Omni Magazine (October 1980)
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Human Cloning, Genetic Engineering and Privacy
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 2000 Volume III: Constitutional and Statutory Privacy Protections in the 21st Century Human Cloning, Genetic Engineering and Privacy Curriculum Unit 00.03.07 by Carolyn Williams When news of a genetically engineered mouse with Down Syndrome (who died some time later) and the cloned sheep, Dolly hit the media, many wondered how these things were possible. Many undoubtedly thought them hoaxes or scientific experiments gone wrong. How many of us, outside of the scientific community had a clue that the next quest would involve the idea of cloning a human being or genetically engineering a better human, once the technology became available? Much of the technology is now available and with it comes a host of moral and ethical concerns. Is man playing God? Will clones become a subculture? Are we risking genetic disasters? Will this technology benefit all of society or just a select few? Cloned humans and genetically engineered bodies are the stuff that yesterday’s science fiction was made of. Today, they are current event topics and promise to become our medical future. We may not be morally prepared for these events, but the technology is here. Do we ignore it, try to regulate it, hope and pray that it goes away or do we embrace this new technology? RATIONALE This is a preliminary look into the biology, technology, ethics and conscious thought involved in human cloning and genetic engineering coupled with a brief exploration of governmental policy designed to regulate its research and practice. This study reports some of the current data for and against this new bio- technology and argues an individual’s constitutional right to privacy in choosing this technology. -
The Guardian, October 7, 1974
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 10-7-1974 The Guardian, October 7, 1974 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1974). The Guardian, October 7, 1974. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. ·octobe r 7, 1974 Vol 11, Issue 9 Wrig ht State llniversitg Gilligan admits to reservations on drug bill by MT Willis the legislative mills of both e xpanded Ohio I nstr uctional houses. Governor John J Gilligan Grant pr ogram if r eturned t o Among other provisions, HB admitted last Thursday that he office in the November election. 1090 would make drug abuse Gilligan also promised--again, if has reservations about House bill felonies subject to conspiracy 1090, which would have dras re-elected--to support full fund law; would require maximum tically revised Ohio's drug abuse ing for t he Wright State Medical prison sentences without the School. In addition to t he $6 laws, but he wouldn't say he possibility of probation, parole, · million already allocated for would veto the bill if it reached or shock therapy for convicted construction, this would involve ,his desk next year. drug pushers; and would label as an additional $2 million for pusher any person arrested with construction and $1.8 million for fixed quantities of various drugs, operating expenses during th_e whether or not an overt act of next biennium. -
David Michael Rorvik (1944–) [1]
Published on The Embryo Project Encyclopedia (https://embryo.asu.edu) David Michael Rorvik (1944–) [1] By: Blight, Alysse Keywords: David Rorvik [2] Conception methods [3] Shettles Method [4] Family planning in literature [5] science journalist [6] David Michael Rorvik is a science journalist who publicized advancements in the field of reproductive medicine during the late twentieth century. Rorvik wrote magazine articles and books in which he discussed emerging methods and technologies that contributed to the progression of reproductive health, including sex determination [7], in vitro [8] fertilization [9], and human cloning [10]. During that time, those topics were controversial and researchers often questioned Rorvik’s work for accuracy. Rorvik contributed to the field of reproductive medicine by communicating methods of reproductive intervention and contributing to the controversy around new developmental medicine technologies. Rorvik was born on 1 November 1944 in Circle, Montana, to Frances Rorvik and Alan Rorvik. In 1962, he enrolled at the University of Montana in Missoula, Montana, where he majored in journalism. During his undergraduate career, Rorvik worked as a reporter and editor of The College Daily, the University’s student-run newspaper. The topics of Rorvik’s articles included the University’s peace rallies during the Vietnam War and caused controversy, as they challenged what he described as the provincialism of the region. Rorvik's stories caught the attention of the college president, who often threatened to discontinue the publication of the newspaper under Rorvik’s leadership as editor. In 1966, Rorvik graduated at the top of his class with a Bachelor of Arts degree in journalism. -
