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The Beatles), 80, 165, 357, 358, 389
Index of Titles Abbey Road (The Beatles), 80, 165, 357, 358, 389 “Abraham, Martin and John” (Dion), 40, 75, 115, 194, 321 Absolutely Free (The Mothers of Invention), 156, 310, 375, 388 “Absolutely Sweet Marie” (Bob Dylan), 207 “The Acid Queen” (The Who), 71 “Across the Universe” (The Beatles), 222, 309, 374 “Action” (Freddy Cannon), 69 “Adagio Per Archi e Organo” (Brian Auger and the Trinity), 72 After Bathing at Baxter’s (Jefferson Airplane), 358, 388 “After the Lights Go Down Low” (Al Hibbler), 337 “Afterglow” (The Small Faces), 357 Aftermath (The Rolling Stones), 292 “Ahab the Arab” (Ray Stevens), 25, 95, 366 “Aiko Biaye” (Ginger Baker’s Air Force), 374 “Ain’t It Funky Now” (James Brown), 212 “Ain’t No Mountain High Enough” (Marvin Gaye and Tammi Terrell), 77, 111–112, 128 “Ain’t That a Shame” (Pat Boone), 314; (Fats Domino), 321 “Ain’t That Peculiar” (Marvin Gaye), 168 “Ain’t Too Proud to Beg” (The Temptations), 105, 124, 226, 319 “The Air That I Breathe” (The Hollies), 196 “Al Di Lá” (Emilio Pericoli), 114–115 “Alabama Song (Whisky Bar)” (The Doors), 115, 366 “Albatross” (Fleetwood Mac), 16, 377 “Albert’s Shuffle” (Mike Bloomfield / Al Kooper / Steve Stills), 62 “Alfie” (Dionne Warwick), 174, 199, 206, 279–280, 386 “Alice’s Restaurant Massacree” (Arlo Guthrie), 141, 203, 270, 327, 364, 379 “Alice’s Rock & Roll Restaurant” (Arlo Guthrie), 31, 327 “All Alone Am I” (Brenda Lee), 182 “All Along the Watchtower” (Bob Dylan), 172, 260 “The All-American Boy” (Bill Parsons), 175 “All Around the World” (Little Willie John), 139 “All Day and -
Debuten Til Hardrocker'ne Fra Down Under. 6.Albumet I Rekken Av
ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP KOMMENTAR A New wave/synthpop fra Sheffield band, med Martin Fry som leder. Musikken kan ABC BEAUTY STAB 1983 MERCURY 814 661-1 GER LP høres som en mix av Bowie og Roxy Music. Mick fra den første utgaven av Jethro Tull og Blodwyn Pig med sitt soloalbum fra ABRAHAMS, MICK MICK ABRAHAMS 1971 A&M RECORDS SP 4312 USA LP 1971. Drivende god blues / prog rock. Min første og eneste skive med det tyske heavy metal bandet. Et absolutt godt ACCEPT RESTLESS AND WILD 1982 BRAIN 0060.513 GER LP album, med Udo Dirkschneider på hylende vokal. Fikk opplevd Udo og sitt band live på Byscenen i Trondheim november 2017. Meget overraskende og positiv opplevelse, med knallsterke gitarister, og sønnen til Udo på trommer. AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 GER LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. GEFFEN RECORDS AEROSMITH PUMP 1989 EUR LP Steven Taylor, Joe Perry, Tom Hamilton, Joey Kramer. Spilt inn i Canada. 924254 AKKERMAN, JAN PROFILE 1972 HARVEST SHSP 4026 UK LP Soloalbum fra den glimrende gitaristen fra nederlandske progbandet Focus. Akkermann med klassisk gitar, lutt og et stor orkester til hjelp. I tillegg rockere som AKKERMAN, JAN TABERNAKEL 1973 ATCO SD 7032 USA LP Tim Bogert bass og Carmine Appice trommer. Her viser Akkermann en ny side av sitt talent. -
Music Outside? the Making of the British Jazz Avant-Garde 1968-1973
