DOCSLIB.ORG

Maze Runner Correr Ou Morrer Filme C

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Maze Runner Correr Ou Morrer Filme C Maze runner correr ou morrer filme c Continue Fans never like franchising comparisons. And in fact, they really should be avoided. But in some cases it is almost inevitable. Maze Runner - Run or Die, for example, arrives to occupy the same space on big screens as productions such as The Hunger Games and Divergent. The idea is the same: in a futuristic scenario, half apocalyptic, half utopian, there is a system chosen to face. That's not to say that anyone who's seen The Hunger Games or Divergent won't take advantage of the maze runner, after all the contextualization is different, and the story too. In terms of quality, it is between the two films cited, with good action sequences and good chemistry between the characters. But the most important thing is that the film keeps the viewer's attention throughout the session. Unlike the recent game Ender - Terminator game, here the audience is not disconnected ... Screenplay: Grant Pierce Myers, Noah Oppenheim, T.S. Noulin Productions: Ellen Goldsmith-Wen, Gotham Group, Marty Bowen, Vic Godfrey Photo: Enrique Chedjak Soundtrack: John Paesano Studio: 20th Century Fox, Gotham Group Assembler: Dan zimmerman Distributor: Fox Film Brazil Alexander Flores, Aml Amin, Blake Cooper, Kazi Green, Chris Sheffield, Dexter Darden, Don McManus, Dylan O'Brien, Jacob Latimore, Joe Adler, Kaia Scodelario, Ki Hong Lee, Michael Bowe, Patricia Clarkson, Thomas Brodie-Sangster, Will Poulter For the first book in the series written by James Dashner, see Running in the Maze United States2014 - Color - 113 min Direction Weight Ball Productions Ellen Goldsmith-VeinMarty BowenWyck GodfreyLee Stallman Screenplay by Noah Oppenheim Based on Maze Runnerby James Dashner Cast Dylan O'BrienKi Hong LeeThomas SangsterKaya Scodel The Great CooperWill PoulterAml Ameen Genre Actionscience Fictionmystery Music By John Paesano Cinematography Enrique Chediak Edition Dan zimmerman Company (s) Producer Temple (s) Hill Entertainment Distribution 20th Century Studios Issue September 18, 2014 September 19, 2014 English budget $34 million Revenue $348,319,861.1) Timeline Maze Runner: Fireproof (2015) The Maze Runner Official Website is an American action adaptation, science fiction and mystery based on the first book in the series written by James Dashner. Directed by Wes Ball and screenplay by Noah Oppenheim, the cast features Dylan O'Brien, Ki Hong Lee, Thomas Sangster, Kaia Scodelario, Blake Cooper, Will Poulter and Aml Amin. The film premiered in the United States on September 19, 2014. In Brazil and Portugal, the launch took place on September 18, 2014. The synopsis film shows a young Thomas (Dylan O'Brien) who ends up in an unknown place with no memory, leading him to a giant maze almost impossible to escape, made by scientists who promised society to find a cure for the destruction that the sun caused in the world. Things start to go wrong when a girl named Teresa (Kaya Scodelario) appears, bringing a note with her, writing that she will be the last to be sent to the maze. Desperate to get the news, the runners from the maze, Mignot (Ki Hong Lee) and Thomas, will have to find a way out of the maze as soon as possible before things start going wrong again. Production When the first book in the Maze Runner series came out, author James Dashner soon sold the rights to 20th Century Studios, which was immediately ruled out. They already had a director and a script, but they decided to have a different direction. So for about a year, they stood still a bit until they finally decided to choose a new director, they chose Wes Ball. Wes Ball only took the stage when he released his short film Ruin, a 3D computer animation that quickly became an internet sensation and was screened in Hollywood for 20th Century Studios, which took Ruin for a feature film as well as hiring a ball for the movie Running in the Maze. Author James Dashner said in an interview: They could have done it all without me. I was really blessed by Wes (Ball), Wyck (Godfrey) and all the people of Fox who made the decision to put me in from the beginning. So they asked my opinion, I helped a little with the script. Wes contacted me several times with questions. It really meant a lot to me as they wanted me to be. Designer Ken Barthelmy designed monsters named Grivers for the film, among other things. He said in an interview about the work: After I finished the Griever project, the director of