Cristina Ortiz Piano

Total Page:16

File Type:pdf, Size:1020Kb

Cristina Ortiz Piano papeles música Avilés arte sonoro. Mano- lo Tena. Página 3 Sociedad Filarmónica Avi- lesina: Paula Martínez y Marco Fatichenti. Página 3 Música en escena. Orques- ta Sinfónica del Principado de Asturias. Páginas 4 y 5 AÑO XXXIII NÚMERO 273 / ABRIL 2012 papeles plástica Nieves González: Desva- ríos en la mesa. Páginas 6 y 7 Una ópera de locura papeles imagen Pasa por ser el colmo del arreba- El cine de los jueves. to, de la pasión, del romanticismo Página 8 en estado puro: una locura de ópera. Pasa también por ser la obra maestra de Donizetti. Y pa- Teatro Palacio Valdés sa, sobre todo, por ser la apoteo- sis del bel canto. Lucia di Lammer- moor no da tregua a la audiencia: Música en escena. Pro- es un torrente musical, una cata- ducciones Telón: Lucia di rata melódica fluyendo inconteni- Lammermoor. ble por el intrincado cauce de una Suplemento n.º 581 trama –estamos en 1835– sin complejos de desmesura. Que el tradicionalmente considerado mo- Teatro Los Canapés mento cumbre de la representa- ción sea la escena de la locura no Off Canapés. Manel Bar- resulta por lo tanto en esta locura celó en Los villanos de de ópera nada casual. Y aunque PODIO MANUEL Shakespeare. el género, la ópera, no se haya Producciones Telón: Lucia di Lammermoor. Suplemento n.º 88 privado, que se diga, de excesos desde aquel ya ¿lejano? 1835, la ción de Telón. Elementos, los do acoplamiento musical y la firma Lucia mantiene tan pimpante los justos. El quid está en el uso que de un director escénico, Ignacio Centros suyos. A condición, eso sí, de ser se hace de ellos: un plantel de García, cuyo currículum le ha si- puesta con tino en escena. Y ahí cantantes pujantemente maduros tuado ya, a pesar de su edad, en es donde entra (día 28) la produc- dentro de su juventud, un trabaja- la categoría de los maestros. Suplemento n.º 89 De Shakespeare, los villanos De Shakespeare, los villanos. Y que Hamlet nos perdone. No es que en Shakespeare falten las gentes de bien. (Faltar, faltar, no falta de nada). Pero los villanos… ¡ah los villanos! Pregúntenle us- tedes a los actores. ¿Qué puede haber mejor que un Ricardo III o una Lady Macbeth o un Shylock, tocante a lucirse? Y eso es lo que nos trae a Los Canapés Manel Barceló (día 13), toda una lista de ilustrísimos villanos de Shakes- El joven director chino Perry So dirige a la Orquesta Sinfónica del Principado de As- peare interpretados por él solo, RUANO DAVID turias. El concierto forma parte del ciclo como él sólo sabe hacerlo. Manel Barceló en Los villanos de Shakespeare. Música en escena. Página 2 Abril 2012 Abril 2012 Página 3 abril, día a día papeles música ACTOS Día 14, sábado: Concejalía de Cultura. ‘Avilés arte sonoro’ Estreno de la película-documental Marcelo Campanal, leyendas de la Ro- Día 2, lunes: Asociación de Amas de Casa. ja. 20.00. Auditorio. Reunión mensual informativa. Día 16, lunes: Asociación de Amas de Casa. Manolo Día 3, martes: Club de Prensa de La Nueva Concierto: Laura Faya (violín) y David España. 20.00. Sala de conferencias. Carreño (piano). 