Sammy Figueroa (A Very) Selective Discography

Total Page:16

File Type:pdf, Size:1020Kb

Sammy Figueroa (A Very) Selective Discography SAMMY FIGUEROA (A VERY) SELECTIVE DISCOGRAPHY RECORDINGS AS A SIDEMAN ASHFORD & SIMPSON: Solid ASHFORD & SIMPSON: Solid AVERAGE WHITE BAND: AWB AVERAGE WHITE BAND: Soul Tattoo AVERAGE WHITE BAND: Warmer Communications BETTE MIDLERA: Thighs and Whispers BLUES TRAVELLER: Straight On Till Morning BRECKER BROTHERS: Straphangin’ CARLY SIMON: Anthology CHAKA KHAN: I’m Every Woman CHARLES MINGUS: Me, Myself An Eye CHET BAKER: Studio Trieste CHIC: C’est Chic DAVE GRUSIN: An Evening With Dave Grusin DAVE GRUSIN: West Side Story DAVE VALENTIN: Red Sun DAVID BOWIE: Let’s Dance DAVID LEE ROTH: Crazy From The Heat DIANA ROSS: The Boss DR. JOHN: Anutha Zone EARL KLUGH & BOB JAMES: Two Of A Kind FRANCO DE VITA: Stop GEORGE BENSON: In Your Eyes GLADYS KNIGHT & THE PIPS: Touch HALL & OATES: Ooh Yeah HERBIE MANN: Peace Pieces, The Music of Bill Evans JOE COCKER: Unchain My Heart LITTLE STEVEN & THE DISCIPLES OF SOUL: Men Without Women LUTHER VANDROSS: Forever, For Always, For Love MARIAH CAREY: MTV Uplugged (Columbia) MICHEL CAMILO: On The Other Hand MICHEL CAMILO: Why Not? MICK JAGGER: She’s The Boss MILES DAVIS: Man With A Horn NARADA MICHAEL WALDEN: Garden of Love Light PAQUITO D’RIVERA: Explosion PAQUITO D’RIVERA: Havana Cafe PATTI SMITH: Dream of Life PAUL SHAFFER: The World’s Most Dangerous Band PAUL WINTER CONSORT & FRIENDS: Silver Solstice RUBEN BLADES Y SON DEL SOLAR: Amor y Control SONNY ROLLINS: Road Shows Vol. I, II, III SPYRO GRYA: Three Wishes STANLEY JORDAN: Magic Touch TOMMY BOLIN: Great Gypsy Soul WHITNEY HOUSTON: Whitney YOKO ONO: It’s All Right (I See Rainbows) SAMMY FIGUEROA ALBUMS SAMMY FIGUEROA & HIS LATIN JAZZ EXPLOSION: And Sammy Walked In (Savant) produced by Rachel Faro & Sammy Figueroa GRAMMY NOMINATION BEST LATIN JAZZ ALBUM SAMMY FIGUEROA & HIS LATIN JAZZ EXPLOSION: The Magician (Savant) produced by Rachel Faro & Sammy Figueroa GRAMMY NOMINATION BEST LATIN JAZZ ALBUM SAMMY FIGUEROA & HIS LATIN JAZZ EXPLOSION: Urban Nature (Senator/Ashe) produced by Rachel Faro & Sammy Figueroa SAMMY FIGUEROA: Imaginary World (Savant) produced by Rachel Faro & Ray Chew SAMMY FIGUEROA & GLAUCIA NASSER: Talisman (Savant) produced by Rachel Faro & Sammy Figueroa SAMMY FIGUEROA: Memory of Water (Ashe) produced by Rachel Faro & Sammy Figueroa ALBUM PRODUCTIONS YOMO TORO: Celebremos Navidad (Ashé) produced by Rachel Faro & Sammy Figueroa INDI AWARD BEST LATIN ALBUM; PAOLI PRIZE BEST XMAS ALBUM VOCAL SAMPLING: Una Forma Mas (Sire/Elektra) produced by Rachel Faro & Sammy Figueroa LAZARO ROS CON MEZCLA: Cantos (Intuition) produced by Rachel Faro & Sammy Figueroa CUARTO ESPACIO featuring Ernan Lopez Nussa & Omar Hernandez (Ashé) produced by Rachel Faro & Sammy Figueroa SINGLE PRODUCTIONS Sammy Figueroa Discography 2 RUBEN BLADES & DAVE VALENTIN, featuring YOMO TORO & HIS BORICUA ALL- STARS: Cascabel album: World Christmas (Metro-Blue/EMI) produced by Rachel Faro & Sammy Figueroa CUARTO ESPACIO: Clave En Bajo Temporado album: Cubanojazz (World Pacific/EMI) produced by Rachel Faro & Sammy Figueroa Sammy Figueroa Discography 3 .
