Printmgr File

Total Page:16

File Type:pdf, Size:1020Kb

Printmgr File THIS DOCUMENT IS IN DRAFT FORM, INCOMPLETE AND SUBJECT TO CHANGE. THE INFORMATION IN THIS DOCUMENT MUST BE READ IN CONJUNCTION WITH THE SECTION HEADED “WARNING” ON THE COVER OF THIS DOCUMENT. GLOSSARY OF INDUSTRY TERMS In this Document, unless the context otherwise requires, explanations and definitions of certain terms used in this Document in connection with our Group and our business shall have the meanings set out below. The terms and their meanings may not always correspond to standard industry meaning or usage of these terms. “Anhui Satellite TV” Anhui Television (安徽衛視), a TV network broadcast from Hefei, Anhui Province; “average viewership rating” an index which indicates the audience size of TV programs, refers to the number of audiences of a particular program as a percentage of the total estimated number of audiences during the same time slot; “Beijing Satellite TV” Beijing Satellite TV (北京衛視), a TV network broadcast from Beijing; “Big Five Satellite TV Networks” the top five non-CCTV satellite TV networks in China in terms of ratings during the Track Record Period, namely, Jiangsu Satellite TV, Zhejiang Satellite TV, Dragon TV, Hunan Satellite TV and Beijing Satellite TV; “Bilibili” Bilibili (嗶哩嗶哩), a video sharing website themed around animation, comic and games, based in China; “BYD” a PRC automobile brand; “CCTV” China Central Television (中國中央電視台), the predominant state TV network in the PRC; “Douyin” Douyin (抖音), a social media short-form video app for creating and sharing short lip-sync, comedy, and talent videos; “Dragon TV” Dragon TV (東方衛視), a TV network of Shanghai Media Group (上海文廣新聞傳媒集團), broadcast from Shanghai; “Gree Electronics” a PRC air conditioning and household appliance brand; “Hunan Satellite TV” Hunan Satellite TV (湖南衛視), a TV network broadcast from Changsha, Hunan Province; “iQIYI” iQIYI (愛奇藝), a leading online video platform based in Beijing; “Jiangsu Satellite TV” Jiangsu Satellite TV (江蘇衛視), a TV network broadcast from Nanjing, Jiangsu Province; “Kuaishou” Kuaishou (快手), a social media short-form video app for creating and sharing short lip-sync, comedy, and talent videos; –25– THIS DOCUMENT IS IN DRAFT FORM, INCOMPLETE AND SUBJECT TO CHANGE. THE INFORMATION IN THIS DOCUMENT MUST BE READ IN CONJUNCTION WITH THE SECTION HEADED “WARNING” ON THE COVER OF THIS DOCUMENT. GLOSSARY OF INDUSTRY TERMS “Kugou Music” Guangzhou KuGou Computer Technology Co., Ltd.* (廣州 酷狗計算機科技有限公司), a company established in the PRC with limited liability on February 20, 2006, primarily engaged in digital music services; “life cycle” the life cycle of a program commences when the program is first broadcast or released, typically undergoing a growth phase, mature phase and decline phase; for purposes of this Document, life cycle of our programs ends when we believe that we have generated most of the revenue associated with the program; “Mango TV” Mango TV (芒果TV), a leading online video platform; “master tape” the final tape of a program that is delivered to the media platform for broadcast; “primetime” refers to the block of time when audience viewership peaks for programming during a defined period of time. For PRC television, primetime usually means the 19:00 to 23:00 time slot; “program duration” the duration of a program generally begins when we begin to incur costs, making first payments to suppliers to produce the program after the program has been internally approved, and lasts through the entire marketing and production stages; “Satellite TV Networks” refers to non-CCTV satellite TV networks in China; “Shenzhen Satellite TV” Shenzhen Satellite TV (深圳衛視), a TV network owned and operated by Shenzhen Media Group (深圳廣播電影電視集 團), broadcast from Shenzhen, Guangdong Province; “Sohu Video” Sohu Video (搜狐視頻), a leading online video platform based in Beijing; “Tencent Video” Tencent Video (騰訊視頻), a leading online video platform owned by Tencent; “tie-in merchandise” a work of fiction or other product based on a media property such as a film, video game, television series, board game, web site, role-playing game or literary property. Tie- ins are authorized by the owners of the original property, and are a form of cross-promotion used primarily to generate additional income from that property and to promote its visibility; “Unilever” a British-Dutch transnational consumer goods brand, with products that include food and beverages, cleaning agents, beauty products, and personal care products; –26– THIS DOCUMENT IS IN DRAFT FORM, INCOMPLETE AND SUBJECT TO CHANGE. THE INFORMATION IN THIS DOCUMENT MUST BE READ IN CONJUNCTION WITH THE SECTION