DOCSLIB.ORG

ISSN 1611-0153 Urn: Nbn: De: 101-ND35 2012-6

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ISSN 1611-0153 Urn: Nbn: De: 101-ND35 2012-6 Neuerscheinungsdienst Jahrgang: 2012 ND 35 Stand: 29. August 2012 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2012 ISSN 1611-0153 urn:nbn:de:101-ND35_2012-6 2 Hinweise Der Neuerscheinungsdienst ist das Ergebnis der Ko- blikation in der Deutschen Nationalbibliografie; de- operation zwischen der Deutschen Nationalbibliothek und taillierte bibliografische Daten sind im Internet über der MVB Marketing- und Verlagsservice des Buchhandels http://dnb.dnb.de abrufbar. GmbH. Ziel dieser Kooperation ist zum einen die Hebung Bibliographic information published by the Deut- des Qualitätsstandards des Verzeichnisses lieferbarer sche Nationalbibliothek Bücher (VLB) und zum anderen die Verbesserung der The Deutsche Naitonalbibliothek lists this publication in Aktualität und Vollständigkeit der Deutschen Nationalbi- the Deutsche Nationalbibliografie; detailed bibliographic bliografie. In der Titelaufnahme wird der entsprechende data are available in the Internet at http://dnb.dnb.de. Link zu den Verlagsangaben direkt geschaltet; ebenso Information bibliographique de la Deutsche Natio- alle anderen möglichen Links. nalbibliothek Die Verleger melden ihre Titel in einem einzigen Vor- La Deutsche Nationalbibliothek a répertoiré cette publi- gang für das VLB und den Neuerscheinungsdienst der cation dans la Deutsche Nationalbibliografie; les données Deutschen Nationalbibliothek. Dieser zeigt somit alle bibliographiques détaillées peuvent être consultées sur Neumeldungen von Titeln an, die auch in das VLB ein- Internet à l’adresse http://dnb.dnb.de gehen. Die VLB-Redaktion leitet die Meldungen an die Deutsche Nationalbibliothek weiter. Die Titel werden oh- Die Verleger übersenden gemäß den gesetzlichen Vor- ne weitere Änderungen im Neuerscheinungsdienst der schriften zur Pflichtablieferung zwei Pflichtexemplare je Deutschen Nationalbibliothek angezeigt. Die Titelanzei- nach Zuständigkeit an die Deutsche Nationalbibliothek gen selbst sind, wie auf der Sachgruppenübersicht an- nach Frankfurt am Main oder nach Leipzig. Belegexem- gegeben, entsprechend der Dewey-Dezimalklassifikation plare aus dem Ausland werden an die Deutsche National- (DDC) gegliedert und können auch über die Sachgrup- bibliothek Leipzig gesandt. Nach der Ablieferung werden penlesezeichen am linken Bildschirmrand angesteuert die Titel per Autopsie formal und inhaltlich erschlossen werden. Ein direkter Sucheinstieg ist über die entspre- und in der Deutschen Nationalbibliografie angezeigt. Dar- chende Menüfunktion möglich. über hinaus werden diese normierten nationalbibliografi- schen Daten an das VLB zurück gemeldet. Die Verleger, die ihre Titel melden, können die folgende Die Ablieferungspflicht für zwei Pflichtexemplare von al- bibliografische Information in die Publikation eindrucken: len Publikationen, die in Deutschland erscheinen, gilt Bibliografische Information der Deutschen Natio- unabhängig von der Teilnahme an VLB und Neuerschei- nalbibliothek nungsdienst. Die Deutsche Nationalbibliothek verzeichnet diese Pu- Sachgruppe - <340> XA-DE-HH ✛ Ländercode Link zum Portalkatalog - http://d-nb.info/99775155X Verfasser - Ellers, Oliver: Die gesetzliche Verpflichtung privater Arbeitgeber zum ✛ Sachtitel Verfasserangabe - Lohnsteuereinbehalt / Oliver Ellers . - 1., ✛ Auflage Erscheinungsort : Verlag - Aufl. - Hamburg : Kovac, J , 2010. - 142 S. ✛Erscheinungsjahr. - Umfangsangabe Format - ; 210 mm x 148 mm, 185 gr. - Schriftenreihe - (Steuerrecht in Forschung und Praxis ; 57) Erscheinungstermin - . - Erscheinungstermin Januar 2010 . - Hochschulschriftenvermerk - Universität Bochum, Diss., 2009. - Link zu inhaltlicher Beschreibung - Ausführliche Beschreibung - ISBN ISBN - 