Recommended publications
  • The Connection Between Jazz and Drug Abuse: a Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’S, 50’S, and 60’S
    University of Denver Digital Commons @ DU Musicology and Ethnomusicology: Student Scholarship Musicology and Ethnomusicology 11-2019 The Connection Between Jazz and Drug Abuse: A Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’s, 50’s, and 60’s Aaron Olson University of Denver, [email protected] Follow this and additional works at: https://digitalcommons.du.edu/musicology_student Part of the Musicology Commons Recommended Citation Olson, Aaron, "The Connection Between Jazz and Drug Abuse: A Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’s, 50’s, and 60’s" (2019). Musicology and Ethnomusicology: Student Scholarship. 52. https://digitalcommons.du.edu/musicology_student/52 This work is licensed under a Creative Commons Attribution 4.0 License. This Bibliography is brought to you for free and open access by the Musicology and Ethnomusicology at Digital Commons @ DU. It has been accepted for inclusion in Musicology and Ethnomusicology: Student Scholarship by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. The Connection Between Jazz and Drug Abuse: A Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’s, 50’s, and 60’s This bibliography is available at Digital Commons @ DU: https://digitalcommons.du.edu/musicology_student/52 The Connection between Jazz and Drug Abuse: A Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’s, 50’s, and 60’s. An Annotated Bibliography By: Aaron Olson November, 2019 From the 1940s to the 1960s drug abuse in the jazz community was almost at epidemic proportions.
    [Show full text]
  • Uva-DARE (Digital Academic Repository)
    UvA-DARE (Digital Academic Repository) "Our subcultural shit-music": Dutch jazz, representation, and cultural politics Rusch, L. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Rusch, L. (2016). "Our subcultural shit-music": Dutch jazz, representation, and cultural politics. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 1.&Community,&scenes&and&narratives& In"1978,"journalists"and"musicians"associated"with"the"Stichting"Jazz"in"the"Netherlands" (Foundation"for"Jazz"in"the"Netherlands,"from"here"on:"SJN)"and"the"Jazz/Press"magazine" published"Jazz-&-Geïmproviseerde-Muziek-in-Nederland,"a"“companion"to"the"Dutch"jazz"
    [Show full text]
  • 94 DOWNBEAT JUNE 2019 42Nd ANNUAL
    94 DOWNBEAT JUNE 2019 42nd ANNUAL JUNE 2019 DOWNBEAT 95 JeJenna McLean, from the University of Northern Colorado in Greeley, is the Graduate College Wininner in the Vocal Jazz Soloist category. She is also the recipient of an Outstanding Arrangement honor. 42nd Student Music Awards WELCOME TO THE 42nd ANNUAL DOWNBEAT STUDENT MUSIC AWARDS The UNT Jazz Singers from the University of North Texas in Denton are a winner in the Graduate College division of the Large Vocal Jazz Ensemble category. WELCOME TO THE FUTURE. WE’RE PROUD after year. (The same is true for certain junior to present the results of the 42nd Annual high schools, high schools and after-school DownBeat Student Music Awards (SMAs). In programs.) Such sustained success cannot be this section of the magazine, you will read the attributed to the work of one visionary pro- 102 | JAZZ INSTRUMENTAL SOLOIST names and see the photos of some of the finest gram director or one great teacher. Ongoing young musicians on the planet. success on this scale results from the collec- 108 | LARGE JAZZ ENSEMBLE Some of these youngsters are on the path tive efforts of faculty members who perpetu- to becoming the jazz stars and/or jazz edu- ally nurture a culture of excellence. 116 | VOCAL JAZZ SOLOIST cators of tomorrow. (New music I’m cur- DownBeat reached out to Dana Landry, rently enjoying includes the 2019 albums by director of jazz studies at the University of 124 | BLUES/POP/ROCK GROUP Norah Jones, Brad Mehldau, Chris Potter and Northern Colorado, to inquire about the keys 132 | JAZZ ARRANGEMENT Kendrick Scott—all former SMA competitors.) to building an atmosphere of excellence.