Wes Ball asked if I wanted to be on other projects. Since then I have also worked on some important parts of the maze, props, etc. I had a little chat with author James Dashner. He loved drawing grief and said it was the perfect way to transfer the book to the big screen. It meant a lot to me. [8] . The Made by John Paesano soundtrack consists of 21 tracks and was released on September 1, 2014. Maze and Bal Polyana began by drawing their own visualization of the complete maze. Excerpt from an interview with Wes Ball: James basically describes it as a bunch of boxes arranged as a square. I had an idea that I thought was really cool, with a maze similar to a clock. it is very modest when it comes to his prowess and artistic activities to be able to visualize, reproduce and create whole worlds, and this drawing of his served as the basis for creating a small real model of the maze, which is used in the film as one of the boys' tools to map the mysterious place) And despite the limited budget, the director took the mission of developing a maze as real as possible. I wanted to make it believable without looking like something magical, he says. It's not like the Harry Potter maze, we try to create it with as much realism as possible. Then he says it all started with the height of the walls. The book says that they are about 120 meters high. When I started making my predictions I could design walls of this size, but what I thought was... If they were 120 meters long, you wouldn't be able to put them in the pictures frames, and it wouldn't be a visually interesting experience, he says. We ended up in a 30/40 meter zone and it already seemed big enough for you to feel like you were in prison, but not too big to do it during the movie you only see concrete. According to him, the maze is becoming more threatening and imposing without the walls reaching excessive heights. Perhaps the most innovative thing about Wes ball shooting is the fact that it chooses as much authenticity as possible. Of course, the film draws on many visual effects and has some scenes recorded on a green screen, but the clearing is a real field built in the city of Baton Rouge in Los Angeles, where they also built huts and gardens to recreate a world in which boys live in a book. Ball also found the demolished foundation of the hotel, where a production team created a makeshift maze and a small marking so they could shoot in real sunlight and real concrete. And where they were unable to recreate a small section of the maze, Ball even experimented with new camera angles and made some of the film's most challenging action sequences, turning to new perspectives, as if youth were running around an infinite number of different corners of the maze. Head character selection director Wes Ball said of Thomas's choice of role: At first I didn't think he (Dylan O'Brien) would be the guy for me. I had a very different idea of what Thomas was going to be like. He had to be a vulnerable child who appears in this place who is emotionally weak and scared. At the end of the film he becomes such a brave man, or at least young. I knew Dylan could be a very strong and attractive character, but could he be such a vulnerable person? Will he get there? Luckily, he did. He variations and amazing actor - leaving aside the fact that all the girls love him because he is a very handsome guy. He's a very good actor and he's incredibly humble. He works more than anyone. You couldn't ask for anything better than this and we were really lucky with Dylan because we were looking for it all for our Thomas. He's got something you just want to see. And that's what you need, because the story is really told with your own eyes. The shooting began in Baton Rouge, Louisiana, on May 13, 2013, and officially ended on July 12, 2013. Production ends in June 2014. Reporting by Kaia Scodelario and Dylan O'Brien at San Diego Comic-Con International in July 2014. Eleven posters of the film's characters were released in July 2013. Since January 2014, director USA Ball began releasing an image of the film every week, which resulted in the release of the official trailer on March 17, 2014. The viral marketing campaign began on April 16, 2014 on the WCKD website called wckdisgood.com. On June 26, 2014, Dylan O'Brien tweeted that the first book in the series would be rebooked with a new cover based on the film's poster. On the film's official Facebook page it became known that the second trailer will be released on July 29, 2014, which further contributed to the release of the film.
