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The Fatty Arbuckle Case
M60 5O§ A PAPERBACK LIBRARY FIRST EDITION SIIKI !8ITH«j Most famous rape case of the century The Hollywood story no one dared publish THE KING He could have any woman in Hollywood he wanted—except beautiful Virginia Rappe. Already a star, Virginia didn't need Fatty Arbuckle and didn't want him. Surrounded by adulation, yes-men, the semi-royal glitter of Hollywood, glutted with money, fame and success, Fatty Arbuckle couldn't take "no" for an answer. HERE IS THE SHOCKING, SOMETIMES SORDID, AND ALWAYS FASCINATING STORY OF ONE OF THE MOST FAMOUS CRIMINAL TRIALS OF ALL TIME THE FATTY ARBUCKLE CASE THE FATTY ARBUCKLE By LEO GUILD V PAPERBACK LIBRARY, INC New York Copyright © 1962 by Paperback Library, Inc. All Rights Reserved PAPERBACK LIBRARY ORIGINAL First Printing: August 1962 Printed in the United States of America FOREWORD The writing of a book such as this is a monumental re- search job. It entails conversation with people who were on the scene; a search for their friends, relatives, ac- quaintances; study of the court records, the newspaper stories of the trial, magazines which contain much perti- nent material about the case. People only remotely in- volved with the subject or the circumstances must be questioned. One interview always leads to another and another until the list of prospects becomes so long it seems impossible to write or to see all of them. But all must be reached. Then medical experts must be consulted, legal advice must be secured. Books which covered similar cases have to be read to study pattern and summation. -
DAVID WILLIAMSON Is Australia's Best Known and Most Widely
DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo. -
After the Ball David Williamson
David Williamson’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002), Birthrights (2003), Amigos, Flatfoot (both in 2004), Operator and Influence(both 2005) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. -
The Absence of Aspiration in the Era of Accountability
LMU/LLS Theses and Dissertations Summer March 2016 The Absence of Aspiration in the Era of Accountability Mary R. Martinez Loyola Marymount University, [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/etd Part of the Social and Philosophical Foundations of Education Commons Recommended Citation Martinez, Mary R., "The Absence of Aspiration in the Era of Accountability" (2016). LMU/LLS Theses and Dissertations. 185. https://digitalcommons.lmu.edu/etd/185 This Dissertation is brought to you for free and open access by Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in LMU/LLS Theses and Dissertations by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. LOYOLA MARYMOUNT UNIVERSITY The Absence of Aspiration in the Era of Accountability by Mary R. Martinez A dissertation presented to the Faculty of the School of Education, Loyola Marymount University, in partial satisfaction of the requirements for the degree Doctor of Education 2015 The Absence of Aspiration in the Era of Accountability Copyright © 2015 By Mary R. Martinez ii iii ACKNOWLEDGEMENTS I would like to thank my participants for their time and their insights; they are the foundation upon which this dissertation rests. I hope I have done justice to their experiences and their words. To my committee: Dr. Antonia Darder, Dr. Rebecca Stephenson, and Fr. Stephen Hess— your insights challenged me to work harder and think more deeply. I would also like to thank Wendelyn Nichols-Julien and Kimmy Maniquis of the California Conference for Equality and Justice, for providing me with their cooperation, their time, and their resources, in the implementation of this research project. -
SALLY Mckenzie
SALLY McKENZIE A NIDA graduate, Sally is an award winning actor, writer, director and producer. As a highly sought after stage actor, Sally has appeared with every major theatre company in Australia. Many roles with MTC include title roles in O’Neill’s Mourning Becomes Electra and Brecht’s The Good Person Of Setzuan. She has appeared in over 20 productions for Queensland Theatre. Sally’s television credits read like a roll call of Australian television. Her work ranges from , Prisoner, Mother and Son, The Wayne Manifesto to Mortified, Reef Doctors and Harrow. After spending many years in Queensland, Sally, a Churchill Fellow has now returned to Melbourne where she began her career as an actor. TRAINING NIDA, Bachelor of Dramatic Art in Acting QUT, Master of Fine Arts in Writing and Directing STAGE A Conversation Barbara Milson Queensland Theatre After the Ball Maureen Donahue Queensland Theatre, MTC A Hoax Ronnie La Boite Theatre, Griffin Theatre Alex Ensemble TN! Theatre Company Amadeus Constanze Mozart MTC Amigos Hilary La Boite Theatre Company A Toast to Melba Ensemble Nimrod Theatre Beach Blanket Tempest Regine TN! Theatre Company Bread & Puppet Theatre Ensemble Adelaide Festival of the Arts Burn This Anna La Boite Theatre Company The Changeling Beatrice Johanna MTC The Cherry Orchard Madame Ravenskaya Queensland Theatre Cuckoo in the Nest Marguerite MTC Dancing at Lughnasa Maggie Queensland Theatre Dinkum Assorted Joan Queensland Theatre Diving for Pearls Marg Queensland Theatre Early Childhood Drama Project Ensemble La Boite Theatre Company Episodes Cassie Brisbane Festival Fringe/Melbourne Festival Fringe/theCoalface Fields of Heaven Lucia Silvieri STC address 5/400 St Kilda Road, St Kilda, Victoria 3182 Australia telephone 03 9939 7227 email [email protected] abn 45 007 137 671 a division of Deisfay Pty. -
