DOCSLIB.ORG

Islr* I 9:Cr V

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

M&M REPORT: Belgian Radio Scores With Labels... page 8 VOLUME 12, ISsli fjes:J JUNE 24, 19 Pink Floyd Sales Breaker Jii At No. 1 Europe's Radio -Active Newsweekly £2.95 DM8 FFR25 US$5 DFL8.50 Page 29 ScattingAllOver Europe French Gov't Plans To Privatise RMC.... Again by Emmanuel Legrand FM-through the holding com- Theradiostation RMC pany Sofirad. recorded a loss of Ffr11 million PARIS - The French radio The principality of Monaco (app. US$2 million) in 1994, landscape has been strongly holds the remaining 17% of while Nostalgie posted profits shakenbyagovernment of Ffr33 million. RMC also suf- announcement that the pri- fered losses in audience during vatisation processof RMC/ The first attempt to 1993/1994, and only started to Radio Monte -Carlo radio privatise RMC recover in the last ratings. group will be relaunched. Only one radio group has so A similar attempt over a failed in late far has expressed interest in year ago was abandoned and 1993 I early 1994. RMC, the network NRJ. In a Danish -signing Scatman John reached the number one slot in Music & followed by accusations of foul statement, NRJ announces "its Media's Border Breaker Chart with his debut single in week 15 and has- play. French government offi- interest for [the RMC] group." n't left yet. For 11 consecutive weeks Scatman (Iceberg/RCA) has collect- Inthesamestatement, ed more airplay outside his home market than any other mainland Euro- cials have confirmed that the the radio group, and has the pean artist. Pictured celebrating their success above are "Scatman" John second attempt at privatisa- right to veto the French gov- NRJ attacksthe rumoured Larkin (left) and Iceberg president Manfred Zahringer. tion will take place "before the ernment's choice of buyers. attempts by Europe1and end of the year." Sofirad'spresident Jean - RMC to forge closer commer- The government currently Noel Tassez, who also serves cialties."Such astrategic INSIDE Sanz Pulls owns 83% of RMC-which as managing director of RMC, deal, if confirmed, will limit includei' the full -service sta- has been actively "cleaning up" the number of candidates bid- PolyGram's On Spain's tion RMC, ACE FM network the group's financial results to ding for RMC and immediately Brainstormers 7 Radio Nostalgie and senior present an attractive package affect the value of RMC." continues on page 28 SPOTLIGHT Heart Strings citizens'station Montmatre to potential buyers. Jazz Festivals 24 by Robbert Tilli UK Radio Festival Labels Plan Preview 28 MADRID -Spain's Alejandro NRJ/JFK In Joint Sanz has been compared to Own Radio Eros Ramazzotti both artisti- NUMBER ONE cally and physically, and there Hamburg Radio VentureStation is no doubt that his music has a very distinct Italian sound. by Christian Lorenz with a five-year licence on by Nicholas George European Hit Radio Warner Music Spain is cur- & Emmanuel Legrand May 23. M. JACKSON FEAT. JANET rently planning international NRJ has acquired a 25% STOCKHOLM - Sweden's record Scream releases of his Spanish num- HAMBURG -French EHR stake in the station with companies are so angered by (EPIC) ber one album Alejandro Sanz network NRJ has joined Berlin rival 98.2 JFK taking the failure of local commercial 3 in Benelux, Germany, forces with one of its Ger- an equal share. Jazzwelle broadcasterstoplaynew Eurochart Hot 100 Singles France and Denmark. man competitors to revamp itself will maintain a 38% music that some are planning M. JACKSON FEAT. JANET The proof of Sanz' populari- and relaunch a Hamburg - share,withprivatein- to set up their own station. The move follows 18 Scream ty is clear to all who study his based station. vestors taking the remain- ing 12% stake. months of growing frustration (EPIC) track record. Only three days The venture will trans- after its release, his album hit form the existing Jazzwelle NRJ already has shares with what the record industry in five German stations in regards as the blinkered vision European Top 100 Albums gold in Spain. Then it broke Plus into a soft ACE station the country's platinum sales with more than 50% jazz the cities of Berlin, Munich, of Sweden's new commercial PINK FLOYD mark in its second week and and black music, due to a Nuremburg,Leipzigand stations which have increasing- Pulse sold in excess of 120.000 copies ruling by the media authori- Dresden. ly concentrated on strictly -for- (EMI) during week three. ty which issued the station continues on page 28 matted ACE broadcasting. See page 10 continues on page 28 5 fri islr*I 9:Cr V/ taken from the album: let your dim light shine New entry EHR ( 30 ) COLUMBIA Sony Music 9 adds! AmericanRadioHistory.Com M S H I WEEKS Viva! 963 Promises A c1-1] LP310,t)YC] Industry