Banks, M. and Toynbee, J. (2014) Race, consecration and the music outside? The making of the British jazz avant-garde 1968-1973. In: Toynbee, J., Tackley, C. and Doffman, M. (eds.) Black British Jazz. Ashgate: Farnham, pp. 91-110. ISBN 9781472417565 There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/222646/ Deposited on 28 August 2020 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Race, Consecration and the ‘Music Outside’? The making of the British Jazz Avant-Garde: 1968-1973 Introduction: Making British Jazz ... and Race In 1968 the Arts Council of Great Britain (ACGB), the quasi-governmental agency responsible for providing public support for the arts, formed its first ‘Jazz Sub-Committee’. Its main business was to allocate bursaries usually consisting of no more than a few hundred pounds to jazz composers and musicians. The principal stipulation was that awards be used to develop creative activity that might not otherwise attract commercial support. Bassist, composer and bandleader Graham Collier was the first recipient – he received £500 to support his work on what became the Workpoints composition. In the early years of the scheme, further beneficiaries included Ian Carr, Mike Gibbs, Tony Oxley, Keith Tippett, Mike Taylor, Evan Parker and Mike Westbrook – all prominent members of what was seen as a new, emergent and distinctively British avant-garde jazz scene. Our point of departure in this chapter is that what might otherwise be regarded as a bureaucratic footnote in the annals of the ACGB was actually a crucial moment in the history of British jazz. -
Elton John Tumbleweed Connection Mp3, Flac, Wma
Elton John Tumbleweed Connection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Tumbleweed Connection Country: Japan Released: 2001 Style: Ballad, Classic Rock MP3 version RAR size: 1542 mb FLAC version RAR size: 1114 mb WMA version RAR size: 1806 mb Rating: 4.2 Votes: 445 Other Formats: WMA MIDI AUD MP4 APE XM ASF Tracklist Hide Credits Ballad Of A Well Known Gun Acoustic Guitar, Lead Guitar – Caleb QuayeBacking Vocals – Dusty Springfield, Kay A1 4:59 Garner, Lesley Duncan, Madeline Bell, Tony Burrows, Tony HazzardBass Guitar – Dave Glover*Drums, Percussion – Roger PopePiano – Elton John Come Down In Time A2 Acoustic Bass – Chris LaurenceAcoustic Guitar – Les ThatcherBass Guitar – Herbie 3:25 FlowersDrums – Barry MorganHarp – Skaila KangaOboe – Karl Jenkins Country Comfort Acoustic Guitar – Caleb QuayeAcoustic Guitar [12-String] – Les ThatcherBacking Vocals – A3 5:08 Dee Murray, Nigel OlssonBass Guitar – Herbie FlowersDrums – Barry MorganHarmonica – Ian DuckPiano – Elton JohnSteel Guitar – Gordon HuntleyViolin – Johnny Van Derek Son Of Your Father Backing Vocals – Kay Garner, Lesley Duncan, Madeline Bell, Sue And Sunny*, Tammi A4 3:46 HuntBass Guitar – Dave Glover*Drums – Roger PopeHarmonica – Ian DuckLead Guitar – Caleb QuayePiano – Elton John My Father's Gun Backing Vocals – Dusty Springfield, Kay Garner, Lesley Duncan, Madeline Bell, Tony A5 6:19 Burrows, Tony HazzardBass Guitar – Dave Glover*Drums – Roger PopeElectric Guitar, Acoustic Guitar – Caleb QuayePiano – Elton John Where To Now St. Peter B1 Backing Vocals -
David Bowie's Urban Landscapes and Nightscapes
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context. -
'Happiness Runs' to Cleveland
'Happiness runs' to Cleveland By Ron Johnston Donovan, the pop folk singer of the 1960s, appeared to be wearing a “night gown” on the big stage. That was my first “live” look and impression of the troubadour from Scotland from high up in the cheap seats at Cleveland’s Public Hall in October of 1969. With me that school night in the big city were Blamo and Becca. I probably paid for the tickets, because it was my idea in the first place to see Donovan in concert. Blamo was a Heidelberg soccer teammate, and Becca, my fiancee. A couple of years earlier, Donovan had been on tour and was scheduled to perform in northeast Ohio, but a