HEADED “WARNING” ON THE COVER OF THIS DOCUMENT. GLOSSARY OF INDUSTRY TERMS “variety program” a type of interactive audio-visual video content that can incorporate art forms such as musical performance, sketch comedy and storytelling; “video program producer” participants in the video content market who develop, market, produce and distribute video content (such as variety programs and drama series) for media platforms (including TV networks and online video platforms); “Ximalaya FM” Ximalaya FM (喜馬拉雅FM), a service website that enables users to share audio and personal radio stations; “Youku” Youku (優酷), a leading online video platform based in Beijing; “Zhejiang Satellite TV” Zhejiang Television (浙江衛視), a TV network under Zhejiang Radio and Television Group (浙江廣播電視集團), broadcast from Hangzhou, Zhejiang Province. –27–.
Recommended publications
  • Ipo Analysis
    IPO ANALYSIS Zscaler Research on potential upcoming IPOs from Bilibili Spotify selected candidate companies. March 2018 VentureDeal Zscaler Files Terms For $110 Million IPO Quick Take Zscaler (ZS) intends to raise $110 million in a U.S. IPO, according to an amended S-1/A regulatory filing. The company has developed a suite of cloud security software offerings for the enterprise market. ZS management is proposing to price the IPO at a rich valuation and without demonstrating a path to profitability. My opinion is to AVOID the IPO at the current price. Perhaps institutional buyers will persuade management of their excessive valuation expectations. Alternatively, if the IPO fizzles, interested investors may be able to pick up a bargain post-IPO. Company Recap San Jose, California-based Zscaler was founded in 2007 to offer a range of internet and hybrid security capabilities to businesses of all sizes. Management is headed by co-founder and CEO Jay Chaudhry, who was previously Chief Strategy Officer at Secure Computing and founder & CEO of CipherTrust. The company has developed a robust partner network for both referrals & resellers and internet service providers. Investors have funded $148 million in several rounds and include TPG Capital (8.7% pre-IPO). CEO Chaudhry and affiliates own 54.3% of company stock pre-IPO. Technology Zscaler has created a suite of cloud security solutions in the following categories: Zscaler Internet Access • Secure Web Gateway • Cloud Firewall • Cloud Sandbox • Bandwidth Control • Data Loss Prevention Zscaler Private Access • For Amazon Web Services (AMZN) • For Microsoft Azure (MSFT) Zscaler Platform • Cloud Architecture • SSL Inspection • Data Privacy & Security • Zscaler App Below is a brief company promotional video: (Source:Zscaler) Market According to a December 2017 Gartnermarket research report, it forecasted that global security technology spending would reach $96 billion in 2018, representing an increase of 8% over 2017.
    [Show full text]
  • Analysis and Discussion on the Network Self Made Drama Under the Network Platform
    Analysis and Discussion on the Network Self Made Drama under the Network Platform Xiaoxia LI Zibo Vocational Institute Abstract: In recent years, with the continuous deepening of the integration of Internet and film and television creation, China has entered the online drama world spawned by the “Internet”. In the development trend of online drama, self-made content has become the foundation of every major platform. In 2020, the network self-made drama will be stable and new. Under the benign situation of stable development, it will move towards higher quality and broader stage. Keywords: Network; Platform; Homemade drama; Film and television DOI: 10.47297/wspciWSP2516-252708.20200409 1. The Rise of Self-made Drama in the Network Video Platform (1) The characteristics of network communication and the platform advantage of mastering the front market data, the network self-made drama has high interaction and market sensitivity. (2) Behind the rise of the network self-made drama is the network video platform that is eager for more control. n the increasingly fierce and cruel competition of “film and television winter”, Ithe network self-made drama makes these online video platforms escape the copyright purchase cost of the sky price, and change from passive content competition to active participation in content production, and become the core of platform differentiation competition. At the same time, this benign change also contains the vision of the film and television industry to reshape the content ecology. About the author: Xiaoxia LI (1978-02), female, from Zibo City, Shandong Province, master, lecturer, engaged in computer applications, network big data and artificial intelli- gence.
