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Tion on the Internet. but Convincing Fans to Actually Buy Their Music Is
FEBRUARY 2005 OK Go records its While on tour in Toronto with the Kaiser Chiefs, the members of OK Go- second album, lead singer/guitarist Damian Kulash, bassist Tim Nordwind, drummer Dan "Oh No," in Malmö, Konopka and guitar/keyboard player Andy Ross -give a video copy of a Sweden, with dance routine for the song "A Million Ways" from their new album to a fan. Tore Johansson. They had teamed with Kulash's sister Trish Sie, a former professional ballroom dancer, to choreograph the number and intended to perform the dance at the end of live shows. In mid -May, the band had filmed one of the rehearsal sessions in the backyard of Kulash's Los Angeles home. OCTOBER 25 2005 The "A Million . Ways" video is featured on VH1's "Best Week Ever" as online views top 1 million. A week later, the band and a Running handful of its fans perform the dance on The band performs "A Million Ways" on "The Tonight Show With Jay "Good Morning Leno," kicking off a media blitz in connection with the album release America," and "A in which they next do the song Sept. 9 on "Mad TV." But despite the Million Ways" tops surging viewership for "A Million Ways," the video is never formally MTVu's countdown Start submitted to MTV or VH1. "We never got a giant push from them to show "The OK Go Jogs Some Serious Digital Sales On Back Of Web Buzz BY BRIAN GARRITY play it. There was just all this hoopla around the Internet activity," says Dean's List." Rick Krim, executive VP of music and talent for VH1. -
Meet Me Halfway: Split Maintenance of Continuous Views
Meet Me Halfway: Split Maintenance of Continuous Views Christian Winter, Tobias Schmidt, Thomas Neumann, Alfons Kemper Technische Universitat¨ Munchen¨ {winterch, tobias.schmidt, neumann, kemper}@in.tum.de ABSTRACT result Query From Industry 4.0-driven factories to real-time trading al- Insert gorithms, businesses depend on analytics on high-velocity real-time data. Often these analytics are performed not in dedicated stream processing engines but on views within a general-purpose database to combine current with histori- Initialization cal data. However, traditional view maintenance algorithms tables event streams are not designed with both the volume and velocity of data streams in mind. Figure 1: Exemplary split of a continuous view In this paper, we propose a new type of view specialized query plan for maintenance. Parts that are eval- for queries involving high-velocity inputs, called continuous uated for each insert are marked with a grey ar- view. The key component of continuous views is a novel row. Parts with a white arrow are evaluated for maintenance strategy, splitting the work between inserts and each query to the view. The framed part is evalu- queries. By performing initial parts of the view's query for ated once at view creation time. each insert and the remainder at query time, we achieve both high input rates and low query latency. Further, we keep the memory overhead of our views small, independent of input such analyses have taken place in databases and data ware- velocity. To demonstrate the practicality of this strategy, we houses focusing on analytical query throughput. However, integrate continuous views into our Umbra database system. -
Television & New Media
