The Artist Is Present, 26

Total Page:16

File Type:pdf, Size:1020Kb

The Artist Is Present, 26 Antiquariat Querido – Frank Hermann Kunst und Fotografie Roßstraße 13 40476 Düsseldorf Tel. 00 49 211 15969601 Fax 00 49 211 15969602 Mi + Do 11.00 – 19.00 Uhr und nach Vereinbarung [email protected] www.antiquariat-querido.de Stadtsparkasse Düsseldorf > BLZ 30050110 > Konto 10183366 IBAN: DE 38 3005 0110 0010 1833 66 > SWIFT-BIC: DUSSDEDDXXX USt-ID-Nr. DE 171/397705 > StNr. 105/5108/1390 Die angebotenen Titel sind in guter bis sehr guter Erhaltung. Etwaige Mängel sind möglichst detailliert beschrieben. Alle Bücher können in unserem Ladengeschäft angesehen werden. Das Angebot ist freibleibend, Lieferzwang besteht nicht. Die Bestellungen werden in der Reihen- folge des Eingangs ausgeführt. Alle Preise verstehen sich in Euro. Der Versand erfolgt zu Lasten und Risiko des Bestellers, telefonisch erfolgte Bestellung bitten wir per Mail oder Fax zu bestäti- gen. Bei begründeter Beanstandung wird jede Lieferung innerhalb 14 Tagen zurückgenommen. Eigentumsvorbehalte nach § 455 BGB. Erfüllungsort und Gerichtsstand ist Düsseldorf. Rechnun- gen sind zahlbar innerhalb 14 Tagen ohne Abzüge. Der Verkauf aus dem Katalog beginnt mit der Ausstellung The Artist is present, 26. Oktober bis 18. November 2011 in unseren Räumen. Ein kleiner Teil der ausgestellten Bücher und Objekte kann erst mit Ende der Ausstellung ausgeliefert werden. Hierüber erhalten Sie eine Information. Zur Eröffnung unserer Ausstellung sind Sie und Ihre Begleiter herzlich eingeladen! Wir sind stets am Erwerb von Büchern unserer Fachgebiete interessiert und kaufen Einzelstücke wie auch ganze Bibliotheken. Wir freuen uns über Ihre Angebote. All items are in fine condition, unless otherwise stated. Please ask for specific description by e- mail ([email protected]) or telephone. All items are displayed in our bookshop. A part of this catalogue is shown in our exhibition The Artist is present, October 25 / November 18, 2011. Those items can not be shipped before the end of this show. Please place your order by e-mail or telephone / fax. All goods are only dispatched after full payment of the price. The goods are dispatched at the risk of the purchaser. Transport and insurance costs will be borne, unless otherwise agreed, by the purchaser. Clients from abroad please use credit cards or advance payment. We accept Visa, MasterCard or American Express. All prices are in Euro! In the event of dispute the exclusive court of jurisdiction is Düsseldorf. The Artist is present Kunst und Fotografie der Avantgarde von 1957 bis Heute in Galerie- und Ausstellungskatalogen, Künstlerbüchern, Plakaten, Einladungskarten und Editionen. Katalog 2 2 011 Galerie- und Ausstellungskataloge / Künstlerbücher / Editionen / Objekte 1 24 Stunden. Galerie sion titled 955,000 to vancouver art gallery 1970. Parnass, Samstag, 5. Juni Vancouver. Vancouver Art Gallery. 1970. 10,1 x 1965, 0-24 Uhr, Wup- 15,2 cm. 137 Blatt, 1 Blatt vakat. Die Karten etwas pertal. (Joseph Beuys gebräunt, im Steg meist stärker nachgedunkelt. Sonst - Bazon Brock - Char- aber gutes und vollständiges Exemplar. 320,– lotte Moorman - N[am] Vorliegendes Exemplar vollständig erhalten mit allen Karten beider Ausstellungsteile, ledig- June Paik - Eckart Rahn lich ohne die Versandtasche. - Tomas Schmit - Wolf Vostell). Wppt. Galerie 4 9 from the west Coast onnasch galerie november Parnass. 1965. 10,5 x 1970. Bln. Onnasch Galerie. 1970. 21 x 20 cm. 12 7,5 cm. [336 S.]. OKar- unpaginierte S. OKarton. Tadelloses Exemplar. 