Symmetry Is a Manifestation of Structural Harmony and Transformations of Geometric Structures, and Lies at the Very Foundation
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And Twelve-Pointed Star Polygon Design of the Tashkent Scrolls
Bridges 2011: Mathematics, Music, Art, Architecture, Culture A Nine- and Twelve-Pointed Star Polygon Design of the Tashkent Scrolls B. Lynn Bodner Mathematics Department Cedar Avenue Monmouth University West Long Branch, New Jersey, 07764, USA E-mail: [email protected] Abstract In this paper we will explore one of the Tashkent Scrolls’ repeat units, that, when replicated using symmetry operations, creates an overall pattern consisting of “nearly regular” nine-pointed, regular twelve-pointed and irregularly-shaped pentagonal star polygons. We seek to determine how the original designer of this pattern may have determined, without mensuration, the proportion and placement of the star polygons comprising the design. We will do this by proposing a plausible Euclidean “point-joining” compass-and-straightedge reconstruction. Introduction The Tashkent Scrolls (so named because they are housed in Tashkent at the Institute of Oriental Studies at the Academy of Sciences) consist of fragments of architectural sketches attributed to an Uzbek master builder or a guild of architects practicing in 16 th century Bukhara [1, p. 7]. The sketch from the Tashkent Scrolls that we will explore shows only a small portion, or the repeat unit , of a nine- and twelve-pointed star polygon design. It is contained within a rectangle and must be reflected across the boundaries of this rectangle to achieve the entire pattern. This drawing, which for the remainder of this paper we will refer to as “T9N12,” is similar to many of the 114 Islamic architectural and ornamental design sketches found in the much larger, older and better preserved Topkapı Scroll, a 96-foot-long architectural scroll housed at the Topkapı Palace Museum Library in Istanbul. -
Framing Cyclic Revolutionary Emergence of Opposing Symbols of Identity Eppur Si Muove: Biomimetic Embedding of N-Tuple Helices in Spherical Polyhedra - /
Alternative view of segmented documents via Kairos 23 October 2017 | Draft Framing Cyclic Revolutionary Emergence of Opposing Symbols of Identity Eppur si muove: Biomimetic embedding of N-tuple helices in spherical polyhedra - / - Introduction Symbolic stars vs Strategic pillars; Polyhedra vs Helices; Logic vs Comprehension? Dynamic bonding patterns in n-tuple helices engendering n-fold rotating symbols Embedding the triple helix in a spherical octahedron Embedding the quadruple helix in a spherical cube Embedding the quintuple helix in a spherical dodecahedron and a Pentagramma Mirificum Embedding six-fold, eight-fold and ten-fold helices in appropriately encircled polyhedra Embedding twelve-fold, eleven-fold, nine-fold and seven-fold helices in appropriately encircled polyhedra Neglected recognition of logical patterns -- especially of opposition Dynamic relationship between polyhedra engendered by circles -- variously implying forms of unity Symbol rotation as dynamic essential to engaging with value-inversion References Introduction The contrast to the geocentric model of the solar system was framed by the Italian mathematician, physicist and philosopher Galileo Galilei (1564-1642). His much-cited phrase, " And yet it moves" (E pur si muove or Eppur si muove) was allegedly pronounced in 1633 when he was forced to recant his claims that the Earth moves around the immovable Sun rather than the converse -- known as the Galileo affair. Such a shift in perspective might usefully inspire the recognition that the stasis attributed so widely to logos and other much-valued cultural and heraldic symbols obscures the manner in which they imply a fundamental cognitive dynamic. Cultural symbols fundamental to the identity of a group might then be understood as variously moving and transforming in ways which currently elude comprehension. -
The First Treatments of Regular Star Polygons Seem to Date Back to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archivio istituzionale della ricerca - Università di Palermo FROM THE FOURTEENTH CENTURY TO CABRÌ: CONVOLUTED CONSTRUCTIONS OF STAR POLYGONS INTRODUCTION The first treatments of regular star polygons seem to date back to the fourteenth century, but a comprehensive theory on the subject was presented only in the nineteenth century by the mathematician Louis Poinsot. After showing how star polygons are closely linked to the concept of prime numbers, I introduce here some constructions, easily reproducible with geometry software that allow us to investigate and see some nice and hidden property obtained by the scholars of the fourteenth century onwards. Regular star polygons and prime numbers Divide a circumference into n equal parts through n points; if we connect all the points in succession, through chords, we get what we recognize as a regular convex polygon. If we choose to connect the points, starting from any one of them in regular steps, two by two, or three by three or, generally, h by h, we get what is called a regular star polygon. It is evident that we are able to create regular star polygons only for certain values of h. Let us divide the circumference, for example, into 15 parts and let's start by connecting the points two by two. In order to close the figure, we return to the starting point after two full turns on the circumference. The polygon that is formed is like the one in Figure 1: a polygon of “order” 15 and “species” two. -
