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Art and Decadence from Nefertiti to Emily Dickinson Ebook SEXUAL PERSONAE: ART AND DECADENCE FROM NEFERTITI TO EMILY DICKINSON PDF, EPUB, EBOOK Camille Paglia | 718 pages | 01 Feb 1992 | Random House USA Inc | 9780679735793 | English | New York, United States Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson PDF Book Apr 11, Mawr rated it it was amazing. Error rating book. Rating details. Antigone didn't count as an upholder of law and reason, apparently! As another reviewer said Paglia is like a "gateway drug". Now we have this endless privileging of victimhood, with a pathological vulnerability seen as the default human mode. Camille Anna Paglia is an American social critic, author and teacher. James's repressions and evasions are many, varied, and exhausting. Paglia also acknowledges astrology as an influence. Jan 08, Tara rated it it was amazing Recommends it for: lit crit. And I was told that this woman defended values! The Foxfire 45th Anniversary Book. Paglia credits editor Ellen Graham with securing Yale's decision to publish the book. Sex, Gender, and the Social Order. I get the idea that many people get blinded by the psychologist discourse and don't even process what they're reading. She is, in fact, the latest of the Sade cultists who have been haunting the fringes of serious literary criticism for decades. Constant reference to our contemporary world her examples of sexual personae include Lauren Bacall, Woody Allen, and Rita Hayworth as well as Medusa and Antinous effectively yanks culture away from the pious protection of art gallery, library, and university and shows it simmering sexually all around us. The book was finished in , but was rejected by seven major New York publishers before being released by Yale University Press in The New York Times. Also of Interest. Mother Jones. She's a LOT like Jordan Peterson, making baseless psychological claims and yet, these get taken as truth by illiterate people. The masochistic pleasures of sentimental literature. Camille Paglia's Sexual Personae is a book ofburdens. She is also the channel of the daemonic, through which man is crushed and humiliated by nature. Please ensure you're using that browser before attempting to purchase. Archived from the original on Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. She accepts femininity but denies femaleness, sweeping it out of her cosmos. The Yearbook of English Studies. To ask other readers questions about Sexual Personae , please sign up. But ''Sexual Personae'' is tainted with the kind of symbol-mongering reductionism that sees one thing in everything, and despite its considerable virtues, it left me thinking of Earl Long's pithy appraisal of Henry Luce and his notoriously single-minded magazines: ''Mr. Kipling: Poems. Sexual Personae received critical reviews from numerous feminist scholars. When you buy a book, we donate a book. Help Learn to edit Community portal Recent changes Upload file. Paglia has no compunction announcing, "My theory is: Dionysus is identification, Apollo objectification" p. I stopped at the first pages. I prefer Paglia the "academic" as opposed to the "media whore" i. The Waste Land and Other Poems. The history of literature is conceived as a chronicle of agons between poetic rivals. If you can tolerate this, good for you. She has read a huge array of primary texts, so her commentaries on them are a rich resource. Cover of the first edition. South Atlantic Review. The Art of Drag. Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson Writer I had thought that theory was Nietzsche's. She is an exciting if purple stylist and an admirably close reader with a hard core of common sense. She has been variously called the "feminist that other feminists love to hate," a "post-feminist feminist," one of the world's top intellectuals by the UK's Prospect Magazine , and by her own description "a feminist bisexual egomaniac. Sort order. A radical reappraisal of the human condition. Often, her argument rests only on an assertion she herself made previously, so that the effect is like someone in a Looney Tunes cartoon crossing a chasm on a bridge they're dismantling behind them to assemble in front. Frequent comparisons between writers and stars of stage and screen elicited during the course of the present volume—Byron with Presley, Astaire and the Beach Boys, Kleist with Bob Dylan, Lady Bracknell with Margaret Dumont—provide a sneak preview of what we can expect [in volume two]. I did not go to school to become an english professor and am not required to have more than a basic knowledge of Literature. Who stole feminism? An incomparable, unique, and often ridiculous study of sexuality and literature. But there is a case to make. In fact, it's just what we need, and maybe feminism could warm up to Paglia's wicked side. I seriously doubt I would ever read this -- I mean, pages! Luce is like a man that owns a shoe store and buys all the shoes to fit himself. Paglia analyzes her female examples as dominated by a "masculine will" [p. For my money, Donna Haraway's book that came out the same year said much more about nature "Shock jock" of academia and belligerence more than a groundbreaking new theoretical synthesis of sex and gender, and about 30 years after a similar radical-feminist sexuality was propounded by several others. Paglia comes at you from so far out of left-field that she's actually wandered off the field altogether, and is now yelling at you from way off in the car park somewhere, gesticulating with a rabid look in her eye like someone trying to shift copies of The Watchtower outside a Tube station. Pretty joy! Paglia nails it on these topics. Paglia describes her method as "a form ofsensationalism" p. She's a LOT like Jordan Peterson, making baseless psychological claims and yet, these get taken as truth by illiterate people. She discusses sex and nature as brutal daemonic forces, and she criticizes feminists for sentimentality or wishful thinking about the causes of rape, violence, and poor relations between the sexes. Lovecraft, for instance, was a neurotic racist, but I've defended his horror fiction. Other sources of continuity include androgyny , sadism, and the aggressive "western eye," which seeks to refine and dominate nature's ceaseless hostility and has created our art and cinema. Read more Look Inside. By Paglia's own account, the ancestor of Sexual Personae was a book on aviator Amelia Earhart that she began to write in high school. The mother herself presses turgidly on the late novels, a paralyzing biographical force. Close to poetry. Herman Melville. More filters. The "sexual personae" of Paglia's title include the female vampire Medusa , Lauren Bacall ; the pythoness the Delphic Oracle , Gracie Allen ; the beautiful boy Hadrian 's Antinous , Dorian Gray ; the epicene man of beauty Byron, Elvis Presley ; and the male heroine the passive male sufferer; for example, the old men in William Wordsworth 's poetry. In her view, the major patterns of continuity in Western culture originate in paganism. With the exception of overt, practiced racism and sexism, I believe I'm hard to offend, but Paglia's two- faced book did it. Jane Roland Martin. About Camille Paglia. The intrepid energy of this huge and hugely original book challenges every assumption. In this brilliantly original book, Camille Paglia identifies some of the major patterns that have endured in western culture from ancient Egypt and Greece to the present. As a result, sex for men is "metaphysical Sexual Personae directly carries on Nietzche's work in the Birth of Tragedy, and has much much more to say on the topic. How some male authors are femenine in their writing and some females are masculine. She inadvertantly turned me into the psychopath reader I am today, but doing a line by line interpretation of "Stairway To Heaven" in Guitar World about 10 years ago. Friend Reviews. This doesn't have the academic rigor that I was expecting, but it was a very fun read, and now I feel like going back through OK, so her theoretical basis is absolute bullshit, combining personal bias, excessive Freudianism, and reactionary sexual politics into an obnoxious combination. The Art of Drag. Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson Reviews I stopped reading after pages of unsupported theory, grad-school hackery, over-reliance on the myths of the Greek pantheon to "explain" art and gender behavior, and severe overuse of the word "chthonian. Camille Paglia, who clearly believes that big books should start with a big bang, makes the following pronouncements on the first page of ''Sexual Personae: Art and Decadence From Nefertiti to Emily Dickinson'': ''Sexual Personae seeks to demonstrate the unity and continuity of western culture. Nice troll, tho. Sexual Personae began to take shape in essays Paglia wrote in college between and Relations with the Natural World. They may be bullshit theories, but they are riveting bullshit theories. Men cower and scatter at the blast of the elements. Stanley Moss. A Hidden History of Women's Lives, — If civilization had been left in female hands, we would still be living in grass huts. I am convinced that, even without restrictions, there still would have been no female Pascal, Milton, or Kant. I prefer Paglia the "academic" as opposed to the "media whore" i. She ignores the lack of evidence for the majority of psychodynamic theory in general and for the "family romance" in particular. Sex, Art, and American Culture: Essays. And I was told that this woman defended values! Paglia in a video: "I'm in an in-your-face feminist", dur I read this book a while ago, counting in book-time As in 6 or 7 books ago—temporally, not too long ago.
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