978-3-8300-4848-0 PB. : EUR 68.00 - ✛ Preis EAN - EAN 9783830048480 3 Sachgruppenübersicht Sach- Fachgebiet Enthält die Sach- Fachgebiet Enthält die gruppe DDC-Klassen gruppe DDC-Klassen 000 Allgemeines, Informatik, 400 Sprache Informationswissenschaft 400 Sprache, Linguistik 400,410 000 Allgemeines, Wissenschaft 000-003 420 Englisch 420 004 Informatik 004-006 430 Deutsch 430 010 Bibliografien 010 439 Andere germanische Sprachen 439 020 Bibliotheks- und 020 440 Französisch, romanische 440 Informationswissenschaft Sprachen allgemein 030 Enzyklopädien 030 450 Italienisch, Rumänisch, 450 050 Zeitschriften, fortlaufende 050 Rätoromanisch Sammelwerke 460 Spanisch, Portugiesisch 460 060 Organisationen, 060 470 Latein 470 Museumswissenschaft 480 Griechisch 480 070 Nachrichtenmedien, 070 Journalismus, Verlagswesen 490 Andere Sprachen 490 080 Allgemeine Sammelwerke 080 491.8 Slawische Sprachen 491.7-491.8 090 Handschriften, seltene Bücher 090 500 Naturwissenschaften und Mathematik 100 Philosophie und Psychologie 500 Naturwissenschaften 500 100 Philosophie 100-120,140, 510 Mathematik 510 160-190 520 Astronomie, Kartografie 520 130 Parapsychologie, Okkultismus 130 530 Physik 530 150 Psychologie 150 540 Chemie4 540 550 Geowissenschaften5 550 200 Religion 560 Paläontologie 560 570 Biowissenschaften, Biologie 570 200 Religion, Religionsphilosophie 200, 210 580 Pflanzen (Botanik) 580 220 Bibel 220 590 Tiere (Zoologie) 590 230 Theologie, Christentum 230-280 290 Andere Religionen 290 600 Technik, Medizin, angewandte 300 Sozialwissenschaften Wissenschaften 600 Technik 600 300 Sozialwissenschaften, 300 6 Soziologie, Anthropologie 610 Medizin, Gesundheit 610 310 Statistik 310 620 Ingenieurwissenschaften und 620, 621, Maschinenbau 623, 625.19, 320 Politik 320 625.2, 629 1 330 Wirtschaft 330 621.3 Elektrotechnik, Elektronik 621.3, 333.7 Natürliche Ressourcen, Energie 333.7-333.9 621.46, 629.8 und Umwelt 624 Ingenieurbau und 622, 624-628 340 Recht2 340 Umwelttechnik 350 Öffentliche Verwaltung 350-354 630 Landwirtschaft, 630 355 Militär 355-359 Veterinärmedizin 360 Soziale Probleme, 360 640 Hauswirtschaft und 640 Sozialdienste, Versicherungen Familienleben 370 Erziehung, Schul- und 370 650 Management 650 Bildungswesen 660 Technische Chemie 660 380 Handel, Kommunikation, 380 670 Industrielle und handwerkliche 670, 680 Verkehr3 Fertigung 390 Bräuche, Etikette, Folklore 390 690 Hausbau, Bauhandwerk 690 4Biochemie in 570 1Management in 650 5Kartografie, Geodäsie in 520; Kristallografie, Mineralogie 2Kriminologie, Strafvollzug in 360 in 540 3Philatelie in 760 6Veterinärmedizin 630 4 Sach- Fachgebiet Enthält die Sach- Fachgebiet Enthält die gruppe DDC-Klassen gruppe DDC-Klassen 700 Künste und Unterhaltung 900 Geschichte und Geografie 700 Künste, Bildende Kunst 700 900 Geschichte 900 allgemein 910 Geografie, Reisen 910 710 Landschaftsgestaltung, 710 914.3 Geografie, Reisen 914.3 Raumplanung (Deutschland) 720 Architektur 720 920 Biografie, Genealogie, Heraldik 920 730 Plastik, Numismatik, Keramik, 730 930 Alte Geschichte, Archäologie 930 Metallkunst 940 Geschichte Europas 940 740 Zeichnung, Kunsthandwerk 740 943 Geschichte Deutschlands 943 741.5 Comics, Cartoons, Karikaturen 741.5 950 Geschichte Asiens 950 750 Malerei 750 960 Geschichte Afrikas 960 760 Grafische Verfahren, Drucke 760 970 Geschichte Nordamerikas 970 770 Fotografie, Computerkunst 770 980 Geschichte Südamerikas 980 780 Musik 780 990 Geschichte der übrigen Welt 990 790 Freizeitgestaltung, 790-790.2 Darstellende Kunst B Belletristik7 791 Öffentliche Darbietungen, 791 K Kinder- und Jugendliteratur Film, Rundfunk S Schulbücher 792 Theater, Tanz 792 793 Spiel 793-795 796 Sport 796-799 800 Literatur 800 Literatur, Rhetorik, 800 Literaturwissenschaft 810 Englische Literatur Amerikas 810 820 Englische Literatur 820 830 Deutsche Literatur 830 839 Literatur in anderen 839 germanischen Sprachen 840 Französische Literatur 840 850 Italienische, rumänische, 850 rätoromanische Literatur 860 Spanische und portugiesische 860 Literatur 870 Lateinische Literatur 870 880 Griechische Literatur 880 890 Literatur in anderen Sprachen 890 891.8 Slawische Literatur 891.7-891.8 DDC, Dewey, Dewey Decimal Classification und WebDewey sind eingetragene Warenzeichen des OCLC Online Computer Library Center, Inc. Die Dewey-Dezimalklassifikation ist urheberrechtlich geschützt. 