• ger. and of hi- cousin, Lieut. L i'.. Baker— : the first of Ohio, the last of New York -and bade them go with all dispatch to Belle there to dis- , Piaine, on th lower Potomac, embark and scour the country faithfully around Port Loyal, but not to return unless they captured their man. Conger is a short, decided, indomitable, courageous fellow, pro- vincial in his manners, but fully understand ing his business and as collected as a house- wife on Sunday. Voting Baker is largi and fine looking fellow- a si.-hijer, biu no policeman- and he deferred to Con; i-r, very t:y properly, dining most ot the eve its suc- feeding. -
After Andersonville: Survivors, Memory and the Bloody Shirt Kevin S
Volume 8 Article 4 May 2018 After Andersonville: Survivors, Memory and the Bloody Shirt Kevin S. Nicholson Gettysburg College Class of 2015 Follow this and additional works at: https://cupola.gettysburg.edu/gcjcwe Part of the Military History Commons, and the United States History Commons Share feedback about the accessibility of this item. Nicholson, Kevin S. (2018) "After Andersonville: Survivors, Memory and the Bloody Shirt," The Gettysburg College Journal of the Civil War Era: Vol. 8 , Article 4. Available at: https://cupola.gettysburg.edu/gcjcwe/vol8/iss1/4 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. After Andersonville: Survivors, Memory and the Bloody Shirt Abstract This article details the experiences of survivors of the Andersonville prison camp after the Civil War. Feeling marginalized by the public after returning to the North, prisoners of war worked to demonstrate that their experiences were exceptional enough to merit the same kind of respect and adoration given to other war veterans. In particular survivors utilized the strategy of "waving the bloody shirt," describing purported Confederate atrocities at the camp to a Northern audience looking for figures to blame for the horrors of war. Through prison narratives, veteran organizations, the erection of memorials, and reunions years later, Andersonville survivors worked to establish -
Abraham Lincoln Assassination
4 \J s > 3 o <v n o fj o X H The Assassination of Abraham Lincoln John Wilkes Booth Miscellaneous Excerpts from newspapers and other sources From the files of the Lincoln Financial Foundation Collection 7/ 2oo<? e>W. OJ3o H says f * ington, Zd. The stex ™ 2d of forehead Uty^.^ > found floating at Govemment ^U'lSD^^SytranBlatecl and is as follows: Washington, April 15, 1865. back m rd J ° he fell ,g°^.° ^- e Mind well that : J. WILKES BOOTH. of expression—those orbs that can meet in On the back of the letter are two endorse- love or flame with passion ; his glances were ments, the first being," Hon. N. S. O. Labam. keen and he read character intuitively. In Richmond, February 12, 1865, In relation to fact, he exercised a kind of magnetism over plans and means of burning the enemy's ship- the person with whom he conversed, and no ping, <fcc. Preparations are in the hands of one could resist his fascination. This was the Prof. McCullough, and are known to only one secret of his influence over Harold, Atzerott party. He asks the President to have an in- and Payne. A mass of curling, jetty hair terview with General Harris, formerly M. C crowned his square forehead and brows ; sueh from Missouri, on the subject." The other is, was his physique. A person who saw him " the Secretary of State, at his convenience, after death, remarked that his features were will please see General Harris, and hear what still beautiful, but it was evident that he had plan he has, for overcoming the difficulties undergone a great struggle, and was now at heretofore experienced.' rest. -
Dr. Charles Leale
The Lincoln Assassination: Facts, Fiction and Frankly Craziness Class 2 – Dramatis personae Jim Dunphy [email protected] 1 Intro In this class, we will look at 20+ people involved in the Lincoln Assassination, both before the event and their eventual fates. 2 Intro 1. In the Box 2. Conspirators 3. At the theater 4. Booth Escape 5. Garrett Farm 3 In the Box 4 Mary Lincoln • Born in Kentucky, she was a southern belle. • Her sister was married to Ben Helm, a Confederate General killed at the battle of Chickamauga • She knew tragedy in her life as two sons died young, one during her time as First Lady • She also had extravagant tastes, and was under repeated investigation for her redecorating the White House 5 Mary Lincoln • She was also fiercely protective of her position as First Lady, and jealous of anyone she saw as a political or romantic rival • When late to a review near the end of the war and saw Lincoln riding with the wife of General Ord, she reduced Mrs. Ord to tears 6 Mary Lincoln • Later that day, Mrs.. Lincoln asked Julia Dent Grant, the wife of General Grant “I suppose you’ll get to the White House yourself, don’t you?” • When Mrs. Grant told her she was happy where she was, Mrs. Lincoln replied “Oh, you better take it if you can get it!” • As a result of these actions, Mrs.. Grant got the General to decline an invitation to accompany the Lincolns to Ford’s Theater 7 Mary Lincoln • After Lincoln was shot and moved to the Peterson House, Mrs. -
Gettysburg College Journal of the Civil War Era 2018
