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ADLN - Perpustakaan Universitas Airlangga SKRIPSI 卒業論文 PEMAKAIAN DIKSI DAN GAYA BAHASA PADA LIRIK LAGU “L’ARC~EN~CIEL” 『LARC~EN~CIEL』の歌詞における語法と言語 スタイル分析 Oleh MUHAMMAD GHOFUR C.R. NIM 120913006 PROGRAM STUDI SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS AIRLANGGA SURABAYA 2014 Skripsi PEMAKAIAN DIKSI DAN GAYA BAHASA MUHAMMAD GHOFUR C.R. PADA LIRIK LAGU “L’ARC~EN~CIEL” ADLN - Perpustakaan Universitas Airlangga SKRIPSI 卒業論文 PEMAKAIAN DIKSI DAN GAYA BAHASA PADA LIRIK LAGU “L’ARC~EN~CIEL” 『LARC~EN~CIEL』の歌詞における語法と言語 スタイル分析 Oleh MUHAMMAD GHOFUR C.R. NIM 120913006 PROGRAM STUDI SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS AIRLANGGA SURABAYA 2014 ii Skripsi PEMAKAIAN DIKSI DAN GAYA BAHASA MUHAMMAD GHOFUR C.R. PADA LIRIK LAGU “L’ARC~EN~CIEL” ADLN - Perpustakaan Universitas Airlangga PEMAKAIAN DIKSI DAN GAYA BAHASA PADA LIRIK LAGU “L’ARC~EN~CIEL” 『LARC~EN~CIEL』の歌詞における語法と言語 スタイル分析 SKRIPSI 卒業論文 Sebagai Salah Satu Syarat untuk Memperoleh Gelar Sarjana pada Program Studi Sastra Jepang Fakultas Ilmu Budaya Universitas Airlangga Oleh MUHAMMAD GHOFUR C. R. NIM 120913011 PROGRAM STUDI SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS AIRLANGGA SURABAYA 2014 iii Skripsi PEMAKAIAN DIKSI DAN GAYA BAHASA MUHAMMAD GHOFUR C.R. PADA LIRIK LAGU “L’ARC~EN~CIEL” ADLN - Perpustakaan Universitas Airlangga SKRIPSI INI TELAH DISETUJUI TANGGAL 24 FEBRUARI 2014 Oleh Pembimbing Skripsi Parwati Hadi Noorsanti, S.S., M.Pd. NIP. 197706122009122001 Mengetahui Ketua Program Studi Moh. Gandhi Amanullah, S.S., M.A. NIP. 197504202006041002 PROGRAM STUDI SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS AIRLANGGA SURABAYA 2014 iv Skripsi PEMAKAIAN DIKSI DAN GAYA BAHASA MUHAMMAD GHOFUR C.R. PADA LIRIK LAGU “L’ARC~EN~CIEL” ADLN - Perpustakaan Universitas Airlangga LEMBAR PENGESAHAN Skripsi ini telah dipertahankan di hadapan komisi penguji pada: 30 Januari 2014 Pukul 10.00 WIB KOMISI PENGUJI SKRIPSI Ketua Adis Kusumawati, S.S., M. Hum NIP. 197908072010122001 Anggota Parwati Hadi Noorsanti, S.S., M. Pd NIP. 197706122009122001 Anggota Moh. Gandhi Amanullah, S.S., M.A. NIP. 197504202006041002 v Skripsi PEMAKAIAN DIKSI DAN GAYA BAHASA MUHAMMAD GHOFUR C.R. PADA LIRIK LAGU “L’ARC~EN~CIEL” ADLN - Perpustakaan Universitas Airlangga Kebanggaan kita yang terbesar adalah bukan tidak pernah gagal, tetapi bangkit kembali ketika kita jatuh vi Skripsi PEMAKAIAN DIKSI DAN GAYA BAHASA MUHAMMAD GHOFUR C.R. PADA LIRIK LAGU “L’ARC~EN~CIEL” ADLN - Perpustakaan Universitas Airlangga KATA PENGANTAR Puji syukur penulis panjatkan kepada Tuhan Yang Maha Esa atas berkat, rahmat serta karunia yang diberikan hingga skripsi dapat diselesaikan dengan baik. Dalam tiap tahapan proses penulis mendapatkan banyak dukungan dari berbagai pihak. Untuk itu penulis dengan rendah hati ingin mengucapkan terimakasih kepada : 1. Moh. Gandhi Amanullah, S.S selaku Ketua Jurusan Sastra Jepang Universitas Airlangga.. 2. Putri Elsy, S.S., M.Si., selaku dosen wali 3. Parwati Hadi Noorsanti, S.S., M.Pd., selaku dosen pembimbing yang dengan penuh kesabaran telah memberikan saran serta ide dalam proses penelitian. 4. Syahrur Marta Dwi Susilo, S.S., M.A.,Adis Kusumawati, S.S., M.Hum., Eli Rostinah, S.S. (alm), Soeriandi Satjadibrata S.S, M.A., Rizki Andini, S.Pd., M.Litt., Nunuk Endah Srimulyani, S.S., Tia Saraswati, S.S., Antonius R. Pujo Purnomo, S.S, M.A., Bu Widya, serta Mbak Kiki selaku Dosen dan Staf Departemen Sastra Jepang Universitas Airlangga yang turut serta membimbing dan membantu dalam penelitian. 