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Star Channels, May 20-26
MAY 20 - 26, 2018 staradvertiser.com LEGAL EAGLES Sandra’s (Britt Robertson) confi dence is shaken when she defends a scientist accused of spying for the Chinese government in the season fi nale of For the People. Elsewhere, Adams (Jasmin Savoy Brown) receives a compelling offer. Chief Judge Nicholas Byrne (Vondie Curtis-Hall) presides over the Southern District of New York Federal Court in this legal drama, which wraps up a successful freshman season. Airing Tuesday, May 22, on ABC. WE’RE LOOKING FOR PEOPLE WHO HAVE SOMETHING TO SAY. Are you passionate about an issue? An event? A cause? ¶ũe^eh\Zga^eirhn[^a^Zk][r^fihp^kbg`rhnpbmama^mkZbgbg`%^jnbif^gm olelo.org Zg]Zbkmbf^rhng^^]mh`^mlmZkm^]'Begin now at olelo.org. ON THE COVER | FOR THE PEOPLE Case closed ABC’s ‘For the People’ wraps Deavere Smith (“The West Wing”) rounds example of how the show delves into both the out the cast as no-nonsense court clerk Tina professional and personal lives of the charac- rookie season Krissman. ters. It’s a formula familiar to fans of Shonda The cast of the ensemble drama is now part Rhimes, who’s an executive producer of “For By Kyla Brewer of the Shondaland dynasty, which includes hits the People,” along with Davies, Betsy Beers TV Media “Grey’s Anatomy,” “Scandal” and “How to Get (“Grey’s Anatomy”), Donald Todd (“This Is Us”) Away With Murder.” The distinction was not and Tom Verica (“How to Get Away With here’s something about courtroom lost on Rappaport, who spoke with Murder”). -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Aboutdog Brothersmartial Arts
About Dog Brothers Martial Arts Dog Brothers Martial Arts (DBMA) is a system of many styles where the ultimate goal is to “walk as a warrior for all your days™.” As such we have an ap- proach that is in search of the totality of both ritual combat (sport fighting such as Mixed Martial Arts/Vale Tudo, Muay Kickboxing, Brazilian Jiu Jitsu and others) and reality (practical street defense, weapon awareness, and uneven odds). This means that the greater mission is to have real skills throughout the entirety of one’s life—not just when one is young and competitive. Considerable thought and experience has gone into the development of this cur- riculum, and as is the case with all things taught in the DBMA curriculum: “If you see it taught, you see it fought.™” The curriculum is divided into 3 areas: Real Contact Stick Fighting, Kali Tudo™ and Die Less Often. A brief overview of these areas of study is found on the next page. What You’ll Learn Consistency Across Categories Fun, Fit, and Functional Hurting, Healing, and Harmonizing The Filipino Martial Arts are unique in that they As previously stated, we look to share the long In addition to combative tools, tactics, and focus on weapons first, and allow the learning that term training goal: “walk as a warrior for all techniques, DBMA also incorporates a healing takes place there to inform a practitioner’s empty your days™” with you. For the long term, it of component to training. We include yoga, alignment hand movements and skills. -
Fma-Digest-Vol4-No1.Pdf
Publisher Steven K. Dowd Contributing Writers Bee Landrum Malcolm Knight Mike Macro Vincent Palumbo Ron England Allan Duncan Khalid Khan Contents From the Publishers Desk Carlito Bonjoc Jr. World Nickelstick Eskrima Club Senior Instructor Jose Valencia Tan Strength in Motion The South Australian Stickfighting Alliance Crow’s Martial Arts Academy Ola’a-Nalo Eskrima Oakland Eskrima Club DAMAG-INC Martial Arts a Tool to Educate People The British Council of Kali Eskrima Arnis Instructors Cultural Awareness - mandirigma.org Sunday School FMA Past Events FMA Future Events Filipino Martial Arts Digest is published and distributed by: FMAdigest 1297 Eider Circle Fallon, Nevada 89406 Visit us on the World Wide Web: www.fmadigest.com The FMAdigest is published quarterly. Each issue features practitioners of martial arts and other internal arts of the Philippines. Other features include historical, theoretical and technical articles; reflections, Filipino martial arts, healing arts and other related subjects. The ideas and opinions expressed in this digest are those of the authors or instructors being interviewed and are not necessarily the views of the publisher or editor. We solicit comments and/or suggestions. Articles are also welcome. The authors and publisher of this digest are not responsible for any injury, which may result from following the instructions contained in the digest. Before embarking on any of the physical activates described in the digest, the reader should consult his or her physician for advice regarding their individual suitability for performing such activity. From the Publishers Desk Kumusta This is the first issue of 2007. 2006 was a great year for issues, besides the regular 4 Issues; there were 11 Special Issues and 12 Special Editions, packed with information on and for the Filipino martial arts practitioners. -