highlights this week Totally Female Outlook by Jonathan Heasman but the flavour will always be in Viva's own "focus" research as marketing director and consistent." panels. UNITED KINGDOM worked successfully with acts LONDON - "Contemporary and When covering news and However, head of music (and Radio 2 Celebrates like Luis Miguel and Laura controversial,sexy and with current afternoon pre- National Music Day Pausini. Prior to working at attitude."That'showchair affairs, Burns senter) Diana BBC Radio 2 is to celebrate Warner Music, Schumacher Lynne Franks describes Lon- is anxious to Luke, who National Music Day on June held executive positions at var- don's Viva! 963, the first ever avoid ghet- joined from 25 by broadcasting 12 hours of ious Spanish independent UK radiostationtargeted toising the BBC live music, including a concert record companies. directlyatwomen, which station by GLR/London, featuring some of the world's Chris Murphy, INXS Split launches on July 3. concentrating says the sta- don's music top pianists and a "'70s extrav- INXS manager Chris Murphy "We will be doing something exclusively on Diana Luke Chris 1? urns aganza." The climax to the day has ended his 15 -year associa- genuinely different," promises "women's policy will be is a Musical Singalong at the tion with the band and plans programmecontrollerChris issues." slightly eclectic, and Royal Albert Hall, when Radio to relocate to Australia, where Burns, formerly managing edi- She comments, Viva! will play some 2 listeners will be able to join a he will concentrate on running tor at BBC Radio Kent. "Not "It's more a question of the less -frequently host of leading stars from Lon- his rooArt label. One of Aus- only are we catering specifically of approaching sto- aired tracks from the don's West End theatre district tralia's most successful indies, for women for the first time, we ries from a woman's big -name artists. The to sing songs from the world's rooArt's roster includes Ratcat, will also be the first station in perspective, or music will also have best -loved musicals. You And I, Electric Hippies London to offer a genuine 50/50 developing certain stories that a contemporary feel, she says. GWR, EMAP Profits Soar and the Screaming Jets. mix of music and speech." other stations would not. It is Despite Viva's female orien- The Bristol -based GWR Group, Burns says the station will how we will treat the stories tation, there will be some male which is currently trying to GERMANY be "a women's magazine of the that will make us different." broadcasterson thestation, buy Chiltern Radio, saw pre- GEMA Members Gather To airwaves" with a strong empha- The station's music policy including breakfast presenter tax profits surge by 121% to Discuss Digital Media sis on lifestyle and emotional willbesoft ACE, with the Bill Overton, who moves over £2.06 million (approx. US$3.26 Performing and mechanical issues. She predicts, "The con- emphasis very much on estab- from the same slot at BBC GLR. million) in the six months to rights society GEMA has tents will never be predictable, lishedartists such as Elton Viva! 963 is owned by Gold- March 31. EMAP Radio's announced the results of its John, Eurythmics and Alison en Rose Communications, annual profits, meanwhile, 1994 business year. The soci- Moyet. Research has consis- which is hoping that around were up a staggering 415% on ety registered a 10% growth in tently shown that women are 400.000 Londoners will retune last year, thanks mainly to the royalties re -distributed to Privates generally less receptive to hard - their AM dials over the next group's acquisition of the copyright owners in Germany edged rock music than men, year or so, giving Viva! a week- north-west based Transworld and abroad to the value of Witness something which was confirmed ly reach of around 5%. Communications radio group. DM1.1 billion (app. US$0.8 bil- EMAP Radio's operating profit lion). GEMA members will Increase In was up from £1 million last gather on June 27-28 in year to £5.2 million this, with Munich for their annual meet- Listeners Italians Back Change turnover up from £8 million to ing. The main topic to come by Nicholas George £22.6 million. Losses continue, under discussion at the event In Nat'l Referendum however, at Golden Rose Com- will be the amendment of STOCKHOLM -Swedish com- munications, the owners of existing laws and regulations mercial radio is continuing to by Mark Dezzani appointed"Napolitano" Com- JFM/London. JFM/north-west to accommodate the amount of increase its listenership with mission can get on with draw- and the soon -to -be launched music playback brought on by more than two million people MILAN - Some 57% of potential ing up new media legislation.
Recommended publications
  • Resituating Culture

