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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
The Cary-Gould-Porter Optical Businesses William Cary, 1759 - 1825 John Cary, 1754 - 1835 George Cary, Ca
The Cary-Gould-Porter optical businesses William Cary, 1759 - 1825 John Cary, 1754 - 1835 George Cary, ca. 1788 - 1859 John Cary, Jr., 1791 - 1852 Charles Gould, ca. 1786 - 1849 Henry Gould, ca. 1796 - 1856 Charlotte Hyde Gould, ca. 1797 - 1865 Henry Porter, ca. 1832 - 1902 by Brian Stevenson. Kentucky, USA This and other illustrated essays on the history of microscopy can be found at http://microscopist.net and on Facebook at https://www.facebook.com/microscopist.net The names of Cary, Gould and Porter are intertwined in microscopy, a succession of apprentices and/or relatives who maintained a London microscope-making business for well over 100 years. For the historian, the two centuries that have elapsed between the beginnings of the Cary company have brought many inaccuracies into the record, both in print and on the internet. For example, many sources report that William Cary died in 1835, rather than 1825. Those may have been attempts to reconcile William’s lifespan with the famous microscopes that bore his name, which became popular in the mid-1820s. The Billings Microscope Collection catalogue erroneously states that William Cary was succeeded by Charles Gould under the name of Gould and Porter. Another inaccuracy was an intentional misrepresentation for advertising, in which Henry Porter claimed that he learned his trade with William Cary. Porter was actually born 7 years after Cary’s death. By far, the most common inaccuracy is the assertion that Charles Gould was William Cary’s apprentice when he invented the famous “Cary” (or “Cary-Gould”) box-mounted portable microscope. While Gould was quite likely Cary’s apprentice at some point, Gould was a master craftsman and well into his 30s when that microscope was first produced. -
Reading and Leeds 2018 Revs up Its Line-Up
UNDER STRICT EMBARGO UNTIL 12PM, 23 FEBRUARY 2018 READING AND LEEDS 2018 REVS UP ITS LINE-UP SLAVES // DON BROCO // TRAVIS SCOTT THE VACCINES // THE KOOKS // SHAME BILLY TALENT // DEAF HAVANA // MILK TEETH KREPT X KONAN // LEWIS CAPALDI THE HORRORS // KATE NASH FICKLE FRIENDS // HMLTD AND MANY MORE JOIN HEADLINERS KINGS OF LEON, KENDRICK LAMAR, FALL OUT BOY AND PANIC! AT THE DISCO WEEKEND AND DAY TICKETS ON-SALE NOW www.readingandleedsfestival.com Friday, 23 February 2018: Reading and Leeds Festival has just lifted the lid on more names who will play at this year’s event – with chart heavyweights such as Slaves, Don Broco, Travis Scott, The Kooks, Krept X Konan, Shame, Billy Talent, Wilkinson (Live), The Vaccines, Lewis Capaldi, Deaf Havana, The Horrors, Fickle Friends, Kate Nash, HMLTD and Milk Teeth amongst them. The acts – spanning the hottest names right now in rock, indie, dance, hip-hop and more – will play alongside headliners Kings of Leon, Kendrick Lamar, Fall Out Boy and Panic! at the Disco at the famous Richfield Avenue and Bramham Park sites this August bank holiday weekend (24 – 26 August). Tickets are on-sale right now and available here. As if the already announced Kings of Leon, Panic! at the Disco, Fall Out Boy and Underøath wasn’t enough, rock music regulars at the festival now have a whole host more reasons to look forward to Reading and Leeds this year. Probably the most popular duo in music right now, Slaves, will make a triumphant return to the stages. Never two to under deliver, the Reading and Leeds crowds can expect the unexpected from the pair responsible for the likes of ‘Spit It Out’ and ‘Are You Satisfied’? UNDER STRICT EMBARGO UNTIL 12PM, 23 FEBRUARY 2018 With another top 10 album, ‘Technology’, under their belt, Don Broco will be joining the fray this year. -
More Banks in Arkansas Form Captive Insurance Companies and Look to Arkansas As the Preferred Domicile
More Banks in Arkansas Form Captive Insurance Companies and look to Arkansas as the Preferred Domicile by Josh Miller, CEO, KeyState Captive Management & Zach Stedman, Member, Mitchell, Williams, Selig, Gates Woodyard PLLC The Growth of Bank Captives companies” said CEO of Indiana Bankers Identifying and Addressing Your Association, Amber VanTil. “We have been There is no avoiding it. Cyber security and Bank’s Unfunded Risks discussing bank captives with other state reputation protection are among today’s It is important to recognize that the captive banking associations throughout the significant, emerging risks, thus creating structure does not typically replace a bank’s country and there’s been tremendous exposures for banks of all sizes. At the same primary commercial insurance program. interest.” time, commercial