Press Release

Total Page:16

File Type:pdf, Size:1020Kb

Press Release PRESS RELEASE AN EVENING OF ALLMAN BROTHERS MUSIC JAIMOE, founding member/drummer of the ALLMAN BROTHERS BAND, and WAYNE SHARP, Hammond B3 player with Michael Burks Band, present - THE MUSHROOM BROTHERHOOD - an evening of fabulous Allman Brothers music. On Saturday, August 31, 2019, at the PALLADIUM THEATER, St. Petersburg, it's a stunning re-creation of the epic Allman Brothers concert "AT FILLMORE EAST,” with the visual and musical energy synonymous with the Allman Brothers Band. This “Evening at the Fillmore” includes JAIMOE, a founding member of the Allman Brothers Band, a Grammy Lifetime Achievement Award recipient, and a member of The Rock & Roll Hall of Fame. This show pays homage to the "AT FILLMORE EAST” live album, a show that catapulted the Allman Brothers to international fame and is the biggest selling live album in rock & roll history! The MUSHROOM BROTHERHOOD uses the same vintage guitar amplifiers, instruments, organ, bass and drums that the original band members used at the Fillmore concert in NYC in 1971. It's an authentic, dedicated re-creation of one of the greatest rock music shows of all time! The concert features a special VIP package that includes PREMIER, FRONT SEATING, a signed event poster by JAIMOE, and a private, post-concert meeting at the Side Door venue (downstairs at Palladium) with Jaimoe and Wayne Sharp. Only $60. CONCERT DETAILS: The Mushroom Brotherhood, featuring JAIMOE SATURDAY, AUGUST 31, 2019 8:00 p.m.; Doors open at 7:00 p.m. Palladium Theater, 253 Fifth Avenue North, St. Petersburg, Florida Opening act: Backtrack Blues Band Tickets and VIP at: www.tampabaybluesfest.com and www.mypalladium.org General admission tickets are $40 in advance and $45 at the door. Information at (727) 895-6153 or at Palladium box office at (727) 822-3590. The VIP section will sell out quickly, so please order early for this special opportunity! Don't miss this rare chance to enjoy a serious night of Allman Brothers music created by JAIMOE and WAYNE SHARP, a long-time friend of members of the Allman Brothers Band. It will be a spectacular night of blues and classic rock music! Jaimoe – Drummer with The Allman Brothers .
Recommended publications
  • Some Bros. & a Blonde
    page 16 BLUE Joni Mitchell ; Reprise MS2038 ? -How does it sound? ; --Well, you can really see where James Taylor, uhh... you've really got to listen to the background.. .you know so much of the guitar playing sounds just like him.. the electric parts, I guess. -Does she have a lot of piano in it? . ; --Not really. Not so distinctive. But she's got practically * everything else on it , everything else that you might ex-;.. I pect from her, that is, a lot of different instruments. * -Do you think it's prettier than Ladies of the Canyon? . .. f --Technically better. ': ''Technically better?What do you mean? --The music is better. She's doing a lot of more compli­ cated arrangements. Musically it's almost perfect, you know. -I don't even know who else is playing with her on that album. --It doesn't say. It's very plain. On the inside are all the words. And on the back it has all die titles of the songs. .... ; . .. the front has Blue Joni Mitchell and you open it up .,.'!. and there are her words. Oh wait a minute... down here t I see something... Stephen Stills bass guitar on "Carey",| James Taylor on " California", and "All I Want", "A Case ! Of You". Sneaky pete, pedal steel guitar. ! - Yeah, he's from the Flying Burritfc Brothers. « --Uhh.. engineer.. Henry Lewey. Lewey? \ -Lewey, yeah. f (long pause) '. -How long have you had it? ••• t. --Just this afternoon. , . jj -How many times have you heard it? :- | --Once. I'm on my second now.
