Bachelor Thesis

Total Page:16

File Type:pdf, Size:1020Kb

Bachelor Thesis Masaryk University Faculty of Arts China Studies Seminar Cultural Studies of China Michaela Kalábová Tracing the Impact of the Cultural Revolution on Women in Chinese Society Based on Comparative Analysis of Chosen Memoirs Bachelor's Thesis Supervisor: Dr. phil. Ute Wallenböck 2020 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the reference list. Brno, May 2020 …………………………………………… Author's signature Acknowledgement I would like to thank my supervisor Dr. phil. Ute Wallenböck for her guidance and kind help during the process of writing this thesis. I would also like to express my gratitude to Evan Dawley, Ph.D. for his valuable advice, help and encouragement. Last but not least, I would like to thank my parents and my closest friends for their daily support. Abstract My bachelor thesis examines the situation of Chinese women during the Cultural Revolution (1966-1976), within the methodological framework of a comparative and narrative analysis of the changing face of women in Chinese society based on three selected memoirs. My thesis deals with the narrative aspects of these memoirs, how the protagonists were affected, and how specific events resulting from the Cultural Revolution have changed their personal lives. It considers the changes of social, personal and mental processes, which the protagonists in the chosen memoirs live and go through to make daily life meaningful. My study analyses how the authors remember and write about their past, comparing each one of the women's experiences as well as addressing the issue of the relationship between their memory and the historical background. My thesis is based upon three memoirs that describe their personal stories and experience in detail. The experience and relentless torrent of events have impacted their collective memory, the way they gather memories through the experience they have been through and how they recall and forget events, places and people. The Culture Revolution the women have experienced was a complex of events that has affected each one of them differently based on their social status. Some benefited from it and some suffered from the very beginning and became victims. The Chinese women's status and the way they saw themselves has relatively changed after the onset of the Cultural Revolution that has launched in the manner of destroying old traditions and customs. The negative changes brought a lot of distress and hardship, impacted their memory and the way of thinking. These changes came mainly due to the amount of campaign, reforms, drastic restrictions, a downgrade of people's standard of living and acts of violence. Keywords Autobiography, Chinese women, cultural memory, memoir, The Cultural Revolution, narrative, experience Contents 1. Introduction ...................................................................................................7 2. Theoretical Part .............................................................................................9 2.1. The Introduction of the Cultural Revolution and Mao’s Cult of Personality................ 9 2.1.2. Quotations From Chairman Mao (Mao Zhuxi Yulu ⽑主席语录) ......................13 2.1.3. Red Guards (Hong Weibing 红卫兵) and Their Power ......................................14 2.1.4. Big Character Posters (Dazibao ⼤字报) ............................................................16 2.2. Revolutionary Women and the Iron Girls (Tie Guniang 铁姑娘) ............................18 2.2.1. Gender Inequality and Female Inferiority in Chinese History ............................20 2.3. Relationship Between Memory, History and Narratives ............................................22 2.3.1. Definition of Memoir ..........................................................................................23 2.3.2. Conceptual Definition of Collective and Individual Memory ............................24 2.3.3. Autobiographical Memory ..................................................................................25 2.4. Introduction of the Cultural Revolution Memoirs ......................................................27 2.4.2. Overview of Jung Chang’s Life ..........................................................................28 2.4.3. Overview of Emily Wu’s Life .............................................................................29 2.4.4. Overview of Ræ Yang’s Life ...............................................................................30 3. Analytical Part .............................................................................................31 3.1. Analysis of the Primary Sources and Subsequent Comparison ..................................31 3.2. General Chronology ....................................................................................................32 3.3. Chronology of Jung Chang’s History .........................................................................33 3.4. Analysis of Wild Swans : Three Daughters of China.................................................. 34 3.5. Chronology of Emily Wu’s History ...........................................................................50 3.6. Analysis of Feather in the Storm : A Childhood Lost in Chaos ..................................51 3.6.1. Beginning of the Revolution in Hefei .................................................................53 3.6.3. Life in the Mountains ..........................................................................................60 3.6.4. Final Overview of Wu’s Story .............................................................................61 3.7. Chronology of Rae Yang’s History .............................................................................63 3.8. Analysis of Spider Eaters : A Memoir .........................................................................63 3.8.2. Volunteering in the Countryside ..........................................................................70 3.8.3. Final Overview of Yang’s Story ..........................................................................73 3.9. Comparative Part – Overview of Similarities and Differences................................... 