    Resituating Culture

    Resituating culture edited by Gavan Titley Directorate of Youth and Sport Council of Europe Publishing This publication is an edited collection of articles from the resituating culture seminar organised in the framework of the partnership agreement on youth research between the Directorate of Youth and Sport of the Council of Europe and the Directorate-General for Education and Culture, Directorate D, Unit 1, Youth, of the European Commission. The opinions expressed in this work are those of the authors and do not neces- sarily reflect the official position of the Council of Europe. All correspondence relating to this publication or the reproduction or translation of all or part of the document should be addressed to: Directorate of Youth and Sport European Youth Centre Council of Europe 30, rue Pierre de Coubertin F-67075 Strasbourg Cedex Tel: +33 (0) 3 88 41 23 00 Fax: +33 (0) 3 88 41 27 77 e-mail: [email protected] http://www.coe.int/youth All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic (CD-Rom, Internet, etc.) or mechanical, including photocopying, recording or any information storage or retrieval system, without the prior permission in writing from the Publishing Division, Communication and Research Directorate. Cover: Graphic Design Publicis Koufra Council of Europe F-67075 Strasbourg Cedex ISBN 92-871-5396-5 © Council of Europe, April 2004 Reprinted May 2005 Printed at the Council of Europe Contents Pags List of contributors ........................................................................................... 5 Resituating culture: an introduction Gavan Titley ...................................................................................................... 9 Part l. Connexity and self 1.
  • Radio 2 Paradeplaat Last Change Artiest: Titel: 1977 1 Elvis Presley

    Radio 2 Paradeplaat Last Change Artiest: Titel: 1977 1 Elvis Presley

    Radio 2 Paradeplaat last change artiest: titel: 1977 1 Elvis Presley Moody Blue 10 2 David Dundas Jeans On 15 3 Chicago Wishing You Were Here 13 4 Julie Covington Don't Cry For Me Argentina 1 5 Abba Knowing Me Knowing You 2 6 Gerard Lenorman Voici Les Cles 51 7 Mary MacGregor Torn Between Two Lovers 11 8 Rockaway Boulevard Boogie Man 10 9 Gary Glitter It Takes All Night Long 19 10 Paul Nicholas If You Were The Only Girl In The World 51 11 Racing Cars They Shoot Horses Don't they 21 12 Mr. Big Romeo 24 13 Dream Express A Million In 1,2,3, 51 14 Stevie Wonder Sir Duke 19 15 Champagne Oh Me Oh My Goodbye 2 16 10CC Good Morning Judge 12 17 Glen Campbell Southern Nights 15 18 Andrew Gold Lonely Boy 28 43 Carly Simon Nobody Does It Better 51 44 Patsy Gallant From New York to L.A. 15 45 Frankie Miller Be Good To Yourself 51 46 Mistral Jamie 7 47 Steve Miller Band Swingtown 51 48 Sheila & Black Devotion Singin' In the Rain 4 49 Jonathan Richman & The Modern Lovers Egyptian Reggae 2 1978 11 Chaplin Band Let's Have A Party 19 1979 47 Paul McCartney Wonderful Christmas time 16 1984 24 Fox the Fox Precious little diamond 11 52 Stevie Wonder Don't drive drunk 20 1993 24 Stef Bos & Johannes Kerkorrel Awuwa 51 25 Michael Jackson Will you be there 3 26 The Jungle Book Groove The Jungle Book Groove 51 27 Juan Luis Guerra Frio, frio 51 28 Bis Angeline 51 31 Gloria Estefan Mi tierra 27 32 Mariah Carey Dreamlover 9 33 Willeke Alberti Het wijnfeest 24 34 Gordon t Is zo weer voorbij 15 35 Oleta Adams Window of hope 13 36 BZN Desanya 15 37 Aretha Franklin Like
  • Final Copy 2019 01 23 Derou