7Wird nur als zusätzliche Sachgruppe zusätzlich zu den © 2003 OCLC Online Computer Library Center, Inc. Used with Permission. Hauptgruppen 800-900 vergeben 5 2012, ND35 <000> Neuerscheinungsdienst 000 Allgemeines, Wissenschaft <000> XA-DE-BW und Systeme. Lösungen zu 33668 . - 13. Aufl. http://d-nb.info/1025270533 12,N35 - Haan, Rheinl : Europa-Lehrmittel, 2012. - 238 Gruber, Helmut: Erfolg im Mathe Abi 2013 S. ; 240 mm x 170 mm, 418 g . - Inhaltstext <000> XA-DE-NW Schleswig-Holstein Prüfungsaufgaben : - ISBN 978-3-8085-3673-5 Pb. : EUR 21.90 http://d-nb.info/1025273079 12,N35 Übungsbuch Geometrie Analysis Stochastik (DE), EUR 22.60 (AT) - ISBN 3-8085-3673-X - Berufseinstieg Sozial : Arbeitsheft. - 1., neue Mit vielen hilfreichen Tipps uns ausführlichen Best.-Nr.: 36713 - EAN 9783808536735 Ausg. - Köln : Bildungsverlag EINS, 2012. Lösungen / Helmut Gruber ; Robert Neumann. - 164 S. ; 297 mm x 210 mm, 457 g . - - 1. Aufl. - Freiburg im Breisgau : Freibur- <000> XA-DE-NI Erscheinungstermin: 14.08.2012 - ISBN 978-3- ger Verlag, 2012. - 208 S. ; 235 mm x 165 http://d-nb.info/1025272331 12,N35 427-50571-6 Pb. : EUR 12.95 (DE), EUR 13.40 mm . - Erscheinungstermin: August 2012 . - Ortssippenbuch Bodenfelde : Die Einwohner (AT) - ISBN 3-427-50571-5 - Best.-Nr.: 50571 - Ausführliche Beschreibung - ISBN 978-3- von 1585-1950. - 1., neue Ausg. - Uslar : EAN 9783427505716 86814-209-9 Pb. : EUR 11.90 (DE), EUR 9.90 HeiKun, 2012. - 672 S. in 1 Teil : 5 Ill. ; 265 (DE) (Subskr.-Pr. bis 30.10.2012), EUR 12.30 mm x 190 mm, 1550 g . - Erscheinungster-
Load more

Recommended publications
  • Posing the Literary As Visual
    In the age of Postmodernist flux, where boundaries become blurred and may even disappear, we encounter an unexpected engagement with visual art by its long time nemesis - the phonographic word. In the work of the Danish poet Jan Hatt-Olsen who properly calls himself a cross media artist, we witness an uncanny morphogenesis of literary art into visual art. Typically the literary appears in visual art as appropriations of simple literary devices by visual artists, stimulated by the verbiage of their literate societies. For Mr. Olsen however, this repositioning of the literary into the current visual art world encounters several challenges, as he attempts to re-brand the space as a literary site. As the poet makes several appropriations of visual practices that stumble into the realm of visual art politics, there are a number of ideological viruses carried by the avant-garde into his project through these actions. In Mr. Olsen’s The Exhibition as a Poetry Book, at gallery Dada Post in Berlin, Germany in September 2011, the poet commandeered two rooms in which he created separate installations. Upon entering the galleries, experienced visual art eyes immediately synthesize the two layouts as text based conceptual art installations. The installation in the first room titled Came From the Sky exhibits the acuity and visual hermeneutics of a tightly controlled Dennis Oppenheim installation, while also bringing to mind other visual artists who work largely with text, such as Lawrence Weiner and Louise Lawler. In this action an antique red DDR toy airplane sits landed amid the (poems) acrylic on canvas leaflets it seems to have just strewed from the air before landing – like war propaganda.