    [Show full text]
  • Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 Pm
    Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/02/2011 to 11/08/2011 Last Period (TP) = 10/25/2011 to 11/01/2011 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 2 Jeff McLaughlin Quartet Blocks Owl Studios 2011 11 12 -1 2 27 Christian McBride Big The Good Feeling Mack Avenue 2011 9 3 6 Band 3 308 Pat Martino Undeniable: Live At Blues HighNote 2011 8 0 8 Alley 4 4 Dr. Michael White Adventures In New Basin Street 2011 7 9 -2 Orleans Jazz Pt. 1 4 8 Stefon Harris, David Ninety Miles Concord Picante 2011 7 8 -1 Sanchez, Christian Scott 4 14 Warren Wolf Warren Wolf Mack Avenue 2011 7 6 1 4 308 Houston Person So Nice HighNote 2011 7 0 7 8 4 Jay Ashby & Steve Davis Mistaken Identity MCG Jazz 2011 6 9 -3 8 10 Orrin Evans Freedom Posi-Tone 2011 6 7 -1 10 1 Roy Haynes Roy-Alty Dreyfus 2011 5 13 -8 10 3 Cedar Walton The Bouncer High Note 2011 5 10 -5 10 8 Afro Bop Alliance Una Mas OA2 2011 5 8 -3 10 20 Alan Leatherman Detour Ahead AJL 2011 5 4 1 10 20 Dave Valentin Pure Imagination HighNote 2011 5 4 1 10 43 Sir Roland Hanna Colors From A Giant's Kit IPO 2011 5 2 3 10 43 Denise Donatelli What Lies Within Savant 2008 5 2 3 17 4 Bill O'Connell Triple Play Plus Three Zoho 2011 4 9 -5 17 10 John Stein Hi Fly Whaling City Sound 2011 4 7 -3 17 18 Gerald Beckett Standard Flute Summit 2011 4 5 -1 17 20 Denise Donatelli When Lights Are Low Savant 2010 4 4 0 17 27 Sammy Figueroa Urban Nature
    [Show full text]
  • Chet Baker Pretty/Groovy Mp3, Flac, Wma
    Chet Baker Pretty/Groovy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Pretty/Groovy Country: US Released: 1958 MP3 version RAR size: 1735 mb FLAC version RAR size: 1189 mb WMA version RAR size: 1592 mb Rating: 4.8 Votes: 397 Other Formats: APE FLAC WMA MP2 AUD AIFF APE Tracklist A1 Look For The Silver Lining A2 Time After Time A3 Travelin' Light A4 My Funny Valentine A5 There Will Never Be Another You A6 The Thrill Is Gone A7 But Not For Me B1 Band Aid B2 The Lamp Is Low B3 Carson City Stage B4 Long Ago And Far Away B5 Easy To Love B6 Winter Wonderland B7 Batter Up Credits Bass – Carson Smith Clarinet – Jimmy Giuffre Drums – Larry Bunker Guitar – David Wheat Photography By, Design – Bill Shaefer Piano – Russ Freeman Saxophone – Bill Perkins Trumpet – Chet Baker Notes Plain labels with writing on both sides. Barcode and Other Identifiers Matrix / Runout: Side A : PJ-ST-774 H Matrix / Runout: Side B : PJ-ST-775 H Other versions Category Artist Title (Format) Label Category Country Year Chet Pretty/Groovy (LP, World Pacific WP-1249 WP-1249 US 1958 Baker Comp) Records Chet Pretty/Groovy (LP, LPM 2082 Music LPM 2082 Italy Unknown Baker Comp) TOCJ-9443, Chet Pretty / Groovy (CD, World Pacific, TOCJ-9443, Japan 2002 WP-1249 Baker Comp, Ltd, RE, RM) World Pacific WP-1249 World Pacific K18P-9262, Chet Pretty/Groovy (LP, K18P-9262, Records, Japan 1983 WP-1249 Baker Comp, RE) WP-1249 Pacific Jazz World Pacific PJ 1249, Chet Pretty/Groovy (LP, PJ 1249, Records, Japan 1991 PJ-1249 Baker Comp, Mono, RE) PJ-1249 Pacific Jazz Related Music albums to Pretty/Groovy by Chet Baker Chet Baker - The Thrill Is Gone My Ideal Chet Baker - Baker's Holiday: Chet Baker Sings And Plays Billie Holiday Chet Baker - The Best Of Chet Baker Matt Dusk - My Funny Valentine: The Chet Baker Songbook Chet BAKER - Sings and plays with bud shank russ freeman and strings Chet Baker - Deep In A Dream - The Ultimate Chet Baker Collection Chet Baker - Chet Baker Chet Baker - Chet Baker In Tokyo Chet Baker - The Very Best Of Chet Baker Chet Baker Quartet - Chet Baker Quartet.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • The Nineteenth-Century Russian Gypsy Choir and the Performance of Otherness
