w Photo by Zen Sekizawa

CAP UCLA presents OK Go Sat, Nov 4, 2017 | Royce Hall East Side, West Side, All Around LA Welcome to the Center for the Art of Performance

The Center for the Art of Performance is not a place. It’s more of a state of mind that embraces experimentation, encourages a culture of the curious, champions disruptors and dreamers and supports the commitment and courage of artists. We promote rigor, craft and excellence in all facets of the performing arts. Center for the Art of Performance presents 2017–18 SEASON VENUES

Royce Hall, UCLA Freud Playhouse, UCLA The Theatre at Ace Hotel Little Theater, UCLA OK Go Will Rogers State Historic Park OK Go UCLA’s Center for the Art of Performance (CAP UCLA) is dedicated to the advancement – lead vocals and guitar of the contemporary performing arts in all disciplines—dance, music, spoken word Tim Nordwind – bass guitar and vocals and theater—as well as emerging digital, collaborative and cross-platforms utilized by Dan Konopka – drums and percussion today’s leading artists. Part of UCLA’s School of the Arts and Architecture, CAP UCLA – guitar, keyboards and vocals curates and facilitates direct exposure to contemporary performance from around the globe, supporting artists who are creating extraordinary works of art and fostering a vibrant learning community both on and off the UCLA campus. The organization invests Sat, Nov 4, 2017 | Royce Hall in the creative process by providing artists with financial backing and time to experiment Running time: Approx. 2.5 hours | With Intermission and expand their practices through strategic partnerships, residencies and collaborations. As an influential voice within the local, national, and global arts community, CAP UCLA serves to connect audiences across generations in order to galvinize a living archive of our culture. cap.ucla.edu #CAPUCLA MESSAGE FROM THE ARTISTS ABOUT THE ARTISTS

Hello Los Angeles. OK GO With a career that includes award-winning videos, New York Times op-eds, a major We started this band nineteen years ago in Chicago, November, 1998. In our earliest label split and the establishment of a DIY trans-media mini-empire (), days of touring we were thrilled to be on stage anywhere and everywhere, but there collaborations with pioneering dance companies and tech giants, animators and was a unique, much deeper excitement at our hometown shows in Chicago. It wasn’t Muppets, and an experiment that encoded their music on actual strands of DNA, just that our friends were in the crowd, it was that the music and the band itself felt OK Go continue to fearlessly dream and build new worlds in a time when creative connected to that place and that community. If OK Go was greater than the sum of boundaries have all but dissolved. its parts, it seemed that mysterious extra amount was derived from the city somehow. Formed as a quartet in Chicago in 1998 and relocated to Los Angeles three years later, Los Angeles has been our hometown for nearly 15 years now—much longer than OK Go (Damian Kulash, Tim Nordwind, Dan Konopka and Andy Ross) have spent Chicago was, for most of us—but tonight feels like our first real hometown show here. their career in a steady state of transformation. Released in the fall 2014 via their Because even though we’ve made plenty of friends here and reveled in the surfeit of own Paracadute/BMG, Hungry Ghosts is the band’s fourth full-length and the newest great music, OK-Go-The-Rock-Band has never felt like it came from this place. But addition to a curriculum vitae filled with experimentation in a variety of mediums. OK-Go-The-Guys-Who-Make-Those-Art-Project-Music-Videos; that OK Go was born here. Our unlikely journey into filmmaking started in Damian’s back yard in Koreatown Drawn from the same marching orders issued to big-hearted happiness creators as in 2005, and over the last decade we’ve crept farther from the norms of the music Queen, T. Rex, The Cars or Cheap Trick, and a lifetime of mixed tapes exchanged by industry and closer to something uniquely our own. Whatever that thing is—the thing lifelong music fans, Hungry Ghosts is a reaffirmation of the sounds and ideas that we’re fumbling to make or to become—that thing is decidedly Angeleno. brought the band together in the first place. Building on (and deconstructing) 15 years of pop-rock smarts, musical friendship, and band-of-the-future innovations, Hungry Our hope is that tonight’s show puts this fuller version of our band on stage; we’re Ghosts, offers melancholic fireworks (“The Writing’s on the Wall”), basement funk trying to dial back the decades-old conventions of rock shows and present to you a parties (“Turn Up The Radio”), IMAX-sized choruses (“”), and space- more cohesive picture of what we’ve made, or what we’ve become. If it works, this will age dance floor bangers (“I Won’t Let You Down”). be the first hometown show for OK Go-The-Creative-Guys. To accompany the music of Hungry Ghosts, OK Go has released a selection of Thank you for coming, imaginative new videos, including a mind-bending journey through an optical illusion filled warehouse, an elaborately choreographed dance performed on Honda’s UNI- —OK Go CUB personal mobility devices, and a stunning display of zero gravity acrobatics in moving aircraft. Their latest video for “The One Moment” captures 325 events in literally one moment (4.2 seconds).

