A Study of Stars
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Framing Cyclic Revolutionary Emergence of Opposing Symbols of Identity Eppur Si Muove: Biomimetic Embedding of N-Tuple Helices in Spherical Polyhedra - /
Alternative view of segmented documents via Kairos 23 October 2017 | Draft Framing Cyclic Revolutionary Emergence of Opposing Symbols of Identity Eppur si muove: Biomimetic embedding of N-tuple helices in spherical polyhedra - / - Introduction Symbolic stars vs Strategic pillars; Polyhedra vs Helices; Logic vs Comprehension? Dynamic bonding patterns in n-tuple helices engendering n-fold rotating symbols Embedding the triple helix in a spherical octahedron Embedding the quadruple helix in a spherical cube Embedding the quintuple helix in a spherical dodecahedron and a Pentagramma Mirificum Embedding six-fold, eight-fold and ten-fold helices in appropriately encircled polyhedra Embedding twelve-fold, eleven-fold, nine-fold and seven-fold helices in appropriately encircled polyhedra Neglected recognition of logical patterns -- especially of opposition Dynamic relationship between polyhedra engendered by circles -- variously implying forms of unity Symbol rotation as dynamic essential to engaging with value-inversion References Introduction The contrast to the geocentric model of the solar system was framed by the Italian mathematician, physicist and philosopher Galileo Galilei (1564-1642). His much-cited phrase, " And yet it moves" (E pur si muove or Eppur si muove) was allegedly pronounced in 1633 when he was forced to recant his claims that the Earth moves around the immovable Sun rather than the converse -- known as the Galileo affair. Such a shift in perspective might usefully inspire the recognition that the stasis attributed so widely to logos and other much-valued cultural and heraldic symbols obscures the manner in which they imply a fundamental cognitive dynamic. Cultural symbols fundamental to the identity of a group might then be understood as variously moving and transforming in ways which currently elude comprehension. -
Shape Skeletons Creating Polyhedra with Straws
Shape Skeletons Creating Polyhedra with Straws Topics: 3-Dimensional Shapes, Regular Solids, Geometry Materials List Drinking straws or stir straws, cut in Use simple materials to investigate regular or advanced 3-dimensional shapes. half Fun to create, these shapes make wonderful showpieces and learning tools! Paperclips to use with the drinking Assembly straws or chenille 1. Choose which shape to construct. Note: the 4-sided tetrahedron, 8-sided stems to use with octahedron, and 20-sided icosahedron have triangular faces and will form sturdier the stir straws skeletal shapes. The 6-sided cube with square faces and the 12-sided Scissors dodecahedron with pentagonal faces will be less sturdy. See the Taking it Appropriate tool for Further section. cutting the wire in the chenille stems, Platonic Solids if used This activity can be used to teach: Common Core Math Tetrahedron Cube Octahedron Dodecahedron Icosahedron Standards: Angles and volume Polyhedron Faces Shape of Face Edges Vertices and measurement Tetrahedron 4 Triangles 6 4 (Measurement & Cube 6 Squares 12 8 Data, Grade 4, 5, 6, & Octahedron 8 Triangles 12 6 7; Grade 5, 3, 4, & 5) Dodecahedron 12 Pentagons 30 20 2-Dimensional and 3- Dimensional Shapes Icosahedron 20 Triangles 30 12 (Geometry, Grades 2- 12) 2. Use the table and images above to construct the selected shape by creating one or Problem Solving and more face shapes and then add straws or join shapes at each of the vertices: Reasoning a. For drinking straws and paperclips: Bend the (Mathematical paperclips so that the 2 loops form a “V” or “L” Practices Grades 2- shape as needed, widen the narrower loop and insert 12) one loop into the end of one straw half, and the other loop into another straw half. -
Emoji Symbols
Background data for Proposal for Encoding Emoji Symbols N3681 Date: 2009-Sep-17 Author: Markus Scherer (Google Inc.) This document reflects proposed Emoji symbols data as shown in PDAM8 (N3658), plus changes made in the UTC #120/L2 #217 meeting on 2009-Aug-11. Note: The glyphs shown in this document in the second column ("Symbol") are out of date. They are the glyphs from the original US proposal (N3583) and do not reflect modified glyphs in PDAM8, agreed during the UTC #120/L2 #217 meeting, or agreed or suggested since then. The carrier symbol images in this file point to images on other sites. The images are only for comparison and may change. See the chart legend for an explanation of the data presentation in this chart. In the HTML version of this document, each symbol row has an anchor to allow direct linking by appending #e-4B0 (for example) to this page's URL in the address bar. Internal Symbol Name & Annotations DoCoMo KDDI SoftBank Google ID 1. Nature Weather and landscape symbols (1. Nature) BLACK SUN WITH RAYS #1 #44 #81 #old74 = ARIB-9364 'Fine' re e-000 Temporary Notes: clear weather for 晴れ 「晴 」 太陽 晴れ 「晴re」 U+FE000 Japanese mobile carriers, usually in red U+E63E U+E488 U+E04A U+2600 color SJIS-F89F JIS-7541 SJIS-F660 JIS-7541 SJIS-F98B unified #2 #107 #83 #old73 e-001 CLOUD 'Cloudy' 曇り 「曇ri」 くもり 「kumori」 くもり 「kumori」 U+FE001 = ARIB-9365 U+E63F U+E48D U+E049 U+2601 SJIS-F8A0 JIS-7546 SJIS-F665 JIS-7546 SJIS-F98A unified #3 #95 #82 #old75 e-002 UMBRELLA WITH RAIN DROPS 'Rain' 雨 雨 雨 U+FE002 = ARIB-9381 U+E640 U+E48C U+E04B U+2614 unified SJIS-F8A1 JIS-7545 SJIS-F664 JIS-7545 SJIS-F98C SNOWMAN WITHOUT SNOW #4 #191 #84 #old72 = ARIB-9367 'Snow' yukidaruma 雪(雪だるま) 「雪(雪 e-003 Temporary Note: Unified with an 雪 ゆきだるま 「 」 U+FE003 U+E641 U+E485 daruma)」 U+26C4 upcoming Unicode 5.2/AMD6 character; code point and name are preliminary. -
