DOCSLIB.ORG

Things Above Colossians 3:1-4 Years Ago, Guy Pearce Starred in A

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Things Above Colossians 3:1-4 Years Ago, Guy Pearce Starred in A Things Above Colossians 3:1-4 Years ago, Guy Pearce starred in a film titled Memento. In the movie, Pearce plays the role of a man named Leonard Shelby who tries to track down the person who murdered his wife. But Shelby’s search for his wife’s killer is complicated by the fact that he suffered a blow to the head by the person who murdered his wife – and as a result, he suffers from anterograde amnesia. Because of this, Shelby struggles to remember anything for more than a just a few minutes. To compensate, he creates a sophisticated system of notes, Polaroid photos and tattoos in order to help him remember facts that will help him find his wife's killer. His ultimate goal is to exact revenge. In the film, Shelby’s efforts to solve the crime are further complicated by a few shady characters. These people tell Shelby lies about his past and his true identity. In a pivotal scene in the film, a character by the name of Teddy says to Shelby, “You don't know who you are anymore.” Shelby responds, “Of course I do. I'm Leonard Shelby. I'm from San Francisco.” Teddy says, “No, that's who you were. Maybe it's time you started investigating yourself.” Following this, Shelby experiences a series of revelations that causes him to begin questioning himself – and this eventually leads to the film's shocking conclusion. As followers of Jesus Christ, we’re sometimes a lot like Leonard Shelby. What I mean is - we forget who we are. We forget our true identity in Christ. Our culture has conditioned to believe that our identity is defined by what we achieve – so we chase after things like wealth, fame, power and success. We’re told these are the essential ingredients of a happy life. But the Bible tells us that our true identity is something we receive as a gift from God. This morning as we continue our study of Paul’s letter to the Colossians, I’d like to talk about our identity in Christ. Why is understanding our true identity in Christ important? How should this impact the way we live? Let’s open our Bible’s to Colossians chapter 3. 2 Colossians chapter 3 marks a transition point in this letter. In chapters 1-2, Paul addressed a number of important doctrinal issues. He did this to correct false teaching that the believers in Colosse had been hearing. We learned last week that false teachers in the church promoted elements of philosophy, mysticism, asceticism and the worship of angels. Scholars tell us this was an early form of Gnosticism. The believers in Colosse were confused about the things that were being taught. So, Paul wrote this letter to reaffirm the message of the gospel and to remind the Colossians about their identity in Christ. Now – in verses 1-4 of this 3rd chapter, Paul tries to impress upon the Colossians that because they are new creations in Christ – this should have a positive impact on the way they live. And so, from verse 5 of this 3rd chapter – through the end of this letter, Paul talks about things we must put off as followers of Christ (immorality, impurity, evil desire, anger and wrath) and he then talks about the things we must put on. Paul explains how the Christlike qualities of compassion, kindness, humility, meekness and patience can impact relationships for the good. Following on, he talks about the relationships between husbands and wives - parents and their children – and masters and slaves. In all of this, Paul tells us that godly living will impact our attitude, our ambitions, our affections and our outlook on life. Chapter 3 begins with these words: If then you have been raised with Christ, seek the things that are above, where Christ is, seated at the right hand of God. Set your minds on things that are above, not on things that are on earth. For you have died, and your life is hidden with Christ in God. When Christ who is your life appears, then you also will appear with him in glory. There are four important truths that Paul underscores in this passage. Write these down in your outline. In verse 1, he tells us that: 1. We have been raised with Christ. Please note the tense of Paul’s language. He isn’t talking about a future event – he’s talking about a present reality. We have been raised with Christ! This, by the way, is a familiar theme in Paul’s writing. In chapter 2 and verse 12 3 Paul said: ….you were also raised with him through faith…” What does this phrase mean? It means if we have received Christ as Savior and Lord, we share in the victory of His resurrection. It means there is a new power working in our lives – God’s resurrection power – and this power enables us to walk in newnesss of life. Paul writes similar words in Ephesians 2:5-6: Even when we were dead in our trespasses, made us alive together with Christ—by grace you have been saved— and raised us up with him and seated us with him in the heavenly places in Christ Jesus. What is Paul saying in this passage? Among many things, he’s saying that a person who is dead in sins cannot resurrect themselves. God must do it for