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The Huntington Library, Art Collections, and Botanical Gardens CALENDARCALENDAR March/April 2017 March/April General Information Telephone: 626-405-2100 Website: huntington.org Admission: Members: Free. Non-Members adult rates: Weekdays $23. Weekends $25. (See website for dis counted senior, group, and children’s rates.) Admission is free to all visitors on the first Thursday of each month with advance tickets. Hours: Open 10 a.m.–5 p.m. Wednesday through Monday. Closed Tuesdays and major holidays. Dining: The 1919 café serves light meals and refreshments. Tea is served in the Rose Garden Tea Room. For tea reservations, call 626-683-8131. Enjoy Chinese cuisine in the Chinese Garden’s Freshwater Dumpling and Noodle House and specialty coffees in the Red Car coffee shop. Huntington Store: Open 10 a.m.–5 p.m. Wednesday through Monday, the store carries a variety of books, prints, note cards, jewelry, UNIQUE EDITION OF JOHN MUIR’S home decor, toys, and gift items related to The Hunt ington’s collec tions. Pur chases help finance the institu tion. Store information: 626-405-2142. WRITINGS ACQUIRED elebrate spring with your family or friends by enjoying an elegant Lisa Blackburn, Editor/Photographer Easter Brunch at The Huntington on Saturday and Sunday, April New acquisitions also include a sumptuous monograph on camellias, a manuscript Lori Ann Achzet, Designer Thea M. Page, Contributing writer C 15–16, under the dome of the beautiful Rose Hills Foundation containing lectures by a close member of Galileo’s circle, and other works. Garden Court. Take a stroll in the gardens while you’re here—the roses will be coming into bloom—and see what’s new in the galleries and Senior Staff exhibitions. Visit our website for Easter Brunch details and reservations. he Huntington has acquired a unique 10-volume huntington.org/easter. edition of William Frederic Badè’s The Writings Laura Skandera Trombley of John Muir (1916–24) that incorporates 260 President T On the cover: Charles Reiffel’sBit of Silvermine – The Old Farm House (detail), 1916. The painting original photographs—most of them taken by Herbert Catherine Allgor is a recent gift from Sandra and Bram Dijkstra. See related article on page 9. Back cover: Spring W. Gleason, a nature photographer who inspired the work Nadine and Robert A. Skotheim peonies in the Chinese Garden. See what else is in bloom on page 12. Director of Education of Ansel Adams. This deluxe edition is an important addition to The Huntington’s extensive collections in early Larry J. Burik environmentalism and early California photography, Vice President of Facilities Follow us! Find links to Facebook, Twitter, Instagram, Tumblr, YouTube, Vimeo, iTunes, and it underscores the role of fine art photography in James P. Folsom SoundCloud and the Verso blog at huntington.org the preservationist cause. Marge and Sherm Telleen / Marion and Earle Jorgensen Director of the Botanical Gardens The items were purchased in January at the 20th annual meeting of the Library Collectors’ Council, a Steve Hindle W. M. Keck Foundation Director of Research group of 43 families who assist in the development of the collections by supporting acquisitions. Margaret Irwin Chief of Staff The Council also purchased A Monograph on the Genus Camellia (1819) by Samuel Curtis. The outsize Mitchell Morris volume contains sumptuous hand-colored aquatint Chief Information Officer exhibitions plates after watercolors by Clara Maria Pope (d. 1838), Coreen A. Rodgers one of a small number of women in England who pursued Anne and Jim Rothenberg Vice President “Becoming America: Highlights from the for Financial Affairs Jonathan and Karin Fielding Collection” an artistic career in the late 18th and early 19th centuries. The Monograph is a landmark work of horticultural Kevin Salatino Ongoing | Scott Galleries, Fielding Wing Top: The deluxe edition of The Writings of John Muir includes 260 original photographs, literature that contains what are probably Pope’s underscoring the role of fine art photography in the preservationist cause. Above:A Hannah and Russel Kully Director Monograph on the Genus Camellia contains sumptuous illustrations by Clara Maria Pope. of the Art Collections “Real American Places: Edward Weston and Leaves of Grass” best-known botanical illustrations. Randy Shulman Through March 20 | Scott Galleries, Chandler Wing Additional purchases included a manuscript, ca. items—including rare books, individual manuscripts, Vice President for Advancement 1680, comprising the texts of lectures given by Carlo archival collections, and photographs—and spent “Orbit Pavilion” Rinaldini, a member of Galileo’s close circle; an nearly $3.9 million doing so,” said David Zeidberg, 2017 • APRIL | MARCH • CALENDAR Susan Turner-Lowe Extended through Sept. 4 | Celebration Lawn Vice President for Communications unpublished manuscript on the divinity of Christ, Avery Director of the Library. “We are enormously and Marketing penned around 1794 by Lewis Nicola, a Revolutionary 1 “A History of Whiskers” grateful to the Council for their generous support over War officer; and a genealogical roll of arms from the David S. Zeidberg Through March 7 | Huntington Art Gallery, Works on Paper Room the years.” Avery Director of the Library Elizabethan era. “Octavia E. Butler: Telling My Stories” “During the past two decades, the Library Collectors’ Read more about these acquisitions and see additional Opens April 8 | Library West Hall Council has helped us acquire more than 100 significant photos at huntington.org/LCC. On display in the exhibition will be one of the pages plot develops around two shape-shifting—and of motivational notes she frequently wrote to help herself sex-changing—characters, Doro and Anyanwu. The stay focused on her goals. “I am a Bestselling Writer. I exhibition will include notes Butler made about the write Bestselling Books…. Every day in every way I am two characters as she worked to develop them. researching and writing my award winning Best selling Even given the extremes of imagination, Butler Books and short stories…. Everyone of my books reaches sought to meticulously research the science in her fiction, and remains for two or more months at the top of the traveling to the Amazon to get a firsthand look at bestseller lists…. So Be It! See To It!” biological diversity there in an effort to better incorporate In 1975, she sold her first novel,Patternmaster , to biology, genetics, and medicine in her work. Climate Doubleday, quickly followed by Mind of My Mind and change concerned her, as did politics, the pharmaceutical Survivor; the trio comprise part of her “Patternist” series, industry, and a variety of social issues, and she wove depicting the evolution of humanity into three distinct them all into her writing. “Her stories resonate in very genetic groups. A review on display in the exhibition powerful ways today,” said Russell. “Perhaps even more lauds Patternmaster for its well-constructed plot and so than when they were first published.” progressive heroine, who is “a refreshing change of pace After Butler’s death, The Huntington became the from the old days.” recipient of her papers, which arrived in 2008 in two file By the late 1970s, she was able to make a living on cabinets and 35 large cartons, comprising more than her writing alone. She won her first Hugo award in 1985 8,000 items. By the time the collection had been processed for the short story “Speech Sounds,” followed by other and catalogued, scholars were already clamoring for awards, including a Locus and Nebula. access. In the past two years, the Octavia E. Butler archive The exhibition will include examples of journal has been used nearly 1,300 times—or roughly 15 times entries, photographs, and first editions of her books, per week—making it one of the most actively researched including Kindred, arguably her best-known work. The archives at The Huntington. TELLING MY STORIES book is less science fiction and more fantasy, involving an African American woman who travels back in time The Huntington presents the first major exhibition to the horrors of plantation life in pre-Civil War on the life of award-winning author Octavia E. Butler Maryland. “I wanted to reach people emotionally in a way that history tends not to,” Butler said about the book. Published in 1979, Kindred continues to new exhibition opening this spring examines the life and command widespread appeal and is regularly taught work of celebrated author Octavia E. Butler (1947–2006), in high schools and at the university level, and is the first science fiction writer to receive a prestigious A frequently chosen for community-wide reading MacArthur “genius” award and the first African American programs and book clubs. woman to win widespread recognition writing in that genre. Beyond race, Butler explored tensions between the “Octavia E. Butler: Telling My Stories” opens April 8 in the sexes and worked to develop strong female characters, West Hall of the Library and continues through Aug. 7. Butler’s a hallmark of her writing. But she also challenged literary archive resides at The Huntington. traditional gender identity. Bloodchild, for example, “She was a pioneer, a master storyteller who brought her is a story about a pregnant man, and in Wild Seed, the voice—the voice of a woman of color—to science fiction,” said Natalie Russell, assistant curator of literary manuscripts at The Huntington and curator of the exhibition. “Tired of stories featuring white, male heroes, she developed an alternative narrative from a very personal point of view.” Butler, a Pasadena, Calif., native, told the New York Times in a 2000 interview: “When I began writing science fiction, when I began reading, heck, I wasn’t in any of this stuff I read. The only black people you found were occasional characters or characters who were so feeble-witted that they couldn’t manage anything, anyway.
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    Octavia E. Butler Telling My Stories