    [Show full text]
  • Linda Stein Cv
    A.I.R. LINDA STEIN CV SOLO EXHIBITIONS 2017 HOLOCAUST HEROES: FIERCE FEMALES–TAPESTRIES BY LINDA STEIN, Maine Jewish Museum, Portland, ME 2016 THE FLUIDITY OF GENDER: SCULPTURE BY LINDA STEIN, Holter Museum of Art, Helena, MT HOLOCAUST HEROES: FIERCE FEMALES–TAPESTRIES BY LINDA STEIN, Museum of Biblical Art in collaboration with University of North Texas, Dallas, TX HOLOCAUST HEROES: FIERCE FEMALES–TAPESTRIES BY LINDA STEIN, Alverno College, Milwaukee, WI THE FLUIDITY OF GENDER: SCULPTURE BY LINDA STEIN, Columbia University, Teachers College, Macy Gallery, New York, NY HOLOCAUST HEROES: FIERCE FEMALES–TAPESTRIES BY LINDA STEIN, Flomenhaft Gallery, New York, NY HOLOCAUST HEROES: FIERCE FEMALES–TAPESTRIES BY LINDA STEIN, Jewish Federation of Greater Santa Barbara in collaboration with Morris Squire Foundation and Congregation B’nai Brith, Santa Barbara, CA THE FLUIDITY OF GENDER: SCULPTURE BY LINDA STEIN, Allegheny College Art Galleries, Meadville, PA 2015 HOLOCAUST HEROES: FIERCE FEMALES–TAPESTRIES BY LINDA STEIN, Rosen Museum of the Levis JCC, Boca Raton, FL HOLOCAUST HEROES: FIERCE FEMALES–TAPESTRIES BY LINDA STEIN, Futernick Gallery of the Alper JCC, Miami, FL THE FLUIDITY OF GENDER: SCULPTURE BY LINDA STEIN, Noyes Museum of Art, Oceanville, NJ THE FLUIDITY OF GENDER: SCULPTURE BY LINDA STEIN, Penn State Berks, Freyberger Gallery, Reading, PA 2014 THE FLUIDITY OF GENDER: SCULPTURE BY LINDA STEIN, Pennsylvania State University, Hub-Robeson Galleries, University Park, PA THE FLUIDITY OF GENDER: SCULPTURE BY LINDA STEIN, Andrews Art Museum, Andrews, NC THE FLUIDITY OF GENDER: SCULPTURE BY LINDA STEIN, Coastal Carolina University, Bryan Gallery, Conway, SC 2013 THE FLUIDITY OF GENDER: SCULPTURE BY LINDA STEIN, Fulton Montgomery Community College, Perrella Gallery, Johnstown, NY THE FLUIDITY OF GENDER: SCULPTURE BY LINDA STEIN, St.
    [Show full text]
  • SANDRA EULA LEE [email protected]
    SANDRA EULA LEE www.sandralee-studio.com [email protected] ARTIST-IN-RESIDENCE 2020 Ox-Bow, Conversations in Practice with Karen Patterson, The Fabric Museum and Workshop 2020 Elizabeth Foundation for the Arts, Artist-in-Residence, New York, NY (postponed) Residency Unlimited, NY, Artist-in-Residence (postponed until June-July 2021) 2011 Brooklyn Botanic Garden, Brooklyn, NY 2010 Seoul Museum of Art, Nanji Art Studio, Seoul, South Korea (4 mos.) Chinese-European Art Center (CEAC), Xiamen, China (4 mos.) 2009 National Museum of Contemporary Art, International Art Studio Goyang, South Korea (6 mos.) 2008 Aljira Center for Contemporary Art, Emerge 10, Newark, NJ 2006 American Academy in Rome, Visiting Artist (6 mos.), Italy 2001-04 Elizabeth Foundation for the Arts, Subsidized Studio Space, New York, NY 2000 Vermont Studio Center, Dodge Foundation Fellowship (1 mo.) GRANTS / AWARDS 2020 Curator’s Award, Kristen Hileman and Leslie Shaffer, Delaware Contemporary 2020 2020 Individual Artist Award, New Jersey State Council on the Arts/Mid Atlantic Arts Foundation 2019 Fellow, Andrew Mellon Foundation, HIES Grant 2018 Howard Foundation Fellowship Finalist 2015-16 Faculty Research Grant, Kenyon College, Gambier, OH 2011 Smithsonian Institute Artist Research Fellowship Nominee, Washington D.C. Sindoh Artist Support Program Nominee, Seoul, South Korea Fellow, Creative Capital and Aljira Center for Contemporary Art, NJ 2009 Fellow, Asian Cultural Council, American Artists and Museum Professionals in Asia Grant, New York, NY 2008 Rema Hort Mann Art Award Nominee, New York, NY 2001-04 Fellow, Elizabeth Foundation for the Arts Studio Grant, New York, NY 2002 Fellow, Manhattan Community Art Fund Grant, Lower Manhattan Cultural Council NEA Commissioned Artist, ArtSpace, New Haven, CT 2000 Fellow, Geraldine R.