By Peter Dell ' O Rto and S Ean Punch
BY P ETER D ELL’ORTO AND S EAN P UNCH Written by PETER DELL’ORTO and SEAN PUNCH Additional Material by VOLKER BACH and C.J. CARELLA Edited by SEAN PUNCH Cover Art by BOB STEVLIC Illustrated by ABRAR AJMAL and BOB STEVLIC ISBN 978-1-55634-762-7 1 2 3 4 5 6 7 8 9 10 STEVE JACKSON GAMES Committed Attack . 99 Defensive Attack. 100 Evaluate . 100 Feint . 100 ONTENTS Ready . 101 C Who Draws First?. 103 Move . 105 Realism Level . 29 INTRODUCTION . 4 Move and Attack . 107 Beginning Students as PCs. 30 Publication History . 4 Wait . 108 About the Authors . 4 CHARACTER TEMPLATES . 31 ADDITIONAL COMBAT OPTIONS . 109 Del Duque (350 points) . 33 Melee Attack Options . 109 1. HISTORY . 5 Frauds . 35 A Matter of Inches . 110 Adrian Froste (200 points) . 37 TIMELINE . 6 Untrained Fighters . 113 Kai Lian (250 points) . 39 ASIA . 8 Close-Combat Options. 114 China . 8 ADVANTAGES, DISADVANTAGES, Teeth. 115 Xia . 8 AND SKILLS . 42 Grab and Smash! . 118 Monks and Martial Arts . 9 Advantages . 42 Ranged Attack Options . 119 India . 10 Desirable Advantages . 43 Rapid Fire with Thrown Weapons. 120 Northern vs. Southern Kung Fu . 10 Chi Powers for Martial Artists . 46 Active Defense Options . 121 Religion, Philosophy, and Fists . 11 Perks . 49 Harsh Realism for Indonesian Archipelago. 12 Disadvantages. 53 Unarmed Fighters . 124 Japan . 12 Common Disadvantages. 53 CINEMATIC COMBAT . 125 Ryu . 12 Skills . 54 Multiple Attacks . 126 Ninja: Legend vs. History . 13 Combat Skills . 55 Chambara Fighting . 128 Korea. 14 Wildcard Skills for Styles . 60 Mind Games . 130 Other Nations. -
DVD Piracy As Alternative Media: the Scandal of Piracy, and the Piracy of “Scandal” in the Philippines, 2005–2009
MARIA F. MANGAHAS 109 Kasarinlan: Philippine Journal of Third World Studies 2014 29 (1): 109–139 DVD Piracy as Alternative Media: The Scandal of Piracy, and the Piracy of “Scandal” in the Philippines, 2005–2009 MARIA F. MANGAHAS ABSTRACT. Some digital materials which are documentary of specific forms of social transgression comprise an apparent “market niche” for piracy. “Scandals” as unique commodities in the Philippines’s informal market for pirated disks are quite distinct from other digital entertainment, being originally candid/unstaged or “stolen”/taken without their subject’s knowledge and usually made to non-professional standards/ equipment. Enterprisingly put on the market by pirate-entrepreneurs because of apparent consumer-audience interest in the content, such unique “reality” goods became conveniently available through networks of digital piracy outlets. In the context of consumption of pirated goods, the article reads “scandals” as expressive of everyday critique and resistance. The niche market for “scandals” functions as alternative media as these digital goods inherently evade government and (formal) corporate control as sources of news and entertainment. Indicators of the significance of “scandal” in the informal economy and the meaningful convergence between its piracy and consumer- audience demand are examined ethnographically: their translation into commodities through packaging, the range of sites for consumers to access “scandals,” pirate- entrepreneurs’ sales strategies and standards, and how the market behavior of these “scandals” apparently responded to the unfolding of the social scandals in real time as current events—events that themselves were influenced by the popular circulation and piracy of these commodities. Three cases that took place between 2005–2009—“Hello Garci,” the “Kat/Kho sex scandals,” and the “Maguindanao massacre” DVD—serve as diverse examples, each with their own issues of authenticity, morality, and social effects consequent to piracy and consumption. -
FMA-Vol6 No3.Pdf