    Octavia E. Butler Telling My Stories Library, West Hall April 8–August 7, 2017 1 Octavia E. Butler (1947–2006) was a pioneer, a trailblazing storyteller who brought her voice— the voice of a woman of color—to science fiction. Her fresh approach to what some might consider a nonliterary genre framed serious and often controversial topics through a literary lens. Tackling subjects such as power, race, gender, sexuality, religion, economic and social status, the environment, and humanity, Butler combined the tropes of science fiction and fantasy with a tightly rendered and entertaining prose style. These are her stories. Her deeply developed characters contend with extraordinary situations, revealing the best and worst of the human species. As the first African American woman writer in the field of science fiction, Butler faced pressures and challenges from inside and outside her community. Tired of science fiction stories featuring only white male heroes, Butler took action. “I can write my own stories and I can write myself in,” as she liked to say, and in the process she created a new identity as a black woman role model and an award-winning author. She published 12 novels and a volume of short stories and essays before her untimely passing in 2006. “Octavia E. Butler: Telling My Stories” draws on the author’s manuscripts, correspondence, papers, and photographs, bequeathed to The Huntington, to explore the life and works of this remarkable woman. Octavia Estelle Butler was born in Pasadena, Calif., on June 22, 1947. Butler discovered writing at an early age, finding that this activity suited her shy nature, her strict Baptist upbringing, and her intellectual curiosity.
  • Afrofuturism: the World of Black Sci-Fi and Fantasy Culture