Shape Skeletons Creating Polyhedra with Straws
Shape Skeletons Creating Polyhedra with Straws Topics: 3-Dimensional Shapes, Regular Solids, Geometry Materials List Drinking straws or stir straws, cut in Use simple materials to investigate regular or advanced 3-dimensional shapes. half Fun to create, these shapes make wonderful showpieces and learning tools! Paperclips to use with the drinking Assembly straws or chenille 1. Choose which shape to construct. Note: the 4-sided tetrahedron, 8-sided stems to use with octahedron, and 20-sided icosahedron have triangular faces and will form sturdier the stir straws skeletal shapes. The 6-sided cube with square faces and the 12-sided Scissors dodecahedron with pentagonal faces will be less sturdy. See the Taking it Appropriate tool for Further section. cutting the wire in the chenille stems, Platonic Solids if used This activity can be used to teach: Common Core Math Tetrahedron Cube Octahedron Dodecahedron Icosahedron Standards: Angles and volume Polyhedron Faces Shape of Face Edges Vertices and measurement Tetrahedron 4 Triangles 6 4 (Measurement & Cube 6 Squares 12 8 Data, Grade 4, 5, 6, & Octahedron 8 Triangles 12 6 7; Grade 5, 3, 4, & 5) Dodecahedron 12 Pentagons 30 20 2-Dimensional and 3- Dimensional Shapes Icosahedron 20 Triangles 30 12 (Geometry, Grades 2- 12) 2. Use the table and images above to construct the selected shape by creating one or Problem Solving and more face shapes and then add straws or join shapes at each of the vertices: Reasoning a. For drinking straws and paperclips: Bend the (Mathematical paperclips so that the 2 loops form a “V” or “L” Practices Grades 2- shape as needed, widen the narrower loop and insert 12) one loop into the end of one straw half, and the other loop into another straw half. -
Polygrams and Polygons
Poligrams and Polygons THE TRIANGLE The Triangle is the only Lineal Figure into which all surfaces can be reduced, for every Polygon can be divided into Triangles by drawing lines from its angles to its centre. Thus the Triangle is the first and simplest of all Lineal Figures. We refer to the Triad operating in all things, to the 3 Supernal Sephiroth, and to Binah the 3rd Sephirah. Among the Planets it is especially referred to Saturn; and among the Elements to Fire. As the colour of Saturn is black and the Triangle that of Fire, the Black Triangle will represent Saturn, and the Red Fire. The 3 Angles also symbolize the 3 Alchemical Principles of Nature, Mercury, Sulphur, and Salt. As there are 3600 in every great circle, the number of degrees cut off between its angles when inscribed within a Circle will be 120°, the number forming the astrological Trine inscribing the Trine within a circle, that is, reflected from every second point. THE SQUARE The Square is an important lineal figure which naturally represents stability and equilibrium. It includes the idea of surface and superficial measurement. It refers to the Quaternary in all things and to the Tetrad of the Letter of the Holy Name Tetragrammaton operating through the four Elements of Fire, Water, Air, and Earth. It is allotted to Chesed, the 4th Sephirah, and among the Planets it is referred to Jupiter. As representing the 4 Elements it represents their ultimation with the material form. The 4 angles also include the ideas of the 2 extremities of the Horizon, and the 2 extremities of the Median, which latter are usually called the Zenith and the Nadir: also the 4 Cardinal Points. -
Isotoxal Star-Shaped Polygonal Voids and Rigid Inclusions in Nonuniform Antiplane Shear fields
Published in International Journal of Solids and Structures 85-86 (2016), 67-75 doi: http://dx.doi.org/10.1016/j.ijsolstr.2016.01.027 Isotoxal star-shaped polygonal voids and rigid inclusions in nonuniform antiplane shear fields. Part I: Formulation and full-field solution F. Dal Corso, S. Shahzad and D. Bigoni DICAM, University of Trento, via Mesiano 77, I-38123 Trento, Italy Abstract An infinite class of nonuniform antiplane shear fields is considered for a linear elastic isotropic space and (non-intersecting) isotoxal star-shaped polygonal voids and rigid inclusions per- turbing these fields are solved. Through the use of the complex potential technique together with the generalized binomial and the multinomial theorems, full-field closed-form solutions are obtained in the conformal plane. The particular (and important) cases of star-shaped cracks and rigid-line inclusions (stiffeners) are also derived. Except for special cases (ad- dressed in Part II), the obtained solutions show singularities at the inclusion corners and at the crack and stiffener ends, where the stress blows-up to infinity, and is therefore detri- mental to strength. It is for this reason that the closed-form determination of the stress field near a sharp inclusion or void is crucial for the design of ultra-resistant composites. Keywords: v-notch, star-shaped crack, stress singularity, stress annihilation, invisibility, conformal mapping, complex variable method. 1 Introduction The investigation of the perturbation induced by an inclusion (a void, or a crack, or a stiff insert) in an ambient stress field loading a linear elastic infinite space is a fundamental problem in solid mechanics, whose importance need not be emphasized. -
