Self Guided Street Art Tour Melbourne
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Education Kit Years 7-12 the Writing’S on the Wall - a Short History of Street Art
Education Kit Years 7-12 The Writing’s on the Wall - A Short History of Street Art The word graffiti comes from the Italian language and means to inscribe. In European art graffiti dates back at least 17,000 years to wall paintings such as are found in the caves of Lascaux in Southern France. The paintings at Lascaux depict animals from the Paleolithic period that were of cultural importance to the people of that region. They are also believed to be spiritual in nature relating to visions experienced during ritualistic trance-dancing. Australian indigenous rock art dates back even further to about 65,000 years and like the paintings at Lascaux, Australian indigenous rock art is spiritual in nature and relates to ceremonies and the Dreaming. The history of contemporary graffiti/street art dates back about 40 years to the 1960s but it also depicts images of cultural importance to people of a particular region, the inner city, and their rituals and lifestyles. The 1960s were a time of enormous social unrest with authority challenged at every opportunity. It is no wonder graffiti, with its strong social and political agendas, hit the streets, walls, pavements, overpasses and subways of the world with such passion. The city of New York in the 1970s was awash with graffiti. It seemed to cover every surface. When travelling the subway it was often impossible to see out of the carriage for the graffiti. Lascaux, Southern France wall painting Ancient Kimberley rock art Graffiti on New York City train 1 The Writing’s on the Wall - A Short History of Street Art In 1980 an important event happened. -
3-8 Lower Polk CBD-Fern Street Mural Project-2021.Pdf
Mural Design Information Form LEAD ARTIST ADDRESS CITY STATE ZIP CODE EMAIL PHONE PROJECT COORDINATOR ADDRESS CITY STATE ZIP CODE EMAIL PHONE SPONSORING ORGANIZATION ADDRESS CITY STATE ZIP CODE EMAIL PHONE FUNDING SOURCES PROPOSED SITE (address, cross street ) DISTRICT District numbers can be found at http://sfgov.org/elections/district-citywide-maps MURAL TITLE DIMENSIONS ESTIMATED SCHEDULE (start and completion dates) 1. Proposal (describe proposed design, site and theme. Attach a separate document if needed). 2. Materials and processes to be used for wall preparation, mural creation and anti-graffiti treatment. 3. List individuals and groups involved in the mural design, preparation and implementation. Attach the following documents to this form: 1. Lead artist's resume/qualifications and examples of previous work 2. Three (3) letters of community support 3. Letter or resolution approving proposal from city department or; 4. Letter of approval from private property owner along with Property Owner Authorization Form 5. Signed Artist Waiver of Property Rights for artwork placed upon city property or; 6. Signed Artist Waiver of Proprietary Rights financed in whole or in part by city funds for artwork placed upon private property 7. Maintenance Plan (including parties responsible for maintenance) 8. Color image of design 9. One image of the proposed site and indicate mural dimensions Elaine Chu [email protected] 1639 MacArthur Blvd, Oakland CA 94602 (267) 975-4631 www.twinwallsmuralcompany.com Education Maryland Institute College of -
Copyright by Cary Cordova 2005