Load more

Recommended publications
  • PACIFIC RIM: UPRISING(2018) ● Released on March 23Rd, 2018 ● 1 Hour 51 Minutes ● $150,000,000 (Estimated) Budget ● Directed by Steven S
    PACIFIC RIM: UPRISING(2018) ● Released on March 23rd, 2018 ● 1 Hour 51 minutes ● $150,000,000 (estimated) Budget ● Directed by Steven S. DeKnight ● Written by Steven S. DeKnight, Emily Carmichael ● Double Dare You (DDY), Double Negative, Legendary Entertainment ● Rated PG-13 for sequences of sci-fi violence and action, and some language QUICK THOUGHTS ● Marisa Serafini ● Phil Svitek ● Demetri Panos DEVELOPMENT ● In 2012, prior to the first film's release, del Toro noted that he had ideas for a sequel, noting in 2014 that he had been working on a script with Zak Penn for several months ​ ​ ● In June 2014, del Toro stated that he would direct the sequel, and that it would be released by Universal Pictures, Legendary's new financing and distribution partner, on April 7, 2017 ​ ● In July 2015, it was reported that filming was expected to begin in November, though production was halted following conflicts between Universal and Legendary ● As the sequel's future became unclear, Universal indefinitely delayed the film ● Still determined to have the film made, del Toro kept working and by that October announced that he had presented the studio with a script and a budget ● After the sale of Legendary to Chinese Wanda Group for $3.5 billion, observers noted an ​ ​ ​ ​ increased likelihood of Pacific Rim 2's production being revitalized because the first film was so ​ ​ successful in China ● In February 2016, the studio, and del Toro himself via Twitter, announced that Steven S. DeKnight would take over directing duties, with a new script written by Jon Spaihts, marking ​ ​ DeKnight's feature directorial debut.
    [Show full text]
  • Componist Van My Name Is Nobody NUMMER
    FILMMUZIEKMAGAZINE RENGER KONING – Componist van My name is nobody NUMMER 195 – 47ste JAARGANG – JANUARI 2018 1 Score 195 Januari 2018 47ste jaargang ISSN-nummer: 0921- 2612 Het e-zine Score is een uitgave van de stichting FILMMUZIEKMAGAZINE Cinemusica, het Nederlands Centrum voor Filmmuziek REDACTIONEEL Informatienummer: +31 050-5251991 Dit nieuwe filmjaar begint onder meer met een interessante documentaire. Volgende week gaat My name is nobody in E-mail: roulatie, en we bedoelen hier niet de befaamde spaghetti- [email protected] western uit 1973 met muziek van Ennio Morricone, maar een documentaire van Denise Janzée waarin – niet helemaal ver- Kernredactie: Paul wonderlijk – Morricone een kleine, doch cruciale rol speelt. Stevelmans en Sijbold De muziek voor deze enigmatische documentaire werd ge- Tonkens schreven door Renger Koning. Op de volgende pagina begint een interview met deze componist die uitgebreid vertelt over Aan Score 195 werkten de achtergrond van de film. Ook met de man die het geluids- mee: Paul Stevelmans en Sijbold Tonkens ontwerp voor My name is nobody deed, heeft Score onlangs gesproken. Deze Marc Lizier werkt ook als componist en mo- menteel draait in de filmtheaters Instant Dreams, waarvoor hij Eindredactie: Paul de muziek heeft gecomponeerd. Documentaires bieden al ja- Stevelmans ren de mogelijkheid om niet alleen te genieten van de beelden en het aangesneden onderwerp, maar net zo goed van de boei- Vormgeving: Paul ende muziek. Het jaarlijkse IDFA, waar beide films hun eer- Stevelmans ste vertoning beleefden, is dan ook voor al diegenen, die film- muziek een warm hart toedragen, een bezoek waard. Met dank aan: Renger Koning, Henry Jack- INHOUDSOPGAVE man, Costa Communi- cations, Marc Lizier, John Paesano 3 Renger Koning - Interview 8 Henry Jackman - Interview 12 Marc Lizier - Interview 18 John Paesano - Portret Boekbespreking Recensies 22 23 2 MUZIEK MET EEN UITDAGING Interview met Renger Koning Op 18 januari aanstaande gaat de documentaire My name is nobody van Denise Janzée in roulatie.