Downbeat.Com September 2010 U.K. £3.50
downbeat.com downbeat.com september 2010 2010 september £3.50 U.K. DownBeat esperanza spalDing // Danilo pérez // al Di Meola // Billy ChilDs // artie shaw septeMBer 2010 SEPTEMBER 2010 � Volume 77 – Number 9 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg sAles Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, How- ard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer -
Bioethics and Cloning, Part 1
Bioethics Research Library The Joseph and Rose Kennedy Institute of Ethics Box 571212, Georgetown University Washington, DC 20057-1212 202-687-3885; fax: 202-687-8089 [email protected] http://bioethics.georgetown.edu Bioethics and Cloning, S Part 1 Susan Cartier Poland C Laura Jane Bishop September, 2002 O This is Part 1 of a two-part Scope Note on Bioethics and Cloning. The two parts were published consecutively in the September and December 2002 issues of the P Kennedy Institute of Ethics Journal. Introduction “Clone” is a collective noun (I, Stewart 1997, p. 771). A collective noun names E a group and is composed of individual members, such as “herd” or “flock.” Derived from the Greek klôn for twig or slip, “clone” was first used in biology to describe the aggregate of asexually produced progeny of an individual, either naturally occurring or man-made; the definition later expanded to mean a group of genetically identical members who originate from a single ancestor. Thus, a N clone is a group that results from the process of asexual reproduction. In nature, cloning occurs either by parthenogenesis (reproduction without O fertilization) or by fission (embryo splitting). In a pioneering experiment in 1952, Robert Briggs and Thomas J. King (I, 1952), cancer researchers at the Institute for Cancer Research (today part of the Fox Chase Cancer Center) in Philadelphia, demonstrated on frogs another method of cloning by transplanting nuclei into T enucleated cells, a technique called “nuclear transplantation,” which John B. E Gurdon and colleagues (I, 1958, 1975) used to create clones of frogs. -
Name Artist Album Track Number Track Count Year Wasted Words
Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B. -
Motivations, Practice, and Conflict in the History of Nuclear Transplantation, 1925-1970
A 'Fantastical' Experiment: Motivations, Practice, and Conflict in the History of Nuclear Transplantation, 1925-1970 A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Nathan Paul Crowe IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Mark Borrello, Adviser December, 2011 © Nathan Paul Crowe 2011 All Rights Reserved Acknowledgements Though completing a dissertation is often seen as a solitary venture, the truth is rather different. Without the help of family, friends, colleagues, librarians, and archivists, I would never have been able to finish my first year in graduate school, let alone my thesis. During the course of my research I came in contact with many people who were invaluable to my eventual success. First and foremost are those librarians, archivists, and collections specialists who helped guide me through a sea of records. I am indebted to all of those who helped me in the process: in particular, I would like to thank Janice Goldblum and Daniel Barbiero at the National Academy of Sciences, Lee Hiltzik at the Rockefeller Archives Center, and National Cancer Institute Librarian Judy Grosberg. At the National Institutes of Health, librarian Barbara Harkins, information specialist Richard Mandel, and historian David Cantor were all extremely useful in helping me find what I needed. I also can't imagine anyone being more accommodating than librarian Beth Lewis and her staff at the Fox Chase Cancer Center Library. I was able to complete my research with the financial support of several institutions. My thanks go out to the Rockefeller Archive Center for their generous help. -