Copyright by Cary Cordova 2005 The Dissertation Committee for Cary Cordova Certifies that this is the approved version of the following dissertation: THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO Committee: Steven D. Hoelscher, Co-Supervisor Shelley Fisher Fishkin, Co-Supervisor Janet Davis David Montejano Deborah Paredez Shirley Thompson THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO by Cary Cordova, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2005 Dedication To my parents, Jennifer Feeley and Solomon Cordova, and to our beloved San Francisco family of “beatnik” and “avant-garde” friends, Nancy Eichler, Ed and Anna Everett, Ellen Kernigan, and José Ramón Lerma. Acknowledgements For as long as I can remember, my most meaningful encounters with history emerged from first-hand accounts – autobiographies, diaries, articles, oral histories, scratchy recordings, and scraps of paper. This dissertation is a product of my encounters with many people, who made history a constant presence in my life. I am grateful to an expansive community of people who have assisted me with this project. This dissertation would not have been possible without the many people who sat down with me for countless hours to record their oral histories: Cesar Ascarrunz, Francisco Camplis, Luis Cervantes, Susan Cervantes, Maruja Cid, Carlos Cordova, Daniel del Solar, Martha Estrella, Juan Fuentes, Rupert Garcia, Yolanda Garfias Woo, Amelia “Mia” Galaviz de Gonzalez, Juan Gonzales, José Ramón Lerma, Andres Lopez, Yolanda Lopez, Carlos Loarca, Alejandro Murguía, Michael Nolan, Patricia Rodriguez, Peter Rodriguez, Nina Serrano, and René Yañez. -
Get App BROCHURE
#EXPERIENCELIFE INTRODUCTION GROUP ADVENTURES INDEPENDENT TRIPS BAMBA BRAND KENYA, UGANDA 4 SOUTH AMERICA ASIA & RWANDA 54 SOUTH AMERICA HISTORY & PERU VIETNAM, PERU 22 TANZANIA 67 PHILOSOPHY 5 CAMBODIA & 40 56 THAILAND BOLIVIA 27 ZIMBABWE, BOLIVIA 69 BAMBA FOR INDONESIA & BOTSWANA & 6 CHILE & 57 CHILE GOOD ARGENTINA 30 PHILIPPINES 43 NAMIBIA 71 WHY TRAVEL BRAZIL SRI LANKA & SOUTH AFRICA 58 ARGENTINA, 73 WITH BAMBA 7 31 MALDIVES 44 ISRAEL & COLOMBIA & BRAZIL 75 ECUADOR 33 INDIA, NEPAL & JORDAN 59 BAMBA APP 8 TIBET 45 COLOMBIA 77 TRIP STYLES JAPAN & SOUTH EUROPE 10 CENTRAL AMERICA GALPAGAGOS & KOREA 47 ICELAND MEXICO 34 60 ECUADOR 79 CHINA, BELIZE IRELAND, 35 KYRGYZSTAN, 48 SCOTLAND & CENTRAL AMERICA & THE KAZAKHSTAN 61 GUATEMALA & SCANDINAVIA CARIBBEAN COSTA RICA 36 OCEANIA SPAIN, MEXICO, CUBA, PORTUGAL, GUATEMALA & 82 NORTH AMERICA AUSTRALIA, NEW GERMANY & 62 BELIZE ZEALAND & FIJI 49 RUSSIA USA & CANADA 37 GUATEMALA, HONDURAS & AFRICA & MIDDLE EAST CROATIA, 85 GREECE & 63 COSTA RICA MOROCCO & TURKEY EGYPT 53 PANAMA 87 TABLE OF CONTENTS IT’S TIME TO GO AND EXPLORE THE WORLD! INDEPENDENT TRIPS TRAVEL PASSES CUBA & NEPAL 108 EUROPE SOUTH AMERICA CENTRAL THAILAND, CARIBBEAN 89 AMERICA 141 MALAYSIA & ISLANDS UZBEKISTAN, ICELAND & BRAZIL, SINGAPORE 153 MONGOLIA & NORWAY 120 ARGENTINA & COSTA RICA & CHINA 109 132 NORTH AMERICA UNITED CHILE PANAMA 142 VIETNAM, CAMBODIA & USA & CANADA JAPAN KINGDOM & 153 92 110 IRELAND 121 SOUTH AMERICA THAILAND PASSES 133 NORTH AMERICA ASIA OCEANIA SPAIN & USA & CANADA PORTUGAL 122 CHILE & 146 THAILAND NEW ZEALAND, -
Museums and Australia's Greek Textile Heritage
Museums and Australia’s Greek textile heritage: the desirability and ability of State museums to be inclusive of diverse cultures through the reconciliation of public cultural policies with private and community concerns. Ann Coward Bachelor of General Studies (BGenStud) Master of Letters, Visual Arts & Design (MLitt) A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy School of Art History and Theory College of Fine Arts University of New South Wales December, 2006 ORIGINALITY STATEMENT ‘I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project’s design and conception or in style, presentation and linguistic expression is acknowledged.’ Signed .................................................................. ABSTRACT This thesis explores the desirability of Australia’s State museums to be inclusive of diverse cultures. In keeping with a cultural studies approach, and a commitment to social action, emphasis is placed upon enhancing the ability of State museums to fulfil obligations and expectations imposed upon them as modern collecting institutions in a culturally diverse nation. -