    The Nineteenth-Century Russian Gypsy Choir and the Performance of Otherness Erik R. Scott Summer 2008 Erik R. Scott is a Ph.D. candidate in the Department of History, at the University of California, Berkeley Acknowledgments I would like to thank Professor Victoria Frede and my fellow graduate students in her seminar on Imperial Russian History. Their careful reading and constructive comments were foremost in my mind as I conceptualized and wrote this paper, first for our seminar in spring 2006, now as a revised work for publication. Abstract: As Russia’s nineteenth-century Gypsy craze swept through Moscow and St. Petersburg, Gypsy musicians entertained, dined with, and in some cases married Russian noblemen, bureaucrats, poets, and artists. Because the Gypsies’ extraordinary musical abilities supposedly stemmed from their unique Gypsy nature, the effectiveness of their performance rested on the definition of their ethnic identity as separate and distinct from that of the Russian audience. Although it drew on themes deeply embedded in Russian— and European—culture, the Orientalist allure of Gypsy performance was in no small part self-created and self-perpetuated by members of Russia’s renowned Gypsy choirs. For it was only by performing their otherness that Gypsies were able to seize upon their specialized role as entertainers, which gave this group of outsiders temporary control over their elite Russian audiences even as the songs, dances, costumes, and gestures of their performance were shaped perhaps more by audience expectations than by Gypsy musical traditions. The very popularity of the Gypsy musical idiom and the way it intimately reflected the Russian host society would later bring about a crisis of authenticity that by the end of the nineteenth century threatened the magical potential of Gypsy song and dance by suggesting it was something less than the genuine article.
    [Show full text]
  • LBMO.Com - Latin Beat Magazine - Latin Music Magazine - Columns
    LBMO.com - Latin Beat Magazine - Latin Music Magazine - Columns http://www.latinbeatmagazine.com/columns.html Home |Features | Columns |Hit Parades | Rev iews | Calendar |News |LB Style |Contacts | Shopping | E-Back Issues OCTOBER 2011 ISSUE QUÉ PASA IN LA By Rudy Mangual October in Los Angeles is always happening when actor/comedian John Leguizamo performs and his latest show "Ghetto Klown" runs through October 16th at the landmark Ricardo Montalban Theater in Hollywood after completing a successful season on Broadway. For tickets and more information, visit www.tix.com and/or www.ghettoklown.com. Creepy Happenings at Heritage Square Museum! Enjoy the creepy happenings of Halloween at Heritage Square Museum during Cintron Band Live the "Eighth Annual Halloween and Mourning Human Nature Tours" program. This two-day event, hosted on Saturday and Sunday, October 29 and 30, is Windows Media perfect for the whole family to enjoy. The program runs from 12 noon to 4 p.m. each day. You will Quicktime learn about death and mourning etiquette during the Victorian era and participate in a funeral inside one of the museum's historic homes. Learn about the movement of Spiritualism; what it was, who followed it and why, and perhaps have your future foretold by a fortune teller. Heritage Vanelis Square is an open-air, living history museum dedicated to telling the story of the development of Como Lo Extraño Los Angeles. The museum is located at 3800 Homer Street, Los Angeles, CA 90031. For further Windows Media information, visit www.heritagesquare.org. Quicktime Ismael "East" Carlo presents "Latin Jazz Descarga Virtuosos" at El Floridita Restaurant in Nayibe Hollywood every Thursday since September 10 (with a slamming performance by percussionist Borinquen Robertito Melendez).