them. Spiritual regeneration is an act of God. Paul says we have been raised with Christ. We find the second truth in verse 3. Paul tells us that: 2. We died with Christ. Paul says in verse 3: For you have died. This is another phrase we’ve seen before in this letter. Paul said this in chapter 2 – verses 12-13. When the Bible says we have died with Christ it means we have died to our old way of living. We have been severed from the old life. Paul explains this reality this way in 2 Corinthians 5:17: Therefore, if anyone is in Christ, he is a new creation. The old has passed away; behold, the new has come. A number of years ago in Dearborn, Michigan – an employee of the Ford Motor Company was terminated from his job. A few days after he was fired, he returned to the Ford plant with a gun and he took his foreman and some of his former fellow workers hostage. There was a tense stand-off for several hours. One of the workers taken hostage was a bi-vocational pastor of a church in Detroit. The pastor pleaded with the man to release the hostages and to surrender – but the man became more angry and agitated. He pointed his gun at the pastor and screamed, “I should just kill you!” The pastor calmly replied, “You can’t kill me. I’m already a dead man.” The Bible says we have died to our old life – and we’ve been raised to newness of life in Christ. We find another truth in verse 3. Paul says: 4 3. Our life is hidden with Christ in God. What does this passage mean? New Testament scholar Dr. F.F. Bruce points out that the phrase “hidden with Christ” is a play on a familiar Greek term “hidden in the earth.” In ancient Hellenistic culture, when a person died and was buried – people commonly said that person was “hidden in the earth.” It’s quite possible that Paul was playing off that familiar phrase. Think about the word “hidden” for a moment. The word “hidden” implies concealment and safety. Let me share a simple illustration. Imagine you’re holding a business card and you put it somewhere in the middle of your Bible - and you then close your Bible and hold it shut. That’s a picture of what it’s like for a Christian to be hidden with Christ in God. We’re enveloped, surrounded and protected by God. I think you would agree - it’s sometimes hard to feel secure in a world like this. We worry about our health – or we worry that someone may harm us or someone we love. We worry about our financial security. We sometimes wring our hands with anxiety and ask, “What if I lose my job? What if I experience some kind of financial reversal? What will I do?” This world militates against our sense of security. If you don’t feel very secure this morning, pleased be comforted by the fact that your life is hidden with Christ in God. Beloved, we’re not insecure if God is looking after us! What did Jesus say about our security? Look at John 10:28: And I give them eternal life, and they shall never perish; neither shall anyone snatch them out of My hand. Our life is hidden with Christ in God. 4. We will appear with Christ in glory. Look at verse 4: When Christ who is your life appears, then you also will appear with him in glory. Paul is pointing us toward that final day when all of the sadness and struggles of this life will be over – and we will be with the Lord. The Bible tells us that a day is coming when we’ll be like Christ. 1 John 3:2 says: Beloved, we are God's children now, and what we will be has not yet appeared; but we know that when he appears we shall be like him, because we shall see him as he is.
Load more

Recommended publications
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • Sherlock Holmes
    sunday monday tuesday wednesday thursday friday saturday KIDS MATINEE Sun 1:00! FEB 23 (7:00 & 9:00) FEB 24 & 25 (7:00 & 9:00) FEB 26 & 27 (3:00 & 7:00 & 9:15) KIDS MATINEE Sat 1:00! UP CLOUDY WITH A CHANCE OF MEATBALLS THE HURT LOCKER THE DAMNED PRECIOUS FEB 21 (3:00 & 7:00) Director: Kathryn Bigelow (USA, 2009, 131 mins; DVD, 14A) Based on the novel ‘Push’ by Sapphire FEB 22 (7:00 only) Cast: Jeremy Renner Anthony Mackie Brian Geraghty Ralph UNITED Director: Lee Daniels Fiennes Guy Pearce . (USA, 2009, 111 min; 14A) THE IMAGINARIUM OF “AN INSTANT CLASSIC!” –Wall Street Journal Director: Tom Hooper (UK, 2009, 98 min; PG) Cast: Michael Sheen, Cast: Gabourey Sidibe, Paula Patton, Mo’Nique, Mariah Timothy Spall, Colm Meaney, Jim Broadbent, Stephen Graham, Carey, Sherri Shepherd, and Lenny Kravitz “ENTERS THE PANTEHON and Peter McDonald DOCTOR PARNASSUS OF GREAT AMERICAN WAR BEST SUPPORTING ACTRESS MO’NIQUE FILMS!” –San Francisco “ONE OF THE BEST FILMS OF THE GENRE!” –Golden Globes, Screen Actors Guild Director: Terry Gilliam (UK/Canada/France, 2009, 123 min; PG) –San Francisco Chronicle Cast: Heath Ledger, Christopher Plummer, Tom Waits, Chronicle ####! The One of the most telling moments of this shockingly beautiful Lily Cole, Johnny Depp, Colin Farrell, and Jude Law Hurt Locker is about a bomb Can viewers who don’t know or care much about soccer be convinced film comes toward the end—the heroine glances at a mirror squad in present-day Iraq, to see Damned United? Those who give it a whirl will discover a and sees herself.