45,– ton. Lediglich margi- Gezeigt wurden Arbeiten von Billy Al Bengsten, Ron Davis, Joe Goode, Robert Graham, Tom nale Knitterungen am Holland, Clark Murray, William Pettet, Kenneth Price und Ed Ruscha, von dem ein Siebdruck Rücken, sonst tadellos „Standard Station“ abgebildet ist. frisches Exemplar. In dieser Erhaltung selten. 500,– Begleitpublikation zum 24 Stunden Happening in der Galerie Parnass am 5. Juni 1965. 5 american pop art. Das legendäre Happening unter Beteiligung von Joseph Beuys, Bazon Brock, Ute Klophaus, 22/6 - 26/7, 64 - Ste- Charlotte Moorman, Nam June Paik, Eckart Rahn und Tomas Schmit war eines der ersten delijk Museum Ams- großen Fluxus-Happenings. Enthält eine umfangreiche Fotodokumentation, teils zum aus- terdam. 1. Auflage. klappen, von Ute Klophaus sowie im unbedruckten hinteren Drittel des Buches in den dafür Amsterdam. Stedelijk ausgehöhlten Seiten ein Mehlsäckchen mit der Anweisung von Wolf Vostell: „beschäftigen Museum. 1964. 4°. sie sich 24 stunden mit mehl“. [Vgl. Kellein / Archiv Sohm; Fricke, Katalog 10, Nr. 75]. 28 unpaginierte S. OKarton. Umschlag 2 557,087 / 955,000. 557,087 an exhibition orga- etwas angestaubt nized by lucy lippard for the contemporary art coun- und auf Innendeckeln cil of the seattle art museum at the seattle art museum marginal stockig. Gu- pavillon from september 5 to october 5 1969; ver- tes Exemplar. Catalo- sion titled 955,000 to vancouver art gallery 1970. gus N° 364. 50,– Vancouver. Vancouver Art Gallery. 1970. 10,1 x Enthält einen Text „De Nieuwe Amerikaanse Kunst“ von Alan R. Solomon (in Niederländ- 15,2 cm. 137 Blatt, 1 Blatt vakat. OKuvert. Makellos sicher Übersetzung) sowie Arbeiten von Robert Rauschenberg, Roy Lichtenstein, Tom Wes- frisches Exemplar. 400,– selmann, Andy Warhol, James Rosenquist, Claes Oldenburg, George Segal und Jim Dine, Die Ausstellung, zuerst gezeigt vom 5. September bis 5. Oktober 1969 im Seattle Art Muse- jeweils mit Abbildungen. um [557,087], dann vom 13. Januar bis 8. Februar 1970 [955,000], vereinte 69 Künstler Europas und der Vereinigten Staaten, die inhaltlich meist konzeptionell oder performativ 6 Amerikansk pop-konst. 106 former av kärlek och arbeiteten. Die Ziffernfolge entspricht jeweils der Bevölkerungszahl der beiden Städte zur förtvivlan: Jim Dine, Roy Lichtenstein, Claes Olden- Zeit der Ausstellung. Die Katalogform ist ungewöhnlich und erstmals so verwandt: Jeder burg, James Rosenquist, George Segal, Andy War- Künstler reichte seinen eigens konzipierten Beitrag in Form einer karteikartengroßen Karte hol, Tom Wesselman. Moderna Museet, 29 februa- ein. Beteiligt waren: Vito Acconci, Morrie Alhadeff, Carl Andre, Keith Arnatt, Art & Language, ri-12 april 1964. 1. Auflage. Stockholm. Moderna Richard Artschwager, Michael Asher, Terry Atkinson, John Baldessari, Robert Barry, Rick Museet. 1964. Quer 8°. 112 S., 1 Blatt. OKarton, Barthelme, Gene Beery, Mel Bochner, William Bollinger, Jonathan Borofsky, Daniel Buren, Heftklammerung. Oberes Kapital minimal berieben. Donald Burgy, Rosemarie Castoro, Greg Curnoe, Hanne Darboven, Walter De Maria, Jan Dib- Sehr gutes Ex- bets, Christos Dikeakos, Robert Dootson, Rafael Ferrer, Barry Flanagan, Anne Gerber, Dan emplar. 