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Volume 8, Number 1
POPULAR CULTURE STUDIES JOURNAL VOLUME 8 NUMBER 1 2020 Editor Lead Copy Editor CARRIELYNN D. REINHARD AMY DREES Dominican University Northwest State Community College Managing Editor Associate Copy Editor JULIA LARGENT AMANDA KONKLE McPherson College Georgia Southern University Associate Editor Associate Copy Editor GARRET L. CASTLEBERRY PETER CULLEN BRYAN Mid-America Christian University The Pennsylvania State University Associate Editor Reviews Editor MALYNNDA JOHNSON CHRISTOPHER J. OLSON Indiana State University University of Wisconsin-Milwaukee Associate Editor Assistant Reviews Editor KATHLEEN TURNER LEDGERWOOD SARAH PAWLAK STANLEY Lincoln University Marquette University Associate Editor Graphics Editor RUTH ANN JONES ETHAN CHITTY Michigan State University Purdue University Please visit the PCSJ at: mpcaaca.org/the-popular-culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular Culture Association and American Culture Association (MPCA/ACA), ISSN 2691-8617. Copyright © 2020 MPCA. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO KATIE WILSON PAUL BOOTH West Virginia University University of Louisville DePaul University AMANDA PICHE CARYN NEUMANN ALLISON R. LEVIN Ryerson University Miami University Webster University ZACHARY MATUSHESKI BRADY SIMENSON CARLOS MORRISON Ohio State University Northern Illinois University Alabama State University KATHLEEN KOLLMAN RAYMOND SCHUCK ROBIN HERSHKOWITZ Bowling Green State Bowling Green State -
LA NOCHE DE HALLOWEEN (Halloween)
LA NOCHE DE HALLOWEEN (Halloween) DIR. DAVID GORDON GREEN SINOPSIS El psicótico Michael Myers (Nick Castle) vuelve a la gran pantalla en el enfrentamiento final. Laurie Strode (Jamie Lee Curtis), que logró escapar de su matanza en la noche de Halloween cuatro décadas atrás, no ha olvidado aquel fatídico encuentro en el que fue la única superviviente. Por eso, cuarenta años más tarde, Laurie, que ahora es abuela, ha convertido su casa en un búnker impenetrable, por si Myers decidiera regresar algún día. Cuando la amenaza de Myers sea un hecho, la familia Strode, liderada por tres generaciones de mujeres, abuela, madre e hija, se convertirán en la única esperanza para acabar con el villano. La hora de su confrontación final con esta terrorífica figura enmascarada ha llegado. FICHA ARTÍSTICA Laurie Strode .......................................................................................................... JAMIE LEE CURTIS Karen ..............................................................................................................................JUDY GREER Allyson .................................................................................................................... ANDI MATICHAK Michael Myers............................................................................................. JAMES JUDE COURTNEY Michael Myers...............................................................................................................NICK CASTLE Dr. Sartain ................................................................................................................HALUK -
Recenzja Filmu, Książki I Gry Komputerowej Wywiad Z Autorką Bloga „Niepijepoalkoholu.Pl” Na Temat Ekologii Poezja Autorstwa Uczniów Śl.TZN