77 4. Conclusion ....................................................................................................85 5. References ....................................................................................................88 1. Introduction This bachelor thesis aims to analyse the impacts of the Cultural Revolution on Chinese women based on three selected memoirs of a particular period of Chinese history and elucidate all the difficulties they went through. The analysis of this thesis is based on the real experience of three women narrated in their memoirs. It considers all the possible occasions, influences and situations the protagonist had to face in order to explore the constructed memories of the Cultural Revolution. Like many other Chinese, these three authors had to experience the hardship of the ten-year-long revolution and face all its consequences. The majority of the population tried to erase this period from their memory. These women, though, after leaving China, decided to put their memories on the paper and recount their experience, mainly to warn the younger generation to avoid the same mistakes and to inform the world about one of the most traumatic periods in Chinese history. To understand the authors' experience and the way of narrating their stories, it is essential to present the general information and facts related to the Cultural Revolution and all its results and consequences. It is also necessary to introduce the events resulting from the party’s decisions and evaluate the reactions of Chinese people’s Moreover, it is also essential to mention the remaining prejudices that shaped perceptions of women based on the historical point of view as well as the issue of the relationship between memory and history and how people tend to remember things. The thesis is divided into five chapters, including Introduction, Conclusion and References. The first part of the main body of the thesis is the theoretical part, divided into four chapters and each chapter contains several subsections concerning a different kind of topic. The first chapter of the theoretical part deals with the history of the Cultural Revolution and all the general information. However, it does not cover the topic in depth in the sense of the political point of view. The second chapter deals with the women’s situation during the revolution. The third part deals with the relationship between history and memory and conceptual definitions of individual and collective memory. The last chapter of the theoretical part focuses on the summary of the authors’ lives. The theoretical part is followed by the analytical part which represents the core of this thesis. The analytical part deals with these three memoirs of the Cultural Revolution: Wild Swans: Three daughters of China memoir of three generations by Jung Chang, Feather in the Storm: Childhood Lost in Chaos written by Emily Wu and Spider Eaters: A Memoir written by Rae Yang. I decided to analyse memoirs because they deal with an important post of Chinese history from an individual standpoint. These three memoirs are known as the very bestsellers of Chinese memoirs written by women who were born in the People’s Republic of China but later escaped the regime to live !7 abroad. They are known for their authentic story that deals with the Cultural Revolution issue and thus serves the
Recommended publications
  • Top Trails for Mountain Hikers by Andy Scheidler Tas Will Open up As You Climb the Bald to the Top
    2020-2021 | Destination Macon - Leaf Season 3 Photo/Eric Haggart About Destination Macon - Leaf Season Welcome to Leaf Season This guide to Macon County is a publication of The Franklin Press. Established in 1886, The Franklin Press, Macon County’s community newspaper, is published Autumn: those leaves that really sets Macon each Wednesday. County apart, and there are a num- Additional copies of Destination Macon - Leaf Season Macon County at ber of ways to enjoy it all. are available online at thefranklinpress.com or at The its colorful best Fall means a lot of things for Franklin Press office, 40 Depot Street, Franklin, NC. To stay up to date on all the information and events a lot of people, and you can enjoy in Macon County, subscribe to The Franklin Press. here better to be a little bit of all of it in Franklin. Call 828-524-2010 or subscribe at thefranklinpress.com. than Macon Coun- The weather is cooler, the leaves ty as fall graces our are full of color, and the shops are Wmountains with unrivaled beau- ready for Thanksgiving and the On the cover: Photo/Eric Haggart ty? We’re confident you’ll agree holiday season. No matter what as you leaf through our Destina- your fall traditions are, find some- MORE ONLINE tion Macon – Leaf Season pub- thing to add to it this year by visit- All subscriptions include access to our e-edition. lication. Leaves aren’t the only ing with the people and businesses In Macon County . $32.00 per year things to enjoy in town this time that make up our town and seeing Outside Macon County .
    [Show full text]
  • Xin Huang Dissertation April 12
    THE LEGACY OF THE MAOIST GENDER PROJECT IN CONTEMPORARY CHINA by Xin Huang M.A., Institute of Social Studies, 2002 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Women’s and Gender Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2010 ©Xin Huang, 2010 ABSTRACT This study examines various ways in which the Maoist gender project manifests itself in Chinese women’s lives today, as conveyed by a range of women currently living in Beijing. Oral histories were collected from fifteen women, four of whom were selected for in-depth analysis using a method informed by narrative studies and feminist approaches to women’s auto/bio/graphy. Judith Butler’s ideas on gender as performative serve as a framework to examine these individual negotiations with changing models of femininity, and the first chapter presents a critical account of the limits and applicability of her theory in this specific transnational context. The four following chapters provide detailed, contextualized analysis of these particular performances of gender in relation to the Maoist model woman (fun!, or socialist labourer), whose presence remains in the shadow of the currently preferred n!xing (feminine, consumer-oriented woman), while the even older pre-revolutionary devoted wife and mother remains in the background. Their gender performances bring out the intersections of physical embodiment and the construction of subjectivity through discourse. Analysis of the content of each story is complemented by a discussion of the structure and language of their narratives, including an innovative interviewing method of “telling and retelling”.