95,– Graham, Hans Haacke, Alex Hay, Michael Heizer, Eva Hesse, Douglas Huebler, Robert Huot, Legendäre, frühe Pop-Art Steve Kaltenbach, On Kawara, Edward Kienholz, Bob Kinmont, Joseph Kosuth, Christine Ausstellung in einem euro- Kozlov, John Latham, Barry Le Va, Sol LeWitt, Lucy R. Lippard, Roelof Louw, Duane Lunden, päischen Museum, veran- Thomas Maythem, Bruce McLean, Robert Morris, Bruce Nauman, New York Graphic Work- staltet durch Pontus Hulten. shop, Dennis Oppenheim, John Perreault, Adrian Piper, Liliana Porter, Polly Rawn, Robert Der Katalog ist dem Thema Rohm, Allen Ruppersberg, Edward Ruscha, Robert Ryman, Fred Sandback, George Saw- entsprechend einfach aber chuk, Richard Serra, Randolph Sims, Robert Smithson, Keith Sonnier, N.E. Thing, Jeffrey schön gestaltet mit ver- Wall, Lawrence Weiner, Ian Wilson, Jinny Wright. Neben einigen Karten mit Fotowiederga- schiedenen bunten Papie- ben von Installationen während der Ausstellung in Seattle sind alle Künstler mit je ein oder ren, montierten Farbtafeln, 2 Karten als eigenständigem künstlerischem Beitrag vertreten. Dem Käufer des Kataloges Falttafeln etc. Erste Aus- blieb durch die Form der Publikation die Wahl, die Karten in ihrer Vollständigkeit zu erhalten gabe. [Vgl. Das gedruckte oder nur eine selektive Wahl der bevorzugten Künstler zu treffen. Vorliegendes Exemplar Museum von Pontus Hulten, vollständig erhalten mit allen Karten beider Ausstellungsteile mit der Versandtasche. Nr. 13]. 3 557,087 / 955,000. 557,087 an exhibition orga- 7 Artists & Photographs. [1200 copies]. New York. nized by lucy lippard for the contemporary art coun- Multiples. 1970. 33,5 x 33,5 x 9,5 cm. OKarton-Box cil of the seattle art museum at the seattle art museum in der Gestaltung von Dan Graham / Cardboard- pavillon from september 5 to october 5 1969; ver- box, designed by Dan Graham. Makellos frisches, ungenutztes Exemplar. Alle enthaltenen Objekte lung Nordrhein-Westfa- neuwertig / Totaly fine, mint copy, as new. All ob- len, Düsseldorf 22. Juni bis jects inside unused. 3.950,– 4. August 1991. Erste Aus- Box mit 17 von 19 Objekten und Künstlerbüchern / Box with 17 of 19 objects and artists gabe. Düsseldorf. Edition books. Enthalten sind / Contains: I. Mel Bochner. Misunderstandings (A Theory of Pho- Cantz und Kunstsammlung tography). 10 Karten mit Offsets im Umschlag. - II. Christo. Packed Tower. Spoleto, Italy NRW. 1991. 4°. 115 S. 1968. 9 Offsets auf hartem Karton in einer Pappschachtel. - III. Jan Dibbets. Perspective OPappband. Sehr gutes Correction - 5 Piles. Offsetlitho. - IV. Dan Graham. Two parallel Essays. Künstlerbuch. - V. Exemplar. 150,– Douglas Huebler. Location Piece 2. 19 Offsets im Umschlag. - VI. Allan Kaprow. Pose. 6 „Aus der Distanz“ betrachtet war diese Aus- Offsetlithos im Umschlag. - VII. Michael Kirby. Pont Neuf: the localization of tetrahed- stellung bahnbrechend für einige der Becher-
Recommended publications
  • From Surrealism to Now
    WHAT WE CALL LOVE FROM SURREALISM TO NOW IMMA, Dublin catalogue under the direction of Christine Macel and Rachael Thomas [Cover] Wolfgang Tillmans, Central Nervous System, 2013, inkjet print on paper mounted on aluminium in artist’s frame, frame: 97 × 82 cm, edition of 3 + 1 AP Andy Warhol, Kiss, 1964, 16mm print, black and white, silent, approx. 54 min at 16 frames per second © 2015 THE ANDY WARHOL MUSEUM, PITTSBURG, PA, COURTESY MAUREEN PALEY, LONDON. © WOLFGANG TILLMANS A MUSEUM OF CARNEGIE INSTITUTE. ALL RIGHTS RESERVED. FILM STILL COURTESY OF THE ANDY WARHOL MUSEUM. PHOTO © CENTRE POMPIDOU, MNAM-CCI, DIST. RMN-GRAND PALAIS / GEORGES MEGUERDITCHIAN CONTENTS E 1 FOREWORD Sarah Glennie 6 WHAT WE CALL LOVE Christine Macel 13 SURREALISM AND L’AMOUR FOU FROM ANDRÉ BRETON TO HENRIK OLESEN / FROM THE 1920s TO NOW 18 ANDRÉ BRETON AND MAD LOVE George Sebbag 39 CONCEPTUAL ART / PERFORMANCE ART FROM YOKO ONO TO ELMGREEN AND DRAGSET / FROM THE 1960s TO NOW 63 NEW COUPLES FROM LOUISE BOURGEOIS TO JIM HODGES / FROM THE 1980s TO NOW 64 AGAINST DESIRE: A MANIFESTO FOR CHARLES