Volume 8 Article 1 2018 Gettysburg College Journal of the Civil War Era 2018 Follow this and additional works at: https://cupola.gettysburg.edu/gcjcwe Part of the African American Studies Commons, Diplomatic History Commons, Intellectual History Commons, Military History Commons, Social History Commons, and the United States History Commons Share feedback about the accessibility of this item. (2018) "Gettysburg College Journal of the Civil War Era 2018," The Gettysburg College Journal of the Civil War Era: Vol. 8 , Article 1. Available at: https://cupola.gettysburg.edu/gcjcwe/vol8/iss1/1 This open access complete issue is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Gettysburg College Journal of the Civil War Era 2018 Keywords Civil War, Abraham Lincoln, Colonization, Slavery, Foreign Relations, Andersonville prison camp, Camp Sumter, Civil War, prisoners of war, memory, bloody shirt, veterans, veteran organizations, memorials, pensions, post-traumatic stress disorder, textbooks, history, Civil War, minorities, slavery, change, memory, race, gender, Civil War, Railroads, Railroads in the Civil War, Louisville-Nashville Railroad This complete issue is available in The Gettysburg College Journal of the Civil War Era: https://cupola.gettysburg.edu/gcjcwe/vol8/ iss1/1 VOLUME 8, SPRING 2018 Volume 8, Spring 2018 Editors-in-Chief: Anika N. Jensen, Jeffrey L. Lauck, Olivia J. Ortman, Zachary A.Wesley Editors: Elizabeth C. Hobbs, Jujuan K. Johnson, Garrett Kost, Savannah A. Labbe, Brandon Peeters, Benjamin M. Roy, Nicholas P. Tarchis, Jonathan E. Tracey, Laura G. -
Caricatures of Henry Irving and Edwin Booth, Inscription Reads
[Caricatures of Henry Irving and Edwin Booth, inscription reads] Box (An English Hamlet)-Who are You? Cox (An American Hamlet)-If it comes to that, Who are You? (artist unidentified, circa 1881-1906?). Folger ART Vol. a8 no.47. Box and Cox was a popular one-act farce written by John Maddison Morton and first produced in 1847. In it, a landlady rents an apartment to one lodger (Cox) by day and another lodger (Box) by night, with both tenants continually confused by changes in "their" apartment, but unaware that they are sharing space. After many mix-ups, they discover the double tenancy, and ultimately decide that the arrangement works for them. In this caricature, an unidentified artist portrays Henry Irving and Edwin Booth, both popular actors known for their performances as Hamlet, as a Shakespearean Cox and Box. When the American Booth visited England during a theatrical tour in 1881 and announced that he would perform Hamlet, many theatergoers anticipated a rivalry with English actor Irving. However, Irving made Booth welcome, and the two actors even performed the title role in Irving's production of Othello on alternating nights. The rival Richards !!! (F. Str., 1817). Folger ART File K24.4 no.90 copy 2 (size M). The artist, identified only as "F.Str.", shows the whim of British theater audiences, personified as Folly, a three-faced jester, preferring rival actors Junius Brutus Booth and Edmund Kean in their performances as Richard III. Other actors who had portrayed the same role are seen fleeing or fainting around the jester: the cluster of actors on the right includes Charles Mayne Young and John Philip Kemble. -
Lincoln's Ghosts
LINCOLN’S GHOSTS: THE POSTHUMOUS CAREER OF AN AMERICAN ICON Kimberly N. Kutz A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2013 Approved by: John F. Kasson W. Fitzhugh Brundage Bernard Herman David Morgan Heather A. Williams ©2013 Kimberly N. Kutz ALL RIGHTS RESERVED ii ABSTRACT KIMBERLY NOELLE KUTZ: Lincoln’s Ghosts: The Posthumous Career of an American Icon (Under the direction of Professor John F. Kasson) American cultural productions repeatedly have depicted Abraham Lincoln as “living on” as a spirit after his assassination in 1865. The unprecedented death toll of the Civil War coupled with the uncertain future of African American citizenship in the years after the war led Americans, both black and white, to imagine and reimagine how a living Lincoln would have responded to contemporary issues in the United States. As they grappled with Lincoln’s legacy for American race relations, artists, writers, and other creators of American culture did not simply remember Lincoln but envisioned him as an ongoing spiritual presence in everyday life. Immediately after the Civil War, when the American Spiritualist movement encouraged the bereaved to believe that departed loved ones watched over and comforted the living, popular prints and spirit photography depicted Lincoln’s ghost remaining to guide the American people. In the late nineteenth and early twentieth century, actors who played Lincoln on the American stage presented themselves as embodied forms of his spirit, in the process eschewing Lincoln’s political achievement of Emancipation in favor of sentimental portrayals of his boyhood and family life. -
Sketches TUDOR HALL BOOTH FAMILY
Sketches OF TUDOR HALL AND THE BOOTH FAMILY BY ELLA V. MAHONEY COPYRIGHTED 1925 by ELLA V. MAHONEY TUDOR HALL BELAIR, MD. MAY. 1925 CONTENTS PAGE TUDOR HALL 5 THE CHERRY TREE 12 JUNIUS BRUTUS BOOTH - 15 EDWIN BOOTH 19 JOHN" \VILKES BOOTH 27 THE ENlD MYTH - 43 THE IDENTIFICATION OF JOHN WILKES BOOTH 46 THE SEARCH FOR BooTH AT TenoR HALL AFTER THE ASSASSINATION OF LINCOLN 50 THEIR BcRIAL Pr.ACE 51 AUTHOR'S NOTE I '\\Tas .encouraged to prepare this little volume, for which I claim no literary merit so far as my part in it is concerned, at the request and for the information of many visitors from al1 parts of the country to Tudor Hall, the home of the Booths. best known as the birthplace of Ed,vin Booth. I have tried, so far as possible, to recount such facts as will an~wer all the questions I am asked. Of late the uppermost question in the public mind seems to be that oft revived subject as to the fate of John Wilkes Booth. I hope the evidence and proofs I an1 able to give on that subject may prove convincing to my readers. I have drawn my· information from many sources. I am greatly indebted 'to William Winter, ,vhose "Life And Art of Edwin Booth," is one of the most beautiful tributes to the life and character of a friend~ I have ever read. I am deeply grateful to Mrs. Thomas Baily Aldrich for the privilege of quoting passages from her charming book, "Crowd ing Memories," published by Houghton, Mifflin Company.