    [Show full text]
  • Bilibili Inc
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 6-K REPORT OF FOREIGN PRIVATE ISSUER PURSUANT TO RULE 13a-16 OR 15d-16 UNDER THE SECURITIES EXCHANGE ACT OF 1934 For the month of March 2021 Commission File Number: 001-38429 Bilibili Inc. Building 3, Guozheng Center, No. 485 Zhengli Road Yangpu District, Shanghai, 200433 People’s Republic of China (Address of principal executive offices) Indicate by check mark whether the registrant files or will file annual reports under cover of Form 20-F or Form 40-F. Form 20-F ☒ Form 40-F ☐ Indicate by check mark if the registrant is submitting the Form 6-K in paper as permitted by Regulation S-T Rule 101(b)(1): ☐ Indicate by check mark if the registrant is submitting the Form 6-K in paper as permitted by Regulation S-T Rule 101(b)(7): ☐ INCORPORATION BY REFERENCE Exhibit 99.1 and exhibit 23.1 to this current report on Form 6-K are incorporated by reference into the registration statement on Form F-3 of Bilibili Inc. (File No. 333-230660) and Form S-8 (No. 333-226216), and shall be a part thereof from the date on which this report is furnished, to the extent not superseded by documents or reports subsequently filed or furnished. EXHIBITS Exhibit 23.1 Consent of Shanghai iResearch Co., Ltd. Exhibit 99.1 Bilibili Inc. Supplemental and Updated Disclosures SIGNATURES Pursuant to the requirements of the Securities Exchange Act of 1934, the registrant has duly caused this report to be signed on its behalf by the undersigned, thereunto duly authorized.
    [Show full text]
  • (12) Patent Application Publication (10) Pub. No.: US 2017/0142454 A1 JANG (43) Pub
    US 201701 42454A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2017/0142454 A1 JANG (43) Pub. Date: May 18, 2017 (54) THIRD-PARTY VIDEO PUSHING METHOD Publication Classification AND SYSTEM (51) Int. Cl. (71) Applicants: LE HOLDINGS (BEIJING) CO., H04N 2L/237 (2006.01) LTD., Beijing- - - (CN); LECLOUD H04N 2L/2582L/23 (2006.01) COMPUTING CO.,LTD., Beijing (CN) (52) U.S. Cl. CPC ..... H04N 21/237 (2013.01); H04N 21/25816 (72) Inventor: Yuhan JIANG, Beijing (CN) (2013.01); H04N 21/23109 (2013.01) (73) Assignees: LE HOLDINGS (BEIJING) CO., (57) ABSTRACT LTD., Beijing (CN); LECLOUD Disclosed are a method and system for pushing video to a COMPUTING CO.,LTD., Beijing third party, the method including: receiving a video request (CN) instruction from a third party, the video request instruction including third-party identification authentication informa (21) Appl. No.: 15/252,252 tion and third-party video stream identification information; retrieving a prestored list of local video streams correspond (22) Filed: Aug. 31, 2016 ing to a third party ID according to the third-party identifi cation ID authentication information; determining a video O O stream to be pushed by comparing the third-party video Related U.S. Application Data stream identification information with local video stream (63) Continuation of application No. PCT/CN2016/ configuration information in the list of local video streams; 083022, filed on May 23, 2016. pushing the video stream to be pushed to the third party. Sharing of different video streams between different video (30) Foreign Application Priority Data platforms is implemented by presetting a video stream matching list in a server, and a response to a video request Nov.