OK Go has been honored with a GRAMMY Award, three MTV Video Music Awards (one of them from Japan!), a CLIO, three UK Music Video Awards, two WEBBY Awards (including one for their collaboration with The Muppets and Sesame Street), a spot in a Guggenheim installation, a total of 10 Cannes Lions, and a Smithsonian American Ingenuity Award in the Visual Arts. Art in Action Design for Sharing

“Art in Action is somewhere between an academic symposium and the “Design for Sharing enriches and supports learning, social awareness and vibrancy of an eagerly awaiting coloring book. This is where we explore in responsible cultural arts citizenship creating a new generation of artists public to release the energetic potential of sharing ideas together.” and audiences.” —Kristy Edmunds —Kristy Edmunds Design for Sharing (DFS) is our free K-12 arts education program that provides public school students from across the Los Angeles metro area access to the performing arts, Art in Action, our free public engagement program, offers a wide range of experiential both at UCLA and in their own classrooms. The arts provide a gateway for students to art activities around the ideas emanating from the work of artists on our season. Through explore shared ideas across communities and culture–sparking their curiosity and imag- workshops, lectures, master classes, films, salons and art-making forums, Art in Action ination. Since 1969, Design for Sharing has provided performances, workshops and school provides a platform for our UCLA and Los Angeles communities to exchange ideas and residencies to almost a million public school students, offering a diverse array of music, participate in shared cultural experiences. contemporary dance, and innovative theater. cap.ucla.edu/dfs