Security Policy, Social Networks, and Rio De Janeiro's Favelas Jason Bartholomew Scott Ph.D. Candidate D
Pacified Inclusion: Security Policy, Social Networks, and Rio de Janeiro’s Favelas Jason Bartholomew Scott Ph.D. Candidate Department of Anthropology University of Colorado-Boulder A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosphy Department of Anthropology 2018 i This thesis entitled Pacified Inclusion: Security Policy, Social Networks, and Rio de Janeiro’s Favelas written by Jason Scott has been approved for the Department of Anthropology at the University of Colorado-Boulder Donna Goldstein Kaifa Roland Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. IRB protocol # 13-0015 ii Scott, Jason Bartholomew (Ph.D., Anthropology) Pacified Inclusion: Security Policy, Social Networks, and Rio de Janeiro’s Favelas Thesis Directed by Professor Donna M. Goldstein Dissertation Abstract This dissertation addresses the connections between everyday violence and digital technology. I describe three years of ethnographic research concerning a community policing program called “pacificação ” (pacification) in a Brazilian favela (shanty town). Alongside supporting a permanent police force that destabilized a powerful drug faction, pacification policy endorsed a wide range of social projects and dramatically reshaped the relationship between the Brazilian State and its marginalized citizens. Among the social projects associated with pacification were a number of “inclusão digital” (digital inclusion) programs that combined technical literacy with critical political literacy in the hope of disrupting exclusionary conditions. During my observations of these programs, I found what I call a hidden politics of digital reproduction. -
Amigos Playtext.P65 1 2/06/04, 12:53 PM 2 AMIGOS
INTRODUCTION i DAVID WILLIAMSON’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002) and Birthrights (2003) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. David Williamson has won the Australian Film Institute film script award for Petersen (1974), Don’s Party (1976), Gallipoli (1981) and Travelling North (1987) and has won eleven Australian Writers’ Guild AWGIE Awards. -
Catalogue of New Plays 2016–2017
PRESORTED STANDARD U.S. POSTAGE PAID GRAND RAPIDS, MI PERMIT #1 Catalogue of New Plays 2016–2017 ISBN: 978-0-8222-3542-2 DISCOUNTS See page 6 for details on DISCOUNTS for Educators, Libraries, and Bookstores 9 7 8 0 8 2 2 2 3 5 4 2 2 Bold new plays. Recipient of the Obie Award for Commitment to the Publication of New Work Timeless classics. Since 1936. 440 Park Avenue South, New York, NY 10016 Tel. 212-683-8960 Fax 212-213-1539 [email protected] OFFICERS Peter Hagan, President Mary Harden, Vice President Patrick Herold, Secretary David Moore, Treasurer Stephen Sultan, President Emeritus BOARD OF DIRECTORS Peter Hagan Mary Harden DPS proudly represents the Patrick Herold ® Joyce Ketay 2016 Tony Award winner and nominees Jonathan Lomma Donald Margulies for BEST PLAY Lynn Nottage Polly Pen John Patrick Shanley Representing the American theatre by publishing and licensing the works of new and established playwrights Formed in 1936 by a number of prominent playwrights and theatre agents, Dramatists Play Service, Inc. was created to foster opportunity and provide support for playwrights by publishing acting editions of their plays and handling the nonprofessional and professional leasing rights to these works. Catalogue of New Plays 2016–2017 © 2016 Dramatists Play Service, Inc. CATALOGUE 16-17.indd 1 10/3/2016 3:49:22 PM Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: A lot happened in 1936. Jesse Owens triumphed at the Berlin Olympics. Edward VIII abdicated to marry Wallis Simpson. The Hindenburg took its maiden voyage. And Dramatists Play Service was founded by the Dramatists Guild of America and an intrepid group of agents. -
Introduction to Ethics
Introduction to Ethics An Open Educational Resource Collected and Edited by Noah Levin, PhD Introduction to Ethics An Open Educational Resource Collected and Edited by Noah Levin, PhD ii Licensing Information All content contained herein is under a license that allows this work in its entirety to be reproduced and reprinted, even for commercial purposes. Due to licenses that apply to certain sections of this book, it is safest to presume this work as a whole to be under a CC-BY license. Most chapters have been released by the authors under a CC-BY license and the remaining works are either not under copyright in the United States (primarily due to the expiration of the copyright) or the work has been explicitly released into the Public Domain by the author. How to Cite this Work When citing this work, please make sure that this conforms to the rules for citing an edited volume in your citation style. For APA style, all you simply need to use is “Levin, N. (Ed). (2019). Introduction to Ethics: An Open Educational Resource. N.G.E. Far Press.” Remember that the authors of every piece in this work are noted, and if there are none listed, then it is the work of the editor. To cite a specific chapter, use the authors name and title for the chapter and include it as being from this volume (if desired, and as appropriate to your style). For example, to cite Chapter 5 in this work for APA style, you would use, “Wooldridge, B.M. (2019). The Moral Issues of Immigration. -