Television & New Media http://tvn.sagepub.com/ Here We Go Again: Music Videos after YouTube Maura Edmond Television New Media 2014 15: 305 originally published online 27 November 2012 DOI: 10.1177/1527476412465901 The online version of this article can be found at: http://tvn.sagepub.com/content/15/4/305 Published by: http://www.sagepublications.com Additional services and information for Television & New Media can be found at: Email Alerts: http://tvn.sagepub.com/cgi/alerts Subscriptions: http://tvn.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://tvn.sagepub.com/content/15/4/305.refs.html >> Version of Record - Apr 8, 2014 OnlineFirst Version of Record - Nov 27, 2012 What is This? Downloaded from tvn.sagepub.com at JAMES MADISON UNIV on September 16, 2014 TVN15410.1177/1527476412 465901Television & New MediaEdmond Article Television & New Media 2014, Vol. 15(4) 305 –320 Here We Go Again: Music © The Author(s) 2012 Reprints and permissions: Videos after YouTube sagepub.com/journalsPermissions.nav DOI: 10.1177/1527476412465901 tvn.sagepub.com Maura Edmond1 Abstract At the start of the 2000s, there were dire predictions about the future of music videos. Faced with falling industry profits, ballooning production costs, and music television stations that cared more about ratings, music videos no longer enjoyed the industry support they once had. But as music videos were being sidelined by the music and television industries, they were rapidly becoming integral to online video aggregates and social media sites. The “days of the $600,000 video” might be gone, but in recent years, a new music video culture and economy has emerged. -
THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d. -
Uptownlive.Song List Copy.Pages
Uptown Live Sample - Song List Top 40/ Pop 24k Gold - Bruno Mars Adventure of A Lifetime - Coldplay Aint My Fault - Zara Larsson All of Me (John Legend) Another You - Armin Van Buren Bad Romance -Lady Gaga Better Together -Jack Johnson Blame - Calvin Harris Blurred Lines -Robin Thicke Body Moves - DNCE Boom Boom Pow - Black Eyed Peas Cake By The Ocean - DNCE California Girls - Katy Perry Call Me Maybe - Carly Rae Jepsen Can’t Feel My Face - The Weeknd Can’t Stop The Feeling - Justin Timberlake Cheap Thrills - Sia Cheerleader - OMI Clarity - Zedd feat. Foxes Closer - Chainsmokers Closer – Ne-Yo Cold Water - Major Lazer feat. Beiber Crazy - Cee Lo Crazy In Love - Beyoncé Despacito - Luis Fonsi, Daddy Yankee and Beiber DJ Got Us Falling In Love Again - Usher Don’t Know Why - Norah Jones Don’t Let Me Down - Chainsmokers Don’t Wanna Know - Maroon 5 Don’t You Worry Child - Sweedish House Mafia Dynamite - Taio Cruz Edge of Glory - Lady Gaga ET - Katy Perry Everything - Michael Bublé Feel So Close - Calvin Harris Firework - Katy Perry Forget You - Cee Lo FUN- Pitbull/Chris Brown Get Lucky - Daft Punk Girlfriend – Justin Bieber Grow Old With You - Adam Sandler Happy – Pharrel Hey Soul Sister – Train Hideaway - Kiesza Home - Michael Bublé Hot In Here- Nelly Hot n Cold - Katy Perry How Deep Is Your Love - Calvin Harris I Feel It Coming - The Weeknd I Gotta Feelin’ - Black Eyed Peas I Kissed A Girl - Katy Perry I Knew You Were Trouble - Taylor Swift I Want You To Know - Zedd feat. Selena Gomez I’ll Be - Edwin McCain I’m Yours - Jason Mraz In The Name of Love - Martin Garrix Into You - Ariana Grande It Aint Me - Kygo and Selena Gomez Jealous - Nick Jonas Just Dance - Lady Gaga Kids - OneRepublic Last Friday Night - Katy Perry Lean On - Major Lazer feat. -
Killingly Test 3-30 NEW.Qxt
