Introduction 1 Land and People
Notes Introduction 1. Oleg Grabar provides a useful summary of the evolution of Islamic institutions in The Formation of Islamic Art (New Haven: Yale University Press, 1987). 1 Land and People 1. For an overview of both prerevolutionary and postrevolutionary Iranian cinema, including discussion of Bashu, see Mamad Haghighat, Histoire du cinéma iranien. (Paris: BPI Centre Georges Pompidou, 1999), and Hormuz Kéy, Le cinema iranien (Clamency: Nouvellle Imprimerie Labellery, 1999). In English, Richard Tapper has collected a series of analytical essays about film in the Islamic Republic. See Richard Tapper, ed., The New Iranian Cinema (New York: I.B. Tauris, 2002). 2. Bernard Hourcade, Hubert Mazurek, Mohammad-Hosseyn Papoli-Yazdi, and Mahmoud Taleghani provide a wealth of valuable data regarding demography, religion, land use, education, and language based upon Iranian official statistics in Atlas d’Iran (Paris: Reclus, 1998). 3. English-language translations of Persian poetry are plentiful. For an interesting account of the influence of the Persian language, see Shahrokh Meskoob, Iranian Nationality and the Persian Language, John Perry, ed., Michael Hillmann, trans. (Washington: Mage Publishers, 1992). 4. For the best coverage of Iranian geography, see W.B. Fisher, ed., The Cambridge History of Iran: Volume I: The Land of Iran (Cambridge: Cambridge University Press, 1968). 5. Edward Stack, Six Months in Persia, Volume I (London: Sampson Low, Marston, Searle, and Rivington, 1882), p. 9. 6. Rula Jurdi Afrasiab, “The Ulama of Jabal ‘Amil in Safavid Iran, 1501–1736: Marginality, Migration, and Social Change,” Iranian Studies, 27: 1–4 (1994), pp. 103–122. 7. Article XII. See Hamid Algar, trans., “Constitution of the Islamic Republic of Iran” (Berkeley: Mizan Press, 1980), p.
[Show full text]