18.00. Auditorio. PODIO MANUEL Día 8, domingo: Concejalía de Cultura. Sociedad Filatélica Avilesina. Asamblea Producciones Telón: Lucia di Lammermoor. Tena Agrupación Polifónica Centro Asturia- anual de socios. 19.30. Sala de confe- Día 28, sábado: Música en escena. Ópera. RUBÉN RDC no. XXI Encuentro Coral de Habane- rencias. Lucia di Lammermoor. 20.15. Teatro Con Manolo Tena, acompa- Manolo Tena. Paula Martínez y Marco Fatichenti. ras. 20.00. Auditorio. Día 17, martes: Club de Prensa de La Nue- Palacio Valdés. ñado por un cuarteto (guita- Día 9, lunes: Concejalía de Cultura. Agru- va España. 20.00. Sala de conferencias. rra, bajo, teclados y batería), Le siguieron Las mentiras Sociedad Filarmónica Avilesina prosigue en el Auditorio el del viento (1995), Juego para pación Polifónica Centro Asturiano. Día 18, miércoles: Concejalía de Consumo. EXPOSICIONES ciclo Avilés arte sonoro en dos (1997) y el recopilatorio XXI Encuentro Coral de Habaneras. VII Ciclo de Conferencias Avilés, ciu- su edición de primavera, Grandes éxitos y rarezas, fin 20.00. Auditorio. dad saludable. 19.00. Sala de confe- Paula Martínez que completarán en mayo de su relación con Sony, coin- Día 10, martes: Club de Prensa de La Nue- rencias. Días 3 al 29: Nieves González: Desvaríos Los Secretos y la convoca- cidente en año –1998– con la va España. 20.00. Sala de conferencias. Día 19, jueves: Club de Prensa de La Nueva en la mesa. Sala de exposiciones. toria Avilés, ciudad dylanita. grabación de Poeta en Nueva Día 12, jueves: Club de Prensa de La Nueva España. 20.00. Sala de conferencias. Lunes a sábado: 11.00 a 13.00 y 18.00 York, una visión nada conven- y Marco Fatichenti España. 20.00. Sala de conferencias. Música en escena. Concierto. Orques- a 21.00. Domingos: 11.00 a 14.00. Manolo Tena (Madrid, diciem- cional de García Lorca a ritmo El cine de los jueves. Proyección de ta Sinfónica del Principado de Astu- bre de 1952), en sus comien- de rap y hip-hop. El disco, dis- El dúo formado por la violi- Academy of Music de Lon- Las acacias. 20.15. Auditorio. rias. 20.15. Auditorio. zos intérprete sarcástico bajo tribuido en Internet por Placer nista Paula Martínez y el pia- dres. Tocó en el Auditorio Na- el seudónimo de Lolilla Cardo, de Caños, incorporó un pione- nista Marco Fatichenti prota- cional de Música de Madrid, luego componente de la banda ro sistema detector de emisio- goniza el penúltimo concier- Teatro Arriaga de Bilbao, Au- underground Spoonful, colabo- nes ilícitas. Salvaguardando to de la temporada de la So- ditori de Barcelona, National rador en 1975 de Luis Eduardo sus intereses, Manolo Tena dio ciedad Filarmónica Avilesina. Concert Hall de Dublín, Sym- Aute en su álbum Babel y del un paso más y creó Kripton Los dos son jóvenes forma- phony Hall de Birmingham y Laboratorio Colectivo Chueca Music, sello propio bajo el que dos en instituciones de pres- Wigmore Hall de Londres. En en 1977, ese año comenzó a editó Insólito (2000), recurrien- tigio y de amplio vuelo en 2008, invitado por el Ministerio Obras de Nieves González. fusionar rock y teatro con el do de nuevo a la red como ca- escenarios internacionales. de Asuntos Exteriores italiano, grupo Cucharada, de aspecto nal de venta y al formato MP3. actuó en la Expo de