    [Show full text]
  • DIE ANTHOLOGIE DER KUNST Kunst Und Theorie: DIALOG
    76 Jochen Gerz Die Anthologie der Kunst CHRIS KOH In the near future, minutes from now, artists will deploy artificially intelligent Teilnehmer: Sonja Abadzieva (Skopje/ *Bulgaria),Tom Ackers (London/ *Hong Kong), Nancy Adajania (Bombay), xenotransplantation artists will assemble vehicles capable of loitering over areas of Peggy Ahwesh (New York), Kathleen Anderson (Phillipsort – USA), Soren Andreasen (Copenhagen), Marie-Luise Angerer (Cologne/ *Austria), Igor Antic (Paris/ *Yugoslavia), Clover great quickening masses of human interest for up to 18 hours. These highly Archer (New York), Inke Arns (Berlin), Sara Arrhenius (Stockholm), Robert Atkins (New York), organs harvested from pygmy pigs. The efficient unmanned vehicles will be Zeigam Azizov (London/ *Azerbajgan Republic), George Baker (New York), Perry Bard (New York), Ricardo Basbaum (Rio de Janeiro), Zoe Beloff (New York/ *UK), Kenny Berger (Los artists will select donor animals from equipped with infrared and video came- Angeles), Ulrike Bergermann (Hamburg), BillyBoy, Richard Birkett (London), Jill Bliss (San screened, closed herds as free as possible ras, side-scanning radar, motion sensors Francisco), Hannes Böhringer (Berlin), Mikkel Bolt (Aarhus), Elizabeth Bond (Winnipeg), Gábor Bora (Stockholm/ *Hungary), Francois Boué (New York/ *Germany), Nancy Bowen (New York), of infectious agents and of the highest and eavesdropping assets that may gat- Robert Boyd (New York),Will Bradley (Glasgow), Deborah Bright (Boston), Suzanne Broughel esthetic value. Obviously, only the most her an endless stream of data from any (New York), Neal Brown (London), Daniel Buren (Paris), Alicia Candiani (Buenos Aires), Jackie Chang (New York/ *Taiwan),Yungshu Chao (New York/ *Taiwan), Chris Chapman (Sydney), Jodi exclusive cutting-edge galleries will opti- terrestrial source.
    [Show full text]
  • Read Full Interview
    What follows is an edited version of an interview of Robert Lee, director of the Asian American Art Center Carmel New York City, by Bruce Checefsky, a coordinator of the Reinberger Galleries, Cleveland Institute of Art. The interview took place March 4th 1992. Bruce Checefsky: How was "China: June 4th, 1989..." organized? Robert Lee: The exhibition began right after the incident in Tiananmen Square. We had held a panel discussion with other artists in May about what was happening in China. But when the massacre took place we responded immediately. We were able to respond so quickly because we planned to close the Centre down for the Summer. So we decided to set up an exhibition that would last the Summer and cancelled our plans for the Fall to make this a one year project. We wanted a way to gather work that would stand independently of the Gallery wall. I felt that the exhibition should be open to all people, parents, children, all people. Soon we saw it was the artists who were responding. We formed the idea of allowing each artist to submit a door, asking them to put their art on the door that could be easily mobile and linked free- standing to form a kind of wall. As it was, we exhibited in October (1989) at Blum Helman Warehouse in Soho. At the time we had 70 doors, a lot of smaller work and about 80 fax photos, and a few larger works. For the memorial one year later, the show went to P.S. 1 in Long Island City.