The Eleven–Pointed Star Polygon Design of the Topkapı Scroll
Bridges 2009: Mathematics, Music, Art, Architecture, Culture The Eleven–Pointed Star Polygon Design of the Topkapı Scroll B. Lynn Bodner Mathematics Department Cedar Avenue Monmouth University West Long Branch, New Jersey, 07764, USA E-mail: [email protected] Abstract This paper will explore an eleven-pointed star polygon design known as Catalog Number 42 of the Topkapı Scroll . The scroll contains 114 Islamic architectural and ornamental design sketches, only one of which produces an eleven-pointed star polygon. The design also consists of “nearly regular” nine-pointed star polygons and irregularly-shaped pentagonal stars. We propose one plausible “point-joining” compass-and- straightedge reconstruction of the repeat unit for this highly unusual design. Introduction The Topkapı Scroll, thought to date from the 15 th or 16 th century (and so named because it is now housed at the Topkapı Palace Museum Library in Istanbul), is a 96-foot-long scroll containing 114 Islamic architectural and ornamental design sketches. Believed to be the earliest known document of its kind (and also the best-preserved), most of the sketches in this manual show only a small portion, or repeat unit, of an overall pattern, contained, for the most part, within a square or rectangle. Thus, to achieve the entire pattern, these repeat units may be replicated by reflection across the boundaries of the rectangles or by rotation about the vertices of the squares. Since this scroll contains no measurements or accompanying explanations for the creation of these idealized Islamic patterns, it is believed by Harvard professor Gülru Necipoğlu, the recognized authority on the scroll and the author of The Topkapı Scroll – Geometry and Ornament in Islamic Architecture: Topkapı Palace Museum Library MS H. -
Some Polygon Facts Student Understanding the Following Facts Have Been Taken from Websites of Polygons
eachers assume that by the end of primary school, students should know the essentials Tregarding shape. For example, the NSW Mathematics K–6 syllabus states by year six students should be able manipulate, classify and draw two- dimensional shapes and describe side and angle properties. The reality is, that due to the pressure for students to achieve mastery in number, teachers often spend less time teaching about the other aspects of mathematics, especially shape (Becker, 2003; Horne, 2003). Hence, there is a need to modify the focus of mathematics education to incorporate other aspects of JILLIAN SCAHILL mathematics including shape and especially polygons. The purpose of this article is to look at the teaching provides some and learning of polygons in primary classrooms by providing some essential information about polygons teaching ideas and some useful teaching strategies and resources. to increase Some polygon facts student understanding The following facts have been taken from websites of polygons. and so are readily accessible to both teachers and students. “The word ‘polygon’ derives from the Greek word ‘poly’, meaning ‘many’ and ‘gonia’, meaning ‘angle’” (Nation Master, 2004). “A polygon is a closed plane figure with many sides. If all sides and angles of a polygon are equal measures then the polygon is called regular” 30 APMC 11 (1) 2006 Teaching polygons (Weisstein, 1999); “a polygon whose sides and angles that are not of equal measures are called irregular” (Cahir, 1999). “Polygons can be convex, concave or star” (Weisstein, 1999). A star polygon is a figure formed by connecting straight lines at every second point out of regularly spaced points lying on a circumference. -
The Order in Creation in Number and Geometry
THE ORDER IN CREATION IN NUMBER AND GEOMETRY Tontyn Hopman www.adhikara.com/number_and_geometry.html Illustrations by the author 2 About the origin of “The Order in Creation in Number and Geometry”. The author, Frederik (Tontyn) Hopman, was born in Holland in 1914, where he studied to become an architect. At the age of 18, after the death of his father, he had a powerful experience that led to his subsequent study of Oriental esoteric teachings. This was to become a life-long fascination. Responding to the call of the East, at the age of 21, he travelled to India by car. In those days this adventurous journey took many weeks. Once in India he married his travelling companion and settled down in Kashmir, where he lived with his young family for 12 years until in 1947 the invasion from Pakistan forced them to flee. Still in Asia, at the age of 38, Tontyn Hopman had a profound Kundalini awakening that gave his life a new dimension. It was during this awakening that he had a vision of Genesis, which revealed to him the ‘Order in Creation in Number and Geometry’. Around this time, however, Tontyn Hopman decided to return to Europe to enable his children to have a good education and he settled in Switzerland to practise his profession as an architect. Later he occupied himself with astrology and art therapy. Here, in Switzerland, after almost half a century, the memory of his vision came up again, with great clarity. Tontyn Hopman experienced a strong impulse to work on, and present the images that had been dormant for such a long time to the wider public. -