Zarago- RICARDO SOLÍS estrafalario y con el harapo por En 2004 grabó en directo Bá- Paula Martínez, titulada por el za. Grabó para RTVE, Radio REUNIONES DE ENTIDADES Las acacias. Orquesta Sinfónica del Principado de Asturias. bandera. En 1981 derivó hacia sikamente, disco y DVD con Conservatorio Superior de Nacional de Irlanda y Radio Día 13, viernes: Off Canapés. Teatro. Los Día 20, viernes: Cuentacuentos. Saltarela el after punk y el reggae con temas ya conocidos, y en 2008 Música de Oviedo, continuó Nacional Polaca, así como villanos de Shakespeare. 20.15. Teatro Teatro. 18.00. Sala infantil de lectura. Lunes: Grupo Esperantista Antauen, 19.00. Alarma!!!, grupo que suscitó presentó Canciones nuevas, estudios en el Royal College dos discos. división de opiniones (aun así con composiciones que res- of Music de Londres, New En- Centro Los Canapés. Estreno en es- Avilés arte sonoro. Concierto. Manolo Martes: Sociedad Filarmónica Avilesina, duró cinco años) y de impor- ponden al título del disco, una gland Conservatory de Boston pañol. Tena. 20.30. Auditorio. 19.00. Miércoles: Asociación de Mujeres tancia reconocida tiempo des- puesta al día del Manolo Tena y Manhattan School of Music SOCIEDAD Asturianas, 17.00; ENEAS, 19.00. Jueves: Día 21, sábado: Ignacio Faulín, CB Cómi- pués de su desaparición. que todos esperan escuchar. de Nueva York. Formó parte FILARMÓNICA cos presenta: Leo Harlem y Sinacio. Grupo Filatélico, 19.00. Viernes: Sociedad En 1988, avalado por Joa- de la Joven Orquesta Nacional AVILESINA 20.00. Auditorio. Numismática, 19.00. Sábado: ARTEA, quín Sabina, grabó Tan raro de España, Joven Orquesta Día 23, lunes: Asociación de Amas de Casa. 11.00; Grupo Filatélico - Sección Juvenil: con el sello Elígeme, una ruina de la Unión Europea y Joven Día del libro. Conferencia de Fernando A. 13.00. Sala de reuniones. comercial por falta de promo- Orquesta de Francia. Tocó Balbuena: Rubén Darío. 18.00. Auditorio. ción pero interesante trabajo con las Sinfónicas de Tenerife Temporada LVII Concierto n.º 535 Día 24, martes: Animación a la lectura. HORARIOS DE BIBLIOTECA en solitario que abrió la puerta y Galicia, London Philharmo- Semana del libro: Despertares Abier- a Manolo Tena como compo- nic, Royal Philharmonic de de la segunda época tos. 17.30. Sala infantil de lectura. sitor para para otros (Miguel Londres y City of Birmingham y n.º 635 de la Sociedad Club de Prensa de La Nueva España. Sala de lectura (adultos): Lunes a sábado: Ríos, Ana Belén, Luz Casal, Symphony. Trabajó con direc- Paula Martínez 20.00. Sala de conferencias. 9.00 a 21.00. Domingos y festivos: 9.00 Los Secretos, Rosario, Sinies- tores hoy ya históricos, como a 14.00. tro Total). Durante casi cuatro Simon Rattle, Bernard Haitink Marco Fatichenti Día 25, miércoles: Sociedad Filarmónica. Dúo de violín y piano Concierto. Paula Martínez (piano) y Mar- Servicio de préstamo: Lunes a viernes: años sin grabar, viajó a Miami y Vladímir Ashkenazy, presen- DAVID RUANO DAVID co Fatichenti (violín). 20.15. Auditorio. 11.00 a 21.00. Sábados: 11.00 a 13.00 y hasta allí, inesperadamente, tándose en el Royal Festival Obras de BRAHMS, BEETHOVEN Manel Barceló en Los villanos de Shakespeare.