5. Ayah, ibu dan adikku yang sudah memberikan doa, dorongan dan semangat untuk menyelesaikan penelitian. vii Skripsi PEMAKAIAN DIKSI DAN GAYA BAHASA MUHAMMAD GHOFUR C.R. PADA LIRIK LAGU “L’ARC~EN~CIEL” ADLN - Perpustakaan Universitas Airlangga 6. Sang Kinanti yang sudah banyak mendukung dan membantu dalam penelitian. 7. Shimizu sensei yang sudah banyak membantu menyelesaikan youyaku 8. Hokuto san dan mika san yang membantu dalam penelitian. 9. Keluarga besar Sastra Jepang Angkatan 2009 yang selalu memberi dorongan selama proses penelitian: Dewi, Alfi, Yudiah, Fika, Onyonk, Bune (Alm), Didin, Risda, Ziza, Nindy, Pika, Yulia, Dias, Pyog, Ari, Ratu, Gisca, Rissa, Cha 10. Keluarga besar Sastra Jepang semua angkatan yang sudah banyak membantu dan memberi dukungan dalam proses penelitian. 11. Keluarga besar Cosura dan 1000%Boyz yang sudah sangat-sangat mengganggu, tetapi juga memberikan dukungan untuk menyelesaikan penelitian. Semoga penelitian ini dapat bermanfaat bagi banyak pihak. Kritik dan saran sangat diharapkan jika terdapat kesalahan atau kekurangan dalam penelitian. Surabaya, 24 Januari 2014 Penulis Muhammad Ghofur C.R. viii Skripsi PEMAKAIAN DIKSI DAN GAYA BAHASA MUHAMMAD GHOFUR C.R. PADA LIRIK LAGU “L’ARC~EN~CIEL” ADLN - Perpustakaan Universitas Airlangga PERNYATAAN Dengan ini saya menyatakan bahwa: 1. Karya tulis ini adalah karya tulis saya asli dan belum pernah diajukan untuk mendapatkan gelar akademik sarjana, baik di Universitas Airlangga maupun di perguruan tinggi lain. 2. Karya tulis ini murni hasil gagasan, penulisan, dan tulisan saya sendiri tanpa bantuan pihak lain, kecuali arahan dosen pembimbing. 3. Karya tulis ini bukan karya jiplakan, dan di dalamnya tidak terdapat karya atau pendapat yang telah ditulis atau dipublikasikan orang lain, kecuali secara tertulis dengan jelas dicantumkan sebagai acuan dalam naskah dengan disebutkan nama pengarang dan dicantumkan dalam daftar pustaka. 4. Pernyataan ini saya buat dengan sesungguhnnya dan apabila di kemudian hari terdapat penyimpangan dan ketidakbenaran dalam pernyataan ini, maka saya bersedia menerima sanksi akademik berupa pencabutan gelar yang telah diperoleh karena karya tulis ini, serta sanksi lainnya sesuai dengan norma yang berlaku di perguruan tinggi ini. Surabaya, 24 Januari 2014 Yang membuat pernyataan, Muhammad Ghofur C.R 120913006 ix Skripsi PEMAKAIAN DIKSI DAN GAYA BAHASA MUHAMMAD GHOFUR C.R. PADA LIRIK LAGU “L’ARC~EN~CIEL” ADLN - Perpustakaan Universitas Airlangga ABSTRACT Language is source of communication. Every individual has it own ways to express an idea, plan to communicate. One of those ways is making song lyric. Song lyric has diction or word choice, which the expression of the communication are either direct or indirect. And occasionally, there is an figure of speech or style of language. The are diction and style of language in L’Arc~en~Ciel songs lyric, which is the research object. Songs which especially have love theme. Song lyric of L’Arc~en~Ciel has many figure of speech, so it makes the meaning of the song become implicit. The research method used is qualitative descriptive. The teory used is stylistic, which include