Recenzja filmu, książki i gry komputerowej Wywiad z autorką bloga „Niepijepoalkoholu.pl” na temat ekologii Poezja autorstwa uczniów Śl.TZN Szkolna gazeta „Granat” styczeń 2019 Spis treści: Str. 3 Recenzja filmu „Halloween” Str. 4-5 Duże problemy „małego” świata Str. 6 Z biblioteki mola książkowego Str. 7 Poezja uczniów Śl.TZN Str. 8-9 Grać czy nie grać? - oto jest pytanie Od Redakcji Święta, święta i po świętach. Oto zaczął się nowy semestr. Po chwilowym, zasłużonym odpoczynku trzeba wrócić do nauki. My też wracamy i publikujemy nowy numer gazetki, a w nim mamy dla Was aż trzy recenzje, wiersze oraz wywiad z blogerką na temat ekologii i ochrony środowiska. My zabieramy się do dalszego pisania, a Wam życzymy miłej lektury :) Koordynator prac redakcji: Mgr Anna Lorenc Redaktorki naczelne: Natalia Siodłak 3C Roksana Zmorek 3C Przy numerze 9. współpracowali: Agnieszka Kicińska 3C Aleksandra Potoniec 1FK Błażej Słowiński 1D 2 Szkolna Gazeta „Granat” styczeń 2019 Recenzja filmu „Halloween” Jako fanka horrów często szukam w kinach ciekawych premier filmowych tego typu. Pod koniec października na ekranach ukazało się "Halloween"- kontynuacja filmu z 1978 roku o tym samym tytule, reżyserii Davida Gordona Greena i postanowiłam na niego pójść. Uwielbiam klasyczne horrory, a wcześniejsze części oglądałam kilkukrotnie, więc byłam pewna, że ta odsłona filmu także mi się spodoba. I, jak myślałam, nie zawiodłam się. Film opowiada o Lau- rie Strode, która 40 lat wcześniej prawie moja ulubiona muzyka filmowa i byłam bardzo straciła życie przez szczęśliwa, gdy ją usłyszałam w kinie. Kiedy grasującego wtedy czytałam opis tej części, ucieszyłam się z faktu, że zabójcę Michaela fabuła będzie kontynuowana. -
“Once with a Knitting Needle, Once with a Hanger”: Reckoning with and Reworking Carol J
“Once with a Knitting Needle, Once with a Hanger”: Reckoning with and Reworking Carol J. Clover’s Final Girl in Halloween (1978) and Halloween (2018) PEYTON BRUNET In the three decades following the publication of Carol J. Clover’s seminal essay “Her Body, Himself: Gender in the Slasher Film,” an entire generation of horror fans, filmmakers, and scholars have entered the world with fresh eyes and ideas about how gender functions in the slasher subgenre. Many of these fans have never known a world without the Final Girl, or, more accurately, without Clover’s conception of the Final Girl. The sole female survivor has long been a staple of the horror genre, but it was not until the 1987 publication of “Her Body, Himself” in Representations that this archetype entered public discourse and came to be known by Clover’s term: the Final Girl. Though most casual horror fans have likely never heard Clover’s name, it is not a stretch to say that it is her definition of the Final Girl that remains at the forefront of every discussion of the figure and her characteristics. To briefly summarize Clover’s Final Girl: she is not sexually active, unlike her friends, though she does not always have to be entirely chaste; she is far more watchful and cautious than the raucous, carefree teens who surround her; and when backed into an often literal corner, she is able to defend herself using whatever is available to her (204). Above all, however, she is “inevitably female” (201), but nevertheless a figure of gender ambivalence and complexity. -
Heart Template Small
Heart template small Continue HOME MOVIES TV SERIES LOGIN FORUM 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 Laurie Strode confronts her long-time foe Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween -
Sortie : 24 Octobre