Recommended publications
  • University Musical Society Oslo Philharmonic
    UNIVERSITY MUSICAL SOCIETY OSLO PHILHARMONIC ORCHESTRA MARISS JANSONS Music Director and Conductor FRANK PETER ZIMMERMANN, Violinist Sunday Evening, November 17, 1991, at 8:00 Hill Auditorium, Ann Arbor, Michigan PROGRAM Concerto in E minor for Violin and Orchestra, Op. 64 . Mendelssohn Allegro molto appassionata Andante Allegretto non troppo, allegro molto vivace Frank Peter Zimmermann, Violinist INTERMISSION Symphony No. 7 in C major, Op. 60 ("Leningrad") ..... Shostakovich Allegretto Moderate Adagio, moderate risoluto Allegro non troppo CCC Norsk Hydro is proud to be the exclusive worldwide sponsor IfiBUt of the Oslo Philharmonic Orchestra for the period 1990-93. The Oslo Philharmonic and Frank Peter Zimmermann are represented by Columbia Artists Management Inc., New York City. The Philharmonic records for EMl/Angel, Chandos, and Polygram. The box office in the outer lobby is open during intermission for tickets to upcoming Musical Society concerts. Twelfth Concert of the 113th Season 113th Annual Choral Union Series Program Notes Violin Concerto in E minor, Op. 64 root tone G on its lowest note, the flute and FELIX MENDELSSOHN (1809-1847) clarinets in pairs are entrusted with the gentle melody. On the opening G string, the solo uring his short life of 38 years, violin becomes the fundament of this delicate Mendelssohn dominated the passage. The two themes are worked out until musical world of Germany and their development reaches the cadenza, exercised the same influence in which Mendelssohn wrote out in full. The England for more than a gener­ cadenza, in turn, serves as a transition to the ationD after his death. The reason for this may reprise.
    [Show full text]
  • Magda Tagliaferro (1893-1986) a Discography1
    MAGDA TAGLIAFERRO (1893-1986) A DISCOGRAPHY1 By Philippe Rougier The pianistic career of Magda Tagliaferro was one of the longest, spanning more than eighty years-from her first public concert in 1902 in Sao Paulo to her last in Brasilia in 1985. Born of French parents near Rio de Janeiro, she divided her life between Brazil and France and she held both citizenships. She received first prize in piano at the Conservatoire National in Paris when she was fourteen. There she became acquainted with the director, Gabriel Faure, who around 1908 chose her to perform several of his works with him on tour. She was the protegee of the Cortot-Thibaud-Casals trio and worked regularly with her "venerated master," Alfred Cortot, whose musical aesthetics she adopted and perpetuated throughout her life. Prior to World War II, she lived in Paris and enjoyed a very brilliant career embracing Europe and South America, playing with conductors such as Furtwaengler, Weingartner, Ansermet, Munch, Paray and others. She was an activist for French music abroad and championed the contemporary composers that she had known personally: Prokofief, d'Indy (she performed his Symphonie sur un Chant montagnard under his baton), Ravel, Poulenc, Roussel, Schmitt, Falla, Albeniz, and others. She premiered or was the dedicatee of many works, including pieces for piano and orchestra by Heitor Villa-Lobos, Reynaldo Hahn, Georges Dandelot, Daniele Amfitheatrof; and solo pieces by Migot, Rivier, Pierne, Rosenthal, Inghelbrecht, and Mignone, among others. Mme. Tagliaferro also played an important role as a pedagogue. She was appointed professor at the Paris Conservatoire in 1937, remaining until the war, and founded a school in Paris and two more in Brazil (the Escola Magda Tagliaferro still exists in Sao Paulo) where she lived from 1940 until 1949.