    [Show full text]
  • Celebrating Gregg Allman: Storytelling and Special Performances, Featuring Eric Church
    FOR IMMEDIATE RELEASE: July 27, 2015 Media Contacts: Laura B. Cohen, LC Media PR for Skirball Cultural Center, (310) 867-3897, [email protected] Hannah Berryman, GRAMMY Foundation, (310) 392-3777, [email protected] Christina Cassidy, GRAMMY Foundation, (310) 392-3777, [email protected] Christian T. Potts, Iron Mountain Incorporated, (617) 535-8721, [email protected] Skirball Cultural Center and GRAMMY Foundation® announce CELEBRATING GREGG ALLMAN: STORYTELLING AND SPECIAL PERFORMANCES, FEATURING ERIC CHURCH Two musical superstars take the stage at the Skirball in celebration of the popular exhibition Bill Graham and the Rock & Roll Revolution Presented as part of the GRAMMY Foundation’s Living Histories program Thursday, September 24, 2015, 8:00 p.m. $35 General | $30 Skirball Members Dress code: business casual This program will take place at the Skirball Cultural Center 2701 N. Sepulveda Blvd., Los Angeles, CA 90049 FREE parking Tickets available on site, online at skirball.org/allman-church, or by phone at (877) SCC-4TIX LOS ANGELES, CA—The Skirball Cultural Center and the GRAMMY Foundation® announce GRAMMY®-winning legend Gregg Allman, renowned founding member of the Allman Brothers Band, in conversation with GRAMMY-nominated country star Eric Church on Thursday, September 24, 2015, at 8:00 p.m. The program will take place at the Skirball Cultural Center. Moderated by Scott Goldman, Vice President of the GRAMMY Foundation and MusiCares®, the evening will conclude with live acoustic performances by both Allman and Church, which will be recorded and archived as part of the GRAMMY Foundation Living Histories program. The Living Histories program preserves on visual media the life stories of key recording industry professionals and visionaries who helped create the history of recorded sound.
    [Show full text]
  • Requiem for Thomas Wood B.3/10/65 D.6/27/19 “Sometimes I Feel
    Requiem for Thomas Wood b.3/10/65 d.6/27/19 “Sometimes I feel, sometimes I feel Like I been tied to the whipping post Tied to the whipping post, tied to the whipping post Good Lord, I feel like I’m dyin’” Allman Brothers Band. Whipping Post The last time I saw Tom Wood alive the scene played out this way. I was heading down Bishop Street when I spotted Tom on the side of the road across from the MWRTA’s headquarters. I’m thinking maybe he was lookin’ for a lift to cover the last 700 yards from the Turning Point to the mother ship. First I groaned, then hesitated, yes hesitated before pulling over to the side of the road and rolling the passenger side window. “Tom, hey Tom, do you want a ride, are you OK?” Tom’s eyes are cloudy and unfocused, they appear to be spinning in his head. “You may need to go to the hospital. Come on, let’s go see your caseworker.” No way, Tom dismisses me. His eyes focus for a moment. “I’m OK. I’ll walk.” As I pull away, the twin throbbing guitars of Duane Allman and Dickey Betts accompanied by the futile existential wail of sorrow by Gregg Allman starts playing between my ears. The Live at the Fillmore version. It’ll be a while before it recedes. I learn, when Tom is lying in a hospital bed with the electrical activity in his brain reduced to a mere flicker, that Tom was a heavy metal aficionado.
    [Show full text]
  • Introduction in Their Thirty Years Together, the Grateful Dead Forever
    Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement.
    [Show full text]
  • Macon Layout.Indd
    Macon Gray/Old Clinton Milledgeville Eatonton Madison Watkinsville Athens -Where Soul Lives With our central location, breathtaking architecture, and rich musical heritage, Macon is a city with historic soul. You can feel our soul through our attractions,Maco, food, festivals, and culture. No matter where Ge you go, you’re exposed gi to Macon’s story which can be experienced in our historic homes showcasing our southern charm, our world- renowned museums, and our one-of-a-kind restaurants. Visit Macon and let us share a little bit of soul with you. 8:00 am- Breakfast at H&H Restaurant A meeting place for civil rights activists which was opened in 1959 by Inez Hill and Louise Hudson, also known as Mama Hill and Mama Lou- ise. The restaurant was a popular eatery during the early days of The Allman Brothers Band and other music groups from Macon such as The Marshall Tucker Band and Wet Willie. H&H is known for its delicious soul food. 9:30 am- Downtown Macon Visitors Center Enjoy this state-of-the-art visitors center, view colorful exhibits along an informative time-line, browse gifts in the souvenir shop and watch the exciting 11-minute video. With clean restrooms for all, stop by for a perfect introduction to Macon. 10:00 am- Tubman Museum Take a soulful journey through time, From Africa to America at the Tubman African American Museum, the largest facility in the Southeast devoted solely to African American art, history and culture. See colorful exhibits on Harriet Tubman, African American Inventors, Georgia artists, and the incredible slave to freedom story of William & Ellen Craft.