the diction and the style of language. The diction are meaning of word also expression and use of foreign language. Meanwhile the style of language are metaphor, personification, hyperbole, synekdoke, simile, paradoks, alusio, etc. the result of the research is the most use diction were connotation word, which have many figure of speech. While the style of language often uses simile. Keyword: lyric, song lyric, diction, style of language x Skripsi PEMAKAIAN DIKSI DAN GAYA BAHASA MUHAMMAD GHOFUR C.R. PADA LIRIK LAGU “L’ARC~EN~CIEL” ADLN - Perpustakaan Universitas Airlangga HALAMAN DAFTAR ISI Halaman Sampul Depan i Sampul Dalam ii Prasyarat Gelar iii Persetujuan Pembimbing Skripsi iv Pengesahan Dewan Penguji Skripsi v Halaman Motto vi KATA PENGANTAR vii PERNYATAAN ix ABSTRAK x HALAMAN DAFTAR ISI xi HALAMAN DAFTAR TABEL xiv BAB I PENDAHULUAN 1 1.1 Latar Belakang 1 1.2 Batasan Masalah 5 1.3 Rumusan Masalah 5 1.4 Tujuan Penulisan 5 1.5 Manfaat Penulisan 6 1.6 Tinjauan Pustaka 6 1.7 Landasan Teori 8 1.8 Metode Penulisan 10 1.8.1 Teknik Pengumpulan Data 10 xi Skripsi PEMAKAIAN DIKSI DAN GAYA BAHASA MUHAMMAD GHOFUR C.R. PADA LIRIK LAGU “L’ARC~EN~CIEL” ADLN - Perpustakaan Universitas Airlangga 1.8.2 Teknik Analisis Data 11 1.9 Sistematika Penulisan 12 BAB II LANDASAN TEORI 13 2.1 Stilistika 13 2.1.1 Diksi 14 2.1.1.1 Makna Kata 15 2.1.1.1.1 Makna Konotatif dan denotatif 16 2.1.1.1.2 Sinonim 16 2.1.1.1.3 Antonim 18 2.1.1.1.4 Polisemi 19 2.1.1.1.5 Homonim 19 2.1.1.1.6 Hiponim 20 2.1.2 Gaya Bahasa................................................................................................. 20 BAB III ANALISIS DATA 30 3.1 Diksi dan Gaya Bahasa pada lirik lagu L’Arc~en~Ciel 30 3.1.1 Diksi pada lirik lagu Anata 30 3.1.2 Gaya Bahasa pada lirik lagu Anata 35 3.1.3 Diksi pada lirik lagu Blurry Eyes 39 3.1.4 Gaya Bahasa pada lirik lagu Blurry Eyes 45 3.1.5 Diksi pada lirik lagu Flower 45 3.1.6 Gaya Bahaasa pada lirik lagu Flower 49 3.1.7 Diksi pada lirik lagu Hitomi no Juunin 51 xii Skripsi PEMAKAIAN DIKSI DAN GAYA BAHASA MUHAMMAD GHOFUR C.R. PADA LIRIK LAGU “L’ARC~EN~CIEL” ADLN - Perpustakaan Universitas Airlangga 3.1.8 Gaya Bahasa pada lirik lagu Hitomi no Juunin 54 3.1.9 Diksi pada lirik lagu Jojoushi 56 3.2.10 Gaya Bahasa pada lirik lagu Jojoushi 59 3.1.11 Diksi pada lirik lagu Honey................................................................... 61 3.2.12 Gaya Bahasa pada lirik lagu Honey 63 3.1.13 Diksi pada lirik lagu Niji........................................................................64 3.2.14 Gaya Bahasa pada lirik lagu Niji 66 BAB IV SIMPULAN DAN SARAN 68 4.1 Simpulan 68 4.2 Saran 71 RINGKASAN (Youyaku) 72 DAFTAR PUSTAKA 77 LAMPIRAN 80 Tabel Data 80 Lirik Lagu L’Arc~en~Ciel 84 Profil Grup Band L’Arc~en~Ciel 91 Biodata Personil Grup Band L’Arc~en~Ciel 97 xiii Skripsi PEMAKAIAN DIKSI DAN GAYA BAHASA MUHAMMAD GHOFUR C.R. PADA LIRIK LAGU “L’ARC~EN~CIEL” ADLN - Perpustakaan Universitas Airlangga DAFTAR TABEL Tabel 1: Diksi pada Lirik Lagu L’Arc~en~Ciel 67 Tabel 2: Gaya Bahasa pada Lirik Lagu L’Arc~en~Ciel 68 Tabel 3: Tabel Data 73 xiv Skripsi PEMAKAIAN DIKSI DAN GAYA BAHASA MUHAMMAD GHOFUR C.R. PADA LIRIK LAGU “L’ARC~EN~CIEL” ADLN - Perpustakaan Universitas Airlangga BAB I PENDAHULUAN 1.1 Latar Belakang Tiap individu memiliki cara yang berbeda-beda dalam mengekspresikan ide, gagasan, dan pikiran.
