Handlist of the Papers of Michael Harvey
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Cairns Craig, Intending Scotland: Explorations in Scottish Culture Since the Enlightenment (Edinburgh: Edinburgh University Press, 2009)
Jessop, R. (2010) Cairns Craig, Intending Scotland: Explorations in Scottish Culture since the Enlightenment (Edinburgh: Edinburgh University Press, 2009). Journal of Scottish Philosophy, 8. pp. 225-231. ISSN 1479-6651 http://eprints.gla.ac.uk/44389/0B Deposited on: 16 March 2012 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Reviews struggle to accommodate events to a long-cherished narrative’ (140). None of this sounds very promising for the reader whose principal interest is in the philosophy of the Scottish Enlightenment. In recent years, a distorted picture in which Hume figured as Scotland’s only major philosopher has been corrected by renewed philosophical interest first in Reid, and then in Smith, both of whom are increasingly reckoned to be philosophers with a status comparable to Locke, Berkeley, or Mill. The judgments I have quoted from the contributors to this collection do not suggest that we can expect their celebrated contemporary, Adam Ferguson, to attract a similar re-assessment. At the same time, the essays in this collection cannot be said to show this to be the case. What they do show, perhaps, is that there is scope, and even need, for a further, different sort of volume, one devoted to seeing whether moral philosophy and social theory can still profitably engage with Ferguson. Gordon Graham Princeton Theological Seminary DOI: 10.3366/E1479665110000643 Cairns Craig, Intending Scotland: Explorations in Scottish Culture since the Enlightenment, Edinburgh: Edinburgh University Press, 2009. 280pp, £60 hb. ISBN 9780748637133. In recent decades in the United Kingdom, the Scottish Enlightenment has been recruited to nationalist, anti-nationalist, leftwing and rightwing political standpoints, and has been utilised to define Scottish history. -
Guide to the Peter Davidson Collection of Ian Hamilton Finlay MSS.013 Finding Aid Prepared by Ryan Evans; Collection Processed by Ryan Evans
CCS Bard Archives Phone: 845.758.7567 Center for Curatorial Studies Fax: 845.758.2442 Bard College Email: [email protected] Annandale-on-Hudson, NY 12504 Guide to the Peter Davidson Collection of Ian Hamilton Finlay MSS.013 Finding aid prepared by Ryan Evans; Collection processed by Ryan Evans. This finding aid was produced using the Archivists' Toolkit April 29, 2016 Guide to the Peter Davidson Collection of Ian Hamilton Finlay MSS. Table of Contents Summary Information..................................................................................................................................3 Biographical/Historical note.........................................................................................................................4 Scope and Contents note........................................................................................................................... 4 Arrangement note....................................................................................................................................... 5 Administrative Information...........................................................................................................................5 Related Materials........................................................................................................................................ 5 Controlled Access Headings.......................................................................................................................6 Collection Inventory.....................................................................................................................................7 -
Journal of Irish and Scottish Studies Cultural Exchange: from Medieval
Journal of Irish and Scottish Studies Volume 1: Issue 1 Cultural Exchange: from Medieval to Modernity AHRC Centre for Irish and Scottish Studies JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 1, Issue 1 Cultural Exchange: Medieval to Modern Published by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen in association with The universities of the The Irish-Scottish Academic Initiative and The Stout Research Centre Irish-Scottish Studies Programme Victoria University of Wellington ISSN 1753-2396 Journal of Irish and Scottish Studies Issue Editor: Cairns Craig Associate Editors: Stephen Dornan, Michael Gardiner, Rosalyn Trigger Editorial Advisory Board: Fran Brearton, Queen’s University, Belfast Eleanor Bell, University of Strathclyde Michael Brown, University of Aberdeen Ewen Cameron, University of Edinburgh Sean Connolly, Queen’s University, Belfast Patrick Crotty, University of Aberdeen David Dickson, Trinity College, Dublin T. M. Devine, University of Edinburgh David Dumville, University of Aberdeen Aaron Kelly, University of Edinburgh Edna Longley, Queen’s University, Belfast Peter Mackay, Queen’s University, Belfast Shane Alcobia-Murphy, University of Aberdeen Brad Patterson, Victoria University of Wellington Ian Campbell Ross, Trinity College, Dublin The Journal of Irish and Scottish Studies is a peer reviewed journal, published twice yearly in September and March, by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen. An electronic reviews section is available on the AHRC Centre’s website: http://www.abdn.ac.uk/riiss/ahrc- centre.shtml Editorial correspondence, including manuscripts for submission, should be addressed to The Editors,Journal of Irish and Scottish Studies, AHRC Centre for Irish and Scottish Studies, Humanity Manse, 19 College Bounds, University of Aberdeen, AB24 3UG or emailed to [email protected] Subscriptions and business correspondence should be address to The Administrator. -