    [Show full text]
  • An Examination of Gender Roles in the Adventures of Priscilla, Queen of the Desert Lauren Challinor College of Dupage
    ESSAI Volume 11 Article 13 Spring 2013 An Examination of Gender Roles in The Adventures of Priscilla, Queen of the Desert Lauren Challinor College of DuPage Follow this and additional works at: http://dc.cod.edu/essai Recommended Citation Challinor, Lauren (2013) "An Examination of Gender Roles in The Adventures of Priscilla, Queen of the Desert," ESSAI: Vol. 11, Article 13. Available at: http://dc.cod.edu/essai/vol11/iss1/13 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in ESSAI by an authorized administrator of DigitalCommons@COD. For more information, please contact [email protected]. Challinor: An Examination of General Roles in An Examination of Gender Roles in The Adventures of Priscilla, Queen of the Desert by Lauren Challinor (English 1154) he Adventures of Priscilla, Queen of the Desert, a 1994 film directed by Stephan Elliott, is a campy movie-musical with a poignant plot, following two transvestites and a trans-woman on T a journey through the Australian outback in a tour-bus they christened Priscilla, travelling from cosmopolitan Sydney to the remote outpost of Alice Springs in the heart of the continent. My focus in this essay shall be to explore the personal journey of each of the three main characters, as well as their interactions with each other and other characters throughout the film, through the lens of shifting gender roles and gender role behaviors. As a source, I refer to an article published in 1998, authored under the name Holly Devor, and entitled ―Gender Role Behaviors and Attitudes‖.
    [Show full text]
  • Videos from Netflix Here Are the Videos I Found Available from Netflix in a Quick Search
    Photo 10 Foothill College Kate Jordahl Videos from Netflix Here are the videos I found available from Netflix in a quick search. You are only assigned to see a minimum of one film on photography or a photographer. If that is not possible, I will give you an alternative assignment. The videos are not on the exam – only the reading and the lectures are on the exam. The videos are one of the many ways your might experience the history of photography. Everyone’s experience will be unique and this journey through this magical history will be documented in your portfolio. Enjoy the adventure! Ansel Adams: American Experience (2002) The life and work of celebrated photographer The timeless photographs of Ansel Adams have Alfred Stieglitz are presented in this made him one of the most recognized and documentary feature. Stieglitz was highly admired names in art. A staunch influential in the rise of modern art appreciation environmentalist, Adams took pictures that in America, and his work established reflected a larger worldview that the photography as an accepted artistic medium photographer held to strongly. This intimate within the world of fine art. Archival imagery look at the artist and his work was produced for and interview footage of artists who worked the PBS series American Experience and with Stieglitz are used to illustrate the directed by Ric Burns, who created the powerful accomplishments of this prolific artist. series about New York City. David Ogden Starring: Alfred Stieglitz Stiers narrates. Director: Not Available Starring: Ansel Adams, David Ogden Stiers Genre: Documentary Director: Ric Burns Format: Full Screen ..