    [Show full text]
  • Prospectus Supplement and Plan to File a Final Prospectus Supplement with the SEC to Register the Sale of Shares Under the U.S
    ai16158914263_Project S6 cover_ENG_03_20mm spine HR.pdf 1 16/3/2021 18:43:46 GLOBAL OFFERING Stock Code: 9626 (A company controlled through weighted voting rights and incorporated in the Cayman Islands with limited liability) Stock Code: 9626 Stock Joint Sponsors, Joint Global Coordinators, Joint Bookrunners, and Joint Lead Managers Joint Bookrunners and Joint Lead Managers Joint Lead Managers IMPORTANT If you are in any doubt about any of the contents of this document, you should obtain independent professional advice. Bilibili Inc. (A company controlled through weighted voting rights and incorporated in the Cayman Islands with limited liability) GLOBAL OFFERING Number of Offer Shares under the Global Offering : 25,000,000 Offer Shares (subject to the Over-allotment Option) Number of Hong Kong Offer Shares : 750,000 Offer Shares (subject to adjustment) Number of International Offer Shares : 24,250,000 Offer Shares (subject to adjustment and the Over-allotment Option) Maximum Public Offer Price : HK$988.00 per Offer Share, plus brokerage of 1.0%, SFC transaction levy of 0.0027% and Hong Kong Stock Exchange trading fee of 0.005% (payable in full on application in Hong Kong dollars and subject to refund) Par Value : US$0.0001 per Share Stock Code : 9626 Joint Sponsors, Joint Global Coordinators, Joint Bookrunners, and Joint Lead Managers Joint Bookrunners and Joint Lead Managers Joint Lead Managers Hong Kong Exchanges and Clearing Limited, The Stock Exchange of Hong Kong Limited and Hong Kong Securities Clearing Company Limited take no responsibility for the contents of this document, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this document.
    [Show full text]
  • Analysis of the Development Tendency of Network Video Programs
    2020 4th International Conference on Education, Management and Social Science (EMSS 2020) Analysis of the Development Tendency of Network Video Programs Lei Xi a, Zaining Wang b, * School of Journalism and Communication, China West Normal University, Nanchong, 637009 Sichuan, China [email protected], [email protected] *Corresponding author Keywords: Internet self-made programs, development trends, characteristics. Abstract: "Audiovisual new media programs" refer to new media forms characterized by two-way interaction through the combined effect on human audiovisual senses, such as network video, IPTV, Internet TV, mobile TV, etc. With the rise of online media, the viewing habits of netizens are undergoing earth-shaking changes. People’s dependence on video sites is gradually increasing. Video sites have also become the main position for many people to draw on "spiritual food." In the development of audiovisual new media, due to changes in the relationship between the mediator and the audience, the increase in audience participation, the increase in micro-fragmented content, and technological application innovation, online video programs have been uploaded by the initial netizens and gradually developed into copyright Purchase and online self-made new media program production forms. 1. The transition from uploading to copyright purchase by netizens 1.1 Uploaded by netizens Online video programs first started with the uploading of netizens. Since YouTube was acquired by Internet crocodile Google in 2006, the attitude of the Internet ecosystem to video sites has undergone a tremendous change, and they have invested in the field of video sites. China’s video website platform has correspondingly come to a period of opportunity for development.
    [Show full text]
  • Kick, Push, Coast Kick, Push, Coast
    Kick, Push, Coast Kick, Push, Coast Follow China Intercontinental Press Us on Advertising Hotline WeChat Now 城市漫步珠 国内统一刊号: 三角英文版 that's guangzhou that's shenzhen CN 11-5234/GO MARCH 2018 03月份 that’s PRD 《城市漫步》珠江三角洲 英文月刊 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : 北京西城月坛北街 26 号恒华国际商务中心南楼 11 层文化交流中心 11th Floor South Building, Henghua lnternational Business Center, 26 Yuetan North Street, Xicheng District, Beijing http://www.cicc.org.cn 社长 President: 陈陆军 Chen Lujun 期刊部负责人 Supervisor of Magazine Department: 邓锦辉 Deng Jinhui 编辑 Editor: 朱莉莉 Zhu Lili 发行 Circulation: 李若琳 Li Ruolin Senior Digital Editor Matthew Bossons Shenzhen Editor Adam Robbins Guangzhou Editor Daniel Plafker Shenzhen Digital Editor Bailey Hu Senior Staff Writer Tristin Zhang Digital Editor Katrina Shi National Arts Editor Erica Martin Contributors Paul Barresi, Sky Gidge, Lena Gidwani, Dr. Kate Gaynor, Bryan Grogan, Winnie Jin, Mia Li, Kheng Swe Lim, Erica Martin, Dominic Ngai, Katrina Shi HK FOCUS MEDIA Shanghai (Head Office) 上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 传真 : Guangzhou 上海和舟广告有限公司广州分公司 广州市麓苑路 42 号大院 2 号楼 610 室 邮政编码 : 510095 Rm 610, No. 2 Building, Area 42, Luyuan Lu, Guangzhou 510095 电话 : 020-8358 6125 传真 : 020-8357 3859 - 816 Shenzhen 深圳联络处 深圳市福田区彩田路星河世纪大厦 C1-1303 C1-1303, Galaxy Century Building, Caitian Lu, Futian District, Shenzhen 电话 : 0755-8623 3220 传真 : 0755-6406 8538 Beijing 北京联络处 北京市东城区东直门外大街 48 号东方银座 C 座 G9 室 邮政编码 : 100027 9G, Block C, Ginza Mall, No.