    [Show full text]
  • Bette Midler Mud Will Be Flung Tonight! Mp3, Flac, Wma
    Bette Midler Mud Will Be Flung Tonight! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Non Music / Pop / Stage & Screen Album: Mud Will Be Flung Tonight! Country: US Style: Comedy, Spoken Word, Vocal MP3 version RAR size: 1659 mb FLAC version RAR size: 1739 mb WMA version RAR size: 1515 mb Rating: 4.3 Votes: 599 Other Formats: DTS RA AHX AC3 TTA MOD APE Tracklist 1 Taking Aim 5:09 2 Fit Or Fat "Fat As I Am" 3:10 3 Marriage, Movies, Madonna And Mick 6:39 4 Vickie Eydie "I'm Singing Broadway" 4:44 5 Coping 1:40 6 The Unfettered Boob 2:58 7 "Otto Titsling" 4:20 8 Why Bother? 6:44 9 Soph 4:32 Companies, etc. Glass Mastered At – Specialty Records Corporation Notes Printed in U.S.A. Barcode and Other Identifiers Barcode: 0 7567-81291-2 4 Other versions Category Artist Title (Format) Label Category Country Year Mud Will Be Flung 81291-1, 7 Bette Atlantic, 81291-1, 7 Tonight! (LP, US 1985 81291-1 Midler Atlantic 81291-1 Album) Mud Will Be Flung Bette 81291-4 Tonight! (Cass, Atlantic 81291-4 Australia 1985 Midler Album) Mud Will Be Flung Bette 78 12911 Tonight! (LP, Atlantic 78 12911 Canada 1985 Midler Album) Mud Will Be Flung 7 81291-2, Bette Atlantic, 7 81291-2, Tonight! (CD, US Unknown 81291-2 Midler Atlantic 81291-2 Album, RP) Mud Will Be Flung Bette 7567-81291-2 Tonight! (CD, Atlantic 7567-81291-2 Europe 1989 Midler Album) Related Music albums to Mud Will Be Flung Tonight! by Bette Midler Bette Midler - From A Distance Bette Midler - You're Movin' Out Today Bette Midler - Hang On In There Baby Bette Midler - Wind Beneath My Wings Bette Midler - Daybreak (Storybook Children) / Empty Bed Blues Bette Midler - For The Boys - Music From The Motion Picture Bette Midler - Beast Of Burden Bette Midler - My Knight In Black Leather Bette Midler - The Best Of Bette Bette Midler - Lullaby In Blue Bette Midler - Chapel Of Love Bette Midler - Thighs and Whispers.
    [Show full text]
  • Chic C'est Chic Mp3, Flac, Wma
    Chic C'est Chic mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: C'est Chic Country: Australia Released: 1978 Style: Disco MP3 version RAR size: 1493 mb FLAC version RAR size: 1970 mb WMA version RAR size: 1732 mb Rating: 4.5 Votes: 893 Other Formats: MIDI DXD MP2 MOD VQF AA MPC Tracklist Hide Credits A1 Chic Cheer 4:42 A2 Le Freak 5:23 A3 Savoir Faire 5:01 A4 Happy Man 4:17 B1 I Want Your Love 6:45 At Last I Am Free B2 7:08 Clavinet, Piano [Acoustic], Electric Piano – Andy Schwartz Sometimes You Win B3 4:26 Engineer – Burt Szerlip B4 (Funny) Bone 3:41 Companies, etc. Manufactured By – Warner-Pioneer Corporation Credits Art Direction – Bob Defrin Bass – Bernard Edwards Bells [Tubular] – Jose Rossy Clavinet, Piano [Acoustic], Electric Piano – Robert Sabino* Concertmaster – Gene Orloff Drums – Tony Thompson Electric Piano [Fender Rhodes] – Raymond Jones Engineer – Bob Clearmountain Engineer [Assistant] – Jeff Hendrickson, Positively No Way Ray (Willard?)* Guitar – Nile Rodgers Mastered By – Dennis King Percussion – Sammy Figueroa Photography By – Joel Brodsky Producer [Associate] – Mark Kreiner*, Tom Cossie Producer, Arranged By, Written-By, Conductor – Bernard Edwards And Nile Rodgers* Saxophone – Alex Foster, Jean Fineberg Strings – Cheryl Hong, Karen Milne, Marianne Carroll Trombone – Barry Rogers Trumpet – Ellen Seeling, Jon Faddis Vocals – Alfa Anderson, Bernard Edwards, David Lasley, Diva Gray, Luci Martin, Luther Vandross Notes ℗1978 Atlantic Recordiong Corporation Made by Warner-Pioneer Corporation, Japan Produced for The Chic Organisation Ltd. In association with MK Productions All songs mixed and recorded at Power Station Studios in New York (A lovely bunch of coconuts) Mastered at Atlantic Studios, New York City.