    Afrofuturism: the World of Black Sci-Fi and Fantasy Culture

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  • Octavia E. Butler Papers

    Octavia E. Butler Papers

    http://oac.cdlib.org/findaid/ark:/13030/c8fn17qs No online items Octavia E. Butler Papers Huntington Library. Manuscripts Department Huntington Library. Manuscripts Department 1151 Oxford Road San Marino, California 91108 (626) 405-2100 [email protected] http://www.huntington.org/huntingtonlibrary.aspx?id=554 2013 Octavia E. Butler Papers mssOEB 1-8000 1 Descriptive Summary Title: Octavia E. Butler Papers Dates: 1933-2006 Collection Number: mssOEB 1-8000 Creator/Collector: Butler, Octavia E. Extent: 8000 pieces in 354 boxes, 1 volume, 2 binders, and 18 broadsides. Repository: Huntington Library. Manuscripts Department San Marino, California 91108 Abstract: The personal and professional papers of American science fiction author Octavia E. Butler. Language of Material: English Access The collection is open for qualified researchers as of Nov. 1, 2013. Publication Rights The literary copyright of materials by Octavia E. Butler is held by the Estate of Octavia E. Butler. Anyone wishing to quote from or publish any manuscript material by Octavia E. Butler must contact the agent listed below. Questions should also be directed to the agent below. Agent contact info: Merrilee Heifetz Writers House 21 West 26th St New York City, NY 10010 [email protected] (212) 685-2605 The copyright for materials by others represented in the collection is held by other parties. It is the responsibility of the researcher to determine the current copyright holder and obtain permission from the appropriate parties. The Huntington Library retains the physical rights to the material. In order to quote from, publish, or reproduce any of the manuscripts or visual materials, researchers must obtain formal permission from the office of the Library Director, in addition to permission obtained from any copyright holders.
  • A Cyborg Manifesto

    A Cyborg Manifesto

    A Cyborg Manifesto Donna Haraway Science, Technology, and Socialist-Feminism in the Late Twentieth Century," in Simians, Cyborgs and Women: The Reinvention of Nature (New York; Routledge, 1991), pp.149-181. An ironic dream of a common language for women in the integrated circuit This chapter is an effort to build an ironic political myth faithful to feminism, socialism, and materialism. Perhaps more faithful as blasphemy is faithful, than as reverent worship and identification. Blasphemy has always seemed to require taking things very seriously. I know no better stance to adopt from within the secular-religious, evangelical traditions of United States politics, including the politics of socialist feminism. Blasphemy protects one from the moral majority within, while still insisting on the need for community. Blasphemy is not apostasy. Irony is about contradictions that do not resolve into larger wholes, even dialectically, about the tension of holding incompatible things together because both or all are necessary and true. Irony is about humour and serious play. It is also a rhetorical strategy and a political method, one I would like to see more honoured within socialist-feminism. At the centre of my ironic faith, my blasphemy, is the image of the cyborg. A cyborg is a cybernetic organism, a hybrid of machine and organism, a creature of social reality as well as a creature of fiction. Social reality is lived social relations, our most important political construction, a world-changing fiction. The international women's movements have constructed 'women's experience', as well as uncovered or discovered this crucial collective object. This experience is a fiction and fact of the most crucial, political kind.
  • Octavia Butler Strategic Reader Collected from the Octavia Butler Symposium, Allied Media Conference 2010 and Edited by Adrienne Maree Brown & Alexis Pauline Gumbs