    [Show full text]
  • Ideazione E Coordinamento Della Programmazione a Cura Di Massimo Di Pinto Con Kiyomi Nakamura
    Ideazione e coordinamento della programmazione a cura di Massimo Di Pinto con Kiyomi Nakamura gli orari indicati possono variare nell'ambito di 4 minuti per eccesso o difetto Lunedì 4 novembre 2013 00:00 - 02:00 a notte alta ravel, maurice (1875-1937) le tombeau de couperin, suite per pf prélude (vif) 1/1 3'12". fugue (allegro moderato) 1/2 4'03". forlane (allegretto) 1/3 6'41". rigaudon (assez vif) 1/4 3'27". menuet (allegro moderato) 1/5 5'50". toccata (vif) 1/6 4'02" anne queffelec, pf durata: 27.19 virgin 5-62366-2 f 1 tr 1 desprez, josquin (1450-1521) nymphes des bois - deploration de la mort de johannes ockeghem, a 5 voci compl voc "the hilliard ensemble" durata: 5.47 emi cdc-7-49209-2 f 1 tr 13 bach, johann sebastian (1685-1750) concerto brandeburghese n. 4 in sol mag BWV 1049 allegro 2/1 6'56". andante 2/2 4'02". presto 2/3 4'30" monica huggett, vl; ricardo kanji e reine marie verhagen, fl dir; orch amsterdam baroque dir. ton koopman durata: 15.28 erato 0630-13733-2-2 f 2 tr 1 mozart, wolfgang amadeus (1756-1791) quintetto in do min per ob e archi K 406 allegro - andante - minuetto in canone, trio al rovescio - allegro. solisti dell'orch sinf nazionale della RAI: carlo romano, ob; alessandro milani, vl; luca ranieri e rossana dindo, vle; massimo macrì, vcl durata: 23.18 videoradio vr-cd-000483 liszt, franz (1811-1886) sei studi per pf da "dodici studi d'esecuzione trascendentale" n.
    [Show full text]
  • Shostakovich (1906-1975)
    RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Piano Concerto No. 1 in C minor with Trumpet and String Orchestra, Op. 35 (1933) Dmitri Alexeyev (piano)/Philip Jones (trumpet)/Jerzy Maksymiuk/English Chamber Orchestra ( + Piano Concerto No. 2, Unforgettable Year 1919, Gadfly: Suite, Tahiti Trot, Suites for Jazz Orchestra Nos. 1 and 2) CLASSICS FOR PLEASURE 382234-2 (2007) Victor Aller (piano)/Murray Klein (trumpet)/Felix Slatkin/Concert Arts Orchestra ( + Hindemith: The Four Temperaments) CAPITOL P 8230 (LP) (1953) Leif Ove Andsnes (piano)/Håkan Hardenberger (trumpet)/Paavo Järvi/City of Birmingham Symphony Orchestra ( + Britten: Piano Concerto and Enescu: Legende) EMI CLASSICS 56760-2 (1999) Annie d' Arco (piano)/Maurice André (trumpet)/Jean-François Paillard/Orchestre de Chambre Jean François Paillard (included in collection: "Maurice André Edition - Volume
    [Show full text]
  • Programme Information
    Programme information Saturday 24th April to Friday 30th April 2021 WEEK 17 THE CLASSIC FM CONCERT with JOHN SUCHET: BOURNEMOUTH SYMPHONY ORCHESTRA WEEK Monday 26th to Friday 30th April, 8pm to 10pm All week, John celebrates Classic FM’s Orchestra in the South of England, the Bournemouth Symphony Orchestra. Founded in 1893, it has worked with some of the biggest musicians and conductors of the 20th and 21st centuries, and in a typical year, stages around 150 concerts. On Monday, to begin the week’s festivities, current principal conductor Kirill Karabits directs the orchestra in a beautiful recording of Khachaturian’s Adagio of Spartacus & Phrygia, before the ensemble takes on the role of accompanist in Litolf’s Concerto Symphonique No.2, with Peter Donohoe as soloist. Later in the programme, José Serebrier leads the orchestra in a staple recording of one of Stokowski’s acclaimed Bach transcriptions, and there’s a taste of summer courtesy of Hugo Alfven. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, on Global Player on your smart speaker (“play Classic FM”), iOS or Android device and at ClassicFM.com. 1 WEEK 17 SATURDAY 24TH APRIL 4pm to 7pm: MOIRA STUART’S HALL OF FAME CONCERT Moira marks 130 years since the birth of Sergei Prokofiev, one of the most significant composers of the 20th century. An early prodigy, he was encouraged in his early years by Glazunov, before going on to work with other major names from Diaghilev to Matisse, whilst also finding time to become a chess master.