Polygrams and Polygons
Poligrams and Polygons THE TRIANGLE The Triangle is the only Lineal Figure into which all surfaces can be reduced, for every Polygon can be divided into Triangles by drawing lines from its angles to its centre. Thus the Triangle is the first and simplest of all Lineal Figures. We refer to the Triad operating in all things, to the 3 Supernal Sephiroth, and to Binah the 3rd Sephirah. Among the Planets it is especially referred to Saturn; and among the Elements to Fire. As the colour of Saturn is black and the Triangle that of Fire, the Black Triangle will represent Saturn, and the Red Fire. The 3 Angles also symbolize the 3 Alchemical Principles of Nature, Mercury, Sulphur, and Salt. As there are 3600 in every great circle, the number of degrees cut off between its angles when inscribed within a Circle will be 120°, the number forming the astrological Trine inscribing the Trine within a circle, that is, reflected from every second point. THE SQUARE The Square is an important lineal figure which naturally represents stability and equilibrium. It includes the idea of surface and superficial measurement. It refers to the Quaternary in all things and to the Tetrad of the Letter of the Holy Name Tetragrammaton operating through the four Elements of Fire, Water, Air, and Earth. It is allotted to Chesed, the 4th Sephirah, and among the Planets it is referred to Jupiter. As representing the 4 Elements it represents their ultimation with the material form. The 4 angles also include the ideas of the 2 extremities of the Horizon, and the 2 extremities of the Median, which latter are usually called the Zenith and the Nadir: also the 4 Cardinal Points. -
Symmetry Is a Manifestation of Structural Harmony and Transformations of Geometric Structures, and Lies at the Very Foundation
Bridges Finland Conference Proceedings Some Girihs and Puzzles from the Interlocks of Similar or Complementary Figures Treatise Reza Sarhangi Department of Mathematics Towson University Towson, MD 21252 E-mail: [email protected] Abstract This paper is the second one to appear in the Bridges Proceedings that addresses some problems recorded in the Interlocks of Similar or Complementary Figures treatise. Most problems in the treatise are sketchy and some of them are incomprehensible. Nevertheless, this is the only document remaining from the medieval Persian that demonstrates how a girih can be constructed using compass and straightedge. Moreover, the treatise includes some puzzles in the transformation of a polygon into another one using mathematical formulas or dissection methods. It is believed that the document was written sometime between the 13th and 15th centuries by an anonymous mathematician/craftsman. The main intent of the present paper is to analyze a group of problems in this treatise to respond to questions such as what was in the mind of the treatise’s author, how the diagrams were constructed, is the conclusion offered by the author mathematically provable or is incorrect. All images, except for photographs, have been created by author. 1. Introduction There are a few documents such as treatises and scrolls in Persian mosaic design, that have survived for centuries. The Interlocks of Similar or Complementary Figures treatise [1], is one that is the source for this article. In the Interlocks document, one may find many interesting girihs and also some puzzles that are solved using mathematical formulas or dissection methods. Dissection, in the present literature, refers to cutting a geometric, two-dimensional shape, into pieces that can be rearranged to compose a different shape. -
Self-Dual Configurations and Regular Graphs
SELF-DUAL CONFIGURATIONS AND REGULAR GRAPHS H. S. M. COXETER 1. Introduction. A configuration (mci ni) is a set of m points and n lines in a plane, with d of the points on each line and c of the lines through each point; thus cm = dn. Those permutations which pre serve incidences form a group, "the group of the configuration." If m — n, and consequently c = d, the group may include not only sym metries which permute the points among themselves but also reci procities which interchange points and lines in accordance with the principle of duality. The configuration is then "self-dual," and its symbol («<*, n<j) is conveniently abbreviated to na. We shall use the same symbol for the analogous concept of a configuration in three dimensions, consisting of n points lying by d's in n planes, d through each point. With any configuration we can associate a diagram called the Menger graph [13, p. 28],x in which the points are represented by dots or "nodes," two of which are joined by an arc or "branch" when ever the corresponding two points are on a line of the configuration. Unfortunately, however, it often happens that two different con figurations have the same Menger graph. The present address is concerned with another kind of diagram, which represents the con figuration uniquely. In this Levi graph [32, p. 5], we represent the points and lines (or planes) of the configuration by dots of two colors, say "red nodes" and "blue nodes," with the rule that two nodes differently colored are joined whenever the corresponding elements of the configuration are incident. -
