William G. Golding
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Lord of the Flies About the Author (William Golding) Born in Cornwall
Lord of the Flies About the Author (William Golding) ➢ Born in Cornwall on 19th September 1911. ➢ He attended Marlborough Grammar School, then went to Oxford with the intention of reading science but eventually graduated in English in 1933. ➢ He became a teacher. ➢ In 1939 he married Ann Brookfield and a year later volunteered for the Royal Navy in which he served until 1945. ➢ He had witnessed the two World Wars, the First World War as a child while in WWII, he participated in action. He took part in the D-Day landings in Normandy and rose to the rank of the lieutenant. ➢ After the War ended, he returned back to teaching taking up a job at Bishop Wordsworth’s School, Salisbury and after his superannuation he became a full time author. ➢ Lord of the Flies (1954) in his first published novel and it was made into a film in 1963. ➢ His other notable publications include The Inheritors (1955), Pincher Martin (1956), The Brass Butterfly (1958), Free Fall (1959), The Spire (1964), The Hot Gates (1965), The Pyramid (1967), The Scorpion God (1971), Darkness Visible (1979), Rites of Passage (1980), A Moving Target (1982) and The Paper Man (1984). ➢ He won the James Tait Black Memorial Prize and The Booker McConnell Prize in 1980 and won the Nobel Prize for Literature in 1983. ➢ He died on 19th June, 1993 at the age of 81 years. Possible Sources of the novel Although the adventure-island-story tradition can be traced back to a host of novels like R.L. Stevenson’s Treasure Island, Arthur Ransome’s Swallows and Amazons, Daniel Defoe’s Robinson Crusoe, yet the most notable influence had been R.M. -
William Golding List
WILLIAM GOLDING LIST Prices in US dollars, shipping is extra at cost. For orders from Canada, GST is also extra. We accept payment by Visa, MasterCard, Amex, PayPal, and for Canadian buyers, e-transfer. Usual terms to the professional trade. We can send with invoice to institutions and individuals known to us, who may pay by cheque. You may order from my website (www.steventemplebooks.com) and enjoy a 10% discount if paying in advance of shipment. STEVEN TEMPLE BOOKS. ILAB / ABAC. IOBA PO BOX 45 WELLAND ON L3B 5N9 CANADA phone: 416.703.9908 email: [email protected] Literary first editions. General out of print & rare books. Established in 1974. "Antiquarian books are a thing of the past." - S. Temple “The trouble with the world is that the stupid are cocksure and the intelligent are full of doubt. “- Bertrand Russell "Mit der Dummheit kaempfen Goetter selbst vergebens." – Schiller ---------------------------------------------------------------------------------------------------------------------------------------- [50085] GOLDING, William. A MOVING TARGET (proof). New York: Farrar, Straus, Giroux, 1982. First US printing. Octavo. Softcover. Advance uncorrected proof. Two light spots to fore margin of front cover, spine lightly darkened, else fine. $50.00 [35930] GOLDING, William. AN EGYPTIAN JOURNAL. London: Faber, 1985. First printing. Hardcover. Octavo, black boards, yellow endpapers. Text paper slightly toned, else fine in fine, price-clipped jacket. With colour photos. Travelogue. $19.50 [50079] GOLDING, William. CLOSE QUARTERS (proof). New York: Farrar, Straus, Giroux, 1987. First US printing. Octavo. Softcover. Advance uncorrected proof in yellow card covers. A fine copy. $50.00 [50083] GOLDING, William. CLOSE QUARTERS (proof). London: Faber, 1987. First printing. -
Golding Novel' : Studg of William Golding's Fictional Work Submitted B Smt
THE l'6OLDING NOVEV :A STUDY *. OF • LLIAM GOLDING'S FICTIONAL WORK THESXS SUBNiTTED TO THE 60ft UNIVERSITY $s \ N.77.0 FOR s-••■•.. \ 14) it THE DEGREE OF \ D G TOR OF PHILOSOPHY KRAN JAYANT BUDKULEY DEPARTMENT OF ENGLISH GU A UNIVERSITY TALEIGA0 PLTE:AU A •01 20f3 • CTFTIFTJATT • dTs required under the Univqrsitu erdina.nce, I certilu that the thesis entitled The 'Golding Novel' : studg of William Golding's Fictional Work submitted b Smt. JZiran 3agant BudXulew for the award of Doctor of Philosophy . in Snglish, is a record of research done b the candidate during the period of study under mg guidance and that it has not previoustg formed the basis for the award to the candidate of arty Degree, Diploma, Yrssociateship, 7ellowship or other similar titles. Neodifte- r lir. ft. K. Josh (Research Guide) Professor and !lead. • Department of Englitiil Goa Universitu Taleigao Plateau Goa 403 203 CONTENTS CHAPTER ONE THE 'GOLDING NOVEL' • 1.1 Introduction 4 1 • 1.2 Life and Influences 1.3 Range and Diversity