Introduction Chapter 1
Notes Introduction 1. Allan Ramsay, ‘Verses by the Celebrated Allan Ramsay to his Son. On his Drawing a Fine Gentleman’s Picture’, in The Scarborough Miscellany for the Year 1732, 2nd edn (London: Wilford, 1734), pp. 20–22 (p. 20, p. 21, p. 21). 2. See Iain Gordon Brown, Poet & Painter, Allan Ramsay, Father and Son, 1684–1784 (Edinburgh: National Library of Scotland, 1984). 3. When considering works produced prior to the formation of the United Kingdom in 1801, I have followed in this study the eighteenth-century prac- tice of using ‘united kingdom’ in lower case as a synonym for Great Britain. 4. See, respectively, Kurt Wittig, The Scottish Tradition in Literature (London: Oliver and Boyd, 1958); G. Gregory Smith, Scottish Literature: Character and Influence (London: Macmillan, 1919); Hugh MacDiarmid, A Drunk Man Looks at the Thistle, ed. by Kenneth Buthlay (Edinburgh: Scottish Academic Press, 1988); David Craig, Scottish Literature and the Scottish People, 1680–1830 (London: Chatto & Windus, 1961); David Daiches, The Paradox of Scottish Culture: The Eighteenth-Century Experience (London: Oxford University Press, 1964); Kenneth Simpson, The Protean Scot: The Crisis of Identity in Eighteenth-Century Scottish Literature (Aberdeen: Aberdeen University Press, 1988); Robert Crawford, Devolving English Literature (Oxford: Clarendon Press, 1992); Murray Pittock, Poetry and Jacobite Politics in Eighteenth- Century Britain and Ireland (Cambridge: Cambridge University Press, 1994) and idem, Scottish and Irish Romanticism (Oxford: Oxford University -
Ossian: Past Present and Future Mitchell, Sebastian
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Portal Ossian: Past Present and Future Mitchell, Sebastian License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Mitchell, S 2016, 'Ossian: Past Present and Future', Journal for Eighteenth-Century Studies, vol. 39, no. 2. Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility: 08/03/2016 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
Promise, Demonstrating a Fruitful Marriage Between History, Heritage
REVIEWS 327 promise, demonstrating a fruitful marriage From 1987 to 1992 Simpson prepared between history, heritage and science. designs for Paternoster Square, City of London, to replace the dismally grim work (1956)of William Graham Holford (1907–75), who airily AUDREY MTHORSTAD and arrogantly declared he wanted ‘no harmony of scale, character, or placing, just a total con- trast’, and deliberately obliterated all traces of earlier street-patterns. Although Simpson’s work was never realised, it has been influential in that doi:10.1017⁄s0003581517000191 it shows a humane and beautiful alternative to the kind of Dystopian dreariness that was de The Architecture of John Simpson: the timeless rigueur when Holford’sinflated reputation — — language of classicism.ByDAVID WATKIN. which did not long survive him unaccountably 330mm. Pp 304, many ills, chiefly col. Rizzoli dazzled his contemporaries (Nikolaus Pevsner International Publications, New York, 2016. ( 1902–83), in The Buildings of England (1973) ’ ’ ISBN 9780847848690.£55 (hbk). called Holford s work near St Paul s Cathedral an ‘outstandingly well conceived precinct’, John Anthony Simpson (b 1954) has established which it patently was not, and it barely lasted himself as an architectural practitioner of what twenty years). has become known as New Classicism, drawing Other important works were Simpson’s on a rich and infinitely adaptable architectural designs for Poundbury, Dorset, including the language that was deliberately discarded by Market Hall (2000); substantial interventions at Modernists in favour of a poverty-stricken Kensington Palace (including the delightfully pidgin (in linguistic terms, the equivalent of delicate cast-iron loggia forming the new garden- monosyllabic grunts), the appalling failures of entrance to the building); buildings at Lady which are obvious to all those not blinded Margaret Hall, Oxford, including remarkable by their beliefs in a destructive cult. -
Download PDF Title Sheet