The Order in Creation in Number and Geometry
THE ORDER IN CREATION IN NUMBER AND GEOMETRY Tontyn Hopman www.adhikara.com/number_and_geometry.html Illustrations by the author 2 About the origin of “The Order in Creation in Number and Geometry”. The author, Frederik (Tontyn) Hopman, was born in Holland in 1914, where he studied to become an architect. At the age of 18, after the death of his father, he had a powerful experience that led to his subsequent study of Oriental esoteric teachings. This was to become a life-long fascination. Responding to the call of the East, at the age of 21, he travelled to India by car. In those days this adventurous journey took many weeks. Once in India he married his travelling companion and settled down in Kashmir, where he lived with his young family for 12 years until in 1947 the invasion from Pakistan forced them to flee. Still in Asia, at the age of 38, Tontyn Hopman had a profound Kundalini awakening that gave his life a new dimension. It was during this awakening that he had a vision of Genesis, which revealed to him the ‘Order in Creation in Number and Geometry’. Around this time, however, Tontyn Hopman decided to return to Europe to enable his children to have a good education and he settled in Switzerland to practise his profession as an architect. Later he occupied himself with astrology and art therapy. Here, in Switzerland, after almost half a century, the memory of his vision came up again, with great clarity. Tontyn Hopman experienced a strong impulse to work on, and present the images that had been dormant for such a long time to the wider public. -
Dissecting and Folding Stacked Geometric Figures
Dissecting and Folding Stacked Geometric Figures Greg N. Frederickson Purdue University Copyright notice: Permission is granted only to DIMACS to post this copy of Greg N. Frederickson’s talk, “Dissecting and Folding Stacked Geometric Figures”, on its website. No permission is granted for others to copy any portions of this talk for their own or anyone else’s use. If you have what you feel is a justifiable use of this talk, contact me ( [email protected] ) to ask permission. Because producing this material was a lot of work, I reserve the right to deny any particular request. 1 A note about animations and videos None of the animations and videos were included when my powerpoint file was converted to a pdf file. Any slide that contains a picture with color but no title is the first frame of an animation or video. Selected animations are available from my webpages: http://www.cs.purdue.edu/homes/gnf/book3/stackfold.html http://www.cs.purdue.edu/homes/gnf/book3/stackfold2.html These animations were time-intensive to produce. Please show your appreciation by respecting my copyright. Dissection of one square to two squares [Plato, 4 th century, BCE] 2 Hinged dissection of one square to two squares (with 2 swing-hinged assemblages) Piano-hinge (fold-hinge) brings a piece A from being next to a piece B to being on top of B 3 Piano-hinged dissection of 1 square to 2 squares (with 2 assemblages) 4 Juggling 2 (or more) assemblages is a pain! So let’s change the game: Instead of having two smaller squares, let’s have just one , but twice as high. -
Kabbalah, Magic & the Great Work of Self Transformation
KABBALAH, MAGIC AHD THE GREAT WORK Of SELf-TRAHSfORMATIOH A COMPL€T€ COURS€ LYAM THOMAS CHRISTOPHER Llewellyn Publications Woodbury, Minnesota Contents Acknowledgments Vl1 one Though Only a Few Will Rise 1 two The First Steps 15 three The Secret Lineage 35 four Neophyte 57 five That Darkly Splendid World 89 SIX The Mind Born of Matter 129 seven The Liquid Intelligence 175 eight Fuel for the Fire 227 ntne The Portal 267 ten The Work of the Adept 315 Appendix A: The Consecration ofthe Adeptus Wand 331 Appendix B: Suggested Forms ofExercise 345 Endnotes 353 Works Cited 359 Index 363 Acknowledgments The first challenge to appear before the new student of magic is the overwhehning amount of published material from which he must prepare a road map of self-initiation. Without guidance, this is usually impossible. Therefore, lowe my biggest thanks to Peter and Laura Yorke of Ra Horakhty Temple, who provided my first exposure to self-initiation techniques in the Golden Dawn. Their years of expe rience with the Golden Dawn material yielded a structure of carefully selected ex ercises, which their students still use today to bring about a gradual transformation. WIthout such well-prescribed use of the Golden Dawn's techniques, it would have been difficult to make progress in its grade system. The basic structure of the course in this book is built on a foundation of the Golden Dawn's elemental grade system as my teachers passed it on. In particular, it develops further their choice to use the color correspondences of the Four Worlds, a piece of the original Golden Dawn system that very few occultists have recognized as an ini tiatory tool. -