Free Tram Zone
Melbourne’s Free Tram Zone Look for the signage at tram stops to identify the boundaries of the zone. Stop 0 Stop 8 For more information visit ptv.vic.gov.au Peel Street VICTORIA ST Victoria Street & Victoria Street & Peel Street Carlton Gardens Stop 7 Melbourne Star Observation Wheel Queen Victoria The District Queen Victoria Market ST ELIZABETH Melbourne Museum Market & IMAX Cinema t S n o s WILLIAM ST WILLIAM l o DOCKLANDS DR h ic Stop 8 N Melbourne Flagstaff QUEEN ST Gardens Central Station Royal Exhibition Building St Vincent’s LA TROBE ST LA TROBE ST VIC. PDE Hospital SPENCER ST KING ST WILLIAM ST ELIZABETH ST ST SWANSTON RUSSELL ST EXHIBITION ST HARBOUR ESP HARBOUR Flagstaff Melbourne Stop 0 Station Central State Library Station VICTORIA HARBOUR WURUNDJERI WAY of Victoria Nicholson Street & Victoria Parade LONSDALE ST LONSDALE ST Stop 0 Parliament Station Parliament Station VICTORIA HARBOUR PROMENADE Nicholson Street Marvel Stadium Library at the Dock SPRING ST Parliament BOURKE ST BOURKE ST BOURKE ST House YARRA RIVER COLLINS ST Old Treasury Southern Building Cross Station KING ST WILLIAM ST ST MARKET QUEEN ST ELIZABETH ST ST SWANSTON RUSSELL ST EXHIBITION ST COLLINS ST SPENCER ST COLLINS ST COLLINS ST Stop 8 St Paul’s Cathedral Spring Street & Collins Street Fitzroy Gardens Immigration Treasury Museum Gardens WURUNDJERI WAY FLINDERS ST FLINDERS ST Stop 8 Spring Street SEA LIFE Melbourne & Flinders Street Aquarium YARRA RIVER Flinders Street Station Federation Square Stop 24 Stop Stop 3 Stop 6 Don’t touch on or off if Batman Park Flinders Street Federation Russell Street Eureka & Queensbridge Tower Square & Flinders Street you’re just travelling in the SkyDeck Street Arts Centre city’s Free Tram Zone. -
Leonardo Reviews Quarterly 2.02 | 2012
L|R|Q Leonardo Reviews Quarterly 2.02 | 2012 Executive Editor: Roger Malina Editor-in-Chief: Michael Punt Associate Editor: Claudy Op den Kamp www.leonardo.info © ISAST L|R|Q Leonardo Reviews Quarterly 2.02 | 2012 Science, Spectacle and Imagination Executive Editor: Roger Malina Editor-in-Chief: Michael Punt Associate Editor: Claudy Op den Kamp www.leonardo.info © ISAST Leonardo Reviews Leonardo Reviews Reviews Panel Leonardo Reviews is the work of an international Allan Graubard, Amy Ione, Anastasia Filip- panel of scholars and professionals invited from poupoliti, Annick Bureaud, Anna B. Creagh, a wide range of disciplines to review books, exhi- Anthony Enns, Aparna Sharma, Boris Jardine, bitions, DVDs, CDs, websites, and conferences. Brian Reffin Smith, Brigitta Zics, Catalin Brylla, Collectively they represent an intellectual commit- Chris Cobb, Chris Speed, Claudia Westermann, ment to engaging with the emergent debates and Claudy Op den Kamp, Craig Harris, Craig Hilton, manifestations that are the consequences of the Dene Grigar, David Bering-Porter, Dene Grigar, convergence of the arts, science and technology. Eduardo Miranda, Elizabeth McCardell, Ellen Pearlman, Enzo Ferrara, Eugene Thacker, Flor- Leonardo Reviews publishes all reviews received ence Martellini, Flutor Troshani, Franc Cham- from the panel monthly at www.leonardo.info. In berlain, Fred Andersson, Frieder Nake, George addition, four times a year a selection of reviews Gessert, George K. Shortess, Giovanna Cos- is printed in Leonardo and now Leonardo Reviews tantini, Hannah Drayson, Hannah Rogers, Har- Quarterly will be publishing an even larger selec- riet Hawkins, Ian Verstegen, Jac Saorsa, Jack tion as a PDF together with introductory material Ox, Jacques Mandelbrojt, Jan Baetens, Jennifer and overview essays. -