broken leg on the pitch at the University of Toledo spoiled my plans. Not having a car, transportation to Cleveland was initially a priority. In a recent conversation, Blamo mistakenly thought we’d hitchhiked to the concert. But no, I was able to borrow some wheels, thanks to Jim Young. Thing is, I hardly knew Young, who was a year behind me at Heidelberg. We may have been in the same political science class. Anyway, Young was Donovan interacts with fans after a from Sandusky, and he had this white, light-colored concert in Columbus, Ohio, in 1986. Volkswagen that he was willing to lend to me for the evening. I know I didn’t really want to thumb my way to Cleveland. So, hurrah! Jim Young to the rescue! Fortunately, back in high school, I learned how to drive on a standard shift/stick. -
Psaudio Copper
Issue 95 OCTOBER 7TH, 2019 Welcome to Copper #95! This is being written on October 4th---or 10/4, in US notation. That made me recall one of my former lives, many years and many pounds ago: I was a UPS driver. One thing I learned from the over-the- road drivers was that the popular version of CB-speak, "10-4, good buddy" was not generally used by drivers, as it meant something other than just, "hi, my friend". The proper and socially-acceptable term was "10-4, good neighbor." See? You never know what you'll learn here. In #95, Professor Larry Schenbeck takes a look at the mysteries of timbre---and no, that's not pronounced like a lumberjack's call; Dan Schwartz returns to a serious subject --unfortunately; Richard Murison goes on a sea voyage; Roy Hall pays a bittersweet visit to Cuba; Anne E. Johnson’s Off the Charts looks at the long and mostly-wonderful career of Leon Russell; J.I. Agnew explains how machine screws brought us sound recording; Bob Wood continues wit his True-Life Radio Tales; Woody Woodward continues his series on Jeff Beck; Anne’s Trading Eights brings us classic cuts from Miles Davis; Tom Gibbs is back to batting .800 in his record reviews; and I get to the bottom of things in The Audio Cynic, and examine direct some off-the-wall turntables in Vintage Whine. Copper #95 wraps up with Charles Rodrigues on extreme room treatment, and a lovely Parting Shot from my globe-trotting son, Will Leebens. -
November 1990
FEATURES INSIDE COLLARLOCK In an almost silent way, Mark Gauthier of Collarlock has been BOBBY a major contributor to the recent drum rack revolution. In ELLIOTT this special industry profile, Gauthier explains the nuts and LA. STUDIO Not too many bands have bolts (and much more) of build- remained together—and suc- ing the unique ROUND TABLE cessful—as long as the Hollies. Collarlock system. Bobby Elliott's drumming has • by Rick Van Horn been an integral part of the 30 Colaiuta, Keltner, Porcaro, Mason, Baird, Fongheiser, and band's sound since they began Schaeffer—seven of the most recording. Find out why drum- respected and requested drum- mers like Phil Collins and Cozy mers recording today. Put 'em Powell understand the value of in a room together and press Elliott's contributions to the the record button, and what Hollies' timeless MD TRIVIA have you got? Read music. on...and LEARN. •by Simon Goodwin 26 CONTEST • by Robyn Flans 18 Win a set of Paiste Sound Formula Cymbals! 