BOVARY? Eva Illouz 84 THE NEUROBIOLOGY OF LOVE Semir Zeki 96 LOVE ACTION Rachael Thomas WHAT 100 LIST OF WORKS 104 BIBLIOGRAPHY WE CALL LOVE CHAPTER TITLE F FOREWORD SARAH GLENNIE, DIRECTOR The Irish Museum of Modern Art (IMMA) is pleased to present this publication, which accompanies the large scale group exhibition, What We Call Love: From Surrealism to Now. This exhibition was initially proposed by Christine Macel (Chief Curator, Centre Pompidou), who has thoughtfully curated the exhibition alongside IMMA’s Rachael Thomas (Senior Curator: Head of Exhibitions).
    [Show full text]
  • Tomma Abts Francis Alÿs Mamma Andersson Karla Black Michaël
    Tomma Abts 2015 Books Zwirner David Francis Alÿs Mamma Andersson Karla Black Michaël Borremans Carol Bove R. Crumb Raoul De Keyser Philip-Lorca diCorcia Stan Douglas Marlene Dumas Marcel Dzama Dan Flavin Suzan Frecon Isa Genzken Donald Judd On Kawara Toba Khedoori Jeff Koons Yayoi Kusama Kerry James Marshall Gordon Matta-Clark John McCracken Oscar Murillo Alice Neel Jockum Nordström Chris Ofili Palermo Raymond Pettibon Neo Rauch Ad Reinhardt Jason Rhoades Michael Riedel Bridget Riley Thomas Ruff Fred Sandback Jan Schoonhoven Richard Serra Yutaka Sone Al Taylor Diana Thater Wolfgang Tillmans Luc Tuymans James Welling Doug Wheeler Christopher Williams Jordan Wolfson Lisa Yuskavage David Zwirner Books Recent and Forthcoming Publications No Problem: Cologne/New York – Bridget Riley: The Stripe Paintings – Yayoi Kusama: I Who Have Arrived In Heaven Jeff Koons: Gazing Ball Ad Reinhardt Ad Reinhardt: How To Look: Art Comics Richard Serra: Early Work Richard Serra: Vertical and Horizontal Reversals Jason Rhoades: PeaRoeFoam John McCracken: Works from – Donald Judd Dan Flavin: Series and Progressions Fred Sandback: Decades On Kawara: Date Paintings in New York and Other Cities Alice Neel: Drawings and Watercolors – Who is sleeping on my pillow: Mamma Andersson and Jockum Nordström Kerry James Marshall: Look See Neo Rauch: At the Well Raymond Pettibon: Surfers – Raymond Pettibon: Here’s Your Irony Back, Political Works – Raymond Pettibon: To Wit Jordan Wolfson: California Jordan Wolfson: Ecce Homo / le Poseur Marlene
    [Show full text]
  • SPENCER FINCH Born 1962 in New Haven, CT Lives and Works in New
    SPENCER FINCH Born 1962 in New Haven, CT Lives and works in New York www.spencerfinch.com Education Rhode Island School of Design, Providence in Sculpture 1989 Hamilton College, Clinton, NY B.A in Comparative Literature Doshisha University, Kyoto, Japan 1983-1984 Selected Solo Exhibitions 2021 Inventing Nature – Pflanzen in der Kunst, Kunsthalle Karlsruhe The Enigma of Color, Galerie Nordenhake, Berlin Only the hand that erases writes the true thing, Lisson Gallery, London 2020 Woodcutter. Cut from me my shadow, Lisson Gallery, East Hampton, NY looking around, gazing intently, beholding, Rhona Hoffman Gallery, Chicago, IL 2019 As Lightning on a Landscape, Arcadia University,Spruance Gallery, Glenside, PA Wind (Through Emily Dickinson’s Window), College of Visual & Performing Arts,University of Massachusetts,North Dartmouth, MA No Ordinary Blue, Lisson Gallery, London 2018 The brain is deeper than the sea, James Cohan Gallery, New York, NY Fifteen stones (Ryōan-ji), Fundació Mies van der Rohe, Barcelona, Spain Me, Myself and I (A Group Show), Berggruen Gallery, San Francisco, CA Moon Dust (Apollo 17) Baltimore Museum of Art, Baltimore, MD 2017 Spencer Finch: Great Salt Lake and Vicinity, Utah Museum of Fine Art, The University of Utah, Salt Lake City, UT Spencer Finch, Lisson Gallery, Milan Spotlight, Norton Museum of Art, West Palm Beach, FL The Western Mystery, Seattle Art Museum, Seattle, WA Cosmic Latte, Mass MOCA, North Adams, MA The eye you see is not an eye because you see it, it is an eye because it sees you, Galerie Nordenhake,