Self-Guided Walking Tours
SELF-GUIDED WALKING TOURS No visit to Missoula is complete without taking the time to appreciate the unique attributes of 7. “CATTIN’ AROUND” The Cattin’ Around sculpture adorns Central Park parking garage in the 100 block Downtown. Follow these self-guided walking tours of of West Main Street. Mike Hollern created this whimsical, ferrous cement depiction historical landmarks and public artworks and get to of a sprawled alley cat in 1991 as a project of the City of Missoula Public Arts know the real Missoula, historic and modern. Committee. A small puddle of water collects on the cat’s back to create a birdbath. Compiled by the Missoula Cultural Council and 8. “STUDEBAKER” The Studebaker on the side of the Studebaker Building at 216 West Main Street was Missoula Historic Preservation Commission, these created by noted local artist Stan Hughes in 2000. The work pays tribute to the his- tours are a great way to understand the pulse of the torical background of the Studebaker Building and the heart of the Gasoline Alley historic area, which evolved on West Main Street in the early 1900s and was a proj- city. ect of the City of Missoula Public Arts Committee. 9. “UNTITLED” DOWNTOWN PUBLIC ART The untitled mural on the East Side of the Salvation Army Thrift Store at 339 West Broadway was painted with recycled paint by Joseph Fidance free of charge in 1994. A vital component of any urban landscape, the pres- 10. “E.S. PAXSON MURALS” ence of public art in a community signifies the char- The E.S. -
Turpentine Creek Wildlife Refuge Is a Certified • Safari Suites: the Safari Suites Are Family Friendly Rooms
TOURS INCLUDED WITH ADMISSION Turpentine Creek Safari Discovery Tour: Use educational signage or download a Lodge free tour app to your mobile device to learn about our animal Wildlife Refuge TURPENTINE RV & Tent Camping residents in this self-guided space. CREEK Habitat Tour: Guided walking tour with trolley service R e e WILDLIFE REFUGE id available for an additional fee. A tour guide will share scu w ing ion Exotic Cats Nat information about our animal residents along a ½ mile tour loop. 479.253.5841 • TCWR.org Tree House Educational Programming: Join one of our wildlife 239 Turpentine Creek Lane interpreters during your visit to explore and discover the Eureka Springs, AR 72632 refuge and its residents in a different way through interactive Safari talks, games, and much more. Help us be the voice of wildlife Tents everywhere to protect their future. RESCUE RIDGE See Reverse for See back for details Detailed Lodging Map Safari Suites about our behind the scenes tours SERVALS YOU ARE HERE BOBCATS COUGARS BOBCATS LEOPARDS BEARS Gift Shop P P BIG CAT HABITATS Concession GRIZZLY Stand Main Parking P DISCOVERY TOUR HABITAT TOUR EDUCATION AREA SELF-GUIDED GUIDED LIGERS Safari Lo he dge T Kilimanjaro Lodging Map Okavango Serengeti Check In Time is 3 PM. Kalahari Congo Check Out Time is 11 AM. P Restrooms & Shower Entrance Road located at top of hill. Closed in winter. P Staff Only Safari RV & Tent Tents Camping Memorial Park Gift P Shop Staff Only Tree Ho Staff Only he us On-Site Lodging T e Discovery Tour Area afari Sui A variety of on-site lodging options are available within walking S tes Self-Guided Bengal distance of the Discovery and Habitat tour areas, including: Siberian Donate Today! • The Safari Lodge: Adult only-cabins overlooking the Ozark Mountain Gate to Tour Area range with complimentary light breakfast, color TV/DVD player, from Lodging TCWR.org/Donate refrigerator, microwave and air-conditioning. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