    [Show full text]
  • The Commune Movement During the 1960S and the 1970S in Britain, Denmark and The
    The Commune Movement during the 1960s and the 1970s in Britain, Denmark and the United States Sangdon Lee Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of History September 2016 i The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement ⓒ 2016 The University of Leeds and Sangdon Lee The right of Sangdon Lee to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 ii Abstract The communal revival that began in the mid-1960s developed into a new mode of activism, ‘communal activism’ or the ‘commune movement’, forming its own politics, lifestyle and ideology. Communal activism spread and flourished until the mid-1970s in many parts of the world. To analyse this global phenomenon, this thesis explores the similarities and differences between the commune movements of Denmark, UK and the US. By examining the motivations for the communal revival, links with 1960s radicalism, communes’ praxis and outward-facing activities, and the crisis within the commune movement and responses to it, this thesis places communal activism within the context of wider social movements for social change. Challenging existing interpretations which have understood the communal revival as an alternative living experiment to the nuclear family, or as a smaller part of the counter-culture, this thesis argues that the commune participants created varied and new experiments for a total revolution against the prevailing social order and its dominant values and institutions, including the patriarchal family and capitalism.
    [Show full text]
  • Hybrid Korean Screen Cultures in the Mid-2000S Films a Bold Family (2005), Over the Border (2006), and Welcome to Dongmakgol (2005)
    Concentric: Literary and Cultural Studies 46.2 September 2020: 217-245 DOI: 10.6240/concentric.lit.202009_46(2).0010 The North on Southern Screens: Hybrid Korean Screen Cultures in the Mid-2000s Films A Bold Family (2005), Over the Border (2006), and Welcome to Dongmakgol (2005) Bonnie Tilland East Asia International College Yonsei University Mirae Campus, Korea Abstract South Korean films that address North Korean themes have changed in the decades since South Korea’s democratization. Whereas films in the 1990s presented North Koreans as villains, by the 2000s most films took a more nuanced approach, presenting North Koreans as complex people with the potential to adapt in South Korean society. This paper analyzes three films from the mid-2000s dealing with North Korean issues (A Bold Family [2005], Over the Border [2006], and Welcome to Dongmakgol [2005]) in the context of the South Korean political landscape and North-South relations at the time. The paper argues that mid-2000s films represent a transitional point in the filmic depiction of North Koreans in South Korean film, opening up possibilities of hybridity in Korean identity. These films exhibit an almost ethnographic impulse to document everyday life, and as such contribute broadly to a visual anthropology of North-South Korean relations. Keywords South Korea, North Korea, film, family, visual anthropology 218 Concentric 46.2 September 2020 A grandfather on his death-bed watches home videos of Korean reunification on TV, and heals unexpectedly at the prospect of visiting his northern hometown . A video camera captures moments of village merrymaking through song and dance as the Korean War rages all around .
    [Show full text]
  • Phd Thesis Tunstall Corrected 11:12:15
    Vision and Visual Art in Sylvia Plath’s Ariel and Last Poems Submitted by Lucy Suzannah Tunstall to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English June 2015 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 1 ABSTRACT This dissertation is concerned with Sylvia Plath’s late works. Engaging with critical discussion of what constitutes the corpus of Ariel I show that an appreciation of the editorial history reveals the beginnings of a third book (the last poems) and opens up those difficult and important texts to fresh enquiry. Recent work in Plath studies has focused on visual art. Kathleen Connors and Sally Bayley’s Eye Rhymes examines Plath’s own artwork in an ‘attempt to answer the question, How did Plath arrive at Ariel?’ (1). I contribute to that discussion, but also ask the questions, How did Plath leave Ariel behind and arrive at the even more remarkable last poems, and how did visual art contribute to those journeys? I argue that Ariel’s characteristically lucid style is informed by the dismantling of depth perspective in Post-impressionist painting, and by the colour theory and pedagogy of the Bauhaus teachers. My work is underpinned by an appreciation of Plath’s unique cultural moment in mid-century East Coast America.