    [Show full text]
  • Hengten Networks (00136.HK)
    22-Feb-2021 ︱Research Department HengTen Networks (00136.HK) SBI China Capital Research Department T: +852 2533 3700 Initiation: China’s Netflix backed by Evergrande and Tencent E: [email protected] ◼ Transforming into a leading online long-video platform with similar Address: 4/F, Henley Building, No.5 Queen's DNA to Netflix. Road Central, Hong Kong ◼ As indicated by name, HengTen (HengDa and Tencent) (136.HK) will leverage the resources of its two significant shareholders in making Ticker (00136.HK) Pumpkin Film the most profitable market leader Recommendation BUY ◼ New team has proven track record in original content production Target price (HKD) 24.0 with an extensive pipeline. Current price (HKD) 13.8 ◼ Initiate BUY with TP HK$24.0 based on 1.0x PEG, representing 74% Last 12 mth price range 0.62 – 17.80 upside potential. Market cap. (HKD, bn) 127.8 Source: Bloomberg, SBI CHINA CAPITAL Transforming into a leading online long-video platform with similar DNA to Netflix. HengTen Networks (“HT”) (136.HK) announced to acquire an 100% stake in Virtual Cinema Entertainment Limited. The company has two main business lines: “Shanghai Ruyi” engages in film and TV show production while “Pumpkin Film”operates an online video platform. Currently one of the only two profitable online video platforms, we expect the company to enjoy similar success as Netflix given their common genes such as: a) a highly successful and proven content development team b) focus on big data analytics which improves ROI visibility and c) enjoyable user experience with an ads-free subscription model As indicated by name, HengTen (HengDa and Tencent) (136.HK) will leverage the resources of its two significant shareholders in making Pumpkin Film the most profitable market leader.
    [Show full text]
  • System: Pipeline Performance Enhancement
    Cross Cultural Analysis System Improvements Guandong Liu Yiyang Zeng Columbia University Columbia University [email protected] [email protected] 1 Introduction Cross-cultural analysis investigates the new task of determining which textual tags are preferred by different affinity groups for news and related videos. We use this knowledge to assign new group-specific tags to other videos of the same event that have arisen elsewhere. We map visual and multilingual textual features into a joint latent space using reliable visual cues, and determine tag relationships through deep canonical correlation analysis (DCCA). We are interested in any international events such as epidemics and transportation disasters and detect country-specific tags from different countries’ news coverage [1]. Our current pipeline is able to collect data, preprocess data, and analyze data. This semester, we investigated and improved system performances in different aspects to make it more reliable and flexible. This report consists of two parts: the first part gives a thorough overview to the whole pipeline and the second part talks about several bug fixes and performance improvements of the current system. 2 Pipeline User Manual This section gives a thorough overview to the whole pipeline and goes through each step with AlphaGo in Chinese and English task as an example. 2.1 Get Video Metadata The pipeline starts from getting video metadata from various sources. In our experiments, we got video metadata about AlphaGo from Chinese sources (Tencent, Iqiyi, Youku, BiliBili) and English source (YouTube). Note that to get video metadata from YouTube, one must first enable YouTube Data API and get own API credentials (key.txt is the API credentials).