    [Show full text]
  • Defenders Free Download
    DEFENDERS FREE DOWNLOAD Will McIntosh | 512 pages | 27 May 2014 | Little, Brown Book Group | 9780356502151 | English | London, United Kingdom People Do. Archived from the original on June 30, Defenders Not one bit. When Defenders calls her Elektra, she flees, but not before preventing Murakami from Defenders Murdock. Retrieved May 10, The Evolution Defenders Armie Hammer. Retrieved Defenders 7, Netflix Media Center. Keep track of everything you watch; tell your friends. There, Matt Murdock Defenders given up his life as the vigilante Daredevil and is working as a pro bono lawyer. Weinstein was born in Chicago, illinois in Clear Defenders history. From Wikipedia, the free encyclopedia. Wish that The Punisher showed up and joined the team. Choosing an antagonist for the miniseries was another challenge, Defenders to Ramirez. Danny changes his tactics. Jones, Murdock, and Cage arrive in the cavern to help Rand, and they fight the members of the Hand together. Archived from the original on July 28, Lloyd, production designer Loren Weeks, and costume designer Stephanie Maslansky worked together to create distinct color palettes for each of the characters, maintaining the looks Defenders their individual series, rather than attempting to Defenders the looks of all the Defenders series for the miniseries. All music composed by John Paesano: []. Retrieved April 15, Retrieved August 5, Defenders Retrieved August 17, Plot Summary. Archived from the original on January 10, Retrieved January 16, The site described the scene as an "emotionally compelling two- hander". February 6, District Court, Northern District of Defenders. Clarkson Filmed an Understated Earthquake". Retrieved October 31, Director S. Netflix defined "Binge Racers" as viewers who watched the entire series within 24 hours Defenders its release, and that data accommodated Defenders time zones and is reflective of a show's launch within 24 hours of a country's release".
    [Show full text]
  • See the Program Book View
    HONORING THE TOP FILM, TELEVISION & VIDEO GAME MUSIC OF 2018 WEDNESDAY MAY 15, 2019 | THE BEVERLY HILTON PAUL WILLIAMS ELIZABETH MATTHEWS PRESIDENT & CHAIRMAN OF THE BOARD CHIEF EXECUTIVE OFFICER ASCAP BOARD OF DIRECTORS WRITERS JOEL BECKERMAN | RICHARD BELLIS | MARILYN BERGMAN (EMERITUS) BRUCE BROUGHTON | DESMOND CHILD | DAN FOLIART | MICHELLE LEWIS | MARCUS MILLER RUDY PÉREZ | ALEX SHAPIRO | JIMMY WEBB | PAUL WILLIAMS | DOUG WOOD PUBLISHERS CAROLINE BIENSTOCK | PETER BRODSKY | BARRY COBURN | KEITH HAUPRICH LAURENT HUBERT | DEAN KAY | JAMES M. KENDRICK | EVAN LAMBERG LEEDS LEVY | CARIANNE MARSHALL | MARY MEGAN PEER | IRWIN Z. ROBINSON THE CONGRATULATES THE WOMEN HONORED TONIGHT: PINAR TOPRAK ASCAP Shirley Walker Award WENDY & LISA Top Network TV Series (Shades of Blue) ANNE DUDLEY Top Box Office Film (Mamma Mia! Here We Go Again) LENA RAINE Composers’ Choice Nomination AND WE APPLAUD ALL OF THIS YEAR’S HONOREES! ALL COMPOSERS CAN JOIN at THEAWFC.COM MOST PERFORMED MOST PERFORMED Themes & Underscore Themes & Underscore Honoring ASCAP composers whose music has earned the highest number of cumulative domestic performance credits in television in the category of themes and dramatic underscore for the 2018 survey year David Joel Michael Jeff Ed Mark VANACORE BECKERMAN GIACCHINO LIPPENCOTT ROBERTSON SNOW TOP WINNER (SOCAN) Cat Jared Didier Mark T. Hans GRAY GUTSTADT LEAN RACHOU WILLIAMS ZIMMER TOP NETWORK TOP NETWORK Television Series Television Series Honoring ASCAP composers and songwriters for their themes and underscore from the highest
    [Show full text]
  • It Started with the Maze…
    It started with the maze… In The Maze Runner Thomas (Dylan O’Brien) woke up as he was being delivered to the glade. He had no memory of who he was or why he’d become a member of a community of young people; among them Minho (Ki Hong Lee), lead maze runner; Newt (Thomas Brodie- Sangster), a good friend and advisor, Gally (Will Poulter), a leader and adversary and Teresa (Kaya Scodelario), the only female glader, with whom Thomas may have a potentially dark history. Together they are trapped, surrounded by 200 foot walls and an ever-changing maze. Bad turns to worse when the gladers finally escape the maze only to discover they are in the middle of a desolate wasteland called The Scorch. In Maze Runner: The Scorch Trials , Thomas and the surviving gladers met new allies while discovering clues about a mysterious group behind all of their “tests” – an organization known as WCKD. With Maze Runner: The Death Cure the motives of WCKD become clearer: Dr. Ava Paige, WCKD’s executive director is close to what she believes is a cure for the disease known as The Flare, an infection that has decimated the world’s population. But the cure comes by sacrificing the few young people left in the world who are apparently immune. In order to free those who have been rounded up as test subjects, including his friend Minho, Thomas must now band together with fellow survivors, old and new, and take the battle to what may be the last remaining city and the final stronghold of WCKD.