Joe Cocker - John Robert "Joe" Cocker, OBE (May 20, 1944 – December 22, 2014)
Joe Cocker - John Robert "Joe" Cocker, OBE (May 20, 1944 – December 22, 2014) Joe Cocker – LP “Joe Cocker!” and singles 0186 Cocker, Joe Delta Lady/She’s So Good To Me A&M 112 (US) Promo 1969 0203 Cocker, Joe Delta Lady/She’s So Good To Me Polydor 59 355 (D) 1969 Both tracks are from the LP “Joe Cocker!”- “Delta Lady” is arr. by Leon. Same on both sides German single release 1250 Cocker, Joe Feeling Alright x 2 - promo A&M 1063 (US) 1337 Cocker, Joe Feeling Alright/Sandpaper Cadillac Polydor 2016 003 (D) Leon piano on both? I guess Chris Stainton is playing the organ and Leon the piano. Joe Cocker – Mad Dogs and Englishmen The Band: Joe Cocker, vocals – Leon Russell, piano, guitar – Chris Stainton, organ – Don Preston, rhythm g. – Carl Radle, bass – Jim Gordon, dr. – Chuck Blackwell, perc. & dr. – Sandy Konikoff, perc. – Bobby Torres, congas – Jim Price, trumpet – Bobby Keys, tenor sax. The Choir: Don Preston, Rita Coolidge, Claudia Linnear, Daniel Moore, Donna Weiss, Pamela Polland, Matthew Moore, Dona Washburn, Nicole Barclay and Bobby Jones. 1172 Cocker, Joe The Letter/Space Captain A&M 1174 (US) 1970 1198 Cocker, Joe The Letter/Space Captain A&M 1174 (US) 1970 0192 Cocker, Joe The Letter/Space Captain Regal-Zonophone RZ 3027 (UK) 1970 0139 Cocker, Joe The Letter/Space Captain Polydor 2001-050 (D) 1970 0066 Cocker, Joe The Letter/Space Captain Stateside 2 0006-91481 (FRA) 1970 Both tracks on the above singles are recorded live at the MD&E rehearsals - not from the tour or the movie. -
Supreme Court of the United States
No. 19-1392 IN THE Supreme Court of the United States THOMAS E. DOBBS, STATE HEALTH OFFICER OF THE MISSISSIPPI DEPARTMENT OF HEALTH, et al., Petitioners, v. JACKSON WOMEN’S HEALTH ORGANIZATION, et al., Respondents. ON WRIT OF CERTIORARI TO THE UNITED STATES CouRT OF APPEALS FOR THE FIFTH CIRcuIT BRIEF OF BIOLOGISTS AS AMICI CURIAE IN SUPPORT OF NEITHER PARTY LYNN D. DOWD Counsel of Record LAW OFFICES OF LYNN D. DOWD 29 West Benton Avenue Naperville, IL 60540 (630) 665-7851 [email protected] Counsel for Amici Curiae 306214 A (800) 274-3321 • (800) 359-6859 i TABLE OF CONTENTS Page TABLE OF CONTENTS..........................i TABLE OF CITED AUTHORITIES ..............iv STATEMENT OF INTEREST OF AMICI CURIAE .....................................1 SUMMARY OF ARGUMENT .....................2 ARGUMENT....................................6 I. “WHEN DOES A HUMAN’S LIFE BEGIN?” IS WIDELY RECOGNIZED AS A BIOLOGICAL QUESTION................6 II. ANALYZING VIEWS ON WHEN A HUMAN’S LIFE BEGINS REVEALS THAT FERTILIZATION IS THE LEADING BIOLOGICAL VIEW ............8 A. Some biologists believe that a human’s life begins at some point during the human life cycle ........................8 1. Some support the view that a human’s life begins at birth or first breath ......................8 2. Some support the view that a human’s life begins at fetal viability ...........9 ii Table of Contents Page 3. Some support the view that a human’s life begins at the first heartbeat, brainwave, or moment of pain capability ..................11 B. Most biologists affirm that a human’s life begins at the start of the human life cycle .............................12 C. The fertilization view on when a human’s life begins is the leading biological view ........................15 III. -
Tedeschi Trucks Band Pays Tribute to Joe Cocker with Leon Russell and Original Mad Dogs & Englishmen Members Plus Special Guests at Lockn’ Festival
For Immediate Release Tedeschi Trucks Band Pays Tribute to Joe Cocker with Leon Russell and original Mad Dogs & Englishmen members Plus Special Guests at Lockn’ Festival September 16, 2015 - - Tedeschi Trucks Band paid tribute to the late Joe Cocker by re-creating the legendary 1970 Mad Dogs & Englishmen tour with Leon Russell at this past weekend’s Lockn’ Festival in Arrington, Virginia. Welcoming original Mad Dogs & Englishmen members as well as special friends, Tedeschi Trucks Band, led by guitarist Derek Trucks and singer/guitarist Susan Tedeschi, headlined a Friday evening set dedicated to the influential rock and soul collective that featured a historic gathering of guests Chris Leon Russell, Derek Trucks, Susan Tedeschi, Claudia Lennear Robinson, Dave Mason, John Bell, Warren Haynes and Anders Osborne alongside renowned percussionist Chuck Blackwell, keyboardist