    [Show full text]
  • Rachmaninov (1873-1943)
    RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Sergei Rachmaninov (1873-1943) Born at Oneg, Novgorod Region. He had piano lessons from an early age but his serious training in composition began at the Moscow Conservatory where he studied counterpoint with Sergei Taneyev and harmony with Anton Arensky. He began to compose and for the rest of his life divided his musical time between composing, conducting and piano playing gaining great fame in all three. After leaving Russia permanently in 1917, the need to make a living made his role as a piano virtuoso predominant. His 4 Piano Concertos, Rhapsody on a Theme of Paganini and substantial solo piano works make him one of the world's most-performed composers. However, he also composed operas and liturgical choral works as well as other pieces for orchestra, chamber groups and voice. Piano Concerto No. 1 in F-sharp minor, Op. 1 (1892, rev. 1917) Leif Ove Andsnes (piano)/Antonio Pappano/Berlin Philharmonic Orchestra ( + Piano Concerto No. 2) EMI CLASSICS 74813-2 (2005) Agustin Anievas (piano)/Rafael Frühbeck de Burgos/New Philharmonia Orchestra ( + Piano Concertos Nos. 2, 3 and 4, Rhapsody on a Theme of Paganini, Prelude in C-sharp minor, 10 Preludes and 12 Preludes) EMI CLASSICS TRIPLE 5 00871-2 (2007) (original LP release: ANGEL SCB 3801 {3 LPs}) (1973) Vladimir Ashkenazy (piano)/Bernard Haitink/Royal Concertgebouw Orchestra (+ Rhapsody on a Theme of Paganini) DECCA 417613-2 (1987) Vladimir Ashkenazy (piano)/André Previn/London Symphony Orchestra ( + Piano Concertos Nos. 2, 3 and 4, Rhapsody on a Theme of Paganini, Variations on a Theme of Corelli and Piano Sonata No.
    [Show full text]
  • Dmitri Shostakovich Piano Concerto No. 2 / Symphony No
    Dmitri Shostakovich Piano Concerto No. 2 / Symphony No. 5 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Piano Concerto No. 2 / Symphony No. 5 Country: UK Released: 1993 Style: Modern MP3 version RAR size: 1180 mb FLAC version RAR size: 1356 mb WMA version RAR size: 1316 mb Rating: 4.6 Votes: 478 Other Formats: ASF DXD MMF AHX WMA AA FLAC Tracklist Symphony No 5 In D Minor Op 47 1 I. Moderato - Allegro Non Troppo 16:59 2 II. Allegretto 4:56 3 III. Largo 15:48 4 IV. Allegro Non Troppo Piano Concerto No 2 In F Op 102 5 I. Allegro 7:20 6 II. Andante 6:50 7 III. Allegro 5:39 Three Fantastic Dances For Piano Op 5 8 I. Allegretto 1:08 9 II. Andantino 1:25 10 III. Allegretto 0:52 Credits Composed By – Dmitri Shostakovich Conductor – André Previn (tracks: 1 to 4), Paavo Berglund (tracks: 5 to 7) Orchestra – Bournemouth Symphony Orchestra (tracks: 5 to 7), Chicago Symphony Orchestra* (tracks: 1 to 4) Piano – Cristina Ortiz (tracks: 5 to 10) Notes BBC Music Magazine Number 5. 1 to 4 (P) 1978, digitally remastered 1990. 5 to 10 (P) 1975, digitally remastered 1987. (C) EMI Records Ltd. 1993 Barcode and Other Identifiers Barcode: 077776788722 Label Code: LC6646 Rights Society: BIEM/MCPS Related Music albums to Piano Concerto No. 2 / Symphony No. 5 by Dmitri Shostakovich Dmitri Shostakovich - Symphony No. 10 Shostakovich, Shchedrin, Marc-André Hamelin, BBC Scottish Symphony Orchestra, Andrew Litton - Piano Concertos Nos 1 & 2 / Piano Concerto No 2 Dmitri Shostakovich, Dimitri Mitropoulos, The New York Philharmonic Orchestra - Symphony NO.