Key title information A Walled Garden Product Details A History of the Spandau Garden in the Time of the Architect Albert Speer £75.00 Artist(s) Ian Gardner, Ian Hamilton-Finlay Author(s) Ross Hair Publisher Coracle A highly collectable, limited edition artists’ book, A Walled Garden ISBN 9780906630600 reproduces for the first time the complete set of watercolours that Ian Format hardback Gardner made in collaboration with Ian Hamilton Finlay for the Pages 196 unpublished book, A Walled Garden: A History of the Spandau Garden in the Time of the Architect Albert Speer. Illustrations 36 colour Dimensions 230mm x 170mm Finlay conceived the project after corresponding with the former Third Weight 440 Reich architect in the late 1970s, shortly after the publication of Clara and Richard Winston’s English translation of, Spandau: The Secret Publication Date: Feb 2020 Diaries (1976), Speer’s clandestine record of his twenty-year imprisonment in west Berlin’s Spandau prison from 1946 to 1966. Co-published with St Paulinus and printed in a Limited Edition of 500. IAN GARDNER (1944–2019). Lancaster-born artist who taught in the School of Art and Design at Bradford College. His paintings were championed by art critic, Edward Lucie-Smith and have been purchased for many gallery collections throughout Britain, including the Ashmolean Museum (Oxford), The Walker Art Gallery (Liverpool), The Victoria and Albert Museum (London), Chatsworth House, as well as the Getty Foundation in California. During the 1990s, the allotment garden of his wife, Diane became the inspiration for his later work. IAN HAMILTON-FINLAY (1925–2006). -
Annual Review 2013–2014 the National Galleries of Scotland Cares For, Develops, Researches and Displays the National Collection of Scottish
Annual Review 2013–2014 The National Galleries of Scotland cares for, develops, researches and displays the national collection of Scottish © Keith Hunter Photography © Andrew Lee © Keith Hunter Photography and international fine art and, Scottish National Gallery Scottish National Portrait Gallery Scottish National Gallery with a lively and innovative The Scottish National Gallery comprises The Scottish National Portrait Gallery of Modern Art One three linked buildings at the foot of is about the people of Scotland – past Home to Scotland’s outstanding national programme of exhibitions, the Mound in Edinburgh. The Gallery and present, famous or forgotten. The collection of modern and contemporary education and publications, houses the national collection of fine portraits are windows into their lives art, the Scottish National Gallery of art from the early Renaissance to the and the displays throughout the beautiful Modern Art comprises two buildings, aims to engage, inform end of the nineteenth century, including Arts and Crafts building help explain Modern One and Modern Two. The early the national collection of Scottish art how the men and women of earlier times part of the collection features French and inspire the broadest from around 1600 to 1900. The Gallery made Scotland the country it is today. and Russian art from the beginning of possible public. is joined to the Royal Scottish Academy Photography and film also form part of the twentieth century, cubist paintings building via the underground Weston the collection and help to make Scotland’s and superb holdings of Expressionist and Link, which contains a restaurant, café, colourful history come alive. modern British art. -
James Clerk Maxwell Statue DONORS
James Clerk Maxwell Statue DONORS James Clerk Maxwell Statue DONORS ames Clerk Maxwell is generally regarded as the greatest physicist after Newton. While Newton laid down the laws of mechanics and Juniversal gravitation, Maxwell did the same for electromagnetism, showing in particular that light was part of the electromagnetic spectrum. Our modern technological society, from the computer to telecommunications, rests firmly on the foundations established by Maxwell. Albert Einstein was one of Maxwell’s great admirers and it was Maxwell’s emphasis on the basic role of fields of force that led Einstein to his general theory of relativity and the modern understanding of gravity. Born in Edinburgh in 1831, Maxwell was educated locally before moving to Cambridge, where he became a Fellow of Trinity. He became a Fellow of the Royal Society of Edinburgh in 1856 at the age of 24, and of the Royal Society in London in 1859. After holding chairs at Aberdeen and King’s College, London, he retired to his family estate at Glenlair in Dumfriesshire, where he wrote his great treatise on electricity and magnetism. In 1871, he returned to Cambridge and established the Cavendish Laboratory. Sadly, Maxwell died at the early age of 48. 1 For a scientist of Maxwell’s stature, there are few memorials to him. In 2006, the 175th anniversary of his birth, the Royal Society of Edinburgh (RSE), led by its then President Sir Michael Atiyah, initiated plans for a statue, which culminated in its unveiling in George Street on 25 November 2008. The statue would not have been possible without the donations of many who wished to recognise James Clerk Maxwell’s achievements and legacy. -
The Boy Scouts, Class and Militarism in Relation to British Youth Movements 1908-1930*