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    [L'Arc-en-Ciel] [ラジオ] (1993.07.04) [FM愛知] ロックの出来た日 (全員 18：02) [L'Arc-en-Ciel] [ラジオ] (1993.07.23) [NACK5] kyoのMIDNIGHT ROCK CITY (hyde 38：44) [L'Arc-en-Ciel] [ラジオ] (1993.08.19) [NACK5] ミュージックグルーパー (全員 08：45) [L'Arc-en-Ciel] [ラジオ] (1994.03.27) [文化放送] 東京ライブﾞMIX (全員 16：23) [L'Arc-en-Ciel] [ラジオ] (1994.07.31) [NACK5] Vicious the Night (全員 28：01) [L'Arc-en-Ciel] [ラジオ] (1994.08.18) [ニッポン放送] 山本シュウのオールナイトニッポン (hyde・ken 52：37) [L'Arc-en-Ciel] [ラジオ] (1994.08.20) [AIR-G] HOKKAIDO ROCK CIRCUIT L.S.B (全員 17：38) [L'Arc-en-Ciel] [ラジオ] (1994.11.xx) [AIR-G'] アルバムCOUNTDOWN (sakura 02：14) [L'Arc-en-Ciel] [ラジオ] (1994.12.01) [北海道放送] にゃんにゃんしないと (hyde 01：15) [L'Arc-en-Ciel] [ラジオ] (1994.12.03) [NACK5] サウンドフィリア (hyde・tetsu 29：08) [L'Arc-en-Ciel] [ラジオ] (1994.12.09) [NACK5] kyoのMIDNIGHT ROCK CITY (ken・sakura 47：46) [L'Arc-en-Ciel] [ラジオ] (1994.12.16) [FM-FUJI] J-TOP20 (hyde・ken 26：43) [L'Arc-en-Ciel] [ラジオ] (1994.12.22) [CROSS FM] ネオサイクロン (hyde・ken 01：46) [L'Arc-en-Ciel] [ラジオ] (1994.12.23) いきなりBOM！ (hyde・ken 08：39) [L'Arc-en-Ciel] [ラジオ] (1994.12.29) [CROSS FM] ネオサイクロン (hyde・ken 14：38) [L'Arc-en-Ciel] [ラジオ] (1994.12.30) [FM802] ウィークエンドマニュアル (hyde・tetsu 02：12) [L'Arc-en-Ciel] [ラジオ] (1994.xx.xx) [ニッポン放送] ホットビートロック (hyde・sakura 06：44) [L'Arc-en-Ciel] [ラジオ] (1995.01.22) [FM FUJI] オールナイトジャッピーパーティ (hyde・sakura 22：35) [L'Arc-en-Ciel] [ラジオ] (1995.06.05) 岩手ラジオ (09：04 全員) [L'Arc-en-Ciel] [ラジオ] (1995.06.21) [FM高知] ビーストスタジオハイシックス (04：45 全員) [L'Arc-en-Ciel] [ラジオ] (1995.06.22) [CROSS FM] ネオサイクロン (hyde 02：10) [L'Arc-en-Ciel] [ラジオ] (1995.07.05) [TFM] エモーショナルビート (全員 16：58) [L'Arc-en-Ciel]
  • Musical Similarity and Commonness Estimation Based on Probabilistic Generative Models of Musical Elements

    Musical Similarity and Commonness Estimation Based on Probabilistic Generative Models of Musical Elements

    International Journal of Semantic Computing Vol. 10, No. 1 (2016) 27–52 °c World Scienti¯c Publishing Company DOI: 10.1142/S1793351X1640002X Musical Similarity and Commonness Estimation Based on Probabilistic Generative Models of Musical Elements ¶ Tomoyasu Nakano*,‡, Kazuyoshi Yoshii†,§ and Masataka Goto*, *National Institute of Advanced Industrial Science and Technology (AIST) Ibaraki 305-8568, Japan †Kyoto University Kyoto 606-8501, Japan ‡[email protected] §[email protected][email protected] This paper proposes a novel concept we call musical commonness, which is the similarity of a song to a set of songs; in other words, its typicality. This commonness can be used to retrieve representative songs from a set of songs (e.g. songs released in the 80s or 90s). Previous research on musical similarity has compared two songs but has