This season, we’re continuing two ongoing initiatives and introducing a third. Writing the This season, the following CAP artists Landscape returns with new takes on the Poetry Bureau and special activities with our will participate in Design for Sharing programs: library partners, exploring how the impulse to make something results in an altered land- scape, or new view. Hearing Beyond Listening devises ways to “listen better,” with artist- Dancenorth/Lucy Guerin Inc curated playlists, personalized music maps, intimate salons, and the now popular, CAP Gabriel Kahane AteNine Listening Lab. A new series of programs, Facing the Blank Page, takes direct inspiration João Donato ONIX Ensamble from this season’s the theater is a blank page. Activities throughout the season will Antonio Sanchez & Migration Kronos Quartet investigate how we transmit traces of ourselves through the written word, movement, Kyle Abraham/Abraham.In.Motion sound and imagery. cap.ucla.edu/ArtInAction House Rules CODA21 PHOTOGRAPHY CHILDREN CODA21 is a pilot initiative that supports dialogue, research, and collaboratively designed Photography, video and the use of any Children over age 5 are welcome to most experiments between UCLA’s Center for the Art of Performance and leading research cen- recording equipment is strictly prohibited events and, regardless of age, must have ters and labs across campus. Collaborating labs include Denise Cai and Silvalab, a leading at all times during performances at all a ticket. Infants on laps are not permitted. neuroscience research lab studying molecular and cellular cognition; Hakwan Lau and the UCLA campus performance venues and Inquire when purchasing tickets of age Consciousness & Metacognition Lab; the Tennenbaum Center for the Biology of Creativity; at The Theatre at Ace Hotel. Any/all press appropriateness for specific events and and the Design Media Arts Lab. photography must be approved in writing check out website for specific performance in advance by the Center for the Art of information. Informing CODA21’s design is the belief that the students at UCLA represent the conditions Performance representative. For press emblematic of society at large. Economic anxiety, homogeneous living arrangements, and inquiries and to make a request to cover ACCESSIBILITY media saturation imposing gender and racial stereotypes have seriously eroded the acade- an event, visit cap.ucla.edu/press/ The Theatre at Ace Hotel offers ADA access- my’s critical role in fostering a pluralistic, tolerant, progressive, and socially interdependent ible seats and restrooms. You can buy ADA community. Curriculum is increasingly limited in its ability to play this historic role. The CAMERAS & SMART PHONES seating on our ticketing site or by calling AXS remaining antidote is a thoughtfully curated arts presenting program like CAP UCLA, an The use of cameras, smart phones, cell at 888-9-AXS-TIX (888-929-7849). When interdisciplinary learning experience offering students and the extended audience exposure, phones and recording equipment of any buying tickets over the phone, please let the through live performance to artists who represent the diversity of traditions, ethnicities, kind is strictly prohibited at all times ticket agent know if you require accessible gender roles, and aesthetics reflective of the demographic terrain in which we all work during performances at all UCLA campus seating, and s/he will issue you an ADA seat. and live. Through its experimental collaboration, CODA21 seeks to confirm, amplify, and performance venues and at The Theatre enhance this crucial role. at Ace Hotel. All devices must be silenced In addition to wheelchair spaces, The before the start of the performance. Please Theatre at Ace Hotel is equipped with select be considerate to those around you and aisle seats that have folding armrests on the refrain from texting, emailing or surfing aisle side to make transfer easier for those the web during performances. with mobility limitations. For such seating, please request a “transfer seat.” LATE SEATING Late seating will be subject to company If you need accessible seating the night of approval and will occur only at a suitable the event and don’t have a special ticket, time at the discretion of the house staff. we’ll do our best to accommodate you once Latecomers may not be able to be seated you arrive at the theater. in their assigned seats to avoid disruption or distractions during the performance. CODA21 ARTISTS & PROJECTS Some events have no late seating by Leading artists and choreographers will participate in CODA21 through full request of the artist, and refunds on parking presentations of their work, development residencies, and pilot experiments. and tickets for latecomers will not be Ann Carlson: Doggie Hamlet Kyle Abraham/Abraham.In.Motion accommodated. SPECIAL THANKS TO Will Rogers State Historic Park Dearest Home OUR DINING PARTNERS February 3–4, 2018 Freud Playhouse, UCLA Please check the event detail page of our April 5–7, 2018 website for late seating policies for specific Fundamental LA Okwui Okpokwasili performances or opt in to our email data- LA Chapter Poor People’s TV Room Jennie Liu: Autobiography of base by signing up for our newsletter and Palamino Restaurant & Bar Presented in association with REDCAT the Kimono on the Western Stage pre-show emails with helpful information Plateia February 8–11, 2018 CODA21 Development Residency about pre-show activities, parking, late Pruex & Proper seating, running time, nearby dining oppor- Shibumi tunities and more at cap.ucla.edu/enews/ WEST Restaurant CODA21 is funded in part by The Surdna Foundation. The Surdna Foundation seeks to foster sustainable communities in the United States—communities guided by principles of social justice and distinguished by healthy environments, strong local economies, and thriving cultures. CAP UCLA BOARD DESIGN FOR SHARING COUNCIL CAP UCLA STAFF EDUCATION Director of Education & Special Initiatives - OF DIRECTORS Stephanie Snyder, President* DIRECTOR’S OFFICE Meryl Friedman Diane Applebaum* Executive and Artistic Director - Kristy Edmunds Education Program Coordinator - EXECUTIVE COMMITTEE Linda Essakow* Deputy Director and Program Manager - Theresa Willis Peters Bradley Tabach-Bank, President Billie Fischer* Fred Frumberg Student Arts Coordinator - Deborah Irmas, Interim Executive Vice President Joanne Knopoff Assistant to the Director - Yuko Saegusa Theo Bonner-Perkins Kathleen Quisenberry, Vice President, Events Marti Koplin* Artist Liaison - Zarina Rico Arts Engagement Coordinator - Anne-Marie Spataru, Vice President, Education Joan Lesser Ivy Hurwit Valerie Cohen, Vice President Diane Levine PRODUCTION & EVENT OPERATIONS Fariba Ghaffari, Vice President Katie Marsano* Director of Operations - Steve Keeley HUMAN RESOURCES Ann Harmsen, Vice President Merle Measer Patron Services Manager - Ron Jarvis Human Resources Manager - Diane Levine, Vice President Muriel Sherman* Venue Manager - Lorrie Snyder Bernie Macapinlac Anne-Marie Spataru* Production Manager - Human Resources Assistant - Erah Lulu BOARD MEMBERS Bonnie Taub Bozkurt “Bozzy” Karasu Gail Andrews Sheila Weisman Custodian Supervisor - Steve Jarnagin TICKETING Murray Hidary Mimi Wolfen House Manager - Ernie Ybarra Assistant Director Central Ticket Office - Roslyn Holt Swartz Karyn Orgell Wynne Production Stage Manager - Kevin Pong Gerardo Galeano Georgina Huljich Event & Crew Coordinator - Don Kidd Box Office Manager - Annabel Flores Anne Jarmain * Executive Council Member House Electrician - Jessica Wodinsky Renee Luskin Master Carpenter - Ron Greene RENTAL EVENTS Ginny Mancini Audio / Video Supervisor - John Coleman Rental Events Manager - Anthony Jones Katie Marsano House Electrician - Antony Gutierrez Rental Events Coordinator - Christina Montaño Karyn Orgell Wynne House Crew - Robert Ory Edie Parker House Crew - Katie Baker CAP UCLA Administrative offices: Alan M. Schwartz House Crew - Patrick Traylor B100 Royce Hall, Box 951529 Stephanie Snyder House Usher - Pia Shekerjian Los Angeles, CA 90095-1529 Leslie White Custodian - Elsie Conroy Tel: 310.825.4401 Patty Wilson Custodian - Chancy Dawson Fax: 310.206.3843 Lori J. Wolf [email protected] FINANCIAL MANAGEMENT