SORTIE : 24 OCTOBRE UNIVERSAL PICTURES, MIRAMAX & BLUMHOUSE PRODUCTIONS présentent une production MALEK AKKAD en association avec ROUGH HOUSE PICTURES Réalisé par DAVID GORDON GREEN Avec JAMIE LEE CURTIS JUDY GREER WILL PATTON HALUK BILGINER VIRGINIA GARDNER et ANDI MATICHAK Producteurs délégués ZANNE DEVINE, DAVID THWAITES, JOHN CARPENTER, JAMIE LEE CURTIS, JEANETTE VOLTURNO, COUPER SAMUELSON, DANNY MCBRIDE, DAVID, GORDON GREEN, RYAN FREIMANN Produit par MALEK AKKAD, p.g.a., JASON BLUM, p.g.a., BILL BLOCK, p.g.a. D»après les personnages créés par JOHN CARPENTER et DEBRA HILL Écrit par JEFF FRADLEY & DANNY MCBRIDE & DAVID GORDON GREEN SORTIE : 24 OCTOBRE 2018 Durée : 1h49 approx. www. Halloween-le lm.com /UniversalHorreur / UniversalFR #Halloween Matériel disponible sur www.upimedia.com DISTRIBUTION PRESSE Universal Pictures International Sylvie FORESTIER 21, rue François 1er Youmaly BA 75008 Paris assistées de Tél. : 01 40 69 66 56 Clémence JOFFRE www.universalpictures.fr Dans HALLOWEEN, Jamie Lee Curtis reprend le rôle emblématique de Laurie Strode qui a échappé de justesse à Michael Myers, au cours de sa folie meurtrière durant la nuit d’Halloween, il y a tout juste 40 ans, et dont la silhouette masquée continue à la hanter jusqu’à ce jour. - 2 - Écrit par David Gordon Green, Danny McBride et Jeff Fradley, et réalisé par Green, HALLOWEEN explore une nouvelle piste, après les événements survenus dans le film initial du maître de l’épouvante John Carpenter, qui officie ici comme conseiller artistique et producteur délégué. Reprenant les personnages créés par Carpenter et Debra Hill, le film est produit parJason Blum, Malek Akkad dont la société Trancas International Films a produit la saga « Halloween » depuis sa création, et Bill Bock. -
PHOTO OP SCHEDULE Times Listed on This Schedule Are Start Times for Photo Ops
REV. 1.8 PHOTO OP SCHEDULE Times listed on this schedule are start times for photo ops. Please be sure to the photo op line queue no more than 15 to 30 minutes prior to the times listed. INDIVIDUAL PHOTO OPS SESSION FRIDAY SATURDAY SUNDAY Billy Zane Session A - - 11:45 AM Brian O'Halloran Session A - - 12:20 PM Chris Durand Session A - - 3:45 PM Christopher Nelson Session A - - 3:50 PM Danielle Harris (masks must be worn) Session A - - 12:40 PM Danielle Harris "Bloody" Photo Op (masks must be worn) Session A - - - Danielle Harris Clown Costume (masks must be worn) Session A - - - James Jude Courtney Session A - - 3:50 PM Jason Mewes Session A - - 12:15 PM Jeff Anderson Session A - - 12:20 PM Jeremy London Session A - - 12:10 PM Lisa Zane Session A - - 2:20 PM Michael Rooker Session A - - 12:00 PM Nadia Hilker Session A - - 2:40 PM Nick Castle Session A - - 3:25 PM P.J. Soles Session A - - 3:30 PM Papa Shango Costume Op - Sat Session A - - - Robert Englund Session A - - 1:40 PM Robert Englund Session B - - - Robert Patrick Session A - - 1:00 PM Sandy Johnson (in costume) Session A - - 3:40 PM Ted DiBiase Session A - - 11:15 AM The Godfather Costume Op - Fri Sun Session A - - 11:20 AM Tom Morga (Michael Costume) Session A - - 12:45 PM Tom Morga (Jason Costume) Session A - - 1:20 PM - - GROUP PHOTO OPS SESSION FRIDAY SATURDAY SUNDAY Clerks Duo - Jeff Anderson & Brian O'Halloran Session A - - 12:20 PM Clerks TRIO - Jason Mewes & Jeff Anderson & Brian O'Halloran Session A - - 12:15 PM Freddy's Dead "Father & Daughter" DUO - Robert Englund & Lisa Zane Session A - - 2:15 PM A Nightmare on Elm Street: The Dream Master DUO - Robert Englund & Lisa Wilcox Session A - - 2:10 PM A Nightmare on Elm Street: The Dream Master Group Op - Robert Englund, Lisa Wilcox, Toy Newkirk, Brooke Theiss & Tuesday Knight Session A - - 2:05 PM Mallrats Group Op - Jason Mewes, Michael Rooker, Brian O'Halloran & Jeremy London Session A - - 12:10 PM Fear Street Killers Group Op - Jordyn DiNatale, Noah Garrett & Loyd Pitts Session A - - 11:30 AM Halloween (1978) Group Op - Nick Castle, P.J. -