    [Show full text]
  • Mami Abstracts 5 26 20 V5
    Music and the Moving Image XVI MAY 28 – MAY 31, 2020 ABSTRACTS 1. Thursday, May 28, 1:00 AM – 2:30 PM EST, Blake Neeley, Keynote Scoring Television: the New Golden Age in Streaming Media Through the proliferation of streaming media and enhanced digital technologies, the creative visions that once polarized television and film, have now blurred. Prolific television composer Blake Neely will demonstrate how his creative process operates within a “new golden age” of television and documentaries. He will compare and contrast the overall sound, styles and various tropes of modern scoring, including the use of live musicians, computers and creative team expansion. Having composed music for over 1400 episodes of television, across 34 successful series, including the DC Universe, Neely will focus on his overall approach, philosophy, and process in an ever-changing, yet highly-evolved landscape of scoring to picture. What goes into creating the overall sound-world for a series during its genesis? How is a specific character’s theme approached? How do these themes and sound-worlds evolve and even combine throughout the life of a series? Neely will explore his workflow and ideas, including the musical, narrative, and cultural inspirations that guide him. Further analysis will look at how this ethos is applied to a seemingly wholly different medium — documentary scoring. Where are the similarities of process, and where are the differences? 2. Thursday, May 28, 3:00- 4:30 PM EST “You Made Me Love You:” Judy Garland and the Performance of Sincerity Daniel Batchelder, University of Cincinnati College-Conservatory of Music The 2019 release of the biopic Judy confirmed that the Geist of Judy Garland has continued to haunt contemporary American Zeit half a century after the singer-actress’ death.
    [Show full text]
  • Marvel's Spider-Man
    Marvel’s Spider-Man Insomniac Games, ha prodotto tantissimi giochi principalmente per le piattaforme Sony, ma non è mai riuscita ad avere la risonanza di studi first party come Naughty Dog o Santa Monica; potrebbe però aver fatto il salto qualitativo con Marvel’s Spider Man, titolo che ha destato un grandissimo interesse nei giocatori sin dal suo annuncio all’E3 del 2016. Ricordiamo che Spider-Man è uno degli eroi più famosi dell’universo Marvel, e le vendite iniziali fanno ben sperare. In questa recensione proveremo a elencare cosa ci ha colpito positivamente, e cosa secondo noi dovrebbe essere migliorato in un potenziale seguito. Gli sviluppatori si sono avvalsi dell’aiuto di sceneggiatori che lavorano anche nei fumettiMarvel , uno dei quali (Dan Slott) è anche il creatore di Mister Negativo, uno dei principali antagonisti del gioco. Fin dall’inizio si vede l’amore degli sviluppatori per l’Uomo Ragno, dalla cura dei dettagli della cameretta di Peter Parker ai numerosissimi easter egg presenti in gioco. La storia, pur non raccontando nulla di trascendentale, svolge il suo compito in maniera egregia: il nostro Spider-Man vive in un universo creato appositamente per il gioco, non si parte più dalle sue origini, Peter è un ventitreenne, ha già assistito alla morte dello zio Ben, e ha alle sue spalle una notevole esperienza nei panni del tessiragnatele, ha già avuto una relazione con la bella Mary Jane Watson, la quale, a differenza dei fumetti, lavora come giornalista per il Daily Bugle e non fa dunque la modella. Il gioco parte subito con la caccia e seguente cattura diKingpin , famosissimo antagonista di Spider-Man e DareDevil: questa sezione serve da vero e proprio tutorial, sia per quanto riguarda l’utilizzo delle ragnatele per volteggiare tra i grattacieli, sia per i combattimenti, nonché per le fasi stealth.
