Emerson and the Vision of the Child
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STATIONERY Pine Logs Wanted ADVERTISE
•Sw:-''r' :v-:^ •'V ;.%*i- .-; •••'•'«..•';.•.'•' ,'•''• •*i-'-V'*-''•*•'••%'••'•?•* ••-'^'•''••'v'" L?' ^ep0ftef VOLUME XXXVIII NO. 14 ANTRIM, NEW HAMPSHIRE, WEDNESDAY, MARCH 16. 1921 5 CENTS A COPY PBECmcniEETIIIG miTiVE o^miM A FEW JOUGHTS RELIEF inHELAHD Americanism Be Business Fof the Ensuing Passes From TIlis Life at Syggested by What Is An Apallo be Maile in LEONARDWOOD Keaf Tfansacted Her Daughter's Home Happening Around liberty ezisU iit proportios - This Vicinity to wboleaoosc rastrsiat.—DaD- id WeEister: Spseeli Mcy tO. On Satarday, March 12, at 1.80 p. On^Wedn -^y'evening last, at En Will the Legislatore adjonm by On March 17, St. Patrick's Day. 1847. : m., the faneral of. Mrs. Herbert H. gine ball, the annual Precinct nweting April firat? According to the sUte there will be inaugurated an appeal to Whittle (Caroline Elizabeth Jameson) IE quoted words trom M onf ter- ment by those wbo claim to know bow the American peopla to aid in the re was beld. Owing to tbe very heavy was beld at her old home here, on the Tan- but anotber way of si.v'ngi much work there is lo do, it is safe lief of the soffering women and child rain the company of men wbo gather spot where sbe was bom Aog. 23, that liberty does not mean llri^nsf*. "; he to say tbst it will be well into the ren of Ireland. Tbls movement has ed was small, aronnd tbirty being pres 1860. tbougbt expressed In simiiJc nmls STATIONERY montb before adjournment is Uken. tbe approval of the highest anthori- should liave a place In Oie FrlnuT of ent. -
Pedophilia, Poe, and Postmodernism in Lolita
Nabokov’s Dark American Dream: Pedophilia, Poe, and Postmodernism in Lolita by Heather Menzies Jones A Thesis Submitted to the Department of English of the State University of New York, College at Brockport, in partial fulfillment of the requirements for the degree of MASTER OF ARTS 1995 ii Nabokov’s Dark American Dream: Pedophilia, Poe, and Postmodernism in Lolita by Heather Menzies Jones APPROVED: ________________________________________ _________ Advisor Date ________________________________________ _________ Reader ________________________________________ __________ Reader ________________________________________ __________ Chair, Graduate Committee _______________________________________ ___________ Chair, Department of English iii Table of Contents Chapter Page Introduction 1 Pedophilia and Lolita 10 Poe and Lolita 38 Postmodernism and Lolita 58 Works Cited 83 1 INTRODUCTION The following thesis about Vladimir Nabokov's Lolita first began as a paper written as an assignment for a course about postmodern American literature. In the initial paper's title there was an allusion made to the implicated reader, and the paper itself was about giving Lolita a newer and postmodern reading. To read Lolita again, years after doing so initially, was a distinctly disturbing thing to do. The cultural climate has certainly changed since the mid-1950's when the book was first published in this country, and this alone makes the rereading of this novel an engaging opportunity. Lionel Trilling wrote that Nabokov sought to shock us and that he had to stage-manage something uniquely different in order to do so. Trilling believed that the effect of breaking the taboo "about the sexual unavailability of very young girls" had the same force as a "wife's infidelity had for Shakespeare" (5). -
Apples Abound
APPLES ABOUND: FARMERS, ORCHARDS, AND THE CULTURAL LANDSCAPES OF AGRARIAN REFORM, 1820-1860 A Dissertation Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy John Henris May, 2009 APPLES ABOUND: FARMERS, ORCHARDS, AND THE CULTURAL LANDSCAPES OF AGRARIAN REFORM, 1820-1860 John Henris Dissertation Approved: Accepted: ____________________________ ____________________________ Advisor Department Chair Dr. Kevin Kern Dr. Michael M. Sheng ____________________________ ____________________________ Committee Member Dean of the College Dr. Lesley J. Gordon Dr. Chand Midha ____________________________ ____________________________ Committee Member Dean of the Graduate School Dr. Kim M. Gruenwald Dr. George R. Newkome ____________________________ ____________________________ Committee Member Date Dr. Elizabeth Mancke ____________________________ Committee Member Dr. Randy Mitchell ____________________________ Committee Member Dr. Gregory Wilson ii ABSTRACT This dissertation argues that apple cultivation was invariably intertwined with, and shaped by, the seemingly discordant threads of scientific agricultural specialization, emigration, urbanization, sectionalism, moral reform, and regional identity in New England and Ohio prior to the American Civil War. As the temperance cause gained momentum during the 1820s many farmers abandoned their cider trees and transitioned to the cultivation of grafted winter apples in New England. In turn agricultural writers used -
Self-Actualization: Transcendentalist Discourse in the Work of Stuart Saunders Smith
