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Spectacular New Retail/Restaurant Opportunity
SPECTACULAR NEW www.newwaverley.com RETAIL/RESTAURANT OPPORTUNITY THE PAVILION BUILDING SUITABLE FOR A WIDE VARIETY OF USES INCLUDING BAR/RESTAURANT | MICROBREWERY | ART GALLERY AND MANY MORE THE BOOMING EPICENTRE OF EDINBURGH’S EASTERN QUARTER Located in the Old Town the Pavilion Building & Kiosk/Terrace will form the most western part of New Waverley, a signature mixed use development and vibrant new destination. – Prominent corner location – Adjacent to 19 historic arches converted to retail/leisure use available for occupation from October 2015 – Just off the Royal Mile, which attracts over 4 million people annually – Close to Waverley Station with over 26 million passengers annually – I mmediately adjacent edinburgh city council headquarter offices A BRILLIANT, VIBRANT AND BUSTLING NEIGHBOURHOOD In an area awash with life and colour there really is something unexpected and interesting around every corner. Historic sites, visitor attractions, museums and art galleries abound and the Royal Mile and its wynds and closes are peppered with cafés, restaurants, bars and specialty shops. The area is a magnet for tourists and visitors alike and is about to become even better with the arrival of New Waverley, Edinburgh’s exciting new destination. Elevational Treatment © Zone Architects 2013 THE PAVILION BUILDING, ONCE COMPLETE, WILL PROVIDE A GLAZED BUILDING OF MODERN ARCHITECTURAL DESIGN INSPIRATIONAL ARRANGED OVER GROUND AND MEZZANINE LEVELS, PROVIDING A FANTASTIC “FLAGSHIP” OPPORTUNITY FOR THE APPROPRIATE OCCUPIER. THE UPPER LEVEL OF THE PAVILION WILL HOUSE A ONE OFF RETAIL KIOSK WITH TERRACE LOCATED OFF JEFFREY STREET WITH A / LEISURE SPACE VIEWING PLATFORM OVERLOOKING THE CITY TO THE NORTH. PAVILION BUILDING SPECIFICATION GROUND FLOOR (EAST MARKET STREET) 9,235 Sq ft 856 Sq m The design of the pavilion building is flexible at this stage and specific occupational requirements may be able to be incorporated into the building as part of the MEZZANINE / 1ST FLOOR 4,520 Sq ft 420 Sq m construction process. -
1 Application Part 2 Jim Battle 1 What Makes You the Best Candidate for Greater Manchester? the Deputy Police and Crime Commi
Application Part 2 Jim Battle 1 What makes you the best candidate for Greater Manchester? The Deputy Police and Crime Commissioner needs to lead, challenge, develop, coordinate, and monitor to a high standard. Throughout my career and most recently as Deputy Leader of Manchester City Council I gained significant, direct experience of leading, challenging, directing, coordinating and monitoring activities. This experience spans local government, working with the police, partner organisations; the business, voluntary, community, faith, trade union and independent sectors. I have responsibility for leading, challenging, innovating and directing change within organisations and communities, developing and initiating strategic ideas and policies, researching and analysing complex information, supporting and motivating teams. I developed effective monitoring and reporting systems to me from chief officers and established processes to challenge and scrutinise all aspects of policy and performance in local government. As the Deputy Leader of Manchester City Council I identified and developed crime and anti social behaviour reduction strategies through the Manchester Crime Reduction Partnership. By considering the changing, social and political context in which the police, council and community operate in Manchester I set the aims and objectives for the Crime Reduction Partnership and the focus upon key policy outcomes, crime reduction targets and community engagement. Examples of this approach are contained in the three Crime Reduction Strategies 2011 – 2014 ( background attachment A), 2008- 2011 ( background attachment B), and 2005 -2008 ( background attachment C part 1 and 2). The three Crime Reduction Strategy Statements and their implementation have been recognised by the Government and the City Council as milestones in the development of neighbourhood policing, improving public confidence and reducing crime and anti social behaviour in Manchester. -
Scottsih Newspapers Have a Long Hisotry Fof Involvement With
