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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Sherlock Holmes
sunday monday tuesday wednesday thursday friday saturday KIDS MATINEE Sun 1:00! FEB 23 (7:00 & 9:00) FEB 24 & 25 (7:00 & 9:00) FEB 26 & 27 (3:00 & 7:00 & 9:15) KIDS MATINEE Sat 1:00! UP CLOUDY WITH A CHANCE OF MEATBALLS THE HURT LOCKER THE DAMNED PRECIOUS FEB 21 (3:00 & 7:00) Director: Kathryn Bigelow (USA, 2009, 131 mins; DVD, 14A) Based on the novel ‘Push’ by Sapphire FEB 22 (7:00 only) Cast: Jeremy Renner Anthony Mackie Brian Geraghty Ralph UNITED Director: Lee Daniels Fiennes Guy Pearce . (USA, 2009, 111 min; 14A) THE IMAGINARIUM OF “AN INSTANT CLASSIC!” –Wall Street Journal Director: Tom Hooper (UK, 2009, 98 min; PG) Cast: Michael Sheen, Cast: Gabourey Sidibe, Paula Patton, Mo’Nique, Mariah Timothy Spall, Colm Meaney, Jim Broadbent, Stephen Graham, Carey, Sherri Shepherd, and Lenny Kravitz “ENTERS THE PANTEHON and Peter McDonald DOCTOR PARNASSUS OF GREAT AMERICAN WAR BEST SUPPORTING ACTRESS MO’NIQUE FILMS!” –San Francisco “ONE OF THE BEST FILMS OF THE GENRE!” –Golden Globes, Screen Actors Guild Director: Terry Gilliam (UK/Canada/France, 2009, 123 min; PG) –San Francisco Chronicle Cast: Heath Ledger, Christopher Plummer, Tom Waits, Chronicle ####! The One of the most telling moments of this shockingly beautiful Lily Cole, Johnny Depp, Colin Farrell, and Jude Law Hurt Locker is about a bomb Can viewers who don’t know or care much about soccer be convinced film comes toward the end—the heroine glances at a mirror squad in present-day Iraq, to see Damned United? Those who give it a whirl will discover a and sees herself. -
Netflix the TRENDERA FILES: the FUTURE OF
THE THE TRENDERA FILES TRENDERA FILES Trendera THE FUTURE OF Volume 9, Issue 1, January 2018 Netflix THE TRENDERA FILES: THE FUTURE OF CONTENTS THE FUTURE OF INTRO 4 YOUR CONSUMER 76 78 Is It Over Yet? 84 Your Consumer In 2018 2017 IN MEMES 7 89 Values & Goals 95 Dating 97 Entertainment STILL GOING STRONG 11 102 Technology 103 Retail 107 Money THE FUTURE OF... 108 15 Significant Differences: Coastal vs. National 16 Lifestyle 24 Gender 30 Power, Influence & Celebrity 34 Entertainment Trendera 40 Social Media 44 Technology 52 Fashion 58 Retail 64 Marketing 70 Work Netflix2 TABLE OF CONTENTS NOW TRENDING 112 STATISTICS 155 113 Lifestyle 118 Entertainment 121 Digital / Tech 123 Retail / Fashion STANDOUT MARKETING 126 THE HOT LISTS Trendera131 132 What’s Hot: Gen Z 8-12 134 What’s Hot: Gen Z 13+ 136 What’s Hot: Millennials 138 Trendera Class of 2018 150 Digital Download 152 Know the Slang Netflix3 THE TRENDERA FILES: THE FUTURE OF If you’re reading this, congratulations are in order—you survived 2017! We knew this year was going to be a doozy, and boy was it. Having endured a trifecta of some of the worst natural disasters and mass shootings on American soil, an outpouring of sexual harassment scandals, and global nuclear annihilation looming closer with every presidential tweet, it’s no wonder 2017 left so many of us physically, mentally, and emotionally exhausted. When even Taylor Swift has taken a turn for the dark, it’s clear that a seismic mood shift has occurred within American culture. -
An Examination of Gender Roles in the Adventures of Priscilla, Queen of the Desert Lauren Challinor College of Dupage
ESSAI Volume 11 Article 13 Spring 2013 An Examination of Gender Roles in The Adventures of Priscilla, Queen of the Desert Lauren Challinor College of DuPage Follow this and additional works at: http://dc.cod.edu/essai Recommended Citation Challinor, Lauren (2013) "An Examination of Gender Roles in The Adventures of Priscilla, Queen of the Desert," ESSAI: Vol. 11, Article 13. Available at: http://dc.cod.edu/essai/vol11/iss1/13 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in ESSAI by an authorized administrator of DigitalCommons@COD. For more information, please contact [email protected]. Challinor: An Examination of General Roles in An Examination of Gender Roles in The Adventures of Priscilla, Queen of the Desert by Lauren Challinor (English 1154) he Adventures of Priscilla, Queen of the Desert, a 1994 film directed by Stephan Elliott, is a campy movie-musical with a poignant plot, following two transvestites and a trans-woman on T a journey through the Australian outback in a tour-bus they christened Priscilla, travelling from cosmopolitan Sydney to the remote outpost of Alice Springs in the heart of the continent. My focus in this essay shall be to explore the personal journey of each of the three main characters, as well as their interactions with each other and other characters throughout the film, through the lens of shifting gender roles and gender role behaviors. As a source, I refer to an article published in 1998, authored under the name Holly Devor, and entitled ―Gender Role Behaviors and Attitudes‖. -