of Golding's York 10 1.4.1 The 'Golding Novel' 12 1.4.2 Golding's Concern with an 13 1.4.3 Isolated Settings of the Plots 15 1.4.4 The Moment of Confrontation for Golding Protagonists 17 1.4.5 'Gimmick' Ending of Golding's,Novels 19 1.4.6 Use of Literary Foils 21 1,5 Conclusion 26 References 31 CHAPTER TWO THE INITIAL 'GOLDING NOVEL' : EXPERIMENTAL PRASE 2.1.1 Introduction 32 2.1.2 'Golding Novel' : The Stages 2.1,3 The Initial Stage of the 'Golding Novel':Its Two Phases 38 2.1.4 Common Features of Golding's Novels of the Initial Stage 42 2.2.1 Novels of the 'experisental phase' 46 2.2.2 Lord of the Flies : The Plot 51 • 2.2.3 Ironical Reversal at the End of the Novel 53 • 2.2.4 Fable as an Element in Lord of the Flies 55 • • • • • • • •• 2.2.i Allegory in the Novel •. -
Durham E-Theses
Durham E-Theses The death of William Golding: authorship and creativity in darkness visible and the paper men Hardy, Stephen G. How to cite: Hardy, Stephen G. (2003) The death of William Golding: authorship and creativity in darkness visible and the paper men, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/4091/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Abstract The Death of William Golding: Authorship and Creativity in Darkness Visible and The Paper Men Stephen G. Hardy In the seventies and eighties William Golding was deeply responsive to the critical, anti-authorial ethos that followed the publication of Roland Barthes's "La mort de l'auteur" (1968). In Darkness Visible (1979) and The Paper Men (1984) he investigates means by which to reaffirm authorial presence. Working through paradox, he performs the authorial death in these novels, and establishes language's inadequacy as a means of conveying absolute meaning, authorial "vision," truth or revelation. -
Golding As a Psychological Novelist
KAWAUCHI REVIEW No. 5 (2006) Golding as a Psychological Novelist Yasunori Sugimura I Critical studies hitherto published on William Golding's fiction fall into several categories: comprehensive studies, investigations into sources, religious and theological approaches, perspectives of fable and myth, reader-oriented theories, and structural or post-structural readings. I His fiction, written with various elaborate skills, accord ingly requires various reading theories as the occasion demands. And yet, any discussion focusing solely on methodology falls short of discovering and elucidating the theme of his fiction. Discovering this theme is all the more difficult because the author deliberately shifts settings and creative techniques every time he publishes a new novel. Paul Crawford's Politics and History in William Golding: The World Turned Upside Down, one of the latest comprehensive studies of Golding, is a full-scale, interdisciplinary study of virtually all his novels. However, I cannot avoid the impression that the critic's exten sive scholarship so conspicuously comes to the fore as to overwhelm the fiction itself. It seems to me that quite another dimension of prob lems never before brought to light by any antecedent study underlies Golding's fiction, which calls attention to a complete renovation of perspectives. His fiction contains fluctuating metaphors that cannot be reduced to any integrated meaning. This is partly attributable to his antipathy against reductionism. For instance, metaphors of apparent degeneration also have a connotation of regeneration, and vice versa. The metaphors widely fluctuate not only novel to novel but also within the same text, which makes it even more difficult to give his whole work or each text a self-consistent reading. -
Delphic Oracle in the Novels of William Golding Dr
American International Journal of Available online at http://www.iasir.net Research in Humanities, Arts and Social Sciences ISSN (Print): 2328-3734, ISSN (Online): 2328-3696, ISSN (CD-ROM): 2328-3688 AIJRHASS is a refereed, indexed, peer-reviewed, multidisciplinary and open access journal published by International Association of Scientific Innovation and Research (IASIR), USA (An Association Unifying the Sciences, Engineering, and Applied Research) Delphic Oracle in the Novels of William Golding Dr. Prakash Bhadury Assistant Professor, NIT Hamirpur, Himanchal Pradesh, India Abstract: William Golding in his novels depicts man as a physical being in a physical world, torn between a primitive innocence and the intelligence of an evolving mind. All scientific discoveries, our awareness of our physical world are a necessary part of our evolving consciousness. The paper unravels how Golding’s mythic and allegorical world while moving around binaries attempts to find the root of the