    [Show full text]
  • Access to History
    access to history China 1839-1997 MICHAEL LYNCH �o��B��� '-1 LEARN MORE DYNAMIC LEARNING China 1839-1997 is available as a Student eTextbook. Student eTextbooks are downloadable versions of the printed textbooks that teachers can assign to students. Students can: • Download and view them on any device or browser • Add, edit and synchronise notes across two devices • Access their personal copy on the move Find out more and sign up for a free trial -visit: www.hoddereducation.eo.uk/dynamiclearning access to history China 1839-1997 MICHAEL LYNCH access to history China 1839-1997 MICHAEL LYNCH HODDER i7 EDUCATION AN HACHETTE UK COMPANY In memory of Brian Peter Lynch (1933-2015) Acknowledgements: are listed on page 322. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the Publishers will be pleased to make the necessary arrangements at the first opportunity. Although every effort has been made to ensure that website addresses are correct at time of going to press, Hodder Education cannot be held responsible for the content of any website mentioned in this book. It is sometimes possible to find a relocated web page by typing in the address of the home page for a website in the URL window of your browser. Hachette UK's policy is to use papers that are natural, renewable and recyclable products and made from wood grown in sustainable forests. The logging and manufacturing processes are expected to conform to the environmental regulations of the country of origin. Orders: please contact Bookpoint Ltd, 130 Milton Park, Abingdon, Oxon OX14 4SB.
    [Show full text]
  • Filmart 2014 №1
    DAILY MARCH 24, FILMART 2014 №1 THR.COM/FILMART China_3D_cover_Day1.indd 1 3/21/14 3:18 PM ASIAN PREMIERE INTERNATIONAL MARKET PREMIERE Mon, 24th Mar. Mon,/ 16:00 24th /Mar. AMC / 16:00 Pacific / AMC 4 Pacific/ By Invitation4 / Market (BY INVITATION ONLY) Tue, 25th Mar. / 10:00 / AMC Pacific 1 / By Invitation Tue, 25th Mar. / 10:00 / AMC Pacific 1 / Market (BY INVITATION ONLY) Fortissimo Films HKIFF + HK Filmart Booth: 1E - B09 To set up a meeting with us, please e-mail to [email protected] HK 2014_THR_another me.indd 1 2014/3/19 �� 8:32 Fortissimo FP_Day1.indd 1 3/19/14 11:18 AM MARCH 24, 2014 THR.COM/FILMART FILMART №1 HONG KONG TODAY TOMORROW WEATHER AND HIGH 73° F 71° F TEMPS 23° C 22° C IP MAN 3 Chinese Movie Boom Boosts Filmart KICKS INTO An increased presence from the Mainland sparks optimism among dealmakers hoping to HIGH GEAR grab a larger slice of the world’s fastest-growing film marketBy Clifford Coonan and Karen Chu By Karen Chu ong Kong Filmart is already Asia’s largest wait and see. It’s a curtain raiser for Cannes and egasus Motion Pictures film market in terms of exhibitor numbers, advance showcase for upcoming projects, and it is will begin filming Ip H but coming shortly before Cannes, it is increasingly well attended.” P Man 3 in early 2015. an annual challenge to convince buyers to open But the growing allure of Chinese-language With a budget of $30 mil- their wallets in Asia, rather than wait for the bigger movies makes Filmart ever more important to lion, the finale of the trilogy, European platform.
    [Show full text]
  • Cities and Stability
    Cities and Stability Cities and Stability Urbanization, Redistribution, and Regime Survival in China JEREMY L. WALLACE 1 3 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trademark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Oxford University Press 2014 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Wallace, Jeremy L. Cities and stability : urbanization, redistribution, & regime survival in China / Jeremy L. Wallace. pages cm Includes bibliographical references. ISBN 978–0–19–937898–2 (hardback : alk.
    [Show full text]
  • Mao's War on Women
    Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 8-2019 Mao’s War on Women: The Perpetuation of Gender Hierarchies Through Yin-Yang Cosmology in the Chinese Communist Propaganda of the Mao Era, 1949-1976 Al D. Roberts Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the History Commons Recommended Citation Roberts, Al D., "Mao’s War on Women: The Perpetuation of Gender Hierarchies Through Yin-Yang Cosmology in the Chinese Communist Propaganda of the Mao Era, 1949-1976" (2019). All Graduate Theses and Dissertations. 7530. https://digitalcommons.usu.edu/etd/7530 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. MAO’S WAR ON WOMEN: THE PERPETUATION OF GENDER HIERARCHIES THROUGH YIN-YANG COSMOLOGY IN THE CHINESE COMMUNIST PROPAGANDA OF THE MAO ERA, 1949-1976 by Al D. Roberts A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History Approved: ______________________ ____________________ Clayton Brown, Ph.D. Julia Gossard, Ph.D. Major Professor Committee Member ______________________ ____________________ Li Guo, Ph.D. Dominic Sur, Ph.D. Committee Member Committee Member _______________________________________ Richard S. Inouye, Ph.D. Vice Provost for Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2019 ii Copyright © Al D. Roberts 2019 All Rights Reserved iii ABSTRACT Mao’s War on Women: The Perpetuation of Gender Hierarchies Through Yin-Yang Cosmology in the Chinese Communist Propaganda of the Mao Era, 1949-1976 by Al D.