not evaluated the similarity of a song to a set of songs. The methods presented here for estimating the similarity and commonness of polyphonic musical audio signals are based on a uni¯ed framework of probabilistic generative modeling of four musical elements (vocal timbre, musical timbre, rhythm, and chord progres- sion). To estimate the commonness, we use a generative model trained from a song set instead of estimating musical similarities of all possible song-pairs by using a model trained from each song. In experimental evaluation, we used two song-sets: 3278 Japanese popular music songs and 415 English songs.Twenty estimated song-pair similarities for each element and each song- set were compared with ratings by a musician. The comparison with the results of the expert ratings suggests that the proposed methods can estimate musical similarity appropriately.
  • L'arc～En～Ciel PREMIERE SCREENING

    L'arc～En～Ciel PREMIERE SCREENING

    報道関係各位 PRESSRELEASE 2012 年 5 月 30 日 ソニー株式会社 株式会社キューンミュージック L’Arc～en～Ciel 初の映像版ベストセレクション“LIVE TWENITY”発売記念 L’Arc～en～Ciel PREMIERE SCREENING Supported by Sony and Ki/oon Music ～200 インチの大画面で L’Arc～en～Ciel のベストパフォーマンスを先行上映～ 2012 年 6 月 4 日（月）～6 月 10 日（日） 東京 銀座 ソニービル 8 階 OPUS ※入場無料 東京 銀座 ソニービル 8 階 コミュニケーションゾーン OPUS（オーパス）では、「L’Arc ～en～Ciel PREMIERE SCREENING Supported by Sony and Ki/oon Music」を 6 月 4 日（月）～6 月 10 日（日）にて開催いたします。 L’Arc～en～Ciel は今年バンド結成 20 周年を迎え、そのライヴは日本国内に留まらず、香港、バンコク、上海、台北、 ニューヨーク、ロンドン、パリ、シンガポール、ジャカルタ、ソウルなど世界各地で行われ、世界中のファンを魅了してい ます。6 月 13 日（水）には株式会社キューンミュージックより、これまでのライヴの中から厳選した L’Arc～en～Ciel 初 の映像版ベストセレクション DVD「LIVE TWENITY」を発売いたします。 本イベントでは、「LIVE TWENITY」発売に先駆け映像の一部を一週間の期間限定にて先行上映いたします。OPUS に常設された 200 インチの大画面と迫力の音響システムにて観賞する DVD は、生のライヴに匹敵する臨場感でお楽 しみいただけます。また、Madison Square Garden 公演の最新映像で編集された「CHASE -English version-」も上映 予定となっております。その他、ソニービル 1 階のエントランスホールでは、“ウォークマン”史上最高音質の Z シリーズ にて、同じく 6 月 13 日（水）に発売される世界各国の豪華アーティストが参加した L’Arc～en～Ciel 初のトリビュートア ルバム「L’Arc～en～Ciel Tribute」の試聴コーナーも設置予定です。 ぜひ、世界を魅了している L’Arc～en～Ciel のライヴパフォーマンスと音楽をソニービルにてお楽しみ下さい。 【L’Arc～en～Ciel PREMIERE SCREENING Supported by Sony and Ki/oon Music】 期間 ： 6 月 4 日（月）～6 月 10 日（日） 会場 ： 東京 銀座 ソニービル 8 階 コミュニケーションゾーン OPUS（オーパス） 時間 ： 11:00～19:00 ※入場無料/入退場自由 URL ： http://www.sonybuilding.jp/event/opus/larc-en-ciel1206/ ■8 階 OPUS 上映内容 ・L’Arc～en～Ciel 初のライヴベスト DVD「LIVE TWENITY」より 5 曲 ※本イベントのために特別に用意したフルハイビジョン且つ 5.1ch サラウンドにて上映。 ・L’Arc～en～Ciel WORLD TOUR 2012 at Madison Square Garden より、「CHASE -English version-」 【L’Arc～en～Ciel リリース情報】 www.LArcom.net ■LIVE TWENITY 【 発売日：2012.6.13、価格：¥3,920(tax in) 】 L’Arc～en～Ciel 初のライヴベスト DVD、リリース決定。バンド結成 20 周年を迎えた L’Arc～en～Ciel のこれまでのライ ヴアクトの中から 20 曲を厳選した L’Arc～en～Ciel 初の映像版ベストセレクション。 Bonus Track として未発表映像も収録。 01.