Farmers Market Eyes Antioch a Look Inside the New Bay Theatre
Palisadian-Post Serving the Community Since 1928 24 Pages Thursday, November 8, 2018 ◆ Pacific Palisades, California $1.50 Supporting Station 69 Mail Theft Reported in the Palisades By TRILBY BERESFORD low-up phone call, acknowledg- theft-related incident with a car- Reporter ing that many victims of mail rier during her tenure. tampering don’t report incidenc- Aside from this case, numer- ccording to the United es because they “assume nothing ous reports of tampered, lost and States Postal Service Office will happen.” stolen mail in Pacific Palisades Aof the Inspector General, an in- The Post subsequent- have surfaced through commu- dependent agency that investi- ly reached out to Post Master nity discussions on social media. gates cases of fraud, waste and Yvonne Smith, who explained In correspondence with the abuse, “a small number of em- that processing machines occa- Post, one community mem- ployees abuse the public’s trust sionally have issues that result in ber recalled sending checks in by delaying or stealing the mail.” damaged mail. the mail that were properly la- Suspected thievery recent- “Cases of mail theft and beled and addressed, but never ly surfaced in Pacific Palisades fraud are reported to the Postal received on the other end. (So when postal customer Jim Lu- Inspection Service,” she said, far, there is no evidence that the binski received three greeting confirming that this particular checks have been cashed.) cards that were ripped open with incident has been reported. After reporting this incident the money or gift cards removed Smith went on to say that to the post office supervisor, who from each colored envelope. -
PHOTO OP SCHEDULE Times Listed on This Schedule Are Start Times for Photo Ops
REV. 1.8 2021 FLASHBACK WEEKEND PHOTO OP SCHEDULE Times listed on this schedule are start times for photo ops. Please be sure to the photo op line queue no more than 15 to 30 minutes prior to the times listed. INDIVIDUAL PHOTO OPS FRIDAY SATURDAY SUNDAY Carla Harvey Session A - 4:35 PM Session A - 2:40 PM Session A - 12:50 PM Charlie Benante Session A - 4:45 PM Session A - 2:50 PM Session A - 1:00 PM Dick Weiand COSTUME UNMASKED Session A - 5:25 PM Session A - 12:40 PM Session A - 1:25 PM D.B. Sweeney Session A - 6:50 PM Session A - 12:00 PM Session A - 12:20 PM James Jude Courtney Session A - 4:30 PM Session A - 4:35 PM Session A - 11:40 AM Kane Hodder (NON COSTUME) Session A - 6:15 PM Session A - 3:50 PM Session A - 12:10 PM Session A - 3:00 PM Kane Hodder (COSTUME Sat Only) - - Session B - 3:20 PM Meat Loaf Session A - 7:00 PM Session A - 4:20 PM Session A - 2:00 PM Nick Castle Session A - 4:15 PM Session A - 12:10 PM Session A - 11:45 AM Nick Castle with Halloween Station Wagon Session A - 8:10 PM Session A - 5:45 PM Session A - 3:20 PM Peter Cowper Session A - 6:30 PM Session A - 10:30 AM Session A - 12:00 PM Randy Couture - Session A - 11:00 AM - Sandy Johnson Session A - 4:05 PM Session A - 12:35 PM Session A - 11:15 AM Shawnee Smith Session A - 7:35 PM Session A - 5:05 PM Session A - 2:35 PM Svengoolie - Session A - 1:30 PM - Wil Sandin Session A - 6:40 PM Session A - 12:35 PM Session A - 11:20 AM Zach Galligan Session A - 4:00 PM Session A - 10:40 AM Session A - 1:35 PM GROUP PHOTO OPS FRIDAY SATURDAY SUNDAY ALIENS Duo - Jenette -
Michael Myers Mask Official Licensed Product
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Cons & Confusion