insurance carriers are However, it does allow a bank to more pushing banks to higher deductibles, so “Arkansas banks are increasingly looking to formally self-insure risks that are currently there remain significant gaps in coverage captive insurance companies as a tool for unfunded or that the bank has considered and exclusions in commercial insurance identifying and funding for risks that are retaining (i.e., increased deductible layers). policies. This creates unfunded risks, which not covered by their commercial insurance Typically, the captive augments commercial must be evaluated as a part of any bank’s program,” notes Lorrie Trogden, CEO of policies in the following ways: enterprise risk management process. the Arkansas Bankers Association. “We are Covers the bank’s commercial deduct- also very pleased that Arkansas Insurance To address the concerns, banks throughout ible layers, including specific deduct- Department Commissioner Allen Kerr has the country are forming captive insurance ibles for more catastrophic losses like developed a robust and business friendly companies to cover these unfunded risks. -
Remarks at a White House Meeting with the American Retail Federation May 16, 1984
Remarks at a White House Meeting With the American Retail Federation May 16, 1984 Good afternoon, I'm glad to welcome you -- I know you've probably been welcomed by others already -- you, the merchants of America, back to the White House. It's hard to believe that 2 years have passed since we last met -- 2 short years, but what a difference. As you probably remember, when we met in the Rose Garden, I didn't have very much good news to give you. The American people had paid a steep price for years of good intentions badly misdirected. And as a result, our national economy had nearly reached the breaking point. As a result of that crisis that faced us -- well, we weren't, however, pursuing a program based on the shifting sands of government expediency. Another quick fix certainly would have failed. There was only one way to go, and that was use three simple words as our guide: Trust the people. Lasting economic recovery had to be built on the solid rock of the American free enterprise system. And when I think back to all the critics who cynically said we couldn't possibly get it done, I find myself remembering my previous life in the entertainment world. You know, back in the days of vaudeville, vaudevillians trying to get bookings and even young ones trying to break into the show business would go into an empty theater, and there'd be an agent sitting out there in about the third row, all alone in the theater, cigar in his mouth, wearing a check suit and -- [laughter] -- the vaudevillian would have to show his wares to this cynic. -
Canvas 06 Music.Pdf
THE MUSIC ISSUE ALTER I think I have a pretty cool job as and design, but we’ve bridged the editor of an online magazine but gap between the two by including PAGE 3 if I could choose my dream job some of our favourite bands and I’d be in a band. Can’t sing, can’t artists who are both musical and play any musical instrument, bar fashionable and creative. some basic work with a recorder, but it’s still a (pipe) dream of mine We have been very lucky to again DID I STEP ON YOUR TRUMPET? to be a front woman of some sort work with Nick Blair and Jason of pop/rock/indie group. Music is Henley for our editorials, and PAGE 7 important to me. Some of my best welcome contributing writer memories have been guided by a Seema Duggal to the Canvas song, a band, a concert. I team. I met my husband at Livid SHAKE THAT DEVIL Festival while watching Har Mar CATHERINE MCPHEE Superstar. We were recently EDITOR PAGE 13 married and are spending our honeymoon at the Meredith Music Festival. So it’s no surprise that sooner or later we put together a MUSIC issue for Canvas. THE HORRORS This issue’s theme is kind of a departure for us, considering we PAGE 21 tend to concentrate on fashion MISS FITZ PAGE 23 UNCOVERED PAGE 28 CREATIVE DIRECTOR/FOUNDER CONTRIBUTING PHOTOGRAPHERS Catherine McPhee NICK BLAIR JASON HENLEY DESIGNER James Johnston COVER COPYRIGHT & DISCLAIMER EDITORIAL MANAGER PHOTOGRAPHY Nick Blair Reproduction in whole or in part without written permission by Canvas is strictly prohibited. -
APPENDIX 4 – Pre Submission Consultation – 13Th July to 18Th September 2015 – Community Comments for Phase – Please Refer to Consultation Statement