    Octavia Butler Strategic Reader Collected from the Octavia Butler Symposium, Allied Media Conference 2010 and Edited by Adrienne Maree Brown & Alexis Pauline Gumbs

    Octavia Butler Strategic Reader collected from the Octavia Butler Symposium, Allied Media Conference 2010 and edited by Adrienne Maree Brown & Alexis Pauline Gumbs Table of Contents: - Intro - What is Emergent Strategy - Octavia’s Work as a Whole Identity Transformation Apocalypse Impact - Specific Series/Stories Patternist (Wild Seed, Mind of My Mind, Clay’s Ark, Patternmaster) Lilith’s Brood/Xenogenesis (Dawn, Adulthood Rites, Imago) Parables (Parable of the Sower, Parable of the Talents) Other Stories - Other Relevant Work Mentioned (music, writers, etc) Intro This reader emerged out of the Octavia Butler Symposium at the Allied Media Conference in 2010. The symposium happened in 3 parts - a) an initial presentation by host/editor Adrienne Maree Brown, b) a fishbowl conversation where everyone in the group participated in addressing meta-questions about Octavia's work, and c) several small group conversations on particular series. Groups have since started reading circles, strategic circles and other gatherings around Octavia's work in their local cities/regions. This is by no means a comprehensive or complete reader - there are books (Kindred, Fledgling, Survivor) that are barely touched on. We hope that this can be a growing reader which both helps people see Octavia’s work in a new light and serves as a collecting point for thinking about her work. What follows are strategic questions to consider about Octavia's work as a whole, and then about specific series/stories. We invite feedback and additions. "We are all vibrations. The moment we share here is a preparation for the next moment. Octavia leaves her writing in order to prepare us for the next meeting." "Being able to create and imagine bigger is a process of decolonization of our dreams.
  • Experience, Research, and Writing: Octavia E. Butler As an Author Of

    Experience, Research, and Writing: Octavia E. Butler As an Author Of

    Experience, Research, and Writing Octavia E. Butler as an Author of Disability Literature Sami Schalk In a journal entry on November 12, 1973, Octavia E. Butler writes: “I should stay healthy! The bother and worry of being sick and not being able to afford to do anything but complain about the pain and hope it goes away is Not conducive to good (or prolific) writing.”1 At this time, at the age of twenty-six, Butler had not yet sold her first novel. She was just on the cusp of what would be an incredible writing career, starting with her first novel, Patternmaster, published a mere three years later. But in 1973,Butler was an essentially unknown and struggling writer who regularly battled poverty, health, and her own harsh inner critic. From the outset of her career, Butler’s texts have been lauded, critiqued, and read again and again in relationship to race, gender, and sexuality. Only recently, however, has her work been taken up in respect to disability.2 Therí A. Pickens argues,“Situating disability at or near the center of Butler’s work (alongside race and gender) lays bare how attention to these categories of analysis shifts the conversation about the content of Butler’s work.”3 Building upon Pickens and other recent work on Butler and disability, I seek to change conversations about Butler’s work among feminist, race, and genre studies scholars while also encouraging more attention to Butler by disability studies scholars. In this article, I use evidence from Butler’s personal papers, public interviews, and publications to position Butler as an author of disability literature due to her lived experi- ences, her research, and her writing.
  • Université De Montréal Shapeshifting in Octavia Butler's Wild Seed And