    [Show full text]
  • The Physician at the Movies Peter E
    The physician at the movies Peter E. Dans, MD Geoffrey Rush, Colin Firth (as Prince Albert/King George VI), and Helena Bonham Carter in The King’s Speech (2010). The Weinstein Company,/Photofest. The King’s Speech helphimrelaxhisvocalcordsandtogivehimconfidencein Starring Colin Firth, Geoffrey Rush, Helena Bonham Carter, anxiousmoments.Heisalsotoldtoputpebblesinhismouth Guy Pearce, and Derek Jacobi. like Demosthenes was said to have done to speak over the Directed by Tom Hooper. Rated R and PG. Running time 118 waves.Allthatdoesismakehimalmostchoketodeath. minutes. His concerned wife, Elizabeth (Helena Bonham Carter), poses as a Mrs. Johnson to enlist the aid of an unorthodox box-officefavoritewithanupliftingcoherentstorywins speechtherapist,LionelLogue,playedwithgustobyGeoffrey the Academy Award as Best Picture. Stop the presses! Rush. Firth deserved his Academy Award for his excellent AThefilm chronicles the transformation of the Duke of York job in reproducing the disability and capturing the Duke’s (ColinFirth),wholookslike“adeerintheheadlights”ashe diffidence while maintaining his awareness of being a royal. stammers and stutters before a large crowd at Wembley Still,itisRushwhomakesthemoviecomealiveandhasthe StadiumattheclosingoftheEmpireExhibitionin1925, best lines, some from Shakespeare—he apologizes to Mrs. J tohisdeliveryofaspeechthatralliesanationatwar fortheshabbinessofhisstudiowithalinefromOthellothat in1939.Thedoctorswhoattendtowhattheycall being“poorandcontentisrich,andrichenough.”Refusingto tongue-tiednessadvocatecigarettesmokingto
    [Show full text]
  • Control Issues: Binge-Watching, Channel-Surfing and Cultural Value
    . Volume 16, Issue 2 November 2019 Control Issues: Binge-watching, channel-surfing and cultural value Mareike Jenner, Anglia Ruskin University, UK Abstract: This article explores binge-watching as part of neoliberal discourses surrounding control, class and ‘good’ television, which leads to an overall discourse concerning the legitimation and de-legitimation of the medium. Binge-watching is understood here as part of a continuum of viewing practices that help us to understand and discuss the medium in popular discourse. As historical precedent, the emphasis lies on channel-surfing to illustrate the intersection of technology, control and ‘good’ television. This article outlines some of the discourses at stake in channel-surfing and its relationship with remote controls as these ancillary technologies move from being devices associated with avoiding ‘bad’ television to devices that subjugate viewers. Such a discursive de-legitimation of a viewing practice interlinks with an overall de-legitimation of the medium. This precedent is indicative of the way binge-watching’s cultural positioning has been negotiated throughout its history and may be re-negotiated now, especially in relation to Netflix. The dynamics of this negotiation take place at the intersection of class, technology, viewing practices and ‘good’ or ‘quality’ television. In the course of promoting The Innocents (Netflix, 2018- ) in 2018, Guy Pearce stated that he was instructed by Netflix not to use the term binge-watching. This led to an immense amount of press coverage and speculation over company policy. Particularly telling is a Yahoo! Finance piece written by Andy Meek (2018) that speculates that the practice of binge-watching has become ‘low-brow’ and Netflix is seeking to extricate itself from these associations, possibly in advance of launching a more ‘elite’ version of its service in the US.
    [Show full text]
  • Cannes Hot List: 15 Titles Set to Heat up the 2017 Market
    Cannes Hot List: 15 Titles Set to Heat Up the 2017 Market 6:00 AM 5/16/2017 by Tatiana Siegel and Rebecca Ford As Netflix and Amazon challenge the traditional festival sales model, dealmakers are bracing for battle over a handful of key titles. 'Spinning Man' Courtesy of Michael Moriatis Last year, the biggest Cannes deal saw STX Entertainment plunk down $50 million for foreign rights to Martin Scorsese's mob epic The Irishman, beating out Fox and Universal in a bidding war. Fast-forward 12 months, and that film may continue to dominate the conversation at the market this year. That's because in February, The Irishman financier Gaston Pavlovich opted out of the STX pact in favor of a worldwide deal with Netflix — a move that has implications for European distributors (Netflix forgoes a traditional theatrical release and instead launches directly to its subscribers). "The Irishman will remain a talking point," says Bloom's Alex Walton. "For example, I was just in France and Italy, and though it's old news, people still want to talk about it. The fact that this move is taking box-office dollars away from the marketplace will reach a fever pitch come Cannes." STX had mulled legal action against Netflix, but sources say the two sides have reached an understanding. Even so, the aftershocks can still be felt given that a $125 million film has defected to a streaming service. In fact, the presales market — a major slice of Cannes deal- making — continues to adjust to the sometimes crippling presence of Netflix and Amazon.