    [Show full text]
  • Chinese Music Reality Shows: a Case Study
    Chinese Music Reality Shows: A Case Study A Thesis Submitted to the Faculty of Drexel University by Zhengyuan Bi In partial fulfillment of the requirements for the degree of Master of Science in Television Management January 2017 ii © Copyright 2017 Zhengyuan Bi All Right Reserved. iii DEDICATION I dedicate this thesis to my family and my friends, with a special feeling of gratitude to my loving parents, my friends Queena Ai, Eileen Zhou and Lili Mao, and my former boss Kenny Lam. I will always appreciate their love and support! iv ACKNOWLEDGMENTS I would like to take this opportunity to thank my thesis advisor Philip Salas and Television Management Program Director Al Tedesco for their great support and guidance during my studies at Drexel University. I would also like to thank Katherine Houseman for her kind support and assistance. I truly appreciate their generous contribution to me and all the students. I would also like to thank all the faculty of Westphal College of Media Arts & Design, all the classmates that have studied with me for these two years. We are forever friends and the best wishes to each of you! v Table of Contents DEDICATION ………………………………………………………………………………..iii ACKNOWLEDGEMENTS…………………………………………………………………...iv ABSTRACT……………………………………………………………………………………vii Chapter 1: Introduction………………………………………………………………………..1 1.1 Introduction………………………………………………………………………………...3 1.2 Statement of the Problem…………………………………………….................................3 1.3 Background…………………………………………………………………………………4 1.4 Purpose of the study…………………………………………………………………….....5
    [Show full text]
  • Estándares De Subtitulación De La Televisión China : Un Estudio De Caso
    This is the published version of the article: Zheng, Xuan; Rovira-Esteva, Sara. Estándares de subtitulación de la televisión china : un estudio de caso. 2017. 97 p. This version is available at https://ddd.uab.cat/record/181750 under the terms of the license Estándares de subtitulación de la televisión china: Un estudio de caso Trabajo final de máster Autora: Zheng Xuan Tutora: Sara Rovira-Esteva Facultad de Traducción e Interpretación Universidad Autónoma de Barcelona Julio de 2017 1 Resumen .......................................................................................................................... 5 Palabras clave ................................................................................................................. 5 1. Introducción ................................................................................................................ 6 1.1. Marco teórico ....................................................................................................... 7 1.2. Metodología .......................................................................................................... 8 2. Criterios de subtitulación de los programas de CCTV ......................................... 12 2.1. Tamaño de los caracteres .................................................................................. 14 2.2. Estilo y color de la fuente .................................................................................. 15 2.3. Número de líneas y número de caracteres por línea ......................................
    [Show full text]
  • “REFERENCE DOCUMENT” PUBLICIS GROUPE S.A. Fiscal Year 2008
    This document is a free translation of the French Document de Référence (“Reference Document ”) which was registered under n° D.09-[●] by the French Autorité des Marchés Financiers (“AMF”) on March 13, 2009. It is to be used for information purposes only. In the event of any inconsistencies between this translation and the “Reference Document”, the “Reference Document” shall prevail. “REFERENCE DOCUMENT” PUBLICIS GROUPE S.A. Fiscal Year 2008 This Document was filed with the AMF on March 13, 2009, in accordance with Article 212-23 of the AMF’s Regulations. This Document may be used in connection with a financial transaction only if supplemented by a Transaction Note certified by the AMF . Copies of this Reference Document are available at Publicis Groupe S.A., 133, avenue des Champs-Elysées, 75008 Paris, and on the Publicis Groupe SA website at: www.publicisgroupe.com and on the AMF’s website at: www.amf-france.org. Pursuant to Article 28 of EU Regulation n°809/2004, the following information is incorporated by reference into this Document: - the consolidated financial statements of Publicis Groupe for fiscal years 2007 and 2006 prepared in accordance with International Financial Reporting Standards (IFRS), Management’s Discussion and Analysis thereof, together with the corresponding reports of the statutory auditors, as well as the statutory accounts of Publicis Groupe S.A., for the fiscal years 2007 and 2006 prepared in accordance with French accounting standards, the corresponding reports of the statutory auditors included in the Documents de Référence (Chapters 4, 5, 6, 7, 9, 10, 12, 18 and 20) filed with the AMF on March 19, 2008, under number D.08-132 and on March 30, 2007, under number D.07-0255; and - the reports of the statutory auditors on the information concerning the agreements with related parties covered by Article L.
    [Show full text]