2018 Annual Security & Fire Safety Report
TABLE OF CONTENTS MESSAGE FROM CHIEF OF POLICE TROY LANE ............................................................................................ 1 UNIVERSITY OF TENNESSEE POLICE DEPARTMENT OVERVIEW ................................................................... 1 Mission Statement .......................................................................................................................... 1 Contact Information ........................................................................................................................ 2 Officers and Training ....................................................................................................................... 2 Accreditation ................................................................................................................................... 3 Authority, Jurisdiction, and Working Relationships with State and Local Law Enforcement Agencies ..................................................................................................... 3 REPORTING A CRIME, EMERGENCY OR SUSPICIOUS ACTIVITY.................................................................... 5 Emergencies ..................................................................................................................................... 5 Non-Emergencies ............................................................................................................................. 6 New Mobile App with LiveSafe ....................................................................................................... -
Videos from Netflix Here Are the Videos I Found Available from Netflix in a Quick Search
Photo 10 Foothill College Kate Jordahl Videos from Netflix Here are the videos I found available from Netflix in a quick search. You are only assigned to see a minimum of one film on photography or a photographer. If that is not possible, I will give you an alternative assignment. The videos are not on the exam – only the reading and the lectures are on the exam. The videos are one of the many ways your might experience the history of photography. Everyone’s experience will be unique and this journey through this magical history will be documented in your portfolio. Enjoy the adventure! Ansel Adams: American Experience (2002) The life and work of celebrated photographer The timeless photographs of Ansel Adams have Alfred Stieglitz are presented in this made him one of the most recognized and documentary feature. Stieglitz was highly admired names in art. A staunch influential in the rise of modern art appreciation environmentalist, Adams took pictures that in America, and his work established reflected a larger worldview that the photography as an accepted artistic medium photographer held to strongly. This intimate within the world of fine art. Archival imagery look at the artist and his work was produced for and interview footage of artists who worked the PBS series American Experience and with Stieglitz are used to illustrate the directed by Ric Burns, who created the powerful accomplishments of this prolific artist. series about New York City. David Ogden Starring: Alfred Stieglitz Stiers narrates. Director: Not Available Starring: Ansel Adams, David Ogden Stiers Genre: Documentary Director: Ric Burns Format: Full Screen .. -
The Global Internet Phenomena Report 2019
The Global Internet Phenomena Report September 2019 The Global Internet Welcome! Phenomena Report September 2019 A word from Lyn Cantor, CEO, Sandvine About the Global Internet Welcome to the 2019 Global Internet Phenomena Report Phenomena Data Sandvine is a global leader in the network intelligence market segment. Our customer base represents over 160 Tier 1 and Tier 2 global network operators (fixed, mobile, satellite, WiFi, and enterprise) and our The 2019 version of categories. This has the effect of smoothing out The data in this edition of the Global Internet solutions touch over 2.5 billion internet subscribers worldwide. the Global Internet the impact that a special event has on traffic Phenomena Report is drawn from Sandvine’s Phenomena Report across a six month period. installed base of