disease of evil. His central theme is to find a relationship of man to the universe and through the universe to God. Irrational faith, ignorance and material progress have obscured our vision. The root cause of man’s fall is spiritual blindness which has made man stranger to himself. Delphic Oracle-know thyself- is the hope for redemption. Key Words: Binary, Darkness, Delphic Oracle, Duality, Fall, Good & Evil, Theology. I. Introduction The world according to Golding is neither good nor evil. The perception is rooted in the human brain and in human consciousness. Evil in the Lord of the Flies (1954) exists, not as a Beast, but as an external manifestation of what is really inside and an emblematic and conceptual reduction of it are dangerous manifestations of the Fall. -
William Golding: the Man Who Wrote Lord of the Flies. London: Faber and Faber
John Carey 2009: William Golding: The Man who Wrote Lord of the Flies. London: Faber and Faber. x+573 pp. ISBN 978-0-571-23163-8 Jesús Saavedra Carballido Universidad de Santiago de Compostela [email protected] At the end of his detailed biography of William Golding, John Carey remarks that today “mention of Lord of the Flies sparks recognition in a way that Golding’s own name does not” (516). This may seem unjust to those who have read the other novels, and Golding himself would have been irritated: when he reread it in 1972, he condemned its “boring and crude” style (cited 363). Still, despite huge public and critical acclaim during most of his career, Golding is remembered chiefly for that one book, which has become a massive cultural influence. This explains the subtitle of the present work. John Carey had already edited a commemorative volume on the novelist (Carey 1987). In his attempt to show that Golding was much more than a one-hit wonder, he now unearths a wealth of written documents which comprises “unpublished novels . early drafts of published novels . two autobiographical works . and a 5,000-page journal”, together with “the correspondence between Golding and his editor at Faber and Faber, Charles Monteith” (ix). So far this kind of information had only been available through Golding’s own essays and reviews, some of them collected in The Hot Gates (1965) and A Moving Target (1982), and through such biographical sketches as the one written by his daughter, Judy Carver, and appended to the last edition of Kinkead- Weekes and Gregor’s Critical Study (2002). -
Int.J.Eng.Lang.Lit&Trans.Studies (ISSN:2349-9451/2395-2628)
Int.J.Eng.Lang.Lit&Trans.StudiesINTERNATIONAL JOURNAL (ISSN:2349 OF ENGLISH-9451/2395 LANGUAGE,-2628) Vol. 4. LITERATUREIssue.2, 2017 (April -June) AND TRANSLATION STUDIES (IJELR) A QUARTERLY, INDEXED, REFEREED AND PEER REVIEWED OPEN ACCESS INTERNATIONAL JOURNAL http://www.ijelr.in KY PUBLICATIONS RESEARCH ARTICLE ARTICLE Vol. 4. Issue.2., 2017 (April-June) THEMES AND IMPORTANCE OF HUMAN CONDITIONS IN THE WRITINGS OF WILLIAM GOLDING LORD OF FLIES AND THE INHERITORS Dr. MANISHA DWIVEDI1, KAMLESH KUMAR SONKAR2 1H.O.D. Dept. of English, 2M.Phil Research Scholar Dr. C.V. Raman University Kota, Bilaspur (C.G.) ABSTRACT This research paper aims at attempting to assess the themes and the human conditions in the novels written by William Golding. His first novel, Lord of the Flies (1954; film, 1963 and 1990; play, adapted by Nigel Williams, 1995), describes a group of boys stranded on a tropical island reverting to savagery. The Inheritors (1955) shows "new people" (generally identified with Homo sapiens), triumphing over a gentler race (generally identified with Neanderthals) by deceit and violence. His 1956 novel Pincher Martin records the thoughts of a drowning sailor. Free Fall (1959) explores the issue of free choice as a prisoner held in solitary confinement in a German POW camp during World War Two looks back over his life. The Spire (1964) follows the building (and near collapse) of a huge spire onto a medieval cathedral (generally assumed to be Salisbury Cathedral); the spire symbolizing both spiritual aspiration and worldly vanity. In his 1967 novel The Pyramid three separate stories in a shared setting (a small English town in the 1920s) are linked by a narrator, and The Scorpion God (1971) consists of three novellas, the first set in a prehistoric African hunter-gatherer band ('Clonk, Clonk'), the second in an ancient Egyptian court ('The Scorpion God') and the third in the court of a Roman emperor ('Envoy Extraordinary'). -
William Golding Biography