  • Download YAM012

    Download YAM012

    yetanothermagazine filmtvmusic oct2010 toronto film festival 2010 we missed fall tv a look at the summer tv season in this yam we review // let me in, black swan, the town, jack goes boating, undertow, norwegian wood, the big c, weeds, gloria, atami no sousakan, 2ne1, isaac delgado, linkin park, robyn, brandon flowers, acid android, kangta, klaxons, news, uzumaki and more // a matinee at tiff mcneil from the dark of the matinee gives us a peek of toronto film It’s been a wild PDF run. Magazine- the town pg4 let me in pg5 like formats are so hard to run, We also got a new address: norwegian wood pg6 how do people lock articles in [email protected] black swan pg7 advance to not seem outdated cover// when everything’s online the minute Don't forget to write. toronto film festival// it hits? But enough of updating highlights pg8 laments! We’ve got fresh blood in amywong // jack goes boating pg10 undertow pg11 the team! p.s.: twitter has made us lazy. music isaac delgado - l.o.v.e pg14 Welcome to Lindsay Penn from maroon 5 - hands all over pg14 LinzerDinzer.com, Dr. T, Camiele linkin park - a thousand suns pg15 White, McNeil from The Dark of acid android - 13:day:dream pg15 klaxons - surfing the void pg16 the Matinee and Luis from Qko brandon flowers - flamingo pg16 Entertainment. You guys are kangta - rest in the seven luck pg16 news - live pg16 official YAMmies, and will hopefully 2ne1 - to anyone pg17 contribute with us when the site robyn - body talk pt.
  • NANA Starring MIKA NAKASHIMA the End Mp3, Flac, Wma

    NANA Starring MIKA NAKASHIMA the End Mp3, Flac, Wma

    NANA starring MIKA NAKASHIMA The End mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: The End Country: Japan Released: 2006 Style: Power Pop, Pop Rock MP3 version RAR size: 1525 mb FLAC version RAR size: 1983 mb WMA version RAR size: 1946 mb Rating: 4.9 Votes: 394 Other Formats: WMA AA MMF DMF AIFF XM AHX Tracklist 1 Hitoiro 5:21 2 Eyes For The Moon 3:39 3 Glamorous Sky 4:26 4 Blowing Out 3:27 5 My Medicine 3:37 6 Neglest Mind 3:57 7 Real World 4:08 8 Isolation 4:42 9 Blood 4:39 10 Hitoiro (Altanative) 5:06 11 My Way 4:19 Notes Released under the name Nana starring Mika Nakashima Other versions Title Category Artist Label Category Country Year (Format) Sony Music NANA starring MIKA The End (CD, AICL 1783 Associated AICL 1783 Japan 2006 NAKASHIMA* Album) Records Sony Music NANA starring MIKA The End (CD, Hong 88697056132 Associated 88697056132 2006 NAKASHIMA* Album) Kong Records The End Sony Music NANA starring MIKA AIJL-5303-4 (2xLP, Album, Associated AIJL-5303-4 Japan 2007 NAKASHIMA* RE) Records Inc. NANA starring MIKA The End (CD, ADCI 80301 SAR ADCI 80301 Japan 2006 NAKASHIMA* Album, Promo) Related Music albums to The End by NANA starring MIKA NAKASHIMA 1. Nana Mouskouri - Alone 2. Mika Nakashima - Love 3. Nana Mouskouri - The Very Best Of Nana Mouskouri 4. Mika Nakashima - Helpless Rain 5. Ko Nakashima - Raft 6. Red Ingle, The Happy Jesters - Starring The Country Music Of Red Ingle Also Starring The Happy Jesters 7.