over 160 Tier 1 and Tier 2 fixed, The foundation of our business is being the best network intelligence was truly a labor of love mobile, and WiFi operators worldwide. The report company with unmatched depth and breadth of pre-packaged use cases, for me. Last year, we Some of the events that occurred have clearly does not include significant data from either China or that help our customers understand, optimize, automate, and manage built a new foundation had an impact on the global share of specific India, but the data represents a portion of Sandvine’s subscriber quality of experience (QoE). Our objective is to provide for the report with more traffic types, but the data is speaking pretty 2.5B subscribers installed base, a statistically the best vendor-agnostic granularity, accuracy, and automated exploration of traffic clearly on the trends, and it is impossible to significant segment of the internet population. -
The Physician at the Movies Peter E
The physician at the movies Peter E. Dans, MD Geoffrey Rush, Colin Firth (as Prince Albert/King George VI), and Helena Bonham Carter in The King’s Speech (2010). The Weinstein Company,/Photofest. The King’s Speech helphimrelaxhisvocalcordsandtogivehimconfidencein Starring Colin Firth, Geoffrey Rush, Helena Bonham Carter, anxiousmoments.Heisalsotoldtoputpebblesinhismouth Guy Pearce, and Derek Jacobi. like Demosthenes was said to have done to speak over the Directed by Tom Hooper. Rated R and PG. Running time 118 waves.Allthatdoesismakehimalmostchoketodeath. minutes. His concerned wife, Elizabeth (Helena Bonham Carter), poses as a Mrs. Johnson to enlist the aid of an unorthodox box-officefavoritewithanupliftingcoherentstorywins speechtherapist,LionelLogue,playedwithgustobyGeoffrey the Academy Award as Best Picture. Stop the presses! Rush. Firth deserved his Academy Award for his excellent AThefilm chronicles the transformation of the Duke of York job in reproducing the disability and capturing the Duke’s (ColinFirth),wholookslike“adeerintheheadlights”ashe diffidence while maintaining his awareness of being a royal. stammers and stutters before a large crowd at Wembley Still,itisRushwhomakesthemoviecomealiveandhasthe StadiumattheclosingoftheEmpireExhibitionin1925, best lines, some from Shakespeare—he apologizes to Mrs. J tohisdeliveryofaspeechthatralliesanationatwar fortheshabbinessofhisstudiowithalinefromOthellothat in1939.Thedoctorswhoattendtowhattheycall being“poorandcontentisrich,andrichenough.”Refusingto tongue-tiednessadvocatecigarettesmokingto -
Control Issues: Binge-Watching, Channel-Surfing and Cultural Value
. Volume 16, Issue 2 November 2019 Control Issues: Binge-watching, channel-surfing and cultural value Mareike Jenner, Anglia Ruskin University, UK Abstract: This article explores binge-watching as part of neoliberal discourses surrounding control, class and ‘good’ television, which leads to an overall discourse concerning the legitimation and de-legitimation of the medium. Binge-watching is understood here as part of a continuum of viewing practices that help us to understand and discuss the medium in popular discourse. As historical precedent, the emphasis lies on channel-surfing to illustrate the intersection of technology, control and ‘good’ television. This article outlines some of the discourses at stake in channel-surfing and its relationship with remote controls as these ancillary technologies move from being devices associated with avoiding ‘bad’ television to devices that subjugate viewers. Such a discursive de-legitimation of a viewing practice interlinks with an overall de-legitimation of the medium. This precedent is indicative of the way binge-watching’s cultural positioning has been negotiated throughout its history and may be re-negotiated now, especially in relation to Netflix. The dynamics of this negotiation take place at the intersection of class, technology, viewing practices and ‘good’ or ‘quality’ television. In the course of promoting The Innocents (Netflix, 2018- ) in 2018, Guy Pearce stated that he was instructed by Netflix not to use the term binge-watching. This led to an immense amount of press coverage and speculation over company policy. Particularly telling is a Yahoo! Finance piece written by Andy Meek (2018) that speculates that the practice of binge-watching has become ‘low-brow’ and Netflix is seeking to extricate itself from these associations, possibly in advance of launching a more ‘elite’ version of its service in the US. -
Cannes Hot List: 15 Titles Set to Heat up the 2017 Market