William Golding's biography From an unknown schoolmaster in 1954, when Lord of the Flies was first published William Golding became a major novelist over the next ten years, only to fall again into relative obscurity after the publication of the generally well-received The Spire in 1964. This second period of obscurity lasted until the end of the 1970s. The years 1979 to 1982 were suddenly fruitful for Golding, and in 1983 he was awarded the Nobel Prize in Literature. How does one account for a life filled with such ups and downs? There can be no one answer to that question, except perhaps to note that Golding's motto, "Nothing Twice," suggests a man with an inquiring mind who was not afraid to try many different approaches to his craft. He knew that while some of his efforts might fail, others would be all the stronger for the attempt. Born in Cornwall, England, in 1911, Golding was the son of an English schoolmaster, a many-talented man who believed strongly in science and rational thought, Golding often described his father's overwhelming influence on his life. The author graduated from Oxford University in 1935 and spent four years (later described by Golding as having been "wasted") writing, acting, and producing for a small London theater. Golding himself became a schoolmaster for a year, after marrying Ann Brookfield in 1939 and before entering the British Royal Navy in 1940. Golding had switched his major from Science to English Literature after two years in college—a crucial change that marked the beginning of Golding's disillusion with the rationalism of his father. -
Faber Firsts Lord of the Flies by William Golding
Faber Firsts Lord of the Flies by William Golding Lord of the Flies by William Golding In brief Set on an unnamed tropical island, Lord of the Flies sees the survivors of a plane crash – all of which are children under the age of thirteen – creating a makeshift society for themselves as they await rescue. Initially, a semblance of order is established by Ralph, one of the older boys, and his cerebral cohort, Piggy. They find a conch shell and - at Piggy’s suggestion - they realise that blowing in it creates a commanding noise that summons the rest of the boys, who go on to elect Ralph as leader. However, Jack, the head of the choir, is jealous of the role, and consistently undermines Ralph. Before long, the infant islanders split into two factions: those who want to concentrate on keeping the fire alight, to ensure that smoke attracts any passing ships, and those that are inspired by the more bloodthirsty pursuits of hunting and killing for food. Ralph’s rational and democratic approach eventually gives way to the savage dictatorship of Jack’s. Anarchy and death follow shortly afterwards. Faber Book Club: Lord of the Flies by William Golding Background Lord of the Flies was an unexpected bestseller. Initially rejected by publishers, it was championed by the late Charles Monteith at Faber & Faber, and was not a hit when initially published. However, all this changed within a couple of years. As Monteith recalls, ‘The book began not only to be talked about but to sell and before long we had to order a reprint. -
EURAMERICA Vol
EURAMERICA Vol. 31, No. 3 (September 2001), 519-570 © Institute of European and American Studies, Academia Sinica The Double Tongue, the Double Vision, and the Double Doubles Adela Jeng Department of Foreign Languages and Literatures, National Taiwan University Abstract William Golding’s unfinished swan song, The Double Tongue, recapitulates his life-long obsession with the double vision: the rational and the spiritual reconciled with each other. The heroine Arieka’s double tongue speaks in the same breath the mortal language and the divine language, the natural truth and the spiritual truth. She is expected to live on two levels at once, mediating between the physical universe and the spiritual cosmos. And Arieka is not the only character whose conscious-ness spans two worlds. The hero Ionides, who commands her to straddle the boundary while choosing to remain on the rational level himself, is forced to share part of her vision. Since both characters are double-visioned, together they become doubly-doubled and resemble the doubly-doubled key to the double doors in the Delphic adytum. The double visions thus multiply into a fourfold vision like that of William Blake in the poem quoted by Northrop Frye in his posthumous Double Vision. Though Ionides fails to complete his rite of passage, while Arieka crosses the boundary into the province of the Received February 26, 2001; accepted May 8, 2001 Proofreader: Shou-Wen, Chien 520 EURAMERICA initiated, the hero still serves as the heroine’s double, like many other characters in Golding’s earlier novels who help complete the protagonist’s spiritual journey.