    Final Copy 2019 01 23 Derou

    This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Derounian, Flora Title: Representations and Oral Histories of Working Women in Post-World War Two Italy (1945-1965) General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Representations and Oral Histories of Working Women in Post-World War Two Italy (1945-1965) Flora Derounian A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of Doctor of Philosophy in the Faculty of Arts in the School of Italian.
  • History and Emotions Is Elsa Morante, Goliarda Sapienza and Elena

    History and Emotions Is Elsa Morante, Goliarda Sapienza and Elena

    NARRATING INTENSITY: HISTORY AND EMOTIONS IN ELSA MORANTE, GOLIARDA SAPIENZA AND ELENA FERRANTE by STEFANIA PORCELLI A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 © 2020 STEFANIA PORCELLI All Rights Reserved ii Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante by Stefania Porcell i This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ________ ______________________________ Date [Giancarlo Lombardi] Chair of Examining Committee ________ ______________________________ Date [Giancarlo Lombardi] Executive Officer Supervisory Committee: Monica Calabritto Hermann Haller Nancy Miller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante By Stefania Porcelli Advisor: Giancarlo Lombardi L’amica geniale (My Brilliant Friend) by Elena Ferrante (published in Italy in four volumes between 2011 and 2014 and translated into English between 2012 and 2015) has galvanized critics and readers worldwide to the extent that it is has been adapted for television by RAI and HBO. It has been deemed “ferocious,” “a death-defying linguistic tightrope act,” and a combination of “dark and spiky emotions” in reviews appearing in popular newspapers. Taking the considerable critical investment in the affective dimension of Ferrante’s work as a point of departure, my dissertation examines the representation of emotions in My Brilliant Friend and in two Italian novels written between the 1960s and the 1970s – La Storia (1974, History: A Novel) by Elsa Morante (1912-1985) and L’arte della gioia (The Art of Joy, 1998/2008) by Goliarda Sapienza (1924-1996).
  • Jayson Shaw Defeats Eklent Kaci to Become the US Open Champion

    Jayson Shaw Defeats Eklent Kaci to Become the US Open Champion

    photos by Hailey Behrman Jayson Shaw defeats Eklent Kaci to become the U.S. Open Champion. Courtesy by AzB Staff he final day of the 2017 U.S. Open gave up some of above. Kaci won this one 11-8 and Chang took fourth place the finest pool ever seen with unbelievable shoemak- after finishing second here last year to Shane Van Boening. Ting and impossible reaches of position. Our semi-final match featured Francisco Sanchez-Ruiz and The day began with the hot seat match between Jayson Eklent Kaci. This match was something of a contrast in styles Shaw and Francisco Sanchez-Ruiz. These two kept it close as Francisco hurries around the table and Kaci strolls slowly. early, with the two men trading racks until the score line got Ruiz took first blood in this one but gave up ball in hand in the to four games apiece. Jayson Shaw then waved at his young second rack when he missed a fairly routine short kick to daughter in the stands and he caught fire. From there it was all contact the two ball. However, he was able to get back to the the Shaw show as he took on table-length razor cuts, jump table after a safety war and win the rack to go up 2-0. He then shots, and wove through heavy traffic for position. There was broke and ran to go up 3-0. just nothing Francisco could do as Shaw commanded the table. A scratch on the next break got Kaci out of his chair.
  • Through the Iris TH Wasteland SC Because the Night MM PS SC