Publisher Steven K. Dowd Contributing Writers Marc Lawrence Villasin Balintawak Archives Michael Alegria Patrick Armijo David Calleja Contents From the Publishers Desk Filipino Martial Arts in the United States Life and Times of Grandmaster Alfredo Bandalan Grandmaster Ver Villasin of Balintawak A Devoted, Loyal Practitioner of JENDO A Journey of Experience Learning History and Culture Through Martial Arts Ryan Buot - Music and Balintawak Dinuguan for Brunch FMA Past Events FMAForum FMA Future Events FMA Educational Depot Announcements Filipino Martial Arts Digest is published and distributed by: FMAdigest 1297 Eider Circle Fallon, Nevada 89406 Visit us on the World Wide Web: www.fmadigest.com The FMAdigest is published quarterly. Each issue features practitioners of martial arts and other internal arts of the Philippines. Other features include historical, theoretical and technical articles; reflections, Filipino martial arts, healing arts and other related subjects. The ideas and opinions expressed in this digest are those of the authors or instructors being interviewed and are not necessarily the views of the publisher or editor. We solicit comments and/or suggestions. Articles are also welcome. The authors and publisher of this digest are not responsible for any injury, which may result from following the instructions contained in the digest. Before embarking on any of the physical activates described in the digest, the reader should consult his or her physician for advice regarding their individual suitability for performing such activity. From the Publishers Desk Kumusta To start Marc Lawrence brings a bit of history on the Filipino-American Heritage, which actually he put together for his sons, but is sharing with the FMAdigest and you the reader. -
COM 221: Introduction to Film Dr. Neuendorf Sample Final Exam #1 PRINT NAME: SS
1 COM 221: Introduction to Film Dr. Neuendorf Sample Final Exam #1 PRINT NAME:_____________________________ SS#:______________________________________ CSU ID#:__________________________________ Multiple Choice/T-F--Indicate one letter on your opscan/scantron answer sheet: 1. The annual Cleveland Film Festival features American films not produced by major commercial studios, as well as films made in such countries as Poland, New Zealand, and Zimbabwe. Most of the Festival films, then, could be considered: a. Bollywood films b. Second City Cinema c. indies and Third Cinema d. New Wave Cinema and Race Movies 2. Our ability to use the auteur theory, as well as to analyze genre and conduct formalistic analyses of the mise-en- scene, is largely due to the work of six young men writing in a film journal in the 1950's. They all studied films of all types at their local cinematheque before trying to make films themselves. When they finally did make films, the works were heralded as being inventive and eclectic. These men have been called: a. the German Expressionists b. the French Dadaists c. the Italian Neorealists d. the French New Wave 3. In films such as Contact, What Dreams May Come, and Mighty Joe Young, some of the special visual effects include images that have been created electronically, without hand drawings, and without models constructed. That would indicate what type of animation? a. computer animation b. stop-motion animation c. cel animation d. multiplane animation 4. The 1994 film The Crow (D: Alex Proyas), starring the late Brandon Lee, a young rock musician rises from the grave and seeks vengeance with the aid of a spectral crow. -
Newsletter Jfjkd-Nucleus Vol-3-3.Pdf
By the term An "Artist of Life" "artist of life" Lee was By Iohn Little referring to the process of By the time you receive this newsletter, one of the most learning to be important books ever printed about Bruce Lee will be entering an honest bookstores. It is entitled "Bruce Lee: Artist of Life," and within its communicator pages lie the essential writings of Bruce Lee. of one's This book represents a true milestone in getting to know the innermost "real" Bruce Lee and allows Bruce a voice in how his art, his life feelings. One and his beliefs are to be presented to future generations. Much of who was willing this material has never been published before, and even the to lay bare his material that has been published, has never been presented in its soul for the original format - just the way it was when Bruce Lee originally purpose of wrote it. honest The book represents Volume Six of the highly-acclaimed Bruce communication Lee Library Series, published by the Chailes E. Tuttle Publishing with another Company and the publishers were so impressed with its content human being, that they decided to release it in a specialhardbound edition, and not get making it the first book in the series to be presented in such a caught up in fashion. the various In an on-going attempt to present to our members the latest forms of information about Bruce Lee and this teachings as it becomes societal role- available, we are here presenting (with permission from the playing (i.e., publisher) series' editor, lohn Little's "introduction" to this self-image creation). -
FMA Informative Newspaper Vol5 No.9