    [Show full text]
  • YORK BOWEN 24 Preludes Suite Mignonne Berceuse
    YORK BOWEN 24 PRELUDES SUITE MIGNONNE BERCEUSE CRISTINA ORTIZ YORK BOWEN YORK BOWEN (1884-1961) 24 Preludes • suite Mignonne • Berceuse CRISTINA ORTIZ, piano Catalogue number: GP637 Recording dates: 4-5 December 2012 Recording Venue: Wyastone Concert Hall, Monmouth, UK Producer and Engineer: Michael Ponder Editor: Jennifer Howells Publishers: Chester Music (1-24), Joseph Williams (1915) (25-29) Booklet Notes: Paul Conway French translation by David Ylla-Somers German translation by Cris Posslac Artist photograph by Sussie Ahlburg Cover Art: Tony Price: Montcuq Man www.tonyprice.org CRISTINA ORTIZ © Sussie Ahlburg 2 CRISTINA ORTIZ 24 PRELUDES, OP. 102 (1938) 51:35 1 No. 1 in C Major: Moderato appassionato 01:14 Cristina Ortiz began studies in her native Brazil before moving to Paris with a 2 No. 2 in C Minor: Andante tranquillo 02:26 scholarship where she worked with Magda Tagliaferro. After winning a Gold 3 No. 3 in D Flat Major: Andante grazioso 02:04 Medal at the third Van Cliburn Competition in Texas, she went on to complete an 4 invaluable period of tuition under the guidance of the legendary Rudolf Serkin at No. 4 in C Sharp Minor: Allegro con fuoco 01:35 the Curtis Institute of Music in Philadelphia before choosing to settle in London. In 5 No. 5 in D Major: Allegro risoluto 01:35 an international career her natural musicality, masterful craftsmanship and timeless 6 No. 6 in D Minor: Andante con moto 02:55 commitment to refined playing have ensured her a place among the most respected 7 No. 7 in E Flat Major: Andantino amabile 02:05 pianists in the world.
    [Show full text]
  • 2008-2009 Dean's Showcase No. 4
    Thursday, March 26 PERCUSSION CONCERT Thrilling works from the percussion ensemble repertoire will be performed by students from the studio of Ted Atkatz. Time: 7:30 p.m. Location: Amarnick-Goldstein Concert Hall Tickets: $10 Saturday & Sunday March 28 and 29 PHILHARMONIA ORCHESTRA #6 Jon Robertson, guest conductor "Ruhe sanft, mein holdes Leben" – Mozart (from Zaide); Ah! Je veux vivre! – Gounod (from Romeo and Juliette); “O mio babbino caro” – Puccini (from Gianni Schicchi (1918)) “Un bel di” – Puccini (from Madame Butterfly)—Nadine Sierra, soprano Wagner: Prelude to Die Meistersing von Nürnberg; Massenet: Meditation (from Thais) Tchaikovsky: Symphony No. 5 in E minor, Op. 64 Sunday concerts include a pre-concert lecture at 3 p.m. by Dr. Barbara Barry, head of Dean’s Showcase No. 4 musicology. Time: Saturday 7:30 p.m. & Sunday 4 p.m. Location: St. Andrew’s School/3900 Jog Rd/Boca Raton, FL Tickets: $30 Saturday & Sunday, April 4 and 5 MOSTLY MUSIC: SCHUBERT Mostly Music is a unique concert series whose purpose is to better acquaint audiences not only with the music, but also with the lives and artistic development of the Western world's greatest composers. Between musical compositions, actors read excerpts of personal letters written by the featured composers around the same period as the music to be performed. These composers were geniuses but they too lived with all the joys, frailties and frustrations common to humanity. These concerts feature Lynn Conservatory’s faculty members, chamber orchestra and students in addition to guest artists. Mostly Music is conceived and hosted by Marshall Turkin and staged by Jan McArt.