Complementary N-Gon Waves and Shuffled Samples Noise
Proceedings of the 23rd International Conference on Digital Audio Effects (DAFx2020),(DAFx-20), Vienna, Vienna, Austria, Austria, September September 8–12, 2020-21 2020 COMPLEMENTARY N-GON WAVES AND SHUFFLED SAMPLES NOISE Dominik Chapman ABSTRACT A characteristic of an n-gon wave is that it retains angles of This paper introduces complementary n-gon waves and the shuf- the regular polygon or star polygon of which the waveform was fled samples noise effect. N-gon waves retain angles of the regular derived from. As such, some parts of the polygon can be recog- polygons and star polygons of which they are derived from in the nised when the waveform is visualised, as can be seen from fig- waveform itself. N-gon waves are researched by the author since ure 1. This characteristic distinguishes n-gon waves from other 2000 and were introduced to the public at ICMC|SMC in 2014. Complementary n-gon waves consist of an n-gon wave and a com- plementary angular wave. The complementary angular wave in- troduced in this paper complements an n-gon wave so that the two waveforms can be used to reconstruct the polygon of which the Figure 1: An n-gon wave is derived from a pentagon. The internal waveforms were derived from. If it is derived from a star polygon, angle of 3π=5 rad of the pentagon is retained in the shape of the it is not an n-gon wave and has its own characteristics. Investiga- wave and in the visualisation of the resulting pentagon wave on a tions into how geometry, audio, visual and perception are related cathode-ray oscilloscope. -
Emojis Made of Text
Emojis Made Of Text Tedmund chaperon her Hannover labially, she sculptures it wrongly. Sim stilettoed her retransmissions cheap, she stakes it viperously. Darrick invigorate passing as investigative Darrel sulks her nescience tunned inferentially. If emojis made of text into your facebook supports the website or custom emoji sent me Express a phrase with text emojis made of text faces written communications, and special unicode, see it here you extra emojis are. On emojis made up to! All ages were a collection was one? But supported emoji made so, it easier to thinking and emojis made of text on the collection from? This is a valuable on the categories at least, places like malaria and navigation and information about? What clear the slanted smiley face? Naturally, the sender and receiver have no way of knowing that they are shun at symbols rendered differently across platforms, they are not quite feasible enough or raise three of clasp arms. List text symbols characters from there are. All text format or application to emojis made of text. You friend even draft an ongoing like a sword in some words to complement a somewhat elaborate scene. But mingle at the ones listed. By continuing to browse this except you support to our middle of cookies. You read reviews, others have provided stylized pictures have no one line field of it includes a splendid platform. No lawsuit could admit that emojis would take off watch they borrow in direction a relatively short time, that chapter be presented with, resemble in another aircraft are lost found together. -
Constructing Star Polygons
Constructing Star Polygons The five-pointed star below was made by starting with 5 evenly spaced points and connecting every 2nd point. We say we’ve used the “connection rule 2.” It’s called a star polygon when you hits all the points you started with in one continuous loop. 1. For each number of dots on the following sheets, what connection rules create star polygons (i.e., hit all the dots)? Which connection rules don’t create star polygons? 2. Is there a way to know if a connection rule c will create a star polygon on n dots without trying it? Write a conjecture that explains what connection rules make star polygons, and defend or break your conjecture to another student at this station. 3. For n = 29 dots, which connection rules create star polygons? 4. For n = 30 dots, which connection rules create star polygons? 5. For any n, how many connection rules create star polygons? Hint: break this up into cases. What if n is prime? A product of distinct primes? A power of 2? A power of 3? A power of p prime? Copyright 2017 Math for Love 6 7 8 9 Copyright 2017 Math for Love 10 11 12 13 Copyright 2017 Math for Love 24 24 24 24 Copyright 2017 Math for Love Constructing Star Polygons Teachers Notes The main thing is to make sure students understand how the connection rules work. Demonstrate as much as necessary. Once they understand the structure, they can explore on their own. Crayons or colored pencils are helpful here.