Chris Stainton and Leon Russell himself. In addition to the 11-member power of Tedeschi Trucks Band’s dual drummers and three-piece horn Levine Stuart credit: section, the packed stage included Rita Coolidge, Claudia Lennear and Pamela Polland alternating lead and background vocal performances, joined by other Mad Dogs alumni Chris Robinson, Susan Tedeschi Bobby Torres on percussion and Bobby Jones, Matthew Moore and Daniel Moore on vocals. Even original tour photographer Linda Wolf was on hand to capture the inspired 100-minute tribute, with the expanded congregation of musicians performing a slew of classics selected from the Mad Dogs film and live double album. Capping the momentous evening was a center stage microphone and single spotlight to honor Joe Cocker during “The Ballad of Mad Dogs & Englishmen” followed by a rousing and fitting encore of The Beatles’ Credit: John Patrick Gatta “With a Little Help from My Friends,” leaving the Derek Trucks, Rita Coolidge, Claudia Lennear, festival crowd as awestruck witnesses to this once- Pamela Polland, Susan Tedeschi in-a-lifetime event. -
Communique, 1985-1986
University of Montana ScholarWorks at University of Montana Communique, 1953-2020 Journalism 1985 Communique, 1985-1986 University of Montana (Missoula, Mont. : 1965-1994). School of Journalism Follow this and additional works at: https://scholarworks.umt.edu/communique Let us know how access to this document benefits ou.y Recommended Citation University of Montana (Missoula, Mont. : 1965-1994). School of Journalism, "Communique, 1985-1986" (1985). Communique, 1953-2020. 9. https://scholarworks.umt.edu/communique/9 This Newsletter is brought to you for free and open access by the Journalism at ScholarWorks at University of Montana. It has been accepted for inclusion in Communique, 1953-2020 by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. K im WILLIAMS A woman of uncommon sense 1923-1986 Photo by Bob Cushman W C to QJ Q REPORT It is impossible to report honestly ment: about the University of Montana — During Homecoming week, we dedi School of Journalism without men cated the new $8.6 Performing Arts/Ra- tioning that the university is in deep dio-Television Building and its splendid financial trouble. Because anticipatedbroadcasting facilities in grand style, with I Van Gordon Sauter of CBS News on state revenues have not materialized, an already grim budget picture has grown hand to give his blessing. dramatically worse. UM sustained a five — The Montana Kaimin offices were percent budget cut for next year and remodeled for the first time since the more cuts are almost certainly coming. Journalism Building was built in 1936. Faculty salaries — already near the bot — The school’s first-floor photography tom on the national scale — have been lab is undergoing a $28,000 renovation frozen by the state legislature. -
Joe Cocker: Mad Dogs & Englishmen
It's only rock & roll | Pep Saña | Actualitzat el 22/11/2017 a les 10:00 Joe Cocker: Mad Dogs & Englishmen Fantàstic intèrpret en directe, Joe Cocker és conegut per la seva veu aspra i pel gran sentiment que posava en les seves interpretacions, especialista per dotar de personalitat pròpia els temes dels altres amb magistrals pinzellades de soul, blues i rock, no va ser massa prolífic a nivell compositiu, tot i que va escriure alguns grans temes. Els seus grans èxits vénen de les versions, algunes de molt singulars, la de With A Little Help From My Friends no la coneixerien ni els Beatles si li canvien la lletra i altres calcades, com el Summer In The City de Lovin' Spoonful. Altres, dels molts grups i solistes versionats per Cocker són, Honeybus, Leonard Cohen, Bob Dylan, Nina Simone via Animals, Harry Nilsson, Procol Harum, Rolling Stones, Box Tops, Billy Preston o Traffic. Joe Cocker va néixer el 20 de maig de 1944 a Sheffield, Anglaterra. Les principals influències musicals de Cocker durant la seva adolescència van ser Ray Charles i Lonnie Donegan. La seva veu de característica Soul li va proporcionar una marca pròpia en el món del rock dels anys 60. Abans d'aconseguir la fama havia estat en diferents bandes Pop de principis dels 60, com The Cavaliers o Vance Arnold & The Avengers. Durant aquesta etapa, Cocker es va interessar molt pel Blues, buscant discos de John Lee Hooker, Muddy Waters, Lightnin' Hopkins i Howlin' Wolf. Eren uns temps totalment a l'anonimat, desconegut llevat dels seus amics i familiars.