    Université De Montréal Shapeshifting in Octavia Butler's Wild Seed And

    Université de Montréal Shapeshifting in Octavia Butler’s Wild Seed and Nnedi Okorafor’s Lagoon par Fahimeh Payam Askari Département de littératures et de langues du monde Section études anglaises Mémoire présenté à la faculté des Arts et des Sciences En vue de l'obtention du grade de Maîtrise en études Anglaises April 2019 © Fahimeh Payam Askari, 2019 2 Abstract: This study examines shapeshifting as a post-colonial metaphor of race, gender and resistance in the novels Wild Seed and Lagoon. In both science fiction novels, the conceptions of race and gender are highlighted through portrayals of shapeshifting and the post-human. From this position, this study explores the ways in which novelists, Octavia Butler, in Wild Seed, and Nnedi Okorafor, in Lagoon in particular, deploy shapeshifting, that is, the blurring and destabilization of boundaries, as a tool for aesthetic and socio-political engagement in postcolonial and post- independence narratives. In both novels, the technology of the immortal shapeshifters does not threaten the nature/culture nor does it serve colonialism. Indeed, science and knowledge are productive and shared among people. Shapeshifting is a narrative device in postcolonial science fiction that functions as a mode of resistance against colonialism, oppression and imperialism in different historical contexts in both novels. This study demonstrates how shapeshifting symbolically facilitates a process of decolonization by resisting and altering received constructions of gender and race. Furthermore, it explores effective sites of decolonization aiming at demonstrating “resistant” identities represented as an immortal shapeshifter in Wild Seed and an extraterrestrial in Lagoon. Wild Seed and Lagoon, deploy the juxtaposition of traditional magical elements with science fictional materials, and the way the shapeshifting protagonists establish justice in society.
  • OCTAVIA BUTLER NOW J21COLORED Copy THE+

    OCTAVIA BUTLER NOW J21COLORED Copy THE+

    ★ ★ OCTAVIA BUTLER NOW! READING RACE, GENDER, AND CRITICAL FUTURES FALL 2021 ENGL A490.001 | Great Figures TR 3:30-4:45 | Location TBA Loyola University New Orleans Prof. R. Scott Heath [email protected] ★ ★ OCTAVIA BUTLER NOW! READING RACE, GENDER, AND CRITICAL FUTURES Dr. R. S. Heath ENGL A490.001 (Great Figures: Octavia Butler) Office: 316 Bobet Hall Fall 2021 Hours: MW by appointment TR 3:30-4:45P Email: [email protected] Course Description Octavia E. Butler might be called the patron saint of black science fiction, a literary genre sometimes classified as Afrofuturism. Recently, her likeness and her ideas—especially those conveyed in her novels Kindred and Parable of the Sower—have been trending publicly, proving stunningly resonant and possibly prophetic in these uncertain times. For centuries, black writers and artists have theorized and continually revised aesthetic modes for the representation of American subjectivity, especially with regard to and in response to conventions of race, class, gender, sexuality, and nationality in the United States. Presently, the country is being met with a set of intersecting, interconnected crises—a global health emergency, an economic collapse, a social upheaval, a climate firestorm, a political spiral—that have required our isolation while simultaneously inspiring monumental collective action. The disproportionately distributed impact of these overlapping catastrophes has driven ongoing conflicts emergent along reliable fault lines of blackness and Americanness, difference and belonging. Octavia Butler operates as a metacritic, writing herself into a framework not designed with her in mind, transforming the mechanism while intimately illustrating and explicating our own alienation. In this single-author, seminar-style course we will examine Butler’s long fiction in its entirety—along with a cache of screen media—tracing its continuity of themes and discerning its usefulness in our current cultural context.
  • Print Kindred

    Print Kindred

    Kindred-no Times ten 11/5/04 11:47 am Page 265 Reader’s Guide Critical Essay ROBERT CROSSLEY University of Massachusetts at Boston “What tangled skeins are the genealogies of slavery!” Harriet Jacobs, Incidents in the Life of a Slave Girl I First-person American slave narratives should have ceased being written when the last American citizen born into institutionalized slavery died. But the literary form has persisted, just as the legacy of slavery has per- sisted, into the present. The second half of the twentieth century saw the rise of what has been christened the “neo-slave narrative,” a fictional mutation of the autobiographies of nineteenth-century Americans who lived as slaves. Among the many historical novels, often with first-person narrators, that have recreated the era of slavery, some of the best known are Margaret Walker’s Jubilee (1966), David Bradley’s The Chaneysville Incident (1981), Sherley Anne Williams’s Dessa Rose (1986), Toni Mor- rison’s Beloved (1987), and Charles R. Johnson’s Middle Passage (1990). Octavia Butler’s hybrid of memoir and fantasy is a distinctive contribu- tion to the genre of neo-slave narrative. Although Kindred is not itself a work of science fiction, Butler has brought to the creation of this narrative the sensibilities of an author who works largely outside the tradition of realism. When Kindred first appeared twenty-five years ago, no one had thought of using the fictional conventions of time travel to transport a modern African American to an antebellum plantation. Time-traveling Kindred-no Times ten 11/5/04 11:47 am Page 266 266 READER’S GUIDE narratives are always replete with paradoxical questions: If you travel back a century and a half and kill your own great-great-grandfather, can you yourself ever be born? Is it as possible for the future to influence the past as it is for the past to shape the future? But then every good work of fiction is paradoxical: It lies like the truth.
  • The Ethics of Alienation in Octavia E. Butler and Gilles Deleuze