68th IFLA Council and General Conference August 18-24, 2002 Code Number: 051-127-E Division Number: V Professional Group: Newspapers RT Joint Meeting with: - Meeting Number: 127 Simultaneous Interpretation: - Scottish Newspapers and Scottish National Identity in the Nineteenth and Twentieth Centuries I.G.C. Hutchison University of Stirling Stirling, UK Abstract: Scotland is distinctive within the United Kingdom newspaper industry both because more people read papers and also because Scots overwhelmingly prefer to read home-produced organs. The London ‘national’ press titles have never managed to penetrate and dominate in Scotland to the preponderant extent that they have achieved in provincial England and Wales. This is true both of the market for daily and for Sunday papers. There is also a flourishing Scottish local weekly sector, with proportionately more titles than in England and a very healthy circulation total. Some of the reasons for this difference may be ascribed to the higher levels of education obtaining in Scotland. But the more influential factor is that Scotland has retained distinctive institutions, despite being part of Great Britain for almost exactly three hundred years. The state church, the education system and the law have not been assimilated to any significant amount with their counterparts south of the border. In the nineteenth century in particular, religious disputes in Scotland generated a huge amount of interest. Sport in Scotlaand, too, is emphatically not the same as in England, whether in terms of organisation or in relative popularity. Additionally, the menu of major political issues in Scotland often has been and is quite divergent from England – for instance, the land question and self-government. -
Scottish Art: Then and Now
Scottish Art: Then and Now by Clarisse Godard-Desmarest “Ages of Wonder: Scotland’s Art 1540 to Now”, an exhibition presented in Edinburgh by the Royal Scottish Academy of Painting, Sculpture and Architecture tells the story of collecting Scottish art. Mixing historic and contemporary works, it reveals the role played by the Academy in championing the cause of visual arts in Scotland. Reviewed: Tom Normand, ed., Ages of Wonder: Scotland’s Art 1540 to Now Collected by the Royal Scottish Academy of Art and Architecture, Edinburgh, The Royal Scottish Academy, 2017, 248 p. The Royal Scottish Academy (RSA) and the National Galleries of Scotland (NGS) have collaborated to present a survey of collecting by the academy since its formation in 1826 as the Scottish Academy of Painting, Sculpture and Architecture. Ages of Wonder: Scotland’s Art 1540 to Now (4 November 2017-7 January 2018) is curated by RSA President Arthur Watson, RSA Collections Curator Sandy Wood and Honorary Academician Tom Normand. It has spawned a catalogue as well as a volume of fourteen essays, both bearing the same title as the exhibition. The essay collection, edited by Tom Normand, includes chapters on the history of the RSA collections, the buildings on the Mound, artistic discourse in the nineteenth century, teaching at the academy, and Normand’s “James Guthrie and the Invention of the Modern Academy” (pp. 117–34), on the early, complex history of the RSA. Contributors include Duncan Macmillan, John Lowrey, William Brotherston, John Morrison, Helen Smailes, James Holloway, Joanna Soden, Alexander Moffat, Iain Gale, Sandy Wood, and Arthur Watson. -
Research for Tran Committee
STUDY Requested by the TRAN committee Postal services in the EU Policy Department for Structural and Cohesion Policies Directorate-General for Internal Policies PE 629.201 - November 2019 EN RESEARCH FOR TRAN COMMITTEE Postal services in the EU Abstract This study aims at providing the European Parliament’s TRAN Committee with an overview of the EU postal services sector, including recent developments, and recommendations for EU policy-makers on how to further stimulate growth and competitiveness of the sector. This document was requested by the European Parliament's Committee on Transport and Tourism. AUTHORS Copenhagen Economics: Henrik BALLEBYE OKHOLM, Martina FACINO, Mindaugas CERPICKIS, Martha LAHANN, Bruno BASALISCO Research manager: Esteban COITO GONZALEZ, Balázs MELLÁR Project and publication assistance: Adrienn BORKA Policy Department for Structural and Cohesion Policies, European Parliament LINGUISTIC VERSIONS Original: EN ABOUT THE PUBLISHER To contact the Policy Department or to subscribe to updates on our work for the TRAN Committee please write to: [email protected] Manuscript completed in November 2019 © European Union, 2019 This document is available on the internet in summary with option to download the full text at: http://bit.ly/2rupi0O This document is available on the internet at: http://www.europarl.europa.eu/thinktank/en/document.html?reference=IPOL_STU(2019)629201 Further information on research for TRAN by the Policy Department is available at: https://research4committees.blog/tran/ Follow us on Twitter: @PolicyTRAN Please use the following reference to cite this study: Copenhagen Economics 2019, Research for TRAN Committee – Postal Services in the EU, European Parliament, Policy Department for Structural and Cohesion Policies, Brussels Please use the following reference for in-text citations: Copenhagen Economics (2019) DISCLAIMER The opinions expressed in this document are the sole responsibility of the author and do not necessarily represent the official position of the European Parliament. -