APPENDIX 4 – Pre submission Consultation – 13th July to 18th September 2015 – Community Comments For Phase – Please Refer to Consultation Statement 1 Who was answering the survey An individual 96.2% 300 A property developer 1.0% 3 A Local Authority / Town or Parish Council 0.0% 0 A business owner 2.9% 9 196 2 The postcode from which the respondent was answering Total number of complete postcodes 295 Local postcodes 249 Local postcode Non local postcodes 46 spread 197 3 Housing Policies 3.1. Policy 1 – Affordable Housing 1. Housing schemes which meet an identified local affordable housing need will be supported where: A) They are in accordance with Cornwall Council’s Affordable Housing Supplementary Planning Document; and B) Developer contributions can be used to fund the development of affordable housing in Bude-Stratton; 2. All new affordable homes should comply with the requirements set out within Cornwall Council’s Design Guide. 3. Mixed tenure schemes will be supported where designs are tenure blind ensuring that one type of tenure could not readily be identified from its design and quality 4. Affordable housing may differ from open market provision where it is demonstrated to meet an identified local need. Community comments about policy 1 Recommended response No Simple Refer to Comment Comment issue action change Steering Group In policy 1B, change 1B - not can be but (underlined) should be. Rest ok Strengthen Policy 1B “can” to “should” Affordable is essential to sustain young people in the population who wish to make Supports Affirming policy – note on rents B/S their home and workplace. -
London and Its Main Drainage, 1847-1865: a Study of One Aspect of the Public Health Movement in Victorian England
University of Nebraska at Omaha DigitalCommons@UNO Student Work 6-1-1971 London and its main drainage, 1847-1865: A study of one aspect of the public health movement in Victorian England Lester J. Palmquist University of Nebraska at Omaha Follow this and additional works at: https://digitalcommons.unomaha.edu/studentwork Recommended Citation Palmquist, Lester J., "London and its main drainage, 1847-1865: A study of one aspect of the public health movement in Victorian England" (1971). Student Work. 395. https://digitalcommons.unomaha.edu/studentwork/395 This Thesis is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Student Work by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. LONDON .ML' ITS MAIN DRAINAGE, 1847-1865: A STUDY OF ONE ASPECT OP TEE PUBLIC HEALTH MOVEMENT IN VICTORIAN ENGLAND A Thesis Presented to the Department of History and the Faculty of the Graduate College University of Nebraska at Omaha In Partial Fulfillment of the Requirements for the Degree Master of Arts by Lester J. Palmquist June 1971 UMI Number: EP73033 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI EP73033 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. -
American Punk: the Relations Between Punk Rock, Hardcore, and American Culture
American Punk: The Relations between Punk Rock, Hardcore, and American Culture Gerfried Ambrosch ABSTRACT Punk culture has its roots on both sides of the Atlantic. Despite continuous cross-fertiliza- tion, the British and the American punk traditions exhibit distinct features. There are notable aesthetic and lyrical differences, for instance. The causes for these dissimilarities stem from the different cultural, social, and economic preconditions that gave rise to punk in these places in the mid-1970s. In the U. K., punk was mainly a movement of frustrated working-class youths who occupied London’s high-rise blocks and whose families’ livelihoods were threatened by a declin- ing economy and rising unemployment. Conversely, in America, punk emerged as a middle-class phenomenon and a reaction to feelings of social and cultural alienation in the context of suburban life. Even city slickers such as the Ramones, New York’s counterpart to London’s Sex Pistols and the United States’ first ‘official’ well-known punk rock group, made reference to the mythology of suburbia (not just as a place but as a state of mind, and an ideal, as well), advancing a subver- sive critique of American culture as a whole. Engaging critically with mainstream U.S. culture, American punk’s constitutive other, punk developed an alternative sense of Americanness. Since the mid-1970s, punk has produced a plethora of bands and sub-scenes all around the world. This phenomenon began almost simultaneously on both sides of the Atlantic—in London and in New York, to be precise—and has since spread to the most remote corners of the world. -
Supporting the Creative Industries of Massachusetts Creativenext Listening Tour Summary Report