    [Show full text]
  • SPENCER FINCH 1962 Born in New Haven, CT Lives and Works In
    SPENCER FINCH 1962 Born in New Haven, CT Lives and works in Brooklyn, NY EDUCATION 1989 M.F.A. in Sculpture, Rhode Island School of Design, Providence, RI 1985 B.A. in Comparative Literature, Hamilton College, Clinton, NY 1983-4 Doshisha University, Kyoto, Japan SOLO EXHIBITIONS 2021 The ‘I’ is the Mind of an Object, Madoo Conservancy, Sagaponack, NY Spencer Finch: Only the hand that erases writes the true thing, Lisson Gallery, London, UK 2020 Looking around, gazing intently, beholding, Rhona Hoffman Gallery, Chicago, IL 2019 Galerie Nordenhake, Mexico City, Mexico Spencer Finch: As Lightning on a Landscape, Spruance Gallery, Arcadia University, Glendale, PA Spencer Finch: Wind (Through Emily Dickinson’s Window), College of Visual & Performing Arts, University of Massachusetts, North Dartmouth, MA 2018 The Brain is deeper than the sea, James Cohan, New York, NY Fifteen Stones (Ryoanji), Fundació Mies van der Rohe, Barcelona, Spain Moon Dust (Apollo 17), Baltimore Museum of Art, Baltimore, MD Spencer Finch: Me, Myself and I (A Group Show), Berggruen Gallery, San Francisco, CA 2017 Spencer Finch, Utah Museum of Fine Arts, Salt Lake City, UT (on view through 2019) The eye you see is not an eye because you see it, it is an eye because it sees you, Nordenhake, Berlin, Germany Spotlight, Norton Museum of Art, West Palm Beach, FL, USA Cosmic Latte, MASS MoCA, North Adams, MA Spencer Finch: The Western Mystery, Seattle Museum of Art Spencer Finch, Lisson Gallery, Milan, Italy 2016 Spencer Finch: my business is circumference, James Cohan, New
    [Show full text]
  • Hans Arp & Other Masters of 20Th Century Sculpture
    Hans Arp & Other Masters Stiftung Arp e. V. Papers of 20th Century Sculpture Volume 3 Edited by Elisa Tamaschke, Jana Teuscher, and Loretta Würtenberger Stiftung Arp e. V. Papers Volume 3 Hans Arp & Other Masters of 20th Century Sculpture Edited by Elisa Tamaschke, Jana Teuscher, and Loretta Würtenberger Table of Contents 10 Director’s Foreword Engelbert Büning 12 Hans Arp & Other Masters of 20th Century Sculpture An Introduction Jana Teuscher 20 Negative Space in the Art of Hans Arp Daria Mille 26 Similar, Although Obviously Dissimilar Paul Richer and Hans Arp Evoke Prehistory as the Present Werner Schnell 54 Formlinge Carola Giedion-Welcker, Hans Arp, and the Prehistory of Modern Sculpture Megan R. Luke 68 Appealing to the Recipient’s Tactile and Sensorimotor Experience Somaesthetic Redefinitions of the Pedestal in Arp, Brâncuşi, and Giacometti Marta Smolińska 89 Arp and the Italian Sculptors His Artistic Dialogue with Alberto Viani as a Case Study Emanuele Greco 108 An Old Modernist Hans Arp’s Impact on French Sculpture after the Second World War Jana Teuscher 123 Hans Arp and the Sculpture of the 1940s and 1950s Julia Wallner 142 Sculpture and/or Object Hans Arp between Minimal and Pop Christian Spies 160 Contributors 164 Photo Credits 9 Director’s Foreword Engelbert Büning Hans Arp is one of the established greats of twentieth-century art. As a founder of the Dada movement and an associate of the Surrealists and Con- structivists alike, as well as co-author of the iconic book Die Kunst-ismen, which he published together with El Lissitzky in 1925, Arp was active at the very core of the avant-garde.