    [Show full text]
  • Clothing and Post-Mao Reforms: the Tutoring Role of Chinese Fashion Magazines, 1980-1986
    CLOTHING AND POST-MAO REFORMS: THE TUTORING ROLE OF CHINESE FASHION MAGAZINES, 1980-1986. by Rhea V. Low B.A., The University of British Columbia, 2000 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDTES (Department of History) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA July 2002 (C) Rhea V. Low, 2002 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of j- iSt~opj The University of British Columbia Vancouver, Canada Date Auy. °i , 2fl05 DE-6 (2/88) Abstract Beginning in 1978, the People's Republic of China embarked on new economic reforms that aimed to modernize the country. It wanted to convey that in sharp contrast to the radical, turbulent, ultra leftist days of the Cultural Revolution, the post-Mao period has been experiencing higher consumption levels, greater material progress, and modern living. An area that has been strongly influenced by this message about China's shift in policy and direction is clothing. As a case study, two state-run fashion magazines produced in China between the years 1980 to 1986 have been analyzed.
    [Show full text]
  • Red Scarf Girl
    A Facing History and Ourselves Study Guide Teaching RED SCARF GIRL Created to Accompany the Memoir Red Scarf Girl, by Ji-li Jiang A Facing History and Ourselves Study Guide Teaching RED SCARF GIRL Created to Accompany the Memoir Red Scarf Girl, by Ji-li Jiang Facing History and Ourselves is an international educational and professional development organization whose mission is to engage students of diverse backgrounds in an examination of racism, prejudice, and antisemitism in order to promote the development of a more humane and informed citizenry. By studying the historical development of the Holocaust and other examples of genocide, students make the essential connection between history and the moral choices they confront in their own lives. For more information about Facing History and Ourselves, please visit our website at www.facinghistory.org. The front cover illustration is a section from a propaganda poster created during the beginning of the Cultural Revolution (1966–1968), the same years Ji-li describes in her memoir. Since the founding of the People’s Republic of China 1949, government and party officials used mass- produced posters as a way to promote nationalism and convey the values of the Communist Party. Propaganda posters were especially important during the Cultural Revolution, and this poster represents many dominant themes of this media: the glorification of Mao, the color red symbolizing China and the Chinese Communist Party, and the depiction of youth as foot-soldiers for the revolution. The slogan on the poster expresses a popular anthem of the era: Chairman Mao is the Reddest Reddest Red Sun in Our Hearts.
    [Show full text]
  • Mao Zedong and China's Revolutions
    THE BEDFORD SERIES IN HISfORY AND CULTURE Mao Zedong and China's Revolutions A Brief History with Documents Related Titles in THE BEDFORD SERIES IN HISTORY AND CULTURE Advisory Editors: Natalie Zemon Davis, Princeton University Ernest R. May, Harvard University Lynn Hunt, University of California at Los Angeles David W. Blight, Amherst College The japanese Discovery ofAmerica: A Brief History with Documents Peter Duus, Stanford University Schools and Students in Industrial Society: japan and the West, 1870-1940 Peter N. Stearns, Carnegie Mellon University Pearl Harbor and the Coming of the Pacific War: A Brief History with Documents and Essays Akira lriye, Harvard University My Lai: A Brief History with Documents James S. Olson, Sam Houston State University, and Randy Roberts, Purdue University THE BEDFORD SERIES IN HISTORY AND CULTURE Mao Zedong and China's Revolutions A Brief History with Documents Timothy Cheek University of British Columbia palgrave *MAO ZEDONG AND CHINA'S REVOLUTIONS, by Timothy Cheek The library of Congress has catalogued the paperback edition as follows: 2001097845 Copyright© Bedford/St. Martin's 2002 Softcover reprint of the hardcover 1st edition 2002 978-0-312-29429-8 All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address: PALGRAVE, 175 Fifth Avenue, New York, NY 10010 First published by PALGRAVE, 175 Fifth Avenue, New York, NY 10010. Companies and representatives throughout the world. PALGRAVE is the new global imprint of St. Martin's Press LLC Scholarly and Reference Division and Palgrave Publishers Ltd.
    [Show full text]