SELF-ACTUALIZATION: TRANSCENDENTALIST DISCOURSE IN THE WORK OF STUART SAUNDERS SMITH José Augusto Duarte Lacerda A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS December 2015 Committee: Roger Schupp, Advisor Timothy Messer-Kruse Graduate Faculty Representative Marilyn Shrude Robert Wallace Thomas Rosenkranz © 2015 José Augusto Duarte Lacerda All Rights Reserved iii ABSTRACT Roger Schupp, Advisor Born and raised in Maine, composer Stuart Saunders Smith (1948) grew up immersed in a milieu that still echoed the influence of the nineteenth-century literary movement known as Transcendentalism. The work of key Transcendentalist figures, such as Ralph Waldo Emerson and Henry David Thoreau, show the movement’s emphasis on autonomy, intuition, pacifism, and social justice. But Transcendentalism also maintains a spiritual focus: a claim that each person is part of a single universal spirit—“Oneness.” However, this “Oneness” does not equate to homogeneity of ideas and individual voices. Rather, each person’s divine worth grants them autonomy of thought and agency. Both the social and spiritual ideas of Transcendentalism have informed Smith’s music, his writings on music compositional process, and his personal life. Amongst the Transcendentalist notions displayed in Smith’s music, pacifism and anti- technologism appear in his use of intricate rhythms. A Thoreauvian anti-materialism can be found in Smith’s limited use of instrumentation and in his concept of “percussion ecology.” Moreover, the Transcendentalist non-teleological stance is reflected in Smith’s tendency to write evening-length pieces that disregard form, his recurring references to New England imagery, and his use of non-sequiturs. -
Ralph Waldo Emerson and the Ever-Evolving Art of Self
RALPH WALDO EMERSON AND THE EVER-EVOLVING ART OF SELF-RELIANT READING BY THEODORE REND BARTON A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS English December 2012 Winston-Salem, North Carolina Approved by: Eric Wilson, Ph.D., Advisor Barry Maine, Ph.D., Chair Omaar Hena, Ph.D. My efforts and their results are dedicated to my grandmothers Irene Sauban and Jeanne Barton whose lives demonstrated the magnanimous effects of constant reading, and also to my brother William Barton who never hesitates to read from the text of the world. ii ACKNOWLEDGEMENTS This project and I are indebted to innumerable people for their love, support, and patience. I will always have indefatigable gratitude for my time with Eric Wilson, and for his indelible influence on my intellectual development while at Wake Forest University and in London. It must be rare that a graduate student is given the opportunity to study with a mentor whom he truly admires and looks up to, and I am cognizant of how lucky I’ve been. Similarly, it’s difficult to express the extent of my appreciation for Omaar Hena, but it’s clear that Wake is unbelievably lucky to employ him for what is certain to be a ground breaking and distinguished career in post-colonial studies. I also must thank my Cal. State professors Chad Luck, Margaret Doane, Cynthia Cotter, and Julie Sophia Paegle for preparing me for the rigors of graduate school and for their encouragement. -
Melville's Quarrel with the Transcendentalists
-. MELVILLE'S QUARREL WITH THE TRANSCENDENTALISTS A Monograph Pl:>esented to the Faculty of the Department of English Morehead State University ' . In Partial Fulfillmen~ of the Requirements for the Degree ''I Master-of Al>ts by Ina Marie Lowe August 1970 ' Accepted by the faculty of the School. of ft,,._11114.4 ; f:i~ 5 • Morehead State University, in partial. fulfil.l.ment of the require- ments for the Master of _ _,_A,.l'.._t".._.:i._ ____ degree, TABLE OF CONTENTS CHAPTER PAGE I. Introduction . ••...••..••.•.••..••.•.•........•..•.• , .•.•.•• l II. Melville and Transcendental Idealism ••••••••••••••••••••••• 3 III. Melville and Transcendental Intellectualism •••••••••••••••••• 18 IV. Melville and 'l'X'anscendental Optimism and Innocence ••••••••• 36 v. Summary and Conclusion ••••••••••••••••••••••••••••••••••••• 56 BIBLIOGRAPHY • •••••••••••• , ••••••••••••••••••••••••••• , , •••••• , • , • 59 CHAPTER I INTRODUCTION Melvill.e has usually been considered either as one of the Trans cendental writers or as having been influenced by Transcendental thought. There has been a critical acceptance of the thesis that Melville began as a Transcendentalist; then, as he grew older and presumably less wise in the romantic sense, he eschewed his early idealism and opted for an acceptance of moral expediency and com plicity. The beginning hypothesis of this study will be that Melville, although he could be said to share some of Transcendentalism's secondary ideas and attitudes, objected to many of the Transcend alists' most cherished beliefs. In fact, one can say that, rather than being a Transcendentalist writer, Melville was an anti Transcendentalist writer, constitutionally and intellectuall.y unable to accept the Transcendental view of life. In advancing the argument of this study, the critical works of Melvillean scholars will be considered for the light they may throw upon Transcendental influence on Melville's work. -
