Televisionweek Local Listing for the Week of October 31-November 6, 2015
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City Approves Soccer Field
ThePublished News since 1890 every Monday and Thursday Reporterfor the County of Columbus and her people. Monday, December 7, 2015 Unaffiliated Volume 125, Number 46 Whiteville, North Carolina candidate to 75 Cents challenge Russ By NICOLE CARTRETTE Inside News Editor Lavern Coleman, 61, of the Byrdville com- 3-A munity, said he plans to run as an unaffili- ated candidate in the November 2016 general • City worker certified election. as playground Coleman is a supervisor in the paper divi- inspector. sion at International Paper in Riegelwood where he has worked for 41 years. He must obtain signatures from 4 percent of registered 4-A voters in Columbus County Commissioner • Unusual wreck District 4 to get his name on the ballot. Thursday kills Unaffiliated candidates break-in suspect. may petition with the sig- natures of 4 percent of registered voters in the 5-A district by the last Friday • Virginia Lane is no in June to get on the bal- ‘ordinary’ woman. lot, according to the N.C. State Board of Elections and N.C. General Statutes DIDYOB? 163-122 a (3). Coleman said Friday he Russ Did you observe ... did not know how many names he needed to obtain and was originally told by Members of Peace Staff photo by FULLER ROYAL county election employees Baptist Church that he would have to run Candy over-loaded mother lode as a write-in candidate. He moving along This youngster grabs as much candy as he can during the Whiteville Christmas Parade after the was contacted the next day Madison Street riders on the Simply Dance float threw hundreds of pieces of candy all