    [Show full text]
  • A STUDY GUIDE by Marguerite O'hara
    A STUDY GUIDE by MArguerite o’hArA http://www.metromagazine.com.au http://www.theeducationshop.com.au Animal Kingdom is an Australian drama about crime, but, unlike many dramatisations of crime seen on our screens, this film looks at the internal dynamics of one family – the Codys – and at the devastating consequences of their lifestyle and behaviours. Why study Animal Kingdom? his guide provides a framework for discussing and writing about Tthe ways in which this film is quite unlike many of the popular, recently screened television dramas about criminals, the police and the law. These are likely to have been watched by many students. Many popular crime dramas, such Curriculum links as the Underbelly series, have been Animal Kingdom is suitable for based on the Melbourne underworld’s senior and tertiary students studying activities in the 1990s and beyond. sad study of a family’s disintegration. Literature, Film as Text, Cinema Above all, it rings true. Studies, Screenwriting, Criminology The lives and deaths of many of these and Sociology. criminals have been represented in the All the elements of this film need to be Teachers of students under fifteen media and on film in a style that tends looked at carefully to understand why should be aware that the film is rated to glamorise them. They are presented Animal Kingdom stands out from the MA 15+ for its depiction of drug use, as celebrities whose activities are pack. violence and use of strong language. as colourful and exciting as they are The film runs for 112 minutes. violent and destructive.
    [Show full text]
  • The King's Speech
    The King’s Speech Length: 118min Year: 2010 Director:Tom Hooper Characters and actors: Colin Firth as King George VI Geoffrey Rush as Lionel Logue Helena Bonham Carter as Elizabeth Bowes-Lyon Guy Pearce as King Edward VIII Timothy Spall as Winston Churchill Michael Gambon as King George V King’s last speech King George VI: In this grave hour, perhaps the most fateful in our history, I send to every household of my peoples, both at home and overseas, this message, spoken with the same depth of feeling for each one of you, as if I were able to cross your threshold and speak to you myself. For the second time in the lives of most of us, we are at war. Over and over again we have tried to find a peaceful way out of the differences between ourselves and those who are now our enemies. But it has been in vain. We have been forced into a conflict, for we are called to meet the challenge of a principle, which, if it were to prevail, would be fatal to any civilized order in the world. Such a principle, stripped of all disguise, is surely the mere primitive doctrine that might is right. For the sake of all that we ourselves hold dear, it is unthinkable that we should refuse to meet the challenge. It is to this high purpose that I now call my people at home, and my peoples across the seas, who will make our cause their own. I ask them to stand calm and firm and united in this time of trial.
    [Show full text]
  • Edinburgh Film Events Diary Events Film Edinburgh Screen Silver the on Edinburgh
    filmedinburgh.org darlingforsyth.com Designed by: Designed filmhousecinema.com Filmhouse. the at films Festive Christmas Edinburgh’s Illusionist, Hallam Foe courtesy of the producers. the of courtesy Foe Hallam Illusionist, Universal, Cloud Atlas, Restless Natives, The The Natives, Restless Atlas, Cloud Universal, facebook.com/CameoFilmQuiz Tuesday. 3rd every prizes win to questions film Answer quiz film Cameo Entertainment Films, One Day courtesy of NBC NBC of courtesy Day One Films, Entertainment filmhousecinema.com/cafe-bar/ Sunday. 2nd every country the in quiz trickiest the Probably quiz film Filmhouse December visitscotland.com courtesy of Film4, Sunshine On Leith courtesy of of courtesy Leith On Sunshine Film4, of courtesy Trainspotting and Shallow Grave Grave Shallow and Trainspotting Images: facebook.com/CameoFilmQuiz Tuesday. 3rd every prizes win to questions film Answer quiz film Cameo filmhousecinema.com/cafe-bar/ Sunday. 2nd every country the in quiz trickiest the Probably quiz film Filmhouse screen-ed.org/2013/04/16/write-shoot-cut-short-film-night/ attend. to free submit, to Free night. networking film Short Cut Shoot Write africa-in-motion.org.uk/ festival. film African Motion in Africa Produced by: Produced frenchfilmfestival.org.uk/ releases. French of crème la de crème the of premieres UK Festival Film French November africa-in-motion.org.uk/ festival. film African Motion In Africa mhfestival.com/ literature. and dance theatre, art, visual music, Festival Film & One of Scotland’s most diverse cultural events, covering film, covering events, cultural diverse most Scotland’s of One Arts Health Mental Scottish facebook.com/CameoFilmQuiz Tuesday. 3rd every prizes win to questions film Answer quiz film Cameo filmhousecinema.com/cafe-bar/ Sunday.