    [Show full text]
  • Television Academy Awards
    FOR IMMEDIATE RELEASE 2018 EMMY® AWARDS NOMINATIONS FOR PROGRAMS AIRING JUNE 1, 2017 – MAY 31, 2018 Los Angeles, CA, July 12, 2018– Nominations for the 70th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Hayma Washington along with Samira Wiley from the Hulu series The Handmaid’s Tale and Ryan Eggold from NBC’s upcoming drama, New Amsterdam. "It’s been another record-breaking year with more than 9,100 entries in 122 unique categories for the initial nomination round of voting,” said Washington. “The continued growth of the industry has provided opportunities for acclaimed new programs to emerge, while allowing last season’s break-through programs to thrive. In addition, 36 performers -- ranging from new discoveries to revered international stars -- have received their first-ever acting Emmy nomination across all categories of scripted programming. We are honored to recognize both television’s seasoned veterans and rising talents. “This year’s nominations continue to represent increased diversity and inclusion in front of the camera. And, there is a wealth of new and returning programs that reflect so many of today’s critical issues.” Among this year’s eigHt Outstanding Comedy Series nominees, there are three first-timers representing an exceptional range of storytelling. Freshman shows Barry, GLOW and The Marvelous Mrs. Maisel join returning hits Atlanta, black-ish, Curb Your Enthusiasm, Silicon Valley and Unbreakable Kimmy Schmidt. The nominations in Outstanding Drama Series were again spread over distribution platforms, with returning nominees The Americans (FX) and Game Of Thrones (HBO) joining all of last season’s new nominees The Crown (Netflix), The Handmaid’s Tale (Hulu), Stranger Things (Netflix), This Is Us (NBC), and Westworld (HBO).
    [Show full text]
  • The Star Production Notes Final
    Affirm Films e Sony Pictures Animation presentano in associazione con Walden Media e The Jim Henson Company una produzione Franklin Entertainment un film Sony Pictures Animation Diretto da Timothy Reckart Prodotto da Jennifer Magee-Cook, p.g.a. Produttori esecutivi DeVon Franklin, Brian Henson, Lisa Henson Sceneggiatura di Carlos Kotkin Da una storia di Simon Moore e Carlos Kotkin Musica di John Paesano Montaggio di Pamela Ziegenhagen-Shefland Scenografia di Craig Elliott Art director Sean Eckols Character Designer David Colman, Patrick Mate Distribuito da Warner Bros. Entertainment Italia Durata del film: 86 minuti Uscita italiana: 30 novembre 2017 Materiale stampa: www.cristianacaimmi.com/GEDN.zip Trailer: www.cristianacaimmi.com/GEDN_Trailer Senior Publicity Manager consultant - Ufficio Stampa Film Cristiana Caimmi: [email protected] Publicity Manager Sony Pictures - Warner Bros. Entertainment Italia Antonio Viespoli: [email protected] 2 Production Information In AFFIRM Films and Sony Pictures Animation’s The Star, a small but brave donkey named Bo yearns for a life beyond his daily grind at the village mill. One day Bo finds the courage to break free and ends up befriending newlyweds Joseph and Mary. Mary’s kindness soon sets Bo on the adventure of his dreams. On his journey, he teams up with Ruth, a loveable sheep who has lost her flock, and Dave, a dove with lofty aspirations. Along with three wisecracking camels and some eccentric stable animals, Bo and his new friends follow the Star and become unlikely
    [Show full text]
  • Music Composition for a Series (Original Dramatic Score)
    2019 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Affair Episode 408 August 05, 2018 While searching to reunite with Alison after his epiphany in California, Cole makes a horrific discovery and suspects Ben may be at fault. Noah begins to question everything about Alison’s trip to California and wonders what impact he has had on Alison’s fate. Marcelo Zarvos, Composer American Dad Rabbit Ears May 06, 2019 Stan becomes obsessed with a mysterious and little known 1960’s television show after he picks up an old, abandoned TV on big trash day. Joel McNeely, Composer American Gods Moon Shadow April 28, 2019 Wednesday has disappeared, and Shadow is tormented by the night’s events. Those that remain witness the power of New Media as she is unleashed, and the nation is enveloped in a state of panic brought on by Mr. World, who cunningly illustrates the power of fear and belief. Danny Bensi, Composer Saunder Jurriaans, Composer American Horror Story: Apocalypse The End September 12, 2018 In the wake of the nuclear apocalypse, a select group survives in a sealed bunker. As tensions rise, the occupants question whether the real hell is outside…or locked in with them. Mac Quayle, Composer American Housewife A Mom's Parade May 21, 2019 In this musical episode Katie Otto, exhausted from juggling the Westport Founder’s Day Fair and her mom duties, just wants a simple “thank you” from her family. Encouraged by Doris and Angela (and some singing and dancing), Katie decides to go “Full Westport”, leaving the kids to fend for themselves.