Supporting the Creative Industries of Massachusetts CreativeNEXT Listening Tour Summary Report INTRODUCTION This report provides an overview of the CreativeNEXT listening tour, an event series which engaged the creative industries of Massachusetts throughout the summer of 2012. The purpose of these roundtable events was to evaluate the needs and opportunities that exist within the creative industries and to provide insights to guide the development of the Massachusetts Creative Economy Council’s priority focus areas. The Patrick-Murray Administration’s Creative Economy Industry Director Helena Fruscio and the Massachusetts Creative Economy Council reached over 580 businesses, organizations, and individuals during the twenty-one events and discussed the growth and sustainability of the creative industries and their future in Massachusetts. Additionally, the CreativeNEXT tour: Gathered Input: Engaged individuals working in the creative industries in a discussion about needs and provided an opportunity to be “part of the solution”. Collected Data: Polled the industry about the size and scope of their businesses and organizations. Mobilized Support: Provided an opportunity for community leaders and business support organizations to engage with the creative industries. Enhanced Visibility: Increased profile of the creative industries across the Commonwealth. BACKGROUND What are the creative industries? In Massachusetts, the creative industries include the many interlocking industry sectors that provide creative services or create and promote -
Prize-Winning Microscopy Image Lights up Times Square in New York 21 May 2014
Prize-winning microscopy image lights up Times Square in New York 21 May 2014 on a large, high-resolution screen in New York's iconic Times Square. "The image is of a mouse sperm cell, also known as a spermatocyte, highlighted with three fluorescent labels that show DNA (blue), KASH5 protein (green) and the SCP3 protein (red), which is required for the pairing of chromosomes," explains Wright. "This image was a particularly striking example when we captured it—the orientation of the proteins we were studying and the two sperm cells stained in blue on both sides made it aesthetically pleasing." The image was the result of a collaboration between Wright, head of the IMB Microscopy Unit (IMU), Horn, a senior research fellow, and the research teams of Colin Stewart and Brian Burke, also of the IMB, who discovered that the KASH5 protein is vital for successful chromosomal movements during meiosis—the division of cells necessary for successful sexual reproduction1. The prize-winning image of a developing mouse sperm Sperm and eggs need accurate chromosome cell, captured by A*STAR researchers Graham Wright pairing if they are to mature correctly, so without and Henning Horn. The locations of DNA (blue), KASH5 chromosomal activity guided by the KASH5 protein, protein (green) and SCP3 protein (red) were revealed fertility is adversely affected. using immunofluorescence staining. Credit: A*STAR Institute of Medical Biology The researchers collected the image on a GE DeltaVision OMX microscope, which enables biological samples to be imaged in superresolution in three dimensions. Wright and Horn spent time Science and show business may sound like an perfecting their sample preparation and honing the unusual combination, but advances in technology settings on the microscope to acquire their high- mean that scientists can now capture dramatic resolution prize-winning image. -
Honours Bachelor of Producing for the Creative Industries
Honours Bachelor of Producing for the Creative Industries Applying for Ministerial Consent Under the Post-secondary Education Choice and Excellence Act, 2000 The Secretariat Postsecondary Education Quality Assessment Board 315 Front Street West 16th Floor Toronto, ON M7A 0B8 Tel.: 416-325-1686 Fax: 416-325-1711 E-mail: [email protected] sheridancollege.ca Section 1: Introduction 1.1 College and Program Information Full Legal Name of Organization: Sheridan College Institute of Technology and Advanced Learning URL for Organization Homepage (if applicable): http://www.sheridancollege.ca/ Proposed Degree Nomenclature: Honours Bachelor of Producing for the Creative Industries Location Trafalgar Campus, 1430 Trafalgar Road, Oakville, Ontario, L6H 2L1 Contact Information: Person Responsible for this submission: Name/Title: Melanie Spence-Ariemma, Provost and Vice President, Academic Full Mailing Address: 1430 Trafalgar Road, Oakville, Ontario, L6H 2L1 Telephone: (905) 845-9430 x4226 E-mail: [email protected] Name/Title: Joan Condie, Dean, Centre for Teaching and Learning Full Mailing Address: 1430 Trafalgar Road, Oakville, Ontario, L6H 2L1 Telephone: (905) 845-9430 x2559 E-mail: [email protected] Site Visit Coordinator (if different from above): Name/Title: Ashley Day, Coordinator, Program Review and Development Services Full Mailing Address: 1430 Trafalgar Road, Oakville, Ontario, L6H 2L1 Telephone: (905) 845-9430 x5561 E-mail: [email protected] Honours Bachelor of Producing for the Creative Industries