    Through the Iris TH Wasteland SC Because the Night MM PS SC

    10 Years 18 Days Through The Iris TH Saving Abel CB Wasteland SC 1910 Fruitgum Co. 10,000 Maniacs 1,2,3 Redlight SC Because The Night MM PS Simon Says DK SF SC 1975 Candy Everybody Wants DK Chocolate SF Like The Weather MM City MR More Than This MM PH Robbers SF SC 1975, The These Are The Days PI Chocolate MR Trouble Me SC 2 Chainz And Drake 100 Proof Aged In Soul No Lie (Clean) SB Somebody's Been Sleeping SC 2 Evisa 10CC Oh La La La SF Don't Turn Me Away G0 2 Live Crew Dreadlock Holiday KD SF ZM Do Wah Diddy SC Feel The Love G0 Me So Horny SC Food For Thought G0 We Want Some Pussy SC Good Morning Judge G0 2 Pac And Eminem I'm Mandy SF One Day At A Time PH I'm Not In Love DK EK 2 Pac And Eric Will MM SC Do For Love MM SF 2 Play, Thomas Jules And Jucxi D Life Is A Minestrone G0 Careless Whisper MR One Two Five G0 2 Unlimited People In Love G0 No Limits SF Rubber Bullets SF 20 Fingers Silly Love G0 Short Dick Man SC TU Things We Do For Love SC 21St Century Girls Things We Do For Love, The SF ZM 21St Century Girls SF Woman In Love G0 2Pac 112 California Love MM SF Come See Me SC California Love (Original Version) SC Cupid DI Changes SC Dance With Me CB SC Dear Mama DK SF It's Over Now DI SC How Do You Want It MM Only You SC I Get Around AX Peaches And Cream PH SC So Many Tears SB SG Thugz Mansion PH SC Right Here For You PH Until The End Of Time SC U Already Know SC Until The End Of Time (Radio Version) SC 112 And Ludacris 2PAC And Notorious B.I.G.
  • NOTE Pagination. Several Pages May Not Reproducevell Due

    NOTE Pagination. Several Pages May Not Reproducevell Due

    DOCUMENT RESUME ED 133 611 4 CE 009 810 TITLE ColoradoCareer Information System. Annual Report. ° INSTITUTION ColoradoUniv., Boulder. Colorado Career Information Center. SPONS AGENCY ManpowerAdministration(DOL), Washingtonr.. D.C. PUB DATE 30 Sep 76 GRANT DL-99-6-488-08-6 "NOTE 144p.; Pages 3 through 8 of appendix III-I (contfining the QUEST questionnaire developed at the etiversity of Oregon) are copyrighted-and therefore not available. They are not included in the pagination. Several pages may not reproducevell due to faint type AVAILABLE FROM'National Technical Information Service, Springfield, Virginia 22151 ( EDRS PRICE MF-$0.83 HC-$7.35 Plus Postage. DESCRIPTORS Adminitrative Agencies; Career Choice; *Career Education; Computer Oriented Programs; Delivery Systenip; Higher Education; *Information Dissemination; *Information Systems;_*Occupational Informatiod; Post Secondary Education; Program Cooraination; Program Descriptions; *Program c.) Development; Secondary Education IDENTIFIERS *Colora'do; Colorado Career Information System ABSTRACT ) Covering the period from October 1, 1975, to. September 30, 1976, this annual report contains'information on'the Colorap Career Information Systemls (COCIS) administration and organi-iation, information develophent, delivery vehicle, and , marketing and field services.(COCIS is an on-line computerized career information system that has been available for marketing since September 15,_1976. It contains the following files: Occup/....a ional DescriptiOn, preparation, Program, EmploYers, Bibliography,
  • Songs by Title