The Stoics on Identity and Individuation Author(S): Eric Lewis Source: Phronesis, Vol
The Stoics on Identity and Individuation Author(s): Eric Lewis Source: Phronesis, Vol. 40, No. 1 (1995), pp. 89-108 Published by: Brill Stable URL: http://www.jstor.org/stable/4182488 Accessed: 27-02-2017 20:30 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Brill is collaborating with JSTOR to digitize, preserve and extend access to Phronesis This content downloaded from 140.105.48.199 on Mon, 27 Feb 2017 20:30:04 UTC All use subject to http://about.jstor.org/terms The Stoics on Identity and Individuation ERIC LEWIS Gisela Striker opens her artful "Antipater, or the art of living" with the statement that "In reading the doxographical reports on Stoic philosophy, one gets the impression that the Stoics had a singular, and often irritating, predilection for identity statements."' She goes on to claim "that some of the arguments that have been handed down to us from the second-century controversy about the Stoic definitions of the goal of life depend on the improper use of identity-statements, which however the Stoics, by their predilection for such propositions, seem practically to invite."2 I agree with her that much confusion arises due to statements by Stoics which look like (and may in fact be) identity statements. -
Women's Studieschallenging the BIOLOGICAL: the FANTASY OF
Women’s Studies, 35:375–395, 2006 Copyright © Taylor & Francis Group, LLC ISSN: 0049-7878 print / 1547-7045 online DOI: 10.1080/00497870600669234 GWST0049-78781547-7045Women’s StudiesStudies,CHALLENGING Vol. 35, No. 04, March 2006: pp. 0–0 THE BIOLOGICAL: THE FANTASY OF MALE BIRTH AS A NINETEENTH-CENTURY NARRATIVE OF ETHICAL FAILURE ChallengingGalia Benziman the Biological GALIA BENZIMAN Tel Aviv University Feminist theorists have suggested that whereas Freud talks about the feminine sense of inferiority due to penis envy, there exists a corre- sponding uterus envy about which Freud remains silent—the envy that the male feels regarding the female capacity for motherhood. This privilege of the female body is a universal and timeless fact, and no less universal and timeless is the fantasy that a male may create new life without a woman: Zeus’s delivery of Athena, Pygmalion’s creation of a living woman by his art, or Geppetto’s construction of the wooden Pinocchio, to cite only some examples. In this essay, I will discuss four nineteenth-century works that examine such possi- bilities, emerging in an era that offers a particularly rich treatment of the theme. With the rise of the belief in, and anxiety about, the supremacy of science, we witness in nineteenth-century fictional works a recurrent staging of the male subject’s attempt to harness technology for the purpose of overcoming the biological limitation of his sex and procreating a new being. Science and technology function in these texts as a substitute for the female body; and the male scientist demonstrates, through the process, his defiance of nature as well as his rejection of the feminine. -
Creating an American Identity
Creating an American Identity 9780230605268ts01.indd i 4/24/2008 12:26:30 PM This page intentionally left blank Creating an American Identity New England, 1789–1825 Stephanie Kermes 9780230605268ts01.indd iii 4/24/2008 12:26:30 PM CREATING AN AMERICAN IDENTITY Copyright © Stephanie Kermes, 2008. All rights reserved. First published in 2008 by PALGRAVE MACMILLAN™ 175 Fifth Avenue, New York, N.Y. 10010 and Houndmills, Basingstoke, Hampshire, England RG21 6XS Companies and representatives throughout the world. PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN-13: 978–0–230–60526–8 ISBN-10: 0–230–60526–5 Library of Congress Cataloging-in-Publication Data Kermes, Stephanie. Creating an American identity : New England, 1789–1825 / Stephanie Kermes. p. cm. Includes bibliographical references and index. ISBN 0–230–60526–5 1. New England—Civilization—18th century. 2. New England— Civilization—19th century. 3. Regionalism—New England—History. 4. Nationalism—New England—History. 5. Nationalism—United States—History. 6. National characteristics, American—History. 7. Popular culture—New England—History. 8. Political culture—New England—History. 9. New England—Relations—Europe. 10. Europe— Relations—New England. I. Title. F8.K47 2008 974Ј.03—dc22 2007048026 A catalogue record for this book is available from the British Library. Design by Newgen Imaging Systems (P) Ltd., Chennai, India. First edition: July 2008 10 9 8 7 6 5 4 3 2 1 Printed in the United States of America. -
A Higher Sphere of Thought”