Manager of Finance and Accounts – Office of Kristy Edmunds: Stephanie Tarvyd 310.206.7408 Finance Analyst - Jodi Klein [email protected]

MARKETING & COMMUNICATIONS UCLA Central Ticket Office

Director of Marketing & Communications – Tel: 310.825.2101

Kathy Budas Fax: 310.206.7540

Communications Manager - Holly Wallace [email protected]

Integrated Marketing Specialist -

Phinn Sriployrung Press Inquiries:

Marketing Associate - Baha Ebrahimzadeh Holly Wallace Tel: 310.206.8744

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Alexander Barrera Development Office:

CONNECT WITH US Foundations and Individual Initiatives Tel: 310.267.4463

Development Associate - Open [email protected]

Development Assistant - Christina Garcia Join the Conversation! Artist Circle Box Office Liaison - Design for Sharing Office:

Monica Contreras Tel: 310.825.7681 We want to hear from you – share [email protected] thoughts about the arts and

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Kathleen Flanagan Gail & James Andrews Sherrill Luke & Keenan Behrle Barbara Barry Chan Luu CAP UCLA SPONSORS Carol & Frank Biondi Pamela & John Bartko Bea & Leonard Mandel & SUPPORTERS DIRECTOR’S FUND $25,000-$49,999 Nadege & Jay Conger Charlene & John Baskin Jonathan Marmelzat/Willard We are grateful to list the follow- Fariba Ghaffari Edie & Robert Parker Linda Engel & Alan Benjamin L. Marmelzat Foundation ing individuals whose support to Renee & Meyer Luskin Sue & David Eisner Lynn & Leslie Bider Sandra Klein & Donald McCallum ENDOWMENTS the Director’s Fund bolsters the Virginia Mancini Caryn Espo & David Gold Carol & Frank Biondi Merle & Gerald Measer Over time, many generous indi- vision behind the major initia- Anne-Marie & Alex Spataru Irene Goldenberg James Blakeley Deborah & Etan Milgrom viduals have initiated leadership tives at CAP UCLA. Their support Sheila & Walter Weisman Judy Abel & Eric Gordon Marjorie Blatt Susan & Joseph Miller gifts to establish endowments galvanizes our leadership efforts Adam Grancell/I. H. Ronda & Stanley Breitbard Jessica Cahen & Ronald Mintz that support the performing arts and is the sole resource through $10,000-$24,999 & Anna Grancell Foundation Sigrid Burton & Max Brennan Ruth & Robert Mirvis at UCLA in perpetuity. which the Director is able to Leon Birnberg Trust Sandra & Lewis Kanengiser Lily & Thomas Brod Leslie Mitchner make advance commitments. Katie Marsano & Greyson Bryan Fiona & Michael Karlin Rona Elliot & Roger Brossy Philip Morton Arthur E. Guedel Memorial Valerie & Bradford Cohen Joseph Kaufman Marilyn McKnight Browning Dori & Charles Mostov Lectureship Fund Good Works Foundation Laura Donnelley/ Milly & Robert Kayyem & Roger Browning Paulette & Ronald Nessim Beatrix F. Padway Endowed Jackie and Stanley Gottlieb Good Works Foundation Joan & Warren Kessler Madelynne & Glenn Cardoso Mary Montella & Jeffrey Newman Fund for Design for Sharing Audrey and Sydney Irmas Feintech Family Martha Koplin Ellen Hoffman & Neal Castleman Jami O’Brien Design for Sharing Endowment Charitable Foundation Audree Fowler Cameron Jobe Richard Cohen Richard Powell Doris Duke Charitable Linda Essakow & Gerald Markovitz Roberta Conroy Marilyn & Jerome Prewoznik Foundation Endowment Fund Sponsors and Foundations & Stephen Gunther Claude Petite Sherri Crichton Linda Peterson & Arthur Price Evelyn & Mo Ostin Endowment Anonymous Ann & Bill Harmsen Ronnie Rubin & Marty Piter Lynne & James DeWitt Gloria & Samuel Reyes for the Performing Arts Andrew W. Mellon Foundation Anne Jarmain Nancy & Brad Rosenberg Rachel Knopoff James Rodney George C. Perkins Fund Another Planet Entertainment Diane Kessler Suzie & Michael Scott & Russell Dickerson Wendy-Sue Rosen Ginny Mancini Endowment AVK Arts Diane Levine Muriel & Neil Sherman The Walt Disney Linda McDonough & Bradley Ross for Vocal Performance Antonia & Vladimer Kulaev Kathleen John Quisenberry Laurie & Rick Shuman/Raskin Company Foundation