Mailed free to requesting homes in Brooklyn, the borough of Danielson, Killingly & its villages Vol. VI, No. 34 Complimentary home delivery (860) 928-1818/email:[email protected] Friday, June 22, 2012 THIS WEEK’S Kerensa Konesni photos QUOTE MOVING ON “You can’t help getting older, but you don’t have to get old.” George Burns INSIDE A8— OPINION A14 — SPORTS B1 — HOT SPOT Graduates of the masonry program all wore their work boots beneath their gowns. B5 — CALENDAR B3— OBITS B3 — RELIGION Tiara Hoffman received flowers and a hug following the commencement ceremony. LOCAL Female graduates donned Ellis’s signature gold, while the Last Green Valley young men were dressed in blue. festival to be held in September KILLINGLY — Under partly cloudy skies Page A2 Tuesday, June 19, 125 LEARNING Harvard H. Ellis Technical High School For more photos, students received diplo- turn to page A9! For mas at a ceremony held photos from Woodstock Graduates waved to family mem- at the Quinebaug Valley Academy’s graduation Caps flew after Dr. Mignault announced the Class of 2012 as gradu- bers after moving the tassels on Community College ceremony on Sunday, ates. their caps from right to left. Amphitheater. turn to page A6! County ‘Bike & Build’ team makes first stop in region Quinebaug Middle closer to STUDENTS BIKE Kerensa Konesni photos College graduates 37 CROSS COUNTRY at ceremony - Rachel Debaun, Sam ‘HEARTsafe’ Wood and Maggie Page A3 FOR AFFORDABLE Lange of Bike & Build arrive at their first SPORTS status HOUSING stop at the First BY KERENSA KONESNI Congregational VILLAGER STAFF WRITER Church of Pomfret. -
Code Black a Film By
PRESENTS CODE BLACK A FILM BY RYAN McGARRY, M.D. 82 min., USA, 2014 Best Documentary Feature – Los Angeles Film Festival Best Documentary Feature – Hamptons International Film Festival Audience Award – Aspen Film Festival People’s Choice Award – Starz Denver Film Festival PRESS MATERIALS: http://www.musicboxfilms.com/codeblack OFFICIAL SITE: http://www.musicboxfilms.com/codeblack Music Box Films Marketing & Publicity Distribution Contact Brian Andreotti: [email protected] Andrew Carlin Rebecca Gordon: [email protected] [email protected] 312-508-5361/ 312-508-5362 312-508-5360 Home Entertainment Publicity Margarita Sophia PR Margarita Sophia Cortes [email protected] 917-474-7292 SYNOPSIS In his vivid and thought-provoking filmmaking debut, physician Ryan McGarry gives us unprecedented access to America's busiest Emergency Department. Amidst real life-and- death situations, McGarry follows a dedicated team of charismatic young doctors-in-training as they wrestle with both their ideals and the realities of saving lives in a complex and overburdened system. Their training ground and source of inspiration is "C-Booth," Los Angeles County Hospital's legendary trauma bay, the birthplace of Emergency Medicine, where “more people have died and more people have been saved than in any other square footage in the United States.” CODE BLACK offers a tense, doctor's-eye view right into the heart of the healthcare debate – bringing us face to face with America's only 24/7 safety net. 2 DIRECTOR’S STATEMENT When I first started documenting CBooth at LA County Hospital, as a first-year resident already working 80-hour weeks, I didn’t plan to make a film. -
Song of the Year
General Field Page 1 of 15 Category 3 - Song Of The Year 015. AMAZING 031. AYO TECHNOLOGY Category 3 Seal, songwriter (Seal) N. Hills, Curtis Jackson, Timothy Song Of The Year 016. AMBITIONS Mosley & Justin Timberlake, A Songwriter(s) Award. A song is eligible if it was Rudy Roopchan, songwriter songwriters (50 Cent Featuring Justin first released or if it first achieved prominence (Sunchasers) Timberlake & Timbaland) during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only. 017. AMERICAN ANTHEM 032. BABY Angie Stone & Charles Tatum, 001. THE ACTRESS Gene Scheer, songwriter (Norah Jones) songwriters; Curtis Mayfield & K. Tiffany Petrossi, songwriter (Tiffany 018. AMNESIA Norton, songwriters (Angie Stone Petrossi) Brian Lapin, Mozella & Shelly Peiken, Featuring Betty Wright) 002. AFTER HOURS songwriters (Mozella) Dennis Bell, Julia Garrison, Kim 019. AND THE RAIN 033. BACK IN JUNE José Promis, songwriter (José Promis) Outerbridge & Victor Sanchez, Buck Aaron Thomas & Gary Wayne songwriters (Infinite Embrace Zaiontz, songwriters (Jokers Wild 034. BACK IN YOUR HEAD Featuring Casey Benjamin) Band) Sara Quin & Tegan Quin, songwriters (Tegan And Sara) 003. AFTER YOU 020. ANDUHYAUN Dick Wagner, songwriter (Wensday) Jimmy Lee Young, songwriter (Jimmy 035. BARTENDER Akon Thiam & T-Pain, songwriters 004. AGAIN & AGAIN Lee Young) (T-Pain Featuring Akon) Inara George & Greg Kurstin, 021. ANGEL songwriters (The Bird And The Bee) Chris Cartier, songwriter (Chris 036. BE GOOD OR BE GONE Fionn Regan, songwriter (Fionn 005. AIN'T NO TIME Cartier) Regan) Grace Potter, songwriter (Grace Potter 022. ANGEL & The Nocturnals) Chaka Khan & James Q. Wright, 037. BE GOOD TO ME Kara DioGuardi, Niclas Molinder & 006. -
Robert Johnson, Folk Revivalism, and Disremembering the American Past
The Green Fields of the Mind: Robert Johnson, Folk Revivalism, and Disremembering the American Past Blaine Quincy Waide A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Folklore Program, Department of American Studies Chapel Hill 2009 Approved by: William Ferris Robert Cantwell Timothy Marr ©2009 Blaine Quincy Waide ALL RIGHTS RESERVED ii Abstract Blaine Quincy Waide: The Green Fields of the Mind: Robert Johnson, Folk Revivalism, and Disremembering the American Past (Under the direction of William Ferris) This thesis seeks to understand the phenomenon of folk revivalism as it occurred in America during several moments in the twentieth and twenty-first centuries. More specifically, I examine how and why often marginalized southern vernacular musicians, especially Mississippi blues singer Robert Johnson, were celebrated during the folk revivals of the 1930s and 1960s as possessing something inherently American, and differentiate these periods of intense interest in the traditional music of the American South from the most recent example of revivalism early in the new millennium. In the process, I suggest the term “disremembering” to elucidate the ways in which the intent of some vernacular traditions, such as blues music, has often been redirected towards a different social or political purpose when communities with divergent needs in a stratified society have convened around a common interest in cultural practice. iii Table of Contents Chapter Introduction: Imagining America in an Iowa Cornfield and at a Mississippi Crossroads…………………………………………………………………………1 I. Discovering America in the Mouth of Jim Crow: Alan Lomax, Robert Johnson, and the Mississippi Paradox…………………………………...23 II. -
Edge8-Web.Pdf
stevie nicks’ jimmy pAXSON, UP CLOSE WITH DANNY SERAPHINE & STUDIO MASTER JR ROBINSON MAGAZINE The Official PublicaTiOn Of Drum WOrkshOP • 8.0 ABE LABORIEL JR. INTHROUGH THE OUTDOOR HOW HE LANDED ALL THE INSIDE GIGS PLUS DW ARTISTS HIT EUROPE, Q&A WITH THE DRUMMERS OF NASHVILLE, DW’s laTEST GEAR AND MORE! NOWHEARTHIS EDGE 8.0 16 Introducing the DW Collector’s Series Super Solid, a completely new look at solid shell drums. Why is Super Solid so dramatically different? The answer is a groundbreaking Molecular Compression Process that produces the most dense solid maple shell ever created. And this is truly a one-piece shell, no glued reinforcement hoops or plies. We endured years of research and development and expense to do only one thing, bring you our best sounding solid shell drum ever. 12 24 06 22 IN EVERY ISSUE 06 Time Machine: JR Robinson 10 Up Close: Danny Seraphine ARTIST FEATURES 11 Road Tips with Drum Tech - Robbo 22 Road Stories: DW Artists hit Europe 12 Drummers of Nashville 24 Artist Feature: Jimmy Paxson Featuring Billy Mason, Travis McNabb and Cactus Moser 26 DW Drum Clinic with Denny Seiwell 16 Abe Laboriel Jr 28 New Artists A Legacy Endured. Family, Schooling & the beginning of a legend. PRODUCT NEWS 02 Exo-X Project 04 PDP Update ©2009 Drum Workshop, Inc. All Rights Reserved. ©2009 Drum Workshop, 08 8000 Series Pedals & Hardware 14 SSC Technology 20 3Drumsticks EDGE Magazine is a publication of Drum Workshop, Inc. ©2009 Drum Workshop, Inc. All Rights Reserved. #PRCAEDGE-V8.0 For promotional use only. -