    Songs by Title

    Karaoke Box London www.karaokebox.co.uk 020 7329 9991 Song Title Artist 22 Taylor Swift 1234 Feist 1901 Birdy 1959 Lee Kernaghan 1973 James Blunt 1973 James Blunt 1983 Neon Trees 1985 Bowling For Soup 1999 Prince If U Got It Chris Malinchak Strong One Direction XO Beyonce (Baby Ive Got You) On My Mind Powderfinger (Barry) Islands In The Stream Comic Relief (Call Me) Number One The Tremeloes (Cant Start) Giving You Up Kylie Minogue (Doo Wop) That Thing Lauren Hill (Everybody's Gotta Learn Sometime) I Need Your Loving Baby D (Everything I Do) I Do It For You Bryan Adams (Hey Wont You Play) Another Somebody… B. J. Thomas (How Does It Feel To Be) On Top Of The World England United (I Am Not A) Robot Marina And The Diamonds (I Love You) For Sentinmental Reasons Nat King Cole (If Paradise Is) Half As Nice Amen Corner (Ill Never Be) Maria Magdalena Sandra (I've Had) The Time Of My Life Bill Medley and Jennifer Warnes (Just Like) Romeo And Juliet The Reflections (Just Like) Starting Over John Lennon (Keep Feeling) Fascination The Human League (Maries The Name) Of His Latest Flame Elvis Presley (Meet) The Flintstones B-52S (Mucho Mambo) Sway Shaft (Now and Then) There's A Fool Such As I Elvis Presley (Sittin On) The Dock Of The Bay Otis Redding (The Man Who Shot) Liberty Valance Gene Pitney (They Long To Be) Close To You Carpenters (We Want) The Same Thing Belinda Carlisle (Where Do I Begin) Love Story Andy Williams (You Drive Me) Crazy Britney Spears 1 2 3 4 (Sumpin New) Coolio 1 Thing Amerie 1+1 (One Plus One) Beyonce 1000 Miles Away Hoodoo Gurus
  • The A-Z of Brent's Black Music History

    The A-Z of Brent's Black Music History

    THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business.
  • Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast

    Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast

    DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
  • Recorded Jazz in the 20Th Century

    Recorded Jazz in the 20Th Century

    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
  • Ls 5 2 7 4 8/1 1 / 9 5 MI K E OSB O R N E WB R U 88 BE

    Ls 5 2 7 4 8/1 1 / 9 5 MI K E OSB O R N E WB R U 88 BE

    Ls5274 8/11/95 MIKE OSBORNE WBRU 88 BENEVOLENT SI PROVIDENCE RI 02906 CLUB NOUVEAU RIp-It Records A Deleon Of Bar-Be' Jet Enterteinfnent Group. Inc. vc_rythins I black flaturing tfl.(_ hit ins,1 as 1.«IL It QIP-IT QE:20112D6 • 715 N. Ferncreck Ave. • Olando. FL 5280_ • (407) 898-2009 AUGUST II, 1995 VOLUME XIX NUMBER 23 Cover Story Impromp2 24 s e clt Publisher's Page 5 News 6 Music Report I 0 Music Reviews 16 Yesteryear/Starview 46 csalluLarirwase Jazz Notes I 5 BRE Flix 18 Video Visions 20 Hip Hop Era 21 In Other Media 22 Gospel 23 last Word 46 cilkvarties 19r. iress ea• miii Singles Chart 12 Album Chart 14 The Sweetest Sixteen New Music 9 Jan Chart 15 Not even a full year has passed since Brandy's self-titled debut album on Atlantic hit the market, ne./3 icsrua w eipmsa rt s and this sixteen-year-old is at the top of the R&B heap. She beat out such multi-platinum artists as Carolinas 27 Mid Atlantic 29 Janet Jackson, Mary J. Blige, and Anita Baker at the Lady Of Soup Awards. She strolled away with four Ohio Valley 30 of the coveted statuettes, winning in every category she was nominated. On top of all of this, Brandy North East 31 Mid South 33 was named spokeswoman for the 1995 Sears/Seventeen Peak Performance Scholarship Program and Mid West 35 Tour. The program's aim is to empower and help young women achieve their personal goals. South East 39 West 41 Here's to the little lady of soul.