64 Cover Photo: Lissa Wales COLUMNS Education 56 ROCK PERSPECTIVES The Benefits Of A Four-Piece Kit Equipment BY ANDY NEWMARK 36 PRODUCT 66 ROCK 'N' CLOSE-UP Departments JAZZ CLINIC Corder Celebrity Applying Cross Drumkit News Rhythms To The 4 EDITOR'S Drumset Part 2 BY RICK VAN HORN OVERVIEW UPDATE BY ROD MORGENSTEIN 8 38 Remo Legacy Michael Hodges, Drumheads 6 READERS' Marillion's Ian Mosley, 68 THE MACHINE BY RICK MATTINGLY PLATFORM Jerry Fehily of SHOP Hothouse Flowers, Drum Machines 40 Vic Firth Signature Bobby Z, plus News A To Z Drumsticks 12 ASK A PRO BY RIC FURLEY BY RICK MATTINGLY 14 IT'S Profiles STRICTLY 42 Nady SongStarter QUESTIONABLE 74 BY ADAM BUDOFSKY PORTRAITS TECHNIQUE 58 Rhythmic Rudimental IMPAC Snare 124 DRUM MARKET Dom Um Romao Progressions: Part 6 Replacement BY FRANK COLON BY JOE MORELLO BY WILLIAM F. -
Madeline Bell (Blue Mink)
INTERVIEW Famous ABBA Fans Talk: Madeline Bell (Blue Mink) Madeline Bell’s career reads like a music of from the top of my head are Fernando library. The US-born singer started out singing [starts to sing, “There was something in the gospel and touring in the early 1960s, before air tonight the stars were bright, Fernando… taking up jazz and soul. She then settled in “] and Dancing Queen. I don’t have any ABBA England, working with Dusty Springfield, Elton music in the house because I can’t say that John and Joe Cocker to name a few. She it is my style of music, which is more Stevie became one of the world’s most sought-after Wonder, Marvin Gaye… But in the early days, session singers, gracing innumerable classic when we were in the studio, we were aware of songs with her distinctive harmonies and everything that was coming out, before it came musical versatility. out. So we knew when a track was going to Madeline continues to perform today, still be a hit, and we were always right with ABBA! thrilling audiences, be it in an intimate jazz How do you appreciate the vocals of club or as guest vocalist in a larger setting, and Agnetha and Frida? spoke to me from her Spanish home. As an They’re great singers. And I’ve worked with iconic figure from a golden musical era, I was so many singers, so many backing vocalists, curious to know more about the vocalist who I’m almost like, if singers get together and had influenced ABBA as part of the group Blue they can harmonise, then that’s good. -
Elton John Elton John Mp3, Flac, Wma
Elton John Elton John mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Elton John Country: Russia Released: 2001 MP3 version RAR size: 1736 mb FLAC version RAR size: 1779 mb WMA version RAR size: 1628 mb Rating: 4.3 Votes: 473 Other Formats: WMA APE MP4 VOX AU XM MOD Tracklist Hide Credits Your Song A1 Acoustic Guitar – Frank ClarkBass – Dave RichmondDrums – Barry MorganGuitar – Colin 4:00 Green Guitar [12 String] – Clive Hicks I Need You To Turn To A2 2:30 Guitar – Roland HarkerHarp – Skaila KangaHarpsichord – Elton John Take Me To The Pilot Backing Vocals – Kay Garner, Leslie Duncan*, Madeline Bell, Roger Cook, Tony Burrows, A3 3:48 Tony HazzardBass – Alan WeighallDrums – Barry MorganLead Guitar – Caleb QuayePercussion – Dennis LopezRhythm Guitar – Alan Parker No Shoe Strings On Louise Backing Vocals – Kay Garner, Leslie Duncan*, Madeline Bell, Roger Cook, Tony Burrows, A4 3:30 Tony HazzardBass – Alan WeighallDrums – Barry MorganLead Guitar – Caleb QuayePercussion – Dennis LopezRhythm Guitar – Clive Hicks First Episode At Hienton A5 4:52 Lead Guitar – Caleb QuayeSynthesizer [Moog] – Diana Lewis Sixty Years On B1 4:33 Guitar [Spanish] – Colin Green Organ – Brian Dee Border Song Backing Vocals – Kay Garner, Leslie Duncan*, Madeline Bell, Roger Cook, Tony Burrows, B2 3:19 Tony HazzardBass – Dave RichmondChoir [Lead] – Barbara MooreDrums – Barry MorganGuitar – Clive Hicks, Colin Green Organ – Brian Dee The Greatest