    [Show full text]
  • Nohra Haime Gallery
    NOHRA HAIME GALLERY HUGO BASTIDAS Born in Quito, Ecuador in 1956 Moves to the United States in 1960 Lives and works in New York and New Jersey EDUCATION 1987 M.F.A., Hunter College, New York 1982 Artists/Teachers Institute, Stockton State College, NJ 1980 The Brooklyn Museum Art School, Brooklyn, NY 1979 B.F.A., Rutgers University, Newark, NJ 1977 Pratt Graphics Extension Program, New York AWARDS 2014 Annual Galo Plaza Award, New York 2009 Elected National Academician, New York 2007 Changwon City Citation from the Office of the Mayor 2000 Elected Member of the Century Association, New York 1995 Award in the Visual Arts, Colombian Ecuadorian Association of America Award of Merit, Jersey City Museum Award of Merit, The Mayor’s Office 1992 Pollock-Krasner Foundation Grant 1990 Fulbright Fellowship, Full Travel Grant Honorary Full Professorship, Central University, Quito, Ecuador 1986 Schwartz and Hofflich C.P.A. Award, The Silvermine Guild of Artists 1982 ATI Scholarship, New Jersey Council on the Arts 1979-80 Robert Smithson Memorial Scholarship ONE PERSON EXHIBITIONS 2020 Nohra Haime Gallery, “Onslaught,” a virtual exhibition 2018-19 Nohra Haime Gallery, “Codefication,” New York 2017 Various locations in East Harlem, “Hugo X. Bastidas: Historical Portraits,” organized by El Museo del Barrio, New York 2016 Nohra Haime Gallery, “Illuminations I,” New York 2015 The Zagreus Projekt, “The Endangered Species Recipe Book,” Berlin, Germany The Art Students League, “Hugo Bastidas: Works on Paper and Other Small Pieces,” New York 2014 Mattatuck
    [Show full text]
  • Berlin Soup 2018 Catalogue
    BERLIN SOUP BERLIN 2018 CHAOS & DESIRE Truly, it*s lovely being now embarked on the ship of Berlin Soup International Arts Festival V• When we started out, at the very beginning* we had a feeling we would love to create something that would be art translated to a community of feelings* where human reaction would be art* and surpass art* but always with simplicity in approach & practice• For us* as curators* it*s a joy to witness the growth of the Festival & the coming together of invention• So we thank you very much* all those who are with us* and without whom this Soup would not be possible* and for your spirit & for helping us take this Festival along a guided path thru Chaos & Desire* upgrading elements of a wholesome & artful Soup: with you being the main ingredient in the larger family• We wish you a HappyFeelings* beginning July 19* with a tasty appetizerOpener for the coming week*s enjoyment of the Soup & its ingredients• Share as we do in a happy gettingToKnowU atmosphere of self- inclusive nights & days until July 28 exploring multiPossibilities of Art as shamanistic healer in a disturbed* evolving world of changeling Beauty where the long•term future of Artifical Intelligence threatens to reStyle parameters of Chaos & Desire• Marianne Østergaard Marianne Østergaard But not without Challenges met by our Presence … • … Front cover + poster by Kenn Clarke www.kennclarke.wixsite.com/clarke Take art care Back cover Berlin Soup logo by Chris Calmer Jesper Dalmose Curator… JESPER DALMOSE JESPER Curator… RAHAEL LENNOX Curator… CLARKE KENN Catalogue… Web Curator… JESPER DALMOSE JESPER Curator… RAHAEL LENNOX Curator… CLARKE KENN Catalogue… Web www.chriscalmer.com Lennox Raphael Birth of BERLIN SOUP 1996 Kulturfabrikken, in Amager, Copenhagen Len- Theme of our proposed 2018 BERLIN SOUP LABARTORIUM is nox and Jesper first met at Kulturfabrikken, now Fabrikken for Kunst & De- sign, in 1996 where Jesper curated a one week workshop on food art together CHAOS & DESIRE CHANGES, with Rune Fjord Jensen.