    [Show full text]
  • Transpopular Spaces: Gypsy Imagineries in the Work of Van
    Fecha de recepción: 1 septiembre 2019 Fecha de aceptación: 4 octubre 2019 Fecha de publicación: 9 febrero 2020 URL: https://oceanide.es/index.php/012020/article/view/39/182 Oceánide número 13, ISSN 1989-6328 DOI: https://doi.org/10.37668/oceanide.v13i.39 Dr. Eduardo Barros Grela Universidade da Coruña, España ORCID: https://orcid.org/0000-0002-7533-5580 Dra. María Bobadilla Pérez Universidade da Coruña, España ORCID: https://orcid.org/ 0000-0002-4972-5980 Transpopular Spaces: Gypsy Imageries in the Work of Van Morrison Resumen La obra del autor norirlandés Van Morrison ha pasado relativamente desapercibida por la crítica a pesar de los numerosos elementos sociales, literarios y artísticos que presenta. Entre ellos se encuentra la representación de la figura del gitano como modelo de actuación para unas generaciones de oyentes a quienes les preocupaba el aspecto cultural a la contra, así como los modelos de vida alternativos a los legitimados por la clase media de la época. El objetivo de este estudio es analizar el componente romantizado que se presenta en la obra de Morrison alrededor de su representación del gitanismo, así como observar cómo esos elementos generan primero una función deontologizante y después una resignificación de los espacios en tránsito ocupados por la(s) imaginación(es) de esta comunidad como pueblo nómada. Para llevar a cabo el análisis se atenderá a varias canciones de la primera época del autor norirlandés, y se explicarán las funciones de representación del gitano en el entorno del espacio y de una epistemología contracultural. Palabras clave: Van Morrison; espacio; gitanos; contracultura; música Abstract The work of Northern Irish singer-songwriter Van Morrison has gone relatively unnoticed by critics despite the numerous social, literary and artistic elements included in his songs.
    [Show full text]
  • Sammy Figueroa Full
    Sammy Figueroa has long been regarded as one of the world’s great musicians. As a much-admired percussionist he provided the rhythmical framework for hundreds of hits and countless recordings. Well-known for his versatility and professionalism, he is equally comfortable in a multitude of styles, from R & B to rock to pop to electronic to bebop to Latin to Brazilian to New Age. But Sammy is much more than a mere accompanist: when Sammy plays percussion he tells a story, taking the listener on a journey, and amazing audiences with both his flamboyant technique and his subtle nuance and phrasing. Sammy Figueroa is now considered to be the most likely candidate to inherit the mantles of Mongo Santamaria and Ray Barretto as one of the world’s great congueros. Sammy Figueroa was born in the Bronx, New York, the son of the well-known romantic singer Charlie Figueroa. His first professional experience came at the age of 18, while attending the University of Puerto Rico, with the band of bassist Bobby Valentin. During this time he co-founded the innovative Brazilian/Latin group Raices, which broke ground for many of today’s fusion bands. Raices was signed to a contract with Atlantic Records and Sammy returned to New York, where he was discovered by the great flautist Herbie Mann. Sammy immediately became one of the music world’s hottest players and within a year he had appeared with John McLaughlin, the Brecker Brothers and many of the world’s most famous pop artists. Since then, in a career spanning over thirty years, Sammy has played with a
    [Show full text]