H Meet the 2019 Fracchia Prize Winners H
H MEET THE 2019 FRACCHIA PRIZE WINNERS H The 2019 Fracchia Prize awards winners (left to right): Sofia Herron Geller (first prize), Allison Dummell (second prize), and Yanzhu Gong (third prize). THE ARGONAUT, VOL. 30 NO. 1 SUMMER 2019 HHHHH FRACCHIA PRIZE WINNERS HHHHH n fall of 2018, San Francisco Historical Society announced a new educational opportunity for San Francisco’s high school students, the Fracchia Prize. Named for SFHS founder and President Emeritus Charles Fracchia, the Fracchia Prize will be an annual event that invites students to research some aspect of the city’s history and share what they Ilearn with us. The 2018-2019 Fracchia Prize asked students to write an essay in response to this question: “How does the history of my neighborhood affect my life today?” SFHS offered cash prizes to the top three essayists, as well as publication of their work. Students from all parts of the city submitted essays, and selecting the top three wasn’t easy. The winners of this year’s competition are: • FIRST PLACE: Sofia Herron Geller: “Art Activism: San Francisco’s Counterculture and Its Impact on the Mission District” • SECOND PLACE: Allison Dummel: “Living on the Edge” • THIRD PLACE: Yanzhu Gong: “Mission Bay” On May 7 the three students, their history teachers, and their families joined SFHS board members for an awards ceremony hosted by Mayor London Breed at her offices in City Hall. Allison’s essay was published in the third quarter issue of Panorama. Yangzhu’s essay will be published in the fourth quarter issue of Panorama. Sofia’s essay appears on the next page. -
Annual Report 1999–2000 1.2MB .Pdf File
museums board of victoria 1999 - 2000 annual report 1999 – 2000 www.museum.vic.gov.au CONTENTS INTRODUCTION Who We Are and What We Do 4 Campuses and Facilities 4 Services 4 Vision 4 Mission 4 Values 4 Operating Principles 4 Strategic Priorities 4 President’s Message 5 Chief Executive Officer’s Message 6 A Year of Highlights 7 The Year in Brief 8 Performance Overview 9 48 REVIEW OF OPERATIONS 1 Melbourne Museum 12 Scienceworks Museum and Melbourne Planetarium 12 Immigration Museum and Hellenic Antiquities Museum 14 National Wool Museum 15 Outreach Services 16 Major Projects 16 Outreach, Technology and Information Services 17 1999 - 2000 Regional Services 17 Programs, Research and Collections 18 > Australian Society Program 18 > Environment Program 19 > Human Mind and Body Program 20 > Indigenous Cultures Program 21 annual annual report museums museums board victoria of > Science Program 21 > Technology Program 22 > Collection Management and Conservation 23 > Production Services 24 Museum Development 24 Corporate Services 25 PEOPLE IN MUSEUM VICTORIA Corporate Governance 28 Executive Management Team 30 Organisational and Functional Structures 31 Corporate Partners 32 Honorary Appointments 33 Volunteers 33 Museum Members 34 Museum Victoria Staff 35 ADDITIONAL INFORMATION Research Projects 42 Lectures 42 Publications 42 Consultancies Commissioned by Museum Victoria 45 Freedom of Information 45 Legislative Changes 45 Availability of Additional Information 46 National Competition Policy 46 Year 2000 Compliance 46 Building and Maintenance Compliance