Kent Academic Repository Full text document (pdf) Citation for published version Sayad, Cecilia (2016) Found-Footage Horror and the Frame's Undoing. Cinema Journal . ISSN 0009-7101. DOI Link to record in KAR http://kar.kent.ac.uk/42009/ Document Version Author's Accepted Manuscript Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact:
[email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Found-Footage Horror and the 1 Frame’s Undoing 2 3 by CECILIA SAYAD 4 5 Abstract: This article fi nds in the found-footage horror cycle an alternative way of under- 6 standing the relationship between horror fi lms and reality, which is usually discussed 7 in terms of allegory. I propose the investigation of framing, considered both fi guratively 8 (framing the fi lm as documentary) and stylistically (the framing in handheld cameras 9 and in static long takes), as a device that playfully destabilizes the separation between 10 the fi lm and the surrounding world.