    [Show full text]
  • Jimi Hendrix Songs for Groovy Children: the Fillmore East Concerts
    Jimi Hendrix Songs For Groovy Children: The Fillmore East Concerts (19075982772) Expansive CD & LP Box Sets Present All Four Historic Hendrix Band of Gypsys Performances At The Fillmore East Newly Mixed by Eddie Kramer Songs For Groovy Children includes more than two dozen previously unreleased tracks October 1, 2019-New York, NY-Experience Hendrix L.L.C. and Legacy Recordings, a division of Sony Music Entertainment, are proud to release Songs For Groovy Children: The Fillmore East Concerts by Jimi Hendrix, on CD and digital November 22, with a vinyl release to follow on December 13. This collection assembles all four historic debut concerts by the legendary guitarist in their original performance sequence. The 5 CD or 8 vinyl set boasts over two dozen tracks that have either never before been released commercially or have been newly pressed and newly remixed. Those who pre-order the digital version will instantly receive the previously unreleased track “Message To Love,” from the New Year’s Eve second set performance on the collection. Pre-order Songs For Groovy Children here: https://jimihendrix.lnk.to/groovy Watch Songs Of Groovy Children album trailer: https://jimihendrix.lnk.to/groovyvid Over the course of four extraordinary years, Jimi Hendrix placed his indelible stamp upon popular music with breathtaking velocity. Measured alongside his triumphs at Monterey Pop and Woodstock, Hendrix’s legendary Fillmore East concerts illustrated a critical turning point in a radiant career filled with indefinite possibilities. The revolutionary impact Jimi Hendrix, Billy Cox and Buddy Miles had upon the boundaries and definitions of rock, R&B, and funk can be traced to four concerts over the course of two captivating evenings.
    [Show full text]
  • The Allman Brothers Band (From the 1969 Album the ALLMAN BROTHERS BAND) Words and Music by Gregg Allman Arranged by Tubescream8
    WHIPPING POST As recorded by The Allman Brothers Band (From the 1969 Album THE ALLMAN BROTHERS BAND) Words and Music by Gregg Allman Arranged by tubescream8 A Bm C D E Esus4 E A7 D7 C5 D5 xx x 5 fr. xx x 7 fr. xx x 8 fr. x x 5 fr. x ` x 6 fr. x x 7 fr. x x 7 fr. 5 fr. x x 5 fr. x xxx 3 fr. x xxx 5 fr. A Intro (bass) PR = 195 1 g I 118 118 c V V V V V V V V V V V V V V V V V V V V Gtr I T A B 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 P H P H P P H P H P P H P H P c V V 3 g k V V V k V V V k V V V V V V V k V V V 11 V V V V V V V V 6 V V V V V I 8 k V k V k V u 8 V k V Gtrs II, III 10 8 T 10 8 10 10 8 10 10 8 10 10 10 8 10 10 8 10 7 5 A 7 5 7 7 5 7 7 5 7 7 7 5 7 7 5 7 B g I 118 c 86 V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V Gtr I T A B 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 P H P H P P H P H P P H P H P P H P H P P H P H P 1971 Unichappell Music Inc.
    [Show full text]
  • CHUCK LEAVELL the Tree Man Interview Plus CD & Book Reviews Included 12 NEW SONGS for DOWNLOAD the Wildroots Are Back!
    CHUCK LEAVELL The Tree Man Interview Plus CD & Book Reviews Included 12 NEW SONGS FOR DOWNLOAD The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me. It’s one of those discs that can really lift the darkness. If, by chance you’re feeling down, you won’t be after this record is done with you. …Stunning.” - ROCK DOCTOR (John Kereiff) “With a guest list that’s mind boggling, you couldn’t get a better set if Paul Shaffer rounded up his SNL/Letterman pals and enlisted them to have a party. This set makes every hour after hours and the party never ends. Simply smoking.” - Midwest Record (Chris Spector) “With excellent songwriting, stellar performances, and wide-ranging styles, it is an album easily recommended for everyone.” - Blues Blast Magazine (Anita Schlank) Get your copy today! WildRootsRecords.com The WildRoots are back! SESSIONS Volume 1 FEATURING Victor Wainwright w John Oates w Beth McKee w Nick Black Stephen Dees w Patricia Ann Dees w Charlie DeChant Billy Livesay w Mark Hodgson w Robert “Top” Thomas Anthony “Packrat” Thompson w Chris Merrell With special guests: Michael Shrieve w Lucky Peterson w Bryan Bassett Pat Harrington w Eddie Zyne w Todd Sharp w David Kent w Greg Gumpel “Every now and again a pile of songs will come along that just stops me in my tracks, and that’s what The Wildroots Sessions Vol.1 is for me.