    [Show full text]
  • Distributed Art Publishers Art Distributed Artbook Spring 
    artbook Spring SPRING 2014 NEW BOOKS ON ART & CULTURE & distributed art publishers artbook distributed art publishers 155 Sixth Avenue, nd Floor, New York, NY 10013 www.artbook.com Ray Johnson, from Not Nothing: Selected Writings by Ray Johnson 1954–1994, published by Siglio. See page 35. Featured releases 2 Journals 82 sprIng HIgHlIgHts 90 CATALOGUE EDITOR Thomas Evans photography 92 ART DIRECTION art 108 Stacy Wakefield group exhibitions 136 IMAGE PRODUCTION Ranya Asmar Writings 142 DATA PRODUCTION design 150 Alexa Forosty COPY WRITING Film 158 Jarrod Annis, Thomas Evans, Tyler Fields, Annabelle Maroney, Seamus Mullarkey architecture 159 PRINTING limited editions 168 Sonic Media Solutions, Inc. Front Cover Image speCIalty Books 170 5 7 Robert Heinecken, Recto/Verso #2, 1988. Silver dye bleach print, 8 ⁄8 x 7 ⁄8''. The Museum of Modern Art, New York. Mr. and Mrs. Clark Winter Fund. art 172 © 2013 The Robert Heinecken Trust. From Robert Heinecken: Object Matter, photography 196 published by The Museum of Modern Art, New York. See page 36. BaCk Cover Image Backlist Highlights 201 Ray Johnson © Ray Johnson Estate, courtesy Richard L. Feigen & Co. From Not Nothing: Selected Writings by Ray Johnson 1954–1994, published by Siglio. See page 35. Index 207 © Ray Johnson Estate, courtesy Richard L. Feigen & Co & Feigen L. Richard courtesy Estate, Johnson Ray © ​Show​Time:​The​50​Most​ “a fascinating survey of Influential​Exhibitions of​Contemporary​Art​ groundbreaking exhibitions from Edited and with text by Jens Hoffman. Conversation with Hans Ulrich Obrist, Massimiliano Gioni, Maria the 1980s through to now . the Lind, Jessica Morgan, Carolyn Christov-Bakargiev, Adriano Pedrosa, Mary Jane Jacob.
    [Show full text]
  • Jean-Noel Archive.Qxp.Qxp
    THE JEAN-NOËL HERLIN ARCHIVE PROJECT Jean-Noël Herlin New York City 2005 Table of Contents Introduction i Individual artists and performers, collaborators, and groups 1 Individual artists and performers, collaborators, and groups. Selections A-D 77 Group events and clippings by title 109 Group events without title / Organizations 129 Periodicals 149 Introduction In the context of my activity as an antiquarian bookseller I began in 1973 to acquire exhibition invitations/announcements and poster/mailers on painting, sculpture, drawing and prints, performance, and video. I was motivated by the quasi-neglect in which these ephemeral primary sources in art history were held by American commercial channels, and the project to create a database towards the bibliographic recording of largely ignored material. Documentary value and thinness were my only criteria of inclusion. Sources of material were random. Material was acquired as funds could be diverted from my bookshop. With the rapid increase in number and diversity of sources, my initial concept evolved from a documentary to a study archive project on international visual and performing arts, reflecting the appearance of new media and art making/producing practices, globalization, the blurring of lines between high and low, and the challenges to originality and quality as authoritative criteria of classification and appreciation. In addition to painting, sculpture, drawing and prints, performance and video, the Jean-Noël Herlin Archive Project includes material on architecture, design, caricature, comics, animation, mail art, music, dance, theater, photography, film, textiles and the arts of fire. It also contains material on galleries, collectors, museums, foundations, alternative spaces, and clubs.