    [Show full text]
  • CREATING COMMUNITY. CINQUE GALLERY ARTISTS MAY 3 – JULY 4, 2021 1 Charles Alston
    CREATING COMMUNITY. CINQUE GALLERY ARTISTS MAY 3 – JULY 4, 2021 1 Charles Alston. Emma Amos. Benny Andrews. Romare Bearden. Dawoud Bey. Camille Billops. Robert Blackburn. Betty Blayton-Taylor. Frank Bowling. Vivian Browne. Nanette Carter. Elizabeth Catlett-Mora. Edward Clark. Ernest Crichlow. Melvin Edwards. Tom Feelings. Sam Gilliam. Ray Grist. Cynthia Hawkins. Robin Holder. Bill Hutson. Mohammad Omar Khalil. Hughie Lee-Smith. Norman Lewis. Whitfield Lovell. Alvin D. Loving. Richard Mayhew. Howard McCalebb. Norma Morgan. Otto Neals. Ademola Olugebefola. Debra Priestly. Mavis Pusey. Ann Tanksley. Mildred Thompson. Charles White. Ben Wigfall. Frank Wimberley. Hale Woodruff ESSAY BY GUEST EXHIBITION CURATOR, SUSAN STEDMAN RECOLLECTION BY GUEST PROGRAMS CURATOR, NANETTE CARTER 2 CREATING COMMUNITY. CINQUE GALLERY ARTISTS CREATING COMMUNITY. CINQUE GALLERY ARTISTS Charles Alston. Emma Amos. Benny Andrews. Romare Bearden. Dawoud Bey. Camille Billops. Robert Blackburn. Betty Blayton-Taylor. Frank Bowling. Vivian Browne. Nanette Carter. Elizabeth Catlett-Mora. Edward Clark. Ernest Crichlow. Melvin Edwards. Tom Feelings. Sam Gilliam. Ray Grist. Cynthia Hawkins. Robin Holder. Bill Hutson. Mohammad Omar Khalil. Hughie Lee-Smith. Norman Lewis. Whitfield Lovell. Alvin D. Loving. Richard Mayhew. Howard McCalebb. Norma Morgan. Otto Neals. Ademola Olugebefola. Debra Priestly. Mavis Pusey. Ann Tanksley. Mildred Thompson. Charles White. Ben Wigfall. Frank Wimberley. Hale Woodruff ESSAY BY GUEST EXHIBITION CURATOR, SUSAN STEDMAN RECOLLECTION BY GUEST PROGRAMS CURATOR, NANETTE CARTER MAY 3 — JULY 4, 2021 THE PHYLLIS HARRIMAN MASON GALLERY THE ART STUDENTS LEAGUE OF NEW YORK Cinque Gallery Announcement. Artwork by Malcolm Bailey (1947—2011). Cinque Gallery Inaugural, Solo Exhibition, 1969—70. 3 CREATING COMMUNITY. CINQUE GALLERY ARTISTS A CHRONICLE IN PROGRESS Former “306” colleagues.
    [Show full text]
  • EXHIBITIONS at 583 BROADWAY Linda Burgess Helen Oji Bruce Charlesworth James Poag Michael Cook Katherine Porter Languag�
    The New Museum of Contemporary Art New York TenthAnniversary 1977-1987 Library of Congress Calalogue Card Number: 87-42690 Copyright© 1987 The New Museum of Contemporary Art, New York. All Rights Reserved ISBN 0-915557-57-6 Plato's Cave, Remo Campopiano DESIGN: Victor Weaver, Ron Puhalsk.i'&? Associates, Inc. PRINTING: Prevton Offset Printing, Inc. INK: Harvey Brice, Superior Ink. PAPER: Sam Jablow, Marquardt and Co. 3 2 FROM THE PRESIDENT FROM THE DIRECTOR When Marcia Tu cker,our director,founded The New Museum of Contemporary Art, what were Perhaps the most important question The New Museum posed for itself at the beginning, ten the gambler's odds that it would live to celebrate its decennial? I think your average horse player would years ago, was "how can this museum be different?" In the ten years since, the answer to that question have made it a thirty-to-one shot. Marcia herself will, no doubt, dispute that statement, saying that it has changed, although the question has not. In 1977, contemporary art was altogether out of favor, and was the right idea at the right time in the right place, destined to succe�d. In any case, it did. And here it most of the major museums in the country had all but ceased innovative programming in that area. It is having its Te nth Anniversary. was a time when alternative spaces and institutes of contemporary art flourished: without them, the art And what are the odds that by now it would have its own premises, including capacious, of our own time might have.remained invisible in the not-for-profitcultural arena.