Cons & Confusion The almost accurate convention listing of the B.T.C.! We try to list every WHO event, and any SF event near Buffalo. updated: Sept 25, 2019 to add an SF/DW/Trek/Anime/etc. event; send information to: [email protected] 2019 DATE local EVENT NAME WHERE TYPE WEBSITE LINK OCT 2 Ken WRITER: LISSA MARIE REDMOND Kenmore Libr, Delaware Rd, Kenmore cop turned mystery author speaks Wed 10/2 at 7 pm OCT 3-6 NYC NEW YORK COMIC CON Javits Ctr, Manhatten, NYC, NY BIG media/comics show https://www.newyorkcomiccon.com/ CHRISTOPHER ECCELSTONE, lots of comic writers & artists; most media guests are added closer to show date Alexis Denisof, Amy Acker, Amy Jo Johnson, Anika Noni Rose, Benedict Wong, Billy Boyd, Charisma Carpenter, Charlet Chung, Chris Sabat, Clare Kramer, J August Richards, James Arnold Taylor, James Marsters, Jeremy Shada, Jodi Benson, Larraine Newman, Nichelle Nichols, Page OHara, Paul Reubens, Sean Astin OCT 3-27 MA SALEM HORROR FEST Salem Waterfront Htl, Salem , MA media & HORROR! https://www.salemhorror.com/ Adrienne Barbeau, Linnea Quigley, Amelia Kincaid, Rachel True, Tony Moran, Mark Patton, John Waters, Elvira, Quinn Lord, John Kassir, Jason Marsden, OCT 4 WNY FORT NIAGARA LANTERN TOUR Old Fort Niagara, Youngstown, NY tour the haunted fort @ night https://www.oldfortniagara.org/ OCT 4 NJ WILLIAM SHATNER LIVE! Mayo Performing Arts Ctr, Morristown, NJ Wrath of Kahn' + Q&A .mayoarts.org/shows/william-shatner-live OCT 4-6 CA SD WHO CON 2019 4 Points Sheraton, San Diego, CA 4th annual DW event http://www.sdwhocon.com/ Jon Davey, Alisa Stern, Harry Van Gorkum, Doc Phineas, Barbara Hambly, OCT 4-6 Clev CINEMA WASTELAND Holiday Inn Conf Ctr, Strongsville, OH horror film fest https://cinemawasteland.com/show.html Cast & crew of Romero's 'Martin' reunion (includes Tom Savini), Christopher Neame, Luciana Paluzzi, Ian Ogilvy, Lou Wagner, A Gahstlee Ghoul, etc OCT 4-6 IL ARCHON 43 Gateway Con Ctr, Collinsville, IL (near St Louis, MO) traditional SF fan con http://www.archonstl.org/ James S.A. -
Reassessing Feminist Film Approaches to the Slasher Genre in the #Metoo Era
THE LAST BREATH IS HERS: REASSESSING FEMINIST FILM APPROACHES TO THE SLASHER GENRE IN THE #METOO ERA A Paper Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Hannah Leigh Stevens In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Major Department: English April 2019 Fargo, North Dakota North Dakota State University Graduate School Title THE LAST BREATH IS HERS: REASSESSING FEMINIST FILM APPROACHES TO THE SLASHER GENRE IN THE #METOO ERA By Hannah Leigh Stevens The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of MASTER OF ARTS SUPERVISORY COMMITTEE: Dr. Emily Wicktor Chair Dr. Alison Graham-Bertolini Hardy Koenig Approved: 4/08/19 Dr. Rebecca Weaver-Hightower Date Department Chair ABSTRACT You’re Next (2011) and Hush (2016), feature women who at first glance resemble stereotypical final girls. However, throughout their respective films, Erin (You’re Next) and Maddie (Hush) break the expected binary outcome of either a dead girl or franchised final girl, and are recognized as a different iteration of the final girl—a girl who both survives a brutal attack and is able to actively bring resolution to the narrative, representing a turn toward critically and socially sensitive representations of a woman’s experience. In seeing this current trajectory of Erin to Maddie to a new Laurie (Halloween 2018), a revolutionary trend develops that fractures, complicates, and invigorates tired slasher tropes. By recognizing and tracing this trend I give voice to and identify a theory that complicates the final girl, encompasses both of these women characters, and places these films in the realm of a more complex, feminist, depiction of horror.