    [Show full text]
  • All Eyez on Me
    All Eyez on Me Preliminary Production Notes Short Synopsis The feature film All Eyez on Me sheds new light on the events behind the meteoric rise and tragic fall of charismatic rapper Tupac Shakur (Demetrius Shipp Jr.). Inspired by his activist mother (Danai Gurira) and close high-school friend Jada Pinkett (Kat Graham), Tupac embarks on a prolific and turbulent career marked by hit records, film roles, violence, imprisonment, bitter rivalries and a complex relationship with music mogul Suge Knight (Dominic Santana). Packed with Shakur’s incendiary music, All Eyez on Me tells the untold story of a prodigiously gifted artist cut down in the prime of life. Long Synopsis Raised in the Bronx by his outspoken mother Afeni (Danai Gurira), a member of the Black Panther Party, Tupac Shakur (Demetrius Shipp Jr.) confronts police brutality at an early age when FBI agents raid his home on Christmas Eve in search of his activist stepfather. Moving to Maryland in his teens, Tupac attends Baltimore School for the Performing Arts, where he befriends a young Jada Pinkett (Kat Graham). But just as Shakur begins thriving in this creative environment, his now- drug-addicted mother ships him off to live with relatives in Oakland, California. Discovered at a Bay Area poetry workshop, Tupac joins Digital Underground and tours with outlandish leader Shock G (Chris Clarke) during the group’s “Humpty Dance” heyday. Tupac soon lands a solo deal with Interscope Records and his first movie role, in Juice. Despite the breakout success of his second album “Strictly 4 My N.I.G.G.A.Z...,” Tupac’s personal life becomes entangled in a string of arrests, financial problems, and gunfights.
    [Show full text]
  • Playstation Presenta Los Detalles De La Banda Sonora De Detroit: Become Human
    Playstation presenta los detalles de la banda sonora de Detroit: Become Human Sony Interactive Entertainment Europa (SIEE) presenta los detalles de la banda sonora original (BSO) del drama interactivo de ciencia-ficción Detroit: Become Human, que llegará en exclusiva a PlayStation 4 (PS4) el próximo 25 de mayo a un precio de 69,99€ y PEGI 18. El estudio francés Quantic Dream (creadores de Heavy Rain y Beyond: Dos Almas), ha trabajado especialmente en la creación de una impactante BSO para dotar al juego de una personalidad y ambientación única que permita a los usuarios sumergirse en este asombroso Detroit del año 2038. En este sentido, la música de Detroit: Become Human refleja a la perfección de forma individual la personalidad, historia y comportamiento de Kara, Connor y Markus, los tres androides protagonistas de la historia, que vivirán diferentes situaciones a lo largo de la aventura. En el caso de Kara, un androide asistente deméstico en un hogar desestructurado con un padre violento y su hija aterrorizada, la melodía ha sido compuesta por el chelista profesional Philip Sheppard, que ha plasmado el sentimiento de angustia que se vive en la casa donde trabaja. Por su parte, Nima Fakhrara ha sido el compositor encargado de reflejar la personalidad de Connor, un androide súper avanzado que ayuda a la policía para resolver situaciones críticas contra los denominados ‘divergentes’, androides cuyo comportamiento se ha desviado de la programación servicial inicialmente establecida. En cuanto a Markus, androide que verá aumentar de manera notable su consciencia a lo largo de la aventura convirtiéndose en el líder de la rebelión de los androides frente a la opresión humana, Quantic Dream escogió las composiciones de orquesta de John Paesano Daredevil( y El Corredor del Laberinto) para enfatizar la revolución e intensidad del personaje.
    [Show full text]