Scottish Newspapers and the Crisis of the Print Press: Journalistic Autonomy and Digital Transition in a Liberal Media System
Scottish newspapers and the crisis of the print press: journalistic autonomy and digital transition in a liberal media system Article (Accepted Version) Dekavalla, Marina (2018) Scottish newspapers and the crisis of the print press: journalistic autonomy and digital transition in a liberal media system. Recherches en Communication, 44. pp. 103-119. ISSN 2033-3331 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/74343/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk Scottish newspapers and the crisis of the print press: journalistic autonomy and digital transition in a liberal media system Marina Dekavalla, University of Sussex Abstract: This article examines how members of the Scottish newspaper industry view the current crisis of the print press and the future of their titles. -
Online Library of Liberty: the Collected Works of John Stuart Mill, Volume XXIV - Newspaper Writings January 1835 - June 1847 Part III
The Online Library of Liberty A Project Of Liberty Fund, Inc. John Stuart Mill, The Collected Works of John Stuart Mill, Volume XXIV - Newspaper Writings January 1835 - June 1847 Part III [1835] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected]. -
The Northern Echo | Special Supplement Tuesday, March 7, 2016
The Northern Echo | Special Supplement Tuesday, March 7, 2016 DLI TRUSTEES DLI TRUSTEES 24 The Northern Echo TUESDAY, MARCH 7, 2017 TUESDAY, MARCH 7, 2017 The Northern Echo 25 Courage, Comrades, Community: The story of the DLI For more on the DLI, go to www.durham.gov.uk/dlicollection Courage, Comrades, Community: The story of the DLI INTRODUCTION GALLERY The war orphan Relics of the who joined up ‘faithful’ regiment The new DLI Gallery is full of remarkable stories. Chris Lloyd tells the tale of Jimmy Durham N 1885, the Durham Light Infantry was fight- ing in northern Africa against an army of na- tive warriors, known as Ithe Mahdists or Dervishes, when they found, floating on the River Nile, a baby who had become orphaned by the battle. So they adopted him, gave him a name – Jimmy Dur- WE WILL ham – and he grew up to mar- NOT ry a lass from Bishop Auck- ARTEFACTS OF FORGET: land and become possibly WAR: Historic In the DLI the first black soldier in the items from the Memorial British Army. His is an ex- DLI Collection. Garden at traordinary story, and there Clockwise from Durham are plenty more of those in left: the Lambton Cathedral the new exhibition, Courage, MILITARY Cap, which the Comrades, Community. FOUNDLING: first infantrymen ENS of thousands of people have discovered the story The Mahdists went into James Durham wore in the 1770s; of the Durham Light Infantry in the past year through the Battle of Ginnis, in Su- as a small boy a First World War T a programme of special exhibitions and events. -
Hayek, Mill and the Liberal Tradition Farrant, Andrew (Ed.)
www.ssoar.info Hayek, Mill and the liberal tradition Farrant, Andrew (Ed.) Veröffentlichungsversion / Published Version Sammelwerk / collection Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Farrant, A. (Ed.). (2010). Hayek, Mill and the liberal tradition (Routledge Studies in the History of Economics, 121). London: Taylor & Francis. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-273745 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de Hayek, Mill, and the Liberal Tradition This book considers the relationship between Hayek and Mill, taking issue with Hayek’s criticism of Mill and providing a broader perspective on the liberal tra- dition. Featuring contributions from the likes of Ross Emmett, Leon Montes and Robert Garnett, these chapters ask whether Hayek had an accurate reading of the ideas of Mill and Smith, as well as considering themes such as sympathy and analytical egalitarianism that play a large part in the liberal tradition. These chapters argue that addition of these key ideas to the Hayekian corpus leads to a far broader understanding of the liberal tradition than that provided by Hayek. One objective is to provide a discussion of the tensions that seemingly pervade aspects of Hayek’s account of the intellectual history of the liberal tradi- tion. -
Development Brief Princes Street Block 10 Approved by the Planning Commitee 15 May 2008 DEVELOPMENT BRIEF BLOCK 10