Discovery B3 Bass – Dave RichmondDrums – Terry CoxGuitar – Clive HicksHarp – Skaila KangaSoloist, 4:11 Cello – Paul Buckmaster The Cage Acoustic Guitar – Clive HicksBacking Vocals – Kay Garner, Leslie Duncan*, Madeline Bell, B4 3:28 Roger Cook, Tony Burrows, Tony HazzardBass – Alan WeighallDrums – Barry MorganGuitar – Caleb QuayePercussion – Tex NavarraSynthesizer [Moog] – Diana Lewis The King Must Die B4 Bass – Les Hurdie*Bass [Acoustic] – Frank ClarkDrums – Terry CoxGuitar – Clive 5:09 HicksPercussion – Dennis Lopez Companies, etc. -
David Bowie David Live Mp3, Flac, Wma
David Bowie David Live mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: David Live Country: Brazil Released: 1990 Style: Glam, Classic Rock MP3 version RAR size: 1630 mb FLAC version RAR size: 1201 mb WMA version RAR size: 1197 mb Rating: 4.2 Votes: 507 Other Formats: AC3 AHX MP3 FLAC XM APE AA Tracklist Hide Credits 1-1 1984 3:23 1-2 Rebel Rebel 2:42 1-3 Moonage Daydream 5:08 1-4 Sweet Thing / Candidate / Sweet Thing (Reprise) 8:35 1-5 Changes 3:35 1-6 Suffragette City 3:45 1-7 Aladdin Sane 4:59 1-8 All The Young Dudes 4:15 1-9 Cracked Actor 3:25 Rock 'N' Roll With Me 1-10 4:18 Written-By – David Bowie, Warren Peace 1-11 Watch That Man 5:04 Knock On Wood 2-1 3:39 Written-By – Eddie Floyd, Steve Cropper Here Today, Gone Tomorrow 2-2 3:40 Written-By – Satchell*, Robinson*, Webster*, Harris*, Bonner*, Jones*, Middlebrooks* 2-3 Space Oddity 6:27 2-4 Diamond Dogs 6:25 2-5 Panic In Detroit 5:41 2-6 Big Brother 4:11 2-7 Time 5:22 2-8 Width Of A Circle 8:11 2-9 The Jean Genie 5:19 2-10 Rock 'N' Roll Suicide 4:47 Companies, etc. Phonographic Copyright (p) – Jones/Tintoretto Entertainment Co., LLC Licensed To – EMI Records Ltd. Copyright (c) – Jones/Tintoretto Entertainment Co., LLC Copyright (c) – EMI Records Ltd. Published By – Jones Music America Published By – Colgems-EMI Music Inc. Published By – Chrysalis Music Published By – RZO Music Ltd. -
Elton John Tumbleweed Connection Mp3, Flac, Wma
Elton John Tumbleweed Connection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Tumbleweed Connection Country: Netherlands Style: Soft Rock MP3 version RAR size: 1190 mb FLAC version RAR size: 1301 mb WMA version RAR size: 1645 mb Rating: 4.7 Votes: 555 Other Formats: AIFF VOX MOD AC3 AA APE AUD Tracklist Hide Credits Ballad Of A Well Known Gun Acoustic Guitar, Lead Guitar – Caleb QuayeBacking Vocals – Dusty Springfield, Kay A1 4:59 Garner, Lesley Duncan, Madeline Bell, Tony Burrows, Tony HazzardBass Guitar – Dave Glover*Drums, Percussion – Roger PopePiano – Elton John Come Down In Time A2 Acoustic Bass – Chris LaurenceAcoustic Guitar – Les ThatcherBass Guitar – Herbie 3:25 FlowersDrums – Barry MorganHarp – Skaila KangaOboe – Karl Jenkins Country Comfort Acoustic Guitar – Caleb QuayeAcoustic Guitar [12-String] – Les ThatcherBacking Vocals – A3 5:08 Dee Murray, Nigel OlssonBass Guitar – Herbie FlowersDrums – Barry MorganHarmonica – Ian DuckPiano – Elton JohnSteel Guitar – Gordon HuntleyViolin – Johnny Van Derek Son Of Your Father Backing Vocals – Kay Garner, Lesley Duncan, Madeline Bell, Sue And Sunny*, Tammi A4 3:46 HuntBass Guitar – Dave Glover*Drums – Roger PopeHarmonica – Ian DuckLead Guitar – Caleb QuayePiano – Elton John My Father's Gun Backing Vocals – Dusty Springfield, Kay Garner, Lesley Duncan, Madeline Bell, Tony A5 6:19 Burrows, Tony HazzardBass Guitar – Dave Glover*Drums – Roger PopeElectric Guitar, Acoustic Guitar – Caleb QuayePiano – Elton John Where To Now St. Peter B1 Backing Vocals – Dee Murray, Nigel OlssonBass