Dissecting and Folding Stacked Geometric Figures
Dissecting and Folding Stacked Geometric Figures Greg N. Frederickson Purdue University Copyright notice: Permission is granted only to DIMACS to post this copy of Greg N. Frederickson’s talk, “Dissecting and Folding Stacked Geometric Figures”, on its website. No permission is granted for others to copy any portions of this talk for their own or anyone else’s use. If you have what you feel is a justifiable use of this talk, contact me ( [email protected] ) to ask permission. Because producing this material was a lot of work, I reserve the right to deny any particular request. 1 A note about animations and videos None of the animations and videos were included when my powerpoint file was converted to a pdf file. Any slide that contains a picture with color but no title is the first frame of an animation or video. Selected animations are available from my webpages: http://www.cs.purdue.edu/homes/gnf/book3/stackfold.html http://www.cs.purdue.edu/homes/gnf/book3/stackfold2.html These animations were time-intensive to produce. Please show your appreciation by respecting my copyright. Dissection of one square to two squares [Plato, 4 th century, BCE] 2 Hinged dissection of one square to two squares (with 2 swing-hinged assemblages) Piano-hinge (fold-hinge) brings a piece A from being next to a piece B to being on top of B 3 Piano-hinged dissection of 1 square to 2 squares (with 2 assemblages) 4 Juggling 2 (or more) assemblages is a pain! So let’s change the game: Instead of having two smaller squares, let’s have just one , but twice as high. -
Kabbalah, Magic & the Great Work of Self Transformation
KABBALAH, MAGIC AHD THE GREAT WORK Of SELf-TRAHSfORMATIOH A COMPL€T€ COURS€ LYAM THOMAS CHRISTOPHER Llewellyn Publications Woodbury, Minnesota Contents Acknowledgments Vl1 one Though Only a Few Will Rise 1 two The First Steps 15 three The Secret Lineage 35 four Neophyte 57 five That Darkly Splendid World 89 SIX The Mind Born of Matter 129 seven The Liquid Intelligence 175 eight Fuel for the Fire 227 ntne The Portal 267 ten The Work of the Adept 315 Appendix A: The Consecration ofthe Adeptus Wand 331 Appendix B: Suggested Forms ofExercise 345 Endnotes 353 Works Cited 359 Index 363 Acknowledgments The first challenge to appear before the new student of magic is the overwhehning amount of published material from which he must prepare a road map of self-initiation. Without guidance, this is usually impossible. Therefore, lowe my biggest thanks to Peter and Laura Yorke of Ra Horakhty Temple, who provided my first exposure to self-initiation techniques in the Golden Dawn. Their years of expe rience with the Golden Dawn material yielded a structure of carefully selected ex ercises, which their students still use today to bring about a gradual transformation. WIthout such well-prescribed use of the Golden Dawn's techniques, it would have been difficult to make progress in its grade system. The basic structure of the course in this book is built on a foundation of the Golden Dawn's elemental grade system as my teachers passed it on. In particular, it develops further their choice to use the color correspondences of the Four Worlds, a piece of the original Golden Dawn system that very few occultists have recognized as an ini tiatory tool. -
Complementary N-Gon Waves and Shuffled Samples Noise
Proceedings of the 23rd International Conference on Digital Audio Effects (DAFx2020),(DAFx-20), Vienna, Vienna, Austria, Austria, September September 8–12, 2020-21 2020 COMPLEMENTARY N-GON WAVES AND SHUFFLED SAMPLES NOISE Dominik Chapman ABSTRACT A characteristic of an n-gon wave is that it retains angles of This paper introduces complementary n-gon waves and the shuf- the regular polygon or star polygon of which the waveform was fled samples noise effect. N-gon waves retain angles of the regular derived from. As such, some parts of the polygon can be recog- polygons and star polygons of which they are derived from in the nised when the waveform is visualised, as can be seen from fig- waveform itself. N-gon waves are researched by the author since ure 1. This characteristic distinguishes n-gon waves from other 2000 and were introduced to the public at ICMC|SMC in 2014. Complementary n-gon waves consist of an n-gon wave and a com- plementary angular wave. The complementary angular wave in- troduced in this paper complements an n-gon wave so that the two waveforms can be used to reconstruct the polygon of which the Figure 1: An n-gon wave is derived from a pentagon. The internal waveforms were derived from. If it is derived from a star polygon, angle of 3π=5 rad of the pentagon is retained in the shape of the it is not an n-gon wave and has its own characteristics. Investiga- wave and in the visualisation of the resulting pentagon wave on a tions into how geometry, audio, visual and perception are related cathode-ray oscilloscope.