    [Show full text]
  • Movie Data Analysis.Pdf
    FinalProject 25/08/2018, 930 PM COGS108 Final Project Group Members: Yanyi Wang Ziwen Zeng Lingfei Lu Yuhan Wang Yuqing Deng Introduction and Background Movie revenue is one of the most important measure of good and bad movies. Revenue is also the most important and intuitionistic feedback to producers, directors and actors. Therefore it is worth for us to put effort on analyzing what factors correlate to revenue, so that producers, directors and actors know how to get higher revenue on next movie by focusing on most correlated factors. Our project focuses on anaylzing all kinds of factors that correlated to revenue, for example, genres, elements in the movie, popularity, release month, runtime, vote average, vote count on website and cast etc. After analysis, we can clearly know what are the crucial factors to a movie's revenue and our analysis can be used as a guide for people shooting movies who want to earn higher renveue for their next movie. They can focus on those most correlated factors, for example, shooting specific genre and hire some actors who have higher average revenue. Reasrch Question: Various factors blend together to create a high revenue for movie, but what are the most important aspect contribute to higher revenue? What aspects should people put more effort on and what factors should people focus on when they try to higher the revenue of a movie? http://localhost:8888/nbconvert/html/Desktop/MyProjects/Pr_085/FinalProject.ipynb?download=false Page 1 of 62 FinalProject 25/08/2018, 930 PM Hypothesis: We predict that the following factors contribute the most to movie revenue.
    [Show full text]
  • August 2014 at BFI Southbank with on Stage Appearances from Robert Pattinson, Guy Pearce
    August 2014 at BFI Southbank With on stage appearances from Robert Pattinson, Guy Pearce, John Slattery, Christina Hendricks, Moira Armstrong and Xie Fei On Monday 4 August, BFI Southbank will host the UK Premiere of John Slattery’s directorial feature debut God’s Pocket (2014) starring Philip Seymour Hoffman and Slattery’s fellow Mad Men star, Christina Hendricks. Following the screening John Slattery will take part in a Q&A, for which we also hope to welcome Christina Hendricks. On Wednesday 6 August there will be a preview screening of David Michôd’s (Animal Kingdom) new film The Rover (2014). The screening will be followed by a Q&A with the director, plus stars Guy Pearce and Robert Pattinson. The BFI’s Sci-Fi blockbuster project will blast off from the forecourt of the British Museum in spectacular style with a trilogy of science fiction classics screening over three successive nights, from Thursday 28 to Saturday 30 August. The trio of classic Sci-Fi film treats screened will be Flash Gordon (1980), The Day the Earth Caught Fire (1961) and The Man Who Fell to Earth (1976). A month-long season dedicated to the teen on screen; Teenage Kicks will look at those ‘in- between’ years. The season will include a special Sonic Cinema screening of film critic Charlie Lyne’s love letter to teen films Beyond Clueless (2014), with a live scored performed by pop-duo ‘Summer Camp’. BFI Southbank celebrates ground-breaking television director Moira Armstrong’s 50 years in the industry with a dedicated season, including screenings of Testament of Youth (1979) and The Girls of Slender Means (1975), plus a career interview with Armstrong on Tuesday 19 August.
    [Show full text]