Bernice & Lawrence Rudolph Henry Mancini Tribute Fund Cultural Heritage Fund Cynthia Miscikowski/ Family Foundation Abida & Ray Diwan Mark Saltzman James A. Doolittle Endowment Colburn Foundation Ring Foundation Jennifer Simchowitz Feris Greenberger Lela & Gerard Sarnat José Luis Nazar Endowment Doris Duke Charitable Roslyn Holt Swartz & Alan Swartz Srila & Man Jit Singh & David Dolinko Judy & George Savitsky for the Performing Arts Foundation Dee Dee Dorskind & Bradley Pamela Smith Ros Warby & Kristy Edmunds Jose Segundo Kevin Jeske Young Artists Fund I.H. and Anna Grancell Tabach-Bank Debra Vilinsky & Michael Sopher Olga Garay-English Linda & B. Thomas Seidman The Lloyd E. Rigler Foundation Stephanie Snyder Carolyn & Lester Stein & Kerry English Gena Selmont Emerging Arts Fund Library Foundation of Los Angeles & Micahel Warren Laila & Mehran Taslimi Mary & Robert Estrin Marjorie Kagawa Singer Merle & Peter Mullin Endowment Mid Atlantic Arts Foundation Ron Watson Jessica Kronstadt Nancy & Jerome Falk & Peter Singer for the Performing Arts National Endowment for the Arts Leslie White & Al Limon & William Turner Irwin & Helgard Field Louise Nelson & David Smith Mimi Perloff Endowment New England Foundation Carol Leifer & Lori Wolf Susanne & Douglas Upshaw Elodie & Bruce Fortune Mary & Alan Snyder for Design for Sharing for the Arts Kayrn Orgell Wynne Patty & Richard Wilson Zoe Friedlander Georgina Huljich & Marcelo Spina Mimi & Werner Wolfen Nicholas Endowment Beth DeWoody & Firooz Zahedi Mimi Wolfen Thomas Garvin Gary Stewart Endowment for Design Ralph M. Parsons Foundation Carla Breitner & Gary Woolard Linda Goodman Carol & Joseph Sullivan for Sharing Ring Foundation $5,000-$9,999 Elizabeth Gray & Randall Gordon Joanne Takahashi National Endowment for the Arts Samuel Goldwyn Foundation Anna Wong Barth $1,500-2,499 Pattikay & Meyer Gottlieb Suzanne Taylor Challenge Grant Endowment Surdna Foundation, Inc. & Donald Barth George Allen Jennifer Wells Green Catherine & Leonard Unger Plitt Theaters Fund UCLA Student Fees Andrew Rhoda & J. Ben Bourgeois Rosanne Bogart & Randall Green Sarah & Sydney Vinnedge for Design for Sharing Advisory Committee Billie & Steven Fischer Helene & Edwin Cooper Susie Edberg & Allen Grogan Toby & Robert Waldorf Roslyn Holt Swartz & Kiki & David Gindler Marie & Steve Feig Adam Gunther Ruth Roberts & Dennis Wasser Allan J. Swartz Endowment INDIVIDUALS Murray Hidary Mary & Stanley Friedman William Harper Sally & David Weil for the Performing Arts CAP UCLA is pleased to acknowl- Joanne Knopoff Lori & Robert Goodman Lois Haytin Terry & John Welsh Royce Center Circle edge our individual members Joan Lesser & Ronald Johnston Jackie Gottlieb Hanna & Manfred Heiting James Wetmore Endowment Fund and donors whose gifts directly Linda Gach Ray & Stephan Ray Peggy & Bernard Lewak Barbara & Daniel Horwitz Nancy Englander & Harold Royce Gala Endowment support arts education and the Michael Stubbs & Bill Resnick Patricia Rosenburg Helene Des Ruisseaux Williams Sally & William A. Rutter art of performance at UCLA. Richard Ross Jane Schiffhauer & Marcus Horwitz James Sie & Doug Wood Endowment for the Thank you! Alan Schwartz Suzie & Laurence Swerner Joan & Howard Jaffe Marilouise & Albert Zager Performing Arts Bonnie & Paul Yaeger Jaclyn Kanner Marcie & Howard Zelikow Shirley & Ralph Shapiro $50,000-$149,999 $500-$1,499 Lauren Kasmer Laurie Ziegler Director’s Discretionary Fund Deborah Irmas/Audrey and Syd- $2,500-$4,999 Anonymous x 3 Wendy & Stephen Kramer Shirley & Ralph Shapiro ney Irmas Charitable Foundation Barbara Abell Sara & James Adler Maria Arispe & Timothy Lane Endowment for Design Susan & Leonard Nimoy Diane & Noel Applebaum Natsuko Akiyama Susan Levich IN-KIND CONTRIBUTIONS for Sharing Laura & Gregg Perloff/ Perloff Helen & Alexander Astin Susan Stein & David Alper Diane & Desmond Levin Family Foundation Sylvia & Joseph Balbona Michael Ambrose Morelle & Norman Levine