    [Show full text]
  • (2019-2020) in the Section of Air and Sounds
    PRESS RELEASE On Everybody's Lips From Pieter Bruegel to Cindy Sherman In Aller Munde Von Pieter Bruegel bis Cindy Sherman Kunstmuseum Wolfsburg 31 October 2020 - 5 April 2021 As part of the group exhibition, Shaun Stamp will be showing a new body of work I Used to Love You (2019-2020) in the section of Air and Sounds Artists Hans von Aachen (Umkreis), Marina Abramović & Ulay, Vito Acconci, Nobuyoshi Araki, Arman, Dirck Barendsz, Lenora de Barros, Franz von Bayros, Dirk Bell, Johannes Bendzulla, Bernhard Johannes Blume, Louis- Léopold Boilly, Hieronymus Bosch (Nachfolger), Louise Bourgeois, Pieter Bruegel d. Ä., Anton Büschelberger, Luca Cambiaso, Javier Castro und Luis Gárciga, Jake & Dinos Chapman, Francesco Clemente, Otto Coester, Tony Cragg, Lucas Cranach d. Ä., Walter Crane, Martin Creed, John Currin, Natalie Czech, Thomas Demand, François Desprez, Birgit Dieker, Mark Dion, Cheryl Donegan, Albrecht Dürer, Bogomir Ecker, Gerbrand van den Eeckhout, Antje Engelmann, Fantich & Young, Harun Farocki, Thomas Feuerstein, Urs Fischer, Anselmo Fox, Moritz Frei, Lieselotte Friedlaender, Gauri Gill, Francisco de Goya y Lucientes, Vivian Greven, Robert Haiss, Richard Hamilton, Johann Gottlieb Hantzsch, Mona Hatoum, Eberhard Havekost, He Xiangyu, Egbert van Heemskerck d. J., Jeppe Hein, Gottfried Helnwein, Gary Hill, Klara Hobza, Jenny Holzer, Benjamin Houlihan, Lisa Junghanß, Michael Kalmbach, Isabell Kamp, Christian Keinstar, Johann Georg Kern (zugeschr.), Walther Klemm, Max Klinger, Christoph Knecht, Herlinde Koelbl, Kurt Kranz, Alfred Kubin,
    [Show full text]
  • Catalogue Entitled “Philip Taaffe and Abstraction As the Continuance of Ornamental History” Deals with the Special Role He Plays in This Context
    Philip Taaffe The Life of Forms Works 1980 –2008 With contributions by Brooks Adams Holger Broeker Markus Brüderlin Kay Heymer March 8 to June 29, 2008 Contents Sponsor’s Statement 4 About the Exhibition 5 Kay Heymer On the Development of the Pictorial Work of Philip Taaffe 11 Plates 27 Philip Taaffe A Project for Wolfsburg 177 Markus Brüderlin Abstraction as the Continuance of Ornamental History 185 Holger Broeker Forms in Time 193 Brooks Adams Interview 205 Checklist of Exhibited Works 231 Authors’ Biographies 233 Biography 234 Selected Bibliography 236 Sponsor’s Statement With the exhibition Philip Taaffe: The Life of Forms, the Volkswagen Bank is again pleased to be able to support the Kunstmuseum Wolfsburg in showing art of international significance. The partnership with the Kunstmuseum Wolfsburg has existed since 2001. Aside from the monographic exhibitions Neo Rauch. Neue Rollen and Douglas Gordon. Between Darkness and Light, the projects sponsored since then include the two large group exhibitions ArchiSculpture. Dialogues Between Architecture and Sculpture from the 18th Century to the Present Day and Japan and the West: The Filled Void, which testify to the museum’s high standard of quality under the direc­ torship of Markus Brüderlin. In the exhibition Philip Taaffe: The Life of Forms, the Kunstmuseum Wolfsburg shows the fasci­ nating world of ornaments in the oeuvre of the artist who was born in New Jersey in 1955. This comprehensive survey of his work already promises to be one of the most exciting rediscoveries in the history of American painting. The works of the painter who attracted much attention in New York in the nineteen­eighties with his appropriation and reworking of existing images and styles are influ­ enced by dealings with the history of ornaments from diverse epochs and cultures.