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>4 GREAT BRITAIN: digital, 1979-2008 In the early 1970s the advent of Anthony Rooley, the Consort of Musicke, Emma Kirkby, Christopher Hogwood and the Academy of Ancient Music brought a fresh look at repertoire from Dowland to Purcell, Handel, Mozart and eventually Beethoven. Solti recorded with the LPO from 1972 and the National Philharmonic was booked regularly from 1974-84. Also during the 1970s the London Sinfonietta’s surveys of Schönberg and Janá ček were recorded. Ashkenazy’s second career as a conductor centred initially on London, with the Philharmonia from 1977 and the RPO from 1987. Philip Pickett’s New London Consort joined the Florilegium roster in 1985 and Argo’s new look brought in a variety of ensembles in the 1990s. But after an LPO Vaughan Williams cycle was aborted in 1997, Decca’s own UK recordings comprised little more than piano music and recital discs. Outside London, Argo recorded regularly in Cambridge and Oxford. Decca engaged the Welsh National Opera from 1980-96 and the Bournemouth Symphony from 1990-96, but otherwise made little use of regional British orchestras. By the time they raised their performing standards to an acceptable level, Chandos, Hyperion and Naxos had largely replaced the old majors in the market for orchestral sessions. >RV0 VENUES One hundred and seventy different venues were used, eighty-eight in the London area and eighty-two elsewhere in Britain, but only one in ten (those in bold ) hosted thirty or more entries, whilst seventy were only visited once. LONDON AREA ABBEY ROAD STUDIOS , St.John’s Wood, London NW8 (1931), initially restricted to EMI labels, were opened to all from 1968.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 91, 1971
    BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON FRIDAY - SATURDAY 1 THURSDAY A 1 TUESDAY A 1 NINETY-FIRST SEASON 1971-1972 ADimRI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled by anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience and ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review your needs either business or personal and counsel you to an intelligent program. We respectfully invite your inquiry. CHARLES H. WATKINS & CO., INC. Richard P. Nyquist, President Charles G. Carleton, Vice President 147 Milk Street Boston, Massachusetts 02109 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETY-FIRST SEASON 1971-1972 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC TALCOTT M. BANKS President FRANCIS W. HATCH PHILIP K. ALLEN Vice-President HAROLD D. HODGKINSON ROBERT H. GARDINER Vice-President E. MORTON JENNINGS JR JOHN L. THORNDIKE Treasurer EDWARD M. KENNEDY ALLEN G. BARRY HENRY A. LAUGHLIN ERWIN D. CANHAM EDWARD G. MURRAY RICHARD P. CHAPMAN JOHN T. NOONAN ABRAM T. COLLIER MRS JAMES H. PERKINS MRS HARRIS FAHNESTOCK IRVING W. RABB THEODORE P. FERRIS SIDNEY STONEMAN TRUSTEES EMERITUS HENRY B.
    [Show full text]
  • SAINT-SAËNS Piano Quartet in B Flat Major Piano Quintet in a Minor Barcarolle in F Major
    SAINT-SAËNS Piano Quartet in B flat major Piano Quintet in A minor Barcarolle in F major Fine Arts Quartet • Cristina Ortiz, Piano Camille Saint-Saëns (1835–1921) confines itself principally to sustained notes, and the piano triplet ornamentation. The F major second movement opens Piano Quartet in B flat major, Op. 41 • Piano Quintet in A minor, Op. 14 was played by Louis Diémer. Saint-Saëns wisely provided with a hymn-like theme for the piano, answered by the another version, scored for violin, viola, cello and piano, the muted strings in D minor. The Scherzo follows without a Barcarolle in F major, Op. 108 arrangement played here. This starts with the swaying break and in the key of A minor, propelled forward by the Like Mozart and Mendelssohn, Camille Saint-Saëns Debussy was dead, Fauré was near the end of his life, and movement of the gondola, introduced now by viola and continued rapid semiquaver figuration of the piano part. The showed remarkable precocity as a child, first shown in piano Stravinsky had already, for some eight years, scandalized cello. The music increases in intensity, as the boat moves cello starts the finale with a long fugal theme, answered by lessons from his great-aunt at the age of two and a half. He Paris with his Rite of Spring. Saint-Saëns continued to into rougher water, which soon subsides into something the viola, then the second violin and finally the first violin, coupled with his musical interests a wide general compose, although Ravel unkindly suggested that in war- calmer.
    [Show full text]