/. 0. SPRINGHALL THE BOY SCOUTS, CLASS AND MILITARISM IN RELATION TO BRITISH YOUTH MOVEMENTS 1908-1930* In the 1960's academic attention became increasingly focused, in many cases of necessity, on the forms taken by student protest and, possibly in conjunction with this, there appeared almost simultaneously a corresponding upsurge of interest in the history of organized inter- national youth movements, many of them with their origins in the late nineteenth or early twentieth centuries.1 Such a development in historiography would seem to contradict the statement once made by an English youth leader, Leslie Paul, that "because the apologetics of youth movements are callow, their arguments crude, and their prac- tices puerile, they are dismissed or ignored by scholars."2 It is certainly refreshing to see discussion of the Boy Scout movement rise above easy humour at the expense of Baden-Powell's more ec- centric views on adolescent sex education.3 Yet despite the change in historical perspective, very little has been done until comparatively recently to place Scouting, as this article cautiously attempts to do, * I would like to thank my colleagues - past and present - at the Lanchester Polytechnic, Coventry, and the New University of Ulster who commented on and made suggestions with regards to earlier drafts of this article. The faults and omissions are, of course, all my own. 1 Cf. A series of essays on "Generations in Conflict" published in: The Journal of Contemporary History, Vol. 4, No 2 (1969), and Vol. 5, No 1 (1970); Walter Z. Laqueur, Young Germany: A history of the German Youth Movement (London, 1962); Robert Hervet, Les Compagnons de France (Paris, 1965); Radomir Luza, History of the International Socialist Youth Movement (Leiden, 1970). -
Spring 2015 Commencement Program
COMMENCEMENT UNIVERSITY OF COLORADO BOULDER FOLSOM STADIUM MAY 9, 2015 One Hundred Thirty-Ninth Year of the University The Regents of the University of Colorado Dear Graduate: One of the greatest honors for the University of Colorado Board of Regents, the institution’s governing board, is to be part of a graduation ceremony. Your success is a success for us all. Your degree is a measure not only of an accom- plishment of dedication and talent, but also notice to the world that you have the intellectual gifts and discipline to contribute greatly to our community. Your commencement ceremony, like every University of Colorado graduation since 1935, will close with the reading of the timeless Norlin Charge. Today “marks your initiation in the fullest sense of the fellowship of the university, as bearers of her torch, as centers of her influence, as promoters of her spirit.” Each year, the University of Colorado grants thousands of bachelor’s, master’s, pro- fessional and doctoral degrees to some of the greatest minds in our country and the world. Today, we proudly add your name to this notable group of individuals. Congratulations on your hard-earned accomplishment. Sincerely, The Regents of Colorado Back Row: Glen Gallegos, District 3 (Grand Junction); Steve Bosley, At Large (Longmont); Stephen Ludwig, At Large (Denver); Michael Carrigan, District 1 (Denver); John Carson, District 6 (Highlands Ranch). Front Row: Linda Shoemaker, District 2 (Boulder); Kyle Hybl, Chairman, District 5 (Colorado Springs); Irene Griego, Vice Chair, District 7 (Lakewood); Sue Sharkey, District 4 (Castle Rock). 2 Dear Graduate, Congratulations, your hard work has brought you to this day. -
Why Beauty Matters/Perché La Bellezza Ha Importanza, Di Roger Scruton
Why Beauty Matters/Perché la bellezza ha importanza, di Roger Scruton - Scritto da Redazione de Gliscritti: 26 /01 /2020 - 14:37 pm Riprendiamo dal sito Gliscritti.it la trascrizione delle parole di un documentario di Roger Scruton per la BBC con l’introduzione che accompagnava la trascrizione sul sito stesso. Restiamo a disposizione per l’immediata rimozione se la sua presenza sul nostro sito non fosse gradita a qualcuno degli aventi diritto. Il Centro culturale Gli scritti (26/1/2020) Nei mesi di novembre e di dicembre del 2009, il secondo e il quarto canale della BBC. British Broadcasting Corporation, la società radiotelevisiva pubblica del Regno Unito, hanno mandato in onda un ciclo di documentari dal titolo Modern Beauty, che intendeva esaminare la percezione della bellezza nelle forme artistiche classiche e moderne. Il quinto della serie, intitolato Why Beauty Matters, diretto da Louise Lockwood e mandato in onda la prima volta il 28-11-2009, è stato affidato allo scrittore e filosofo britannico Roger Scruton. Nato nel 1944, Scruton si è laureato a Cambridge nel 1965 e ha insegnato Estetica al Birkbeck College dell’Università di Londra dal 1971 al 1992. Fondatore nel 1982 del trimestrale The SalisburyReview, lo ha diretto fino al 2000. Insegna attualmente presso l’università di St. Andrews in Scozia ed è visiting scholar dell’American Enterprise Institute a Washington. Con l’autorizzazione dell’autore pubblichiamo il testo di Why Beauty Matters. La traduzione — che riduce le ripetizioni tipiche dello stile parlato —, la suddivisione in paragrafi, le inserzioni fra parentesi quadre e le note sono redazionali.