Janell Thornton-Lewis ® Patti & Harlan Amstutz drink water, not sugar This listing represents accumulative contributions from July 1, 2016-August 1, 2017 Robert Anderson & Randall Lewis Photo credit: David Cooper Photo Credit: Christophe Dessaigne

Become a Member

Your membership with the Center for the Art of Performance is more than ticket discounts, priority seating, invitations to additional programs and special member gatherings—it is sup- port for what we are able to champion within the wider cultural landscape. When you make a gift to the Center for the Art of Performance or to our Design for Sharing program, you join a community of advocates inspired by artistic exploration and new ways of knowing. We belong John McLaughlin to a culture of the curious, and by supporting great artists, we land on new perspectives. Our members are committed to groundbreaking contemporary performance locally, globally and everywhere in between. Your support is how we ensure that artistic expression will thrive & Jimmy Herring on stage, on the UCLA campus and in the Los Angeles community for years to come. Mem- bership dollars provide the means for us to interact with the leading artists of our time, and Meeting of the Spirits to share what we discover with as many people as we can. Sat, Dec 9 @ 8pm With your involvement, we can provide young audiences with the chance to experience life Royce Hall Photo by Kim Allegrezza/Misty Grove Photography through the lens of the modern stage, offer fans and aficionados the recent work of artists who propel us boldly forward, and enhance the public mission of one of the nation’s leading research universities. cap.ucla.edu Your membership dollars are the primary financial resource that sustains us. We need your 310-825-2101 support now more than ever. Please become a member today. @CAP_UCLA cap.ucla.edu/membership Antonio Sanchez Birdman Live

Fri, Feb 16, 2018 @ 8pm Royce Hall

Member pre-sale: Thu, Oct 26 CAP enews subscriber pre-sale: Fri, Oct 27 General on-sale: Mon, Oct 30 888-929-7849 | cap.ucla.edu cap.ucla.edu 310-825-2101 @CAP_UCLA