“A HIGHER SPHERE OF THOUGHT”: EMERSON’S USE OF THE EXEMPLUM AND EXEMPLUM FIDEI By CHARLA DAWN MAJOR Master of Arts Oklahoma State University Stillwater, Oklahoma 1995 Bachelor of Arts The University of Texas at Dallas Richardson, Texas 1990 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2005 “A HIGHER SPHERE OF THOUGHT”: EMERSON’S USE OF THE EXEMPLUM AND EXEMPLUM FIDEI Dissertation Approved: _______________Jeffrey Walker________________ Dissertation Adviser _____________William M. Decker_______________ _______________Edward Jones________________ ________________L. G. Moses_________________ ______________A. Gordon Emslie_______________ Dean of the Graduate College ii ACKNOWLEDGEMENTS I wish to express my sincere appreciation to my advisor, Dr. Jeffrey Walker, for his guidance, support, and friendship, not only during the considerable duration of this work but throughout the entire course of my graduate studies here at Oklahoma State University. No one could ask for a better teacher, advisor, mentor, and friend, and I have gained immeasurably from this long association. I consider myself extremely fortunate and blessed. My gratitude extends to my committee members. Dr. William Decker has been a continual source of guidance and resources and has consistently perpetuated my interest in both this subject and literary period. Dr. Edward Jones, who has been there from the very beginning, has been a great source of guidance, assistance, encouragement, and friendship and has demonstrated a welcome propensity for being available to me at critical points in my education. And Dr. L. G. Moses, my most recent acquaintance, has offered a unique intelligence and wit that made this dissertation a truly enjoyable learning experience. -
Camille Paglia's Ambiguous Critical Legacy
Acad. Quest. (2015) 28:300–312 DOI 10.1007/s12129-015-9507-y VERDICTS Camille Paglia’s Ambiguous Critical Legacy Stephen Eide Published online: 9 August 2015 # Springer Science+Business Media New York 2015 Camille Paglia is two thinkers in one: a theorist of sexuality and a critic of art, literature, and culture. She believes that modern society needs theory to counter feminism and other dominant ideologies, and criticism to explain and promote culture in its many forms. As worthy as each of these goals are, Paglia’s attempt to pursue them together has produced a tension in her work, to the particular detriment of her criticism. Paglia’s most effective critical works are those that keep theory at arm’s length. And she is far more insightful about sexuality when bringing her views to bear on current controversies instead of developing them via analyses of William Blake and The Faerie Queene. Paglia rose to fame mainly on the strength of her work on sexuality, even though four of her six books are works of criticism. The public’s judgment is right. At least thus far in her career, Paglia is a critic of great talent but modest achievements. Sexual Theory Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, Paglia’s best-known work, argues for the “unity and continuity of western culture.”1 Like the post-Rousseauian Romantics, she turns to nature to explain culture, though she rejects their view of nature as “benign,” insisting instead on its harshness and indifference. Man is one species among many “upon which 1Camille Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (New Haven, CT and London: Yale University Press, 1990), xiii. -
Thomas S. Kidd, “'The Devil and Father Rallee': the Narration of Father Rale's War in Provincal Massachusetts” Histori
Thomas S. Kidd, “’The Devil and Father Rallee’: The Narration of Father Rale’s War in Provincal Massachusetts” Historical Journal of Massachusetts Volume 30, No. 2 (Summer 2002). Published by: Institute for Massachusetts Studies and Westfield State University You may use content in this archive for your personal, non-commercial use. Please contact the Historical Journal of Massachusetts regarding any further use of this work: [email protected] Funding for digitization of issues was provided through a generous grant from MassHumanities. Some digitized versions of the articles have been reformatted from their original, published appearance. When citing, please give the original print source (volume/ number/ date) but add "retrieved from HJM's online archive at http://www.westfield.ma.edu/mhj/.” Editor, Historical Journal of Massachusetts c/o Westfield State University 577 Western Ave. Westfield MA 01086 “The Devil and Father Rallee”: The Narration of Father Rale’s War in Provincial Massachusetts By Thomas S. Kidd Cotton Mather’s calendar had just rolled over to January 1, 1723, and with the turn he wrote his friend Robert Wodrow of Scotland concerning frightening though unsurprising news: “The Indians of the East, under the Fascinations of a French Priest, and Instigations of our French Neighbours, have begun a New War upon us…”1 Though they had enjoyed a respite from actual war since the Peace of Utrecht postponed hostilities between the French and British in 1713, New Englanders always knew that it was only a matter of time before the aggressive interests, uncertain borders, and conflicting visions of the religious contest between them and the French Canadians would lead to more bloodshed.