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Kindred (1979) As Well As Parable of the Sower (1993) and Parable of the Talents (1998), of the Parable Series

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Kindred (1979) As Well As Parable of the Sower (1993) and Parable of the Talents (1998), of the Parable Series Octavia E. Butler was born on June 22, 1947, in Pasadena, California. She studied at several universities and began her writing career in the 1970s. Her books blended elements of science fiction and African American spiritualism. Her first novel, Patternmaster (1976), would ultimately become one of the installments in the four- volume Patternist series. Butler went on to write several other novels, including Kindred (1979) as well as Parable of the Sower (1993) and Parable of the Talents (1998), of the Parable series. She continued to write and publish until her death on February 24, 2006, in Seattle, Washington. Early Life Writer Octavia Estelle Butler was born in Pasadena, California, on June 22, 1947, later breaking new ground as a woman and an African American in the realm of science fiction. Butler thrived in a genre typically dominated by white males. She lost her father at a young age and was raised by her mother. To support the family, her mother worked as a maid. As a child, Octavia E. Butler was known for her shyness and her impressive height. She was dyslexic, but she didn't let this challenge deter her from developing a love of books. Butler started creating her own stories early on, and she decided to make writing her life's work around the age of 10. She later earned an associate degree from Pasadena City College. Butler also studied her craft with Harlan Ellison at the Clarion Fiction Writers Workshop. Fiction Debut, Patternist Series To make ends meet, Butler took all sorts of jobs while maintaining a strict writing schedule. She was known to work for several hours very early in the morning each day. In 1976, Butler published her first novel, Patternmaster. This book would ultimately become part of an ongoing storyline about a group of people with telepathic powers called Patternists. The other related titles are Mind of My Mind (1977), Wild Seed (1980) and Clay's Ark (1984). (Butler's publishing house would later group the works as the Patternist series, presenting them in a different reading order from when they were chronologically published.) In 1979, Butler had a career breakthrough with Kindred. The novel tells the story of an African-American woman who travels back in time to save a white slave owner—her own ancestor. In part, Butler drew some inspiration from her mother's work. "I didn't like seeing her go through back doors," she once said, according to The New York Times. "If my mother hadn't put up with all those humiliations, I wouldn't have eaten very well or lived very comfortably. So I wanted to write a novel that would make others feel the history: the pain and fear that black people have had to live through in order to endure." Literary Awards For some writers, science fiction serves as means to delve into fantasy. But for Butler, it largely served as a vehicle to address issues facing humanity. It was this passionate interest in the human experience that imbued her work with a certain depth and complexity. In the mid-1980s, Butler began to receive critical recognition for her work. She won the 1984 Best Short Story Hugo Award for "Speech Sounds." That same year, the novelette "Bloodchild" won a Nebula Award and later a Hugo as well. In the late 1980s, Butler published her Xenogenesis trilogy—Dawn (1987), Adulthood Rites (1988) and Imago (1989). This series of books explores issues of genetics and race. To insure their mutual survival, humans reproduce with aliens known as the Oankali. Butler received much praise for this trilogy. She went on to write the two- installment Parable series—Parable of the Sower (1993) and Parable of the Talents (1998). In 1995, Butler received a "genius" grant from the MacArthur Foundation—becoming the first science-fiction writer to do so—which allowed her to buy a house for her mother and herself. Final Years In 1999, Butler abandoned her native California to move north to Seattle, Washington. She was a perfectionist with her work and spent several years grappling with writer's block. Her efforts were hampered by her ill health and the medications she took. After starting and discarding numerous projects, Butler wrote her last novel Fledgling (2005), which was an innovative take on the concept of vampires and family structures, the latter being one of her works' prevailing themes. On February 24, 2006, Octavia E. Butler died at her Seattle home. She was 58 years old. With her death, the literary world lost one of its great storytellers. She is remembered, as Gregory Hampton wrote in Callaloo, as writer of "stories that blurred the lines of distinction between reality and fantasy." And through her work, "she revealed universal truths." Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana's life will end, long before it has a chance to begin. 1. How did you experience the book? Were you engaged immediately, or did it take you a while to "get into it"? How did you feel reading it—amused, sad, disturbed, confused, bored...? 2. Describe the main characters—personality traits, motivations, inner qualities. • Why do characters do what they do? • Are their actions justified? • Describe the dynamics between characters (in a marriage, family, or friendship). • How has the past shaped their lives? • Do you admire or disapprove of them? • Do they remind you of people you know? 3. Do the main characters change by the end of the book? Do they grow or mature? Do they learn something about themselves and how the world works? 4. Is the plot engaging—does the story interest you? Is this a plot-driven book: a fast- paced page-turner? Or does the story unfold slowly with a focus on character development? Were you surprised by the plot's complications? Or did you find it predictable, even formulaic? 5. Talk about the book's structure. Is it a continuous story...or interlocking short stories? Does the time-line more forward chronologically...or back and forth between past and present? Does the author use a single viewpoint or shifting viewpoints? Why might the author have chosen to tell the story the way he or she did—and what difference does it make in the way you read or understand it? 6. What main ideas—themes—does the author explore? (Consider the title, often a clue to a theme.) Does the author use symbols to reinforce the main ideas? (See our free LitCourses on both Symbol and Theme.) 7. What passages strike you as insightful, even profound? Perhaps a bit of dialog that's funny or poignant or that encapsulates a character? Maybe there's a particular comment that states the book's thematic concerns? 8. Is the ending satisfying? If so, why? If not, why not...and how would you change it? 9. If you could ask the author a question, what would you ask? Have you read other books by the same author? If so how does this book compare. If not, does this book inspire you to read others? 10. Has this novel changed you—broadened your perspective? Have you learned something new or been exposed to different ideas about people or a certain part of the world? .
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