Cannes Hot List: 15 Titles Set to Heat Up the 2017 Market 6:00 AM 5/16/2017 by Tatiana Siegel and Rebecca Ford As Netflix and Amazon challenge the traditional festival sales model, dealmakers are bracing for battle over a handful of key titles. 'Spinning Man' Courtesy of Michael Moriatis Last year, the biggest Cannes deal saw STX Entertainment plunk down $50 million for foreign rights to Martin Scorsese's mob epic The Irishman, beating out Fox and Universal in a bidding war. Fast-forward 12 months, and that film may continue to dominate the conversation at the market this year. That's because in February, The Irishman financier Gaston Pavlovich opted out of the STX pact in favor of a worldwide deal with Netflix — a move that has implications for European distributors (Netflix forgoes a traditional theatrical release and instead launches directly to its subscribers). "The Irishman will remain a talking point," says Bloom's Alex Walton. "For example, I was just in France and Italy, and though it's old news, people still want to talk about it. The fact that this move is taking box-office dollars away from the marketplace will reach a fever pitch come Cannes." STX had mulled legal action against Netflix, but sources say the two sides have reached an understanding. Even so, the aftershocks can still be felt given that a $125 million film has defected to a streaming service. In fact, the presales market — a major slice of Cannes deal- making — continues to adjust to the sometimes crippling presence of Netflix and Amazon. -
A STUDY GUIDE by Marguerite O'hara
A STUDY GUIDE by MArguerite o’hArA http://www.metromagazine.com.au http://www.theeducationshop.com.au Animal Kingdom is an Australian drama about crime, but, unlike many dramatisations of crime seen on our screens, this film looks at the internal dynamics of one family – the Codys – and at the devastating consequences of their lifestyle and behaviours. Why study Animal Kingdom? his guide provides a framework for discussing and writing about Tthe ways in which this film is quite unlike many of the popular, recently screened television dramas about criminals, the police and the law. These are likely to have been watched by many students. Many popular crime dramas, such Curriculum links as the Underbelly series, have been Animal Kingdom is suitable for based on the Melbourne underworld’s senior and tertiary students studying activities in the 1990s and beyond. sad study of a family’s disintegration. Literature, Film as Text, Cinema Above all, it rings true. Studies, Screenwriting, Criminology The lives and deaths of many of these and Sociology. criminals have been represented in the All the elements of this film need to be Teachers of students under fifteen media and on film in a style that tends looked at carefully to understand why should be aware that the film is rated to glamorise them. They are presented Animal Kingdom stands out from the MA 15+ for its depiction of drug use, as celebrities whose activities are pack. violence and use of strong language. as colourful and exciting as they are The film runs for 112 minutes. violent and destructive. -
The King's Speech
The King’s Speech Length: 118min Year: 2010 Director:Tom Hooper Characters and actors: Colin Firth as King George VI Geoffrey Rush as Lionel Logue Helena Bonham Carter as Elizabeth Bowes-Lyon Guy Pearce as King Edward VIII Timothy Spall as Winston Churchill Michael Gambon as King George V King’s last speech King George VI: In this grave hour, perhaps the most fateful in our history, I send to every household of my peoples, both at home and overseas, this message, spoken with the same depth of feeling for each one of you, as if I were able to cross your threshold and speak to you myself. For the second time in the lives of most of us, we are at war. Over and over again we have tried to find a peaceful way out of the differences between ourselves and those who are now our enemies. But it has been in vain. We have been forced into a conflict, for we are called to meet the challenge of a principle, which, if it were to prevail, would be fatal to any civilized order in the world. Such a principle, stripped of all disguise, is surely the mere primitive doctrine that might is right. For the sake of all that we ourselves hold dear, it is unthinkable that we should refuse to meet the challenge. It is to this high purpose that I now call my people at home, and my peoples across the seas, who will make our cause their own. I ask them to stand calm and firm and united in this time of trial.