Vol 5 No 9 - 2016 Newspaper Propagating the Filipino Martial Arts and the Culture of the Philippines Kali Stickboxing Learn One, Learn Them All By Richard Lamoureaux Commonality of Motion and Skill Article Transferability in the 6 Rules of Mechanical Advantage Filipino Martial Arts By Philipp Article About ... Past Events Health & Safety Building Blocks of FMA Tid-Bits By Leslie Buck in entry level classes, one could easily con- clude that the Filipino martial arts are indeed The Filipino martial arts are often re- just about stick fighting. This is far from true. ferred to and thought of as stick fighting, but Sticks are excellent training tools that they involve so much more than that. Really, provide a versatile training experience. The the Filipino martial arts are systems of fight- sticks serve as learning tools that can simul- ing that involve a variety of weapons and taneously represent many other weapons empty hands tactics and techniques. Sticks and unarmed techniques. That is why they are just used as the primary training tools, are so ubiquitous in the Filipino martial arts. and not necessarily as the primary weapons. If you examine why they are seen so fre- Because a large portion of training in quently in training, you will understand their the Filipino martial arts involves the use of value and the reason for their prominence rattan sticks, those who have not had the in training activities and demonstrations. chance to learn about the Filipino martial Using sticks in training allows you to arts usually see the sticks and conclude that develop skills that apply to impact weapons, the Filipino martial arts are just methods of edged weapons, and empty hands skills too. -
Executive Summary
EXECUTIVE SUMMARY A. Introduction The Optical Media Board (OMB), under the direct supervision of the Office of the President, was created pursuant to Republic Act (R.A.) No. 9239, the Optical Media Act of 2003 which was approved on February 10, 2004. The Board is composed of five regular and four ex-officio members. The agency is mandated to regulate the mastering, manufacture, replication, importation and exportation of optical media in all forms. Coverage of authority is the entire territory of the Republic of the Philippines including the economic zones as defined both under R.A. Nos. 9239 and 7916. It is headed by a Chairperson who is also the Chief Executive Officer (CEO). It has a Secretariat headed by an Executive Director who assists the Chairperson/CEO in the day-to-day operations. OMB has complement of 60 plantilla personnel and four contractual. It operates under four divisions and two units namely: Administrative and Finance Division, Legal Division, Registration and Licensing Division, Enforcement and Investigation Division, Public Information and Communication Unit and the Planning Unit. B. Financial Highlights The comparative financial condition, results of operations and sources and utilization of funds of the OMB are as follows: Increase Particulars 2013 2012 (Decrease) Financial Conditions Assets 74,361,951.95 76,278,103.34 (1,916,15139) Liabilities 1,097,581.09 6,191,949.24 (5,094,368.15) Equity 73,264,370.86 70,086,154.10 3,178,216.76 Results of Operations Income 46,441,966.23 45,830,237.90 611,728.33 Expenses 41,428,424.87 -
20 Movies 20 Years Ebook.Cdr
20 MUST SEE MARTIAL ARTS MOVIES FROM THE LAST 20 YEARS THANK YOU FOR SUBSCRIBING AND DOWNLOADING THIS FREE E-BOOK! EVERY SINGLE PERSON INVOLVED MAKES THE MARTIAL ARTS ACTION MOVIE WEBSITE POSSIBLE... ...AND LOTS OF FUN! BEFORE WE GET STUCK INTO IT. In the last 4 years, I have watched and reviewed close to 500 Martial Arts films. I’ve got to say it’s a bit of an addiction but a fun one, and it’s been shared with a lot of people through Social Media channels like Facebook and Twitter, and I’ve noticed a strong pattern in the movies people love to see these days. On top of that, we’re seeing movies being released that seem to be climbing the ladder in terms of quality. For a while, martial arts movies were heading in a different direction and focusing less on the pure abilities of the actor and relying heavily on wire work. While there’s nothing wrong with that, I can safely say that most people I’ve networked with over the last few years don’t enjoy the weightless “floating” look that most of these movies produced. So most of what I write about these days focuses on the power of the individual martial artist, relying on themselves more than wires. Combined with the totality of the film making process, I’ve done my best to find the absolute most entertaining, action packed and well balanced martial arts films of recent times. So I produced this little Ebook for anyone whose looking to become immersed in the most action packed, adrenaline charged fight films from the last 20 years.