    [Show full text]
  • Chapter 1 . TWO WORKS by NAM JUNE PAIK
    UvA-DARE (Digital Academic Repository) Re: Paik. On time, changeability and identity in the conservation of Nam June Paik’s multimedia installations Hölling, H.B. Publication date 2013 Document Version Final published version Link to publication Citation for published version (APA): Hölling, H. B. (2013). Re: Paik. On time, changeability and identity in the conservation of Nam June Paik’s multimedia installations. Boxpress. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:03 Oct 2021 INVITATION INVITATION Doctoral Thesis - Public Defence Doctoral Thesis - Public Defence You are cordially invited You are cordially invited to attend to attend the PUBLIC DEFENSE the PUBLIC DEFENSE
    [Show full text]
  • BRUCE NAUMAN Biography
    SPERONE WESTWATER 257 Bowery New York 10002 T + 1 212 999 7337 F + 1 212 999 7338 www.speronewestwater.com BRUCE NAUMAN Biography 1941 Fort Wayne, Indiana. Education 1964 B.S. University of Wisconsin, Madison, Wisconsin 1966 M.F.A. University of California, Davis, California 1966-68 Taught at San Francisco Art Institute, San Francisco, California 1970 Taught at University of California, Irvine, California Selected Honors/Awards 1968 NEA Grant, Artistic Fellowship Award, Washington, D. C. 1970 Aspen Institute for Humanistic Studies Grant, Aspen, Colorado 1986 Skowhegan Award, Skowhegan, Maine 1989 Honorary Doctor of Fine Arts, San Francisco Art Institute, San Francisco, California 1990 Max Beckmann Prize, Frankfurt am Main, Germany 1993 Alumni Citation for Excellence, University of California, Davis, California The Wolf Foundation Prize in Arts (Sculpture), Herzlia, Israel 1994 The Wexner Prize, Ohio State University, Columbus, Ohio 1995 Fellow, American Academy of Arts and Sciences, Cambridge, Massachusetts Aldrich Prize, Aldrich Museum, Ridgefield, Connecticut 1997 Member, Akademie der Künste, Berlin, Germany 1999 Leone d’oro (The Golden Lion) 48th Venice Biennale, Venice, Italy Sagamore of the Wabash, Indianapolis, Indiana 2000 Member, American Academy of Arts and Letters, New York, New York Honorary Doctor of Arts, California Institute of the Arts, Valencia, California 2004 Praemium Imperiale Prize for Visual Arts, Japan Beaux-Arts Magazine Art Awards: Best International Artist, Paris, France 2009 Golden Lion for Best National Participation,
    [Show full text]
  • MONA HATOUM Education Solo Exhibitions
    MONA HATOUM 1952 Born in Beirut, Lebanon Lives and works in London Education 1979–81 Slade School of Fine Art, London 1975–79 Byam Shaw School of Art, London 1970–72 Beirut University College, Lebanon Solo exhibitions 2021 Valencia Institute of Modern Art, Spain 2019 Remains to be Seen, White Cube, London Galerie Chantal Crousel, Paris 2018 Remains of the Day, White Cube, Hong Kong Every wall a door, Riverrun, Istanbul 2017 The 10th Hiroshima Art Prize, Hiroshima City Museum of Contemporary Art Terra Infirma, Menil Collection, Houston, Texas; Pulitzer Arts Foundation, St. Louis, Missouri, 2018 Displacements/Entortungen: Ayşe Erkmen & Mona Hatoum, Museum der bildenden Künste, Leipzig, Germany 2015 Twelve Windows, Museum of Fine Arts, Houston, Texas Centre Georges Pompidou, Paris; Tate Modern, London, 2016; Kiasma Museum of Contemporary Art, Helsinki, 2016 Institute of Contemporary Art, Boston, Massachusetts 2014 Turbulence, Mathaf: Arab Museum of Modern Art, Doha, Qatar Twelve Windows, Alexander and Bonin, New York Galerie René Blouin, Montreal Close Quarters, Museum of Fine Arts Ghent, Belgium Pinacoteca do Estado de São Paulo; Fundación PROA, Buenos Aires, 2015 2013 Mappings, Centre d’art des Pénitents Noirs, Aubagne, France A Body of Work, Galleria Continua, San Gimignano, Italy Kunstmuseum St. Gallen, Switzerland Reflection, Galerie Chantal Crousel, Paris 2012 You Are Still Here, Arter, Istanbul Projection, Joan Miró Prize, Fundació Joan Miró, Barcelona Shift, Galerie Max Hetzler, Berlin 2011 Silver Lining, Hochschule der Künste, Bern,
    [Show full text]