Development Brief Princes Street Block 10 Approved by the Planning Commitee 15 May 2008 DEVELOPMENT BRIEF BLOCK 10 Contents Page 1.0 Introduction 2 2.0 Site and context 2 3.0 Planning Policy Context 4 4.0 Considerations 6 4.1 Architectural Interest 4.2 Land uses 4.4 Setting 4.5 Transport and Movement 4.12 Nature Conservation/Historic Gardens and Designed Landscapes 4.16 Archaeological Interests 4.17 Contaminated land 4.18 Sustainability 5.0 Development Principles 12 6.0 Implementation 16 1 1.0 Introduction 1.1 Following the Planning Committee approval of the City Centre Princes Street Development Framework (CCPSDF) on 4 October 2007, the Council have been progressing discussions on the individual development blocks contained within the Framework area. The CCPSDF set out three key development principles based on reconciling the needs of the historic environment with contemporary users, optimising the site’s potential through retail-led mixed uses and creating a high quality built environment and public realm. It is not for this development brief to repeat these principles but to further develop them to respond to this area of the framework, known as Block 10. 1.2 The purpose of the development brief is to set out the main planning and development principles on which development proposals for the area should be based. The development brief will be a material consideration in the determination of planning applications that come forward for the area. 2.0 Site and context The Site 2.1 The development brief area is situated at the eastern end of the city centre and is the least typical of all the development blocks within the CCPSDF area. -
National Strategy for Scotland's Museums and Galleries
GOING TheNationalStrategyfor Scotland’sMuseumsandGalleries fURTHER To SUccEEd aNd floURiSH we wILL aLL Need tO pLay Our part ScoTTiSH NaTioNal PoRTRaiT GallERy National Galleries of Scotland TheScottishNationalPortraitGalleryre-opened on1December2011,followingatwoandahalfyear closureandanambitious£17.6mrestorationproject. Asaresult,amuchgreaterproportionofthe collectionwillbeonshow,bringingtolightawealth Theproject–thefirstmajorrefurbishmentinthe ofartworksthathasbeen,untilnow,largelyhidden Gallery’s120-yearhistory–hasrestoredmuchof fromview. thearchitect’soriginalvision,openinguppreviously inaccessiblepartsofthebuildingandincreasing Reviewsandfeedbackhavebeenoverwhelmingly thepublicspacebymorethan60%.Accesstothe positivewithmorethan52,000visitorsgoing exhibitionspacesonallthreelevelshasbeenopened totheGalleryduringthefirstmonthofopening. up,whiletherestorationofthemagnificentsuiteof top-litgalleriesontheupperfloorhascreatedoneof themostimpressivedisplayspacesinScotland. www.nationalgalleries.org TheNationalStrategyfor Scotland’sMuseumsandGalleries Images courtesy of the National Galleries of Scotland © Chris Watt The National Strategy for Scotland’s Museums and Galleries gOINg The National Strategy for Scotland’s Museums and Galleries further Acknowledgements contents The development of this National Strategy for Scotland’s Museums and Galleries would not have 5 FOREWORD 34 AIm fIve -
29 July–29 August 2021 Edinburghartfestival.Com #Edartf
Platform: 2021 Art Across the Capital Commissions Programme Art is Back Explore Platform: 2021, our exhibition for early As galleries reopen after many months of closure, Our 2021 programme features new commissions We are so delighted to return this year, to work career artists, with new work from Jessica Higgins, this year, more than any, we are proud to cast a and UK premieres by leading international artists, with partners across the city, to showcase the work Danny Pagarani, Kirsty Russell and Isabella Widger spotlight on the uniquely ambitious, inventive and including new work by Sean Lynch co-commissioned of artists from Scotland, the UK and around the world. presented at our festival home in the Institut français thoughtful programming produced each year by with Edinburgh Sculpture Workshop and by Emeka Some exhibitions are newly made in response to the d’Ecosse. While visiting you can also browse festival Edinburgh’s visual art community. Ogboh with Talbot Rice Gallery; alongside the UK seismic shifts of the past year; others have been many merchandise and find out more about the exhibitions premiere of Isaac Julien’s Lessons of the Hour, presented years in the planning; but all are the unique, authentic, and events taking place across the city at our With over 20 partner galleries across the capital, in partnership with National Galleries of Scotland. and thoughtful products of our city’s extraordinarily Festival Kiosk. we encourage you to explore the programme and We are also proud to collaborate with Associate Artist, rich visual art scene. support the incredible visual art organisations that Tako Taal, on her programme What happens to desire… Festival Kiosk the city has to offer.