    [Show full text]
  • Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected]
    im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected] Das klassische Bestseller-Album "Brothers And Sisters" der Allman Brothers Band erscheint am 5. Juli 2013 remastert auf CD und Vinyl By the time they released their fifth album Brothers And Sisters in August 1973, the Allman Brothers Band had experienced dizzying highs and soul-crushing lows. The group had spent its first two years developing its formidable collective chemistry into an unprecedented stylistic fusion that established it as the era’s most influential American rock act. But just as the band had achieved a hard-won commercial breakthrough with 1971’s At Fillmore East, it suffered a devastating loss with the death of Duane Allman, its founder, leader and musical visionary, in a motorcycle crash on October 29, 1971. Following Duane’s traumatic passing, the band regained its bearings and soldiered on, with Duane’s brother, singer/organist Gregg Allman, and guitarist/vocalist Dickey Betts—now the lone axeman in an act famous for its dual-guitar fireworks—assuming more prominent roles in its direction. The musicians marshaled their strengths to make Brothers and Sisters—their first album recorded completely without Duane—a decisive creative rebirth as well as their best-selling release to date. Brothers And Sisters bested the sales of At Fillmore East and Eat A Peach, spending five weeks at #1 and becoming the first Allman Brothers Band release to gain Platinum sales status. Configurations Vinyl - Brothers And Sisters original recording remastered. CD - Brothers And Sisters original recording remastered.
    [Show full text]
  • Grateful Dead Marathon ‘Thank You’ Gift Description
    2020 GRATEFUL DEAD MARATHON ‘THANK YOU’ GIFT DESCRIPTION Once again, in the essence of Time & Space, please peruse this document highlighting the modest sampling of Cosmic Artifacts we are offering as “Thank- You Gifts” from The Undisputed Psychedelic Kings of San Francisco and Company. As several Items are in extremely limited supply, please check the main “Marathon Thank-You Gifts” Listing on KKUP’s website to verify the minimum pledge needed to secure one of these Celestial Beauties as well as their availability. As we predict again that additional Sonic Artifacts will cosmically materialize in course of this celebration, please continue to check for the next Inter-Galactic Update!!! May the Unparalleled Legendary Status of the Grateful Dead in All Their Sonic Percolations Live and Prosper Forever … Table of Contents KKUP 2018 GRATEFUL DEAD THANK YOU GIFTS All Gifts include One KKUP Grateful Dead Marathon (available in both Women's & Men's Sizes) KKUP THANK YOU GIFT WITH KKUP MINIMUM ITEM PAGE YEAR ARTIST / DESCRIPTION TOTE BAG PLEDGE GDM20001 5 1966 Grateful Dead / The Grateful Dead 50th Anniversary 2-CD Limited Deluxe Edition Yes $ 100.00 GDM20002 7 1967 Grateful Dead / Anthem Of The Sun 50th Anniversary 2-CD Limited Deluxe Edition Yes $ 100.00 GDM20003 9 1970 Grateful Dead / Road Trips Vol. 3 No. 3 -- Fillmore East 5-15-70 Limited Edition 3-CD Set $ 100.00 GDM20004 9 1970 Grateful Dead / Road Trips Vol. 3 No. 3 -- Fillmore East 5-15-70 Limited Edition 3-CD Set $ 100.00 GDM20005 9 1970 Grateful Dead / Road Trips Vol. 3 No.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • Layout 1 (Page 1)
    HENRY MANCINI “10 ” ORIGINAL SOUNDTRACK Would you believe that the score to “10” has never been out on CD in the U.S. (and only briefly out on CD in Europe on a spotty-sounding release)? This soundtrack has so much going for it—it was composed by one of the greatest soundtrack, nay, pop composers of all time, it featured the great Julie Andrews on vocals, a beautiful piano solo from Dudley Moore, and it was a charting soundtrack to a hit movie, for Pete’s sake! Not to mention that Mancini fans LOVE his work on this film, counting it among his best soundtrack ef- forts. So search us why it took till now to release this classic score on CD, but here it is, the original 1979 soundtrack album, courtesy of your popcorn-munching friends at Real Gone Music! SELLING POINTS: • Henry Mancini's Beloved Score to Tracks: the 1979 Smash Film 1. Don’t Call It Love (Main Title) 7. Get It On • First Time on CD in the U.S. (Instrumental) (with chorus) 2. He Pleases Me 8. It’s Easy to Say (Duet) • Features Julie Andrews on Vocals (vocals Julie Andrews) (vocals Julie Andrews and Dudley Moore) and Dudley Moore on Piano 3. Keyboard Harmony 9. The Hot Sand Mexican Band 4. It’s Easy to Say 10. I Have an Ear for Love • Newly Remastered (with chorus) (vocals The Reverend - Max Showalter) 5. Something for Jenny 11. It’s Easy to Say (Instrumental) 6. Don’t Call It Love (piano solo Dudley Moore) (with chorus) 12.
    [Show full text]