    The Ethics of Alienation in Octavia E. Butler and Gilles Deleuze

    MORE HUMAN THAN HUMAN: THE ETHICS OF ALIENATION IN OCTAVIA E. BUTLER AND GILLES DELEUZE TIM LAURIE University of Sydney Since Octavia E. Butler published her first novel Patternmaster, in 1976,1 her science fiction and fantasy novels have attracted interest from a range of perspectives, including feminist literary studies, postcolonial theory and posthumanism. Across the Patternmaster and Xenogenesis series, Butler‘s engagement with the gendered dimensions of ethical and social obligation has intersected in striking ways with ongoing discussions in feminist and postcolonial critical theory, while being criticized for its recuperation of normative family values and its naturalization of gendered social behaviours.2 In this paper, I will explore her complex ethical responses to developments in genetics and sociobiology in the 1970s, with a focus on the ethics of filiation and altruism in Butler‘s works, and drawing upon celebratory and critical readings of Butler from the feminist perspectives of Donna Haraway, Nancy Jesser and Michelle Osherow. Butler‘s speculations about the possibilities of futures based on very different ―humans‖ will then be compared with those of French philosopher Gilles Deleuze, whose philosophies of biology and human agency, especially those developed with Felix Guattari in Anti-Oedipus, reflect similar anxieties around the normative definitions of human behavior implicit in both sociobiology and psychoanalysis. While it is difficult to place philosophical texts in conversation with literary works, especially when both authors and their imagined audiences are separated by linguistic, cultural and geographical divides, this analysis teases out some of the overlapping challenges faced in mapping out utopian (or revolutionary) thought beyond the limits of the human.

  • Female Identity and Race in Contemporary Afrofuturist Narratives

    Université de Montréal Female Identity and Race in Contemporary Afrofuturist Narratives: Wild Seed by Octavia E. Butler par Ella Boccara Département de littératures et de langues du monde Faculté des Arts et Sciences Mémoire présenté en vue de l’obtention du grade de maîtrise en études anglaises Août 2020 © Ella Boccara, 2020 Université de Montréal Département de littératures et de langues du monde, Faculté des arts et sciences Ce mémoire intitulé Female Identity and Race in Contemporary Afrofuturist Narratives: Wild Seed by Octavia E. Butler Présenté par Ella Boccara A été évalué par un jury composé des personnes suivantes Jane Malcolm Présidente-rapporteur Heike Harting Directrice de recherche Michael Eberle Sinatra Membre du jury i Résumé Ce mémoire explore les notions de race et d’identité féminine à travers le récit afro- futuriste Wild Seed d’Octavia Butler. Décrit comme le nouveau genre de la ‘fiction spéculative’ par les théoriciens universitaires, l’afro-futurisme joint le spéculatif au réalisme afin d’explorer les conjonctions entre les diasporas africaines, l’écriture africaine américaine et les technologies modernes. Cette thèse propose une analyse critique et théorique du roman Wild Seed d’Octavia Butler, en se concentrant particulièrement sur ses divers concepts et ses allégories historiques. Plutôt que d’ignorer le rôle que jouent les notions de race et d’identité dans la science-fiction, Butler les met en avant dans le roman Wild Seed et les questionne en adressant des sujets tels que l’après-colonisation, la tyrannie intime, l’hybridité, la différence, l’altérité, et l’identité. Dans le premier chapitre, j’examinerais tout particulièrement l’influence de la domination de la colonisation patriarcale occidental et l’occidentalisation des africains-américains.

  • Finding Moments of Rupture in Monàe's Metropolis

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