Rimmer, Matthew (2002) Heretic: Copyright Law and Dramatic Works
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Rimmer, Matthew (2002) Heretic: Copyright law and dramatic works. QUT Law Review, 2(1), pp. 131-149. This file was downloaded from: https://eprints.qut.edu.au/85377/ c Copyright 2002 Matthew Rimmer This work is licensed under a Creative Commons Attribution 3.0 License. License: Creative Commons: Attribution 3.0 Australia Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https:// lr.law.qut.edu.au/ article/ view/ 95 HERETIC: COPYRIGHT LAW AND DRAMATIC WORKS MATTHEW RIMMER* The dispute between the playwright David Williamson and the director and producer Wayne Harrison over the production of the play Heretic was fought out in the theatre community, the legal system, and the media.1 It articulated a number of anxieties about the nature of authorship, collaboration, and appropriation. Williamson and Harrison decided to collaborate upon a play about the intellectual dispute between the Australian academic Derek Freeman and Margaret Mead, the author of On The Coming Of Age In Samoa.2 The Sydney Theatre Company production, though, was fraught with difficulties. Williamson complained that the production by Harrison and his collaborators took liberties with the script. He was bitter that the character of Margaret Mead was transformed into public icons of the 1960s, such as Marilyn Monroe, Barbara Streisand and Jackie Kennedy. -
Download 2018–2019 Catalogue of New Plays
Catalogue of New Plays 2018–2019 © 2018 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: Take a look at the “New Plays” section of this year’s catalogue. You’ll find plays by former Pulitzer and Tony winners: JUNK, Ayad Akhtar’s fiercely intelligent look at Wall Street shenanigans; Bruce Norris’s 18th century satire THE LOW ROAD; John Patrick Shanley’s hilarious and profane comedy THE PORTUGUESE KID. You’ll find plays by veteran DPS playwrights: Eve Ensler’s devastating monologue about her real-life cancer diagnosis, IN THE BODY OF THE WORLD; Jeffrey Sweet’s KUNSTLER, his look at the radical ’60s lawyer William Kunstler; Beau Willimon’s contemporary Washington comedy THE PARISIAN WOMAN; UNTIL THE FLOOD, Dael Orlandersmith’s clear-eyed examination of the events in Ferguson, Missouri; RELATIVITY, Mark St. Germain’s play about a little-known event in the life of Einstein. But you’ll also find plays by very new playwrights, some of whom have never been published before: Jiréh Breon Holder’s TOO HEAVY FOR YOUR POCKET, set during the early years of the civil rights movement, shows the complexity of choosing to fight for one’s beliefs or protect one’s family; Chisa Hutchinson’s SOMEBODY’S DAUGHTER deals with the gendered differences and difficulties in coming of age as an Asian-American girl; Melinda Lopez’s MALA, a wry dramatic monologue from a woman with an aging parent; Caroline V. McGraw’s ULTIMATE BEAUTY BIBLE, about young women trying to navigate the urban jungle and their own self-worth while working in a billion-dollar industry founded on picking appearances apart. -
The Coast Advertiser
he oast dvertiser ■&6 > < l c T C A 4 r f * . J' < > BELMAR, NEW JERSEY, FRIDAY, JULY 7, 1939 Single Copy 4 c THE ANTONIDES SEES STATE REFUSES Outside Column OFFICE AS FIRST TO RATIFY PLAN CLASSNEXT YEAR By T o m T ig h e TO FIX SEWERS Old Age . Postmaster Cites Figures South Belmar Relief Funds A T least 2,152 persons of 65 or over Indicating Belmar Will will be assured of life’s necessi Exhausted as Demands ties in Monmouth county this year... Win New Rank and Drop; May Buy Po that many are now receiving old age Prestige in 1940. pensions, estimated to total $516,000 1 - lice Car. a trained staff under the direction of Belmar postal receipts for the six John L. Montgomery, who has made months ending June 30 increased suf Disapproval by the state board o f welfare administration an integral ficiently to indicate the achievement health of the tentative plans submit part of the county’s business, handles of first class rating at the end of the ted by Claude W. Birdsall, engineer the immense amount of detail con calendar year, it was revealed today for Belmar and South Belmar, for the nected with the pensions . average by Postmaster Everett H. Antonides. remedying of conditions which occa pension payment in county is $19.82 Basing his statement on tentative sionally have lead to the overflow o f as compared with $20.01 for the state figures the postmaster compared the the storm drainage system serving as a whole . persons in the sunset first six months of this year against both boroughs was revealed Wednes- of life are eligible if they have no the first six months of 1938, $15,689.63 day night at a meeting of the South.