Royce Hall East Side, West Side, All Around LA Welcome to the Center for the Art of Performance
w Photo by Zen Sekizawa Zen by Photo CAP UCLA presents OK Go Sat, Nov 4, 2017 | Royce Hall East Side, West Side, All Around LA Welcome to the Center for the Art of Performance The Center for the Art of Performance is not a place. It’s more of a state of mind that embraces experimentation, encourages a culture of the curious, champions disruptors and dreamers and supports the commitment and courage of artists. We promote rigor, craft and excellence in all facets of the performing arts. Center for the Art of Performance presents 2017–18 SEASON VENUES Royce Hall, UCLA Freud Playhouse, UCLA The Theatre at Ace Hotel Little Theater, UCLA OK Go Will Rogers State Historic Park OK Go UCLA’s Center for the Art of Performance (CAP UCLA) is dedicated to the advancement Damian Kulash – lead vocals and guitar of the contemporary performing arts in all disciplines—dance, music, spoken word Tim Nordwind – bass guitar and vocals and theater—as well as emerging digital, collaborative and cross-platforms utilized by Dan Konopka – drums and percussion today’s leading artists. Part of UCLA’s School of the Arts and Architecture, CAP UCLA Andy Ross – guitar, keyboards and vocals curates and facilitates direct exposure to contemporary performance from around the globe, supporting artists who are creating extraordinary works of art and fostering a vibrant learning community both on and off the UCLA campus. The organization invests Sat, Nov 4, 2017 | Royce Hall in the creative process by providing artists with financial backing and time to experiment Running time: Approx. -
Socialist Premier in Spain Elected Amid Some Violence Voters to Cast
* - -■■■■■ . (Omtwrttrut iatlg (flamnta Serving Storrs Since 1896 Vol. LXXXVI No. 39 The University of Connecticut Friday, October 29, 1982 Socialist premier in Spain elected amid some violence MADRID. Spain (AP)—The the Democratic Center won banks in Bilbao, capital of the Socialist Workers Party won a 7.2 percent, to Communist Basque region in northwest solid majority in Thursday's Party 3.8 percent and the fledg- Spain, and injured two police- parliamentary elections, which ling centrist Democratic and men, one seriously. No group will make Felipe Gonzalez the Social Center party of former claimed responsibility immed- first Socialist premier in Spain Premier Adolfo Suarez. 2.6 iately, but it was assumed since the 1936-39 civil war. percent, Izarra dei Corral they were set off by KTA. the Interior Ministry undersec- said. radical Basque separatist or- retary Juan Jose Izarra del ganization. Corral said early Friday that Nearly 21 million Spaniards voted in the election, despite More than 130.000 police with all the votes counted for officers patrolled the country the 350-member lower house threats by Basque terrorists, sporadic bombings during the as long lines formed at the of Parliament. Gonzalez' Social- polling places in warm, sunny ists won 194 seats and their three-week campaign and fears of a military coup to weather. An hour after the nearest rival, the rightist Pop- polls closed, Interior Minister ular Alliance, 97. He said the block the expected Socialist victory. Two bomb explosions Juan Jose Roson said the tur- Socialists got 45.7 percent of nout was 78 percent of the the popular vote and the Pop- were the only violence re- ported.