    [Show full text]
  • Scenography Expanding 1: on Spectatorship February 25 – 27, 2010, New Riga Theatre, Latvia Speakers´ Biographies
    Scenography Expanding 1: On Spectatorship February 25 – 27, 2010, New Riga Theatre, Latvia Speakers´ Biographies NAME BIO Thea Brejzek Thea Brejzek is a German theatre scholar and former opera and new music stage director. Currently, she is a professor of scenography at the Zurich University for the Arts (ZHdK) and artistic director of a practice-based Doctorate Program in Scenography in a cooperation between ZHdK and the University of Vienna. Informed by her dual backgrounds as opera director and academic, Thea Brejzek's research addresses questions of virtuality and physicality on the mediated stage, intermediality and practice-based research in scenography. She is a member of OISTAT`s History & Theory Commission, the Swiss Society for Semiotics and Cultural Theory, an advisor on the Digital Sparks Media Art Competition, Fraunhofer Institute and Second PhD Supervisor in the arts & sciences PhD Program Z- Node, University of Plymouth UK. Thea lectures and publishes widely. Federica Bueti Federica Bueti is an independent curator and writer interested in performance art practice, time based or ephemeral and temporary activities. Bueti founded the online magazine PIANOmagazine.org, and less/express, commissioned by the American Academy in Rome and exhibited at The Building, the e-flux space in Berlin, Germany. Bueti contributed to Exibart, a-n Magazine and Flash Art. She worked as exhibition assistant at the Alighiero e Boetti Foundation Italy. Since 2008 she regularly collborates with the Radio Arte Mobile-Rome, a non-profit organization
    [Show full text]
  • Betsey Garand
    BETSEY GARAND PUBLIC COLLECTIONS Arkansas Arts Center Little Rock AK Art Museum of Estonia Special Collections Tallinn Estonia Boston Public Library MA California State University at Long Beach Museum of Art CA Carl N. Gorman Museum University of California Davis, CA Christchurch Polytechnic Institute of Technology Special Collections New Zealand Cork Printmakers Cork Ireland Dartmouth Hitchcock Medical Center NH Franklin Pierce College NH Grunwald Center for the Graphic Arts Hammer Museum CA Hood Museum NH Longhouse Education and Cultural Center Evergreen State College WA Mead Art Museum Amherst College MA Museum of Texas Tech University Artist Printmaker Research Collection TX Plymouth State College NH Proyecto ‘ace Print Collection Buenos Aires Argentina Santa Barbara Museum of Art CA Southern Graphic Council Archives at the University of Mississippi Sado Woodcut Print Village Museum Sado Island Japan Spencer Museum of Art University of Kansas Tokyo Geijutsu Daigaku Japan Tyler School of Art of Temple University PA University of Colorado Special Collections University of Colorado Boulder Special Collections University of Massachusetts Amherst University of New Hampshire University of Vermont Special Collections Virginia Commonwealth Print Archive Zayed University Dubai The United Arab Emirates BOOK PROJECTS Metropolis and Invisible Cities Interpretations of Urbanity leporello book inspired by Invisible Cities, the novel by Italo Calvino collaboration with artists from United States and Globe 2016 Constellation Studios Lincoln, Nebraska
    [Show full text]
  • BONNIE RYCHLAK [email protected] Bonnierychlak.Net
    BONNIE RYCHLAK [email protected] bonnierychlak.net EDUCATION: Master of Fine Arts, University of Massachusetts, Amherst Bachelor of Arts, University of California at Los Angeles AWARDS: 2018 Surnadal Billag A/S, Artist Residency in Norway; 2013 Bogliasco Foundation, Italy; 2009 Visiting Artist, American Academy in Rome; 1990 Awarded Fellowship, The American Academy in Rome; 1985 The Rockefeller Foundation, Bellagio Residency; 1976 National Endowment for the Arts, Sculpture SOLO 2009 Memory and Oblivion. The Viewing Room. April 1-29. 551 West 21st Street EXHIBITIONS New York, New York 10011 2006 Cutting Holes in Water. ASK? Art Space Kimura. September 19 – September 30. 6-5-2 Kyobashi, 2F, Chuo-ku, Tokyo 104-0031 1994 Screen Memories. February 10 - March 5. Gallery Three Zero. 30 Bond Street, New York, New York 10012 1993 Role Models/Disparate Narratives. November 9 – December 1. The Sculpture Center. 167 East 69th Street, New York, New York 10021 1991 Shoshanna Wayne Gallery. January 19 – February 28. 1454 Fifth Street, Santa Monica, California 90401 1988 Rastovsky Gallery. February. 560 Broadway, New York, New York 10012 1985 St. Peter’s Church. 53rd Street and Lexington Avenue, New York, New York GROUP EXHIBITIONS: 2019 One Stop: The Slow Slope to Modernism. Curated by Virva Hinnemo and George Negroponte. November 23. Keyes Gallery, 45 Main Street, Sag Harbor, New York 11963 ● Artists Draw Their Studios. Curated by Michelle Weinberg. September 14 – January 5, 2020. Art & Culture Center, Hollywood, Florida ● Inside Interiors. Curated by Romanov Grave August 31 – October 31. R.E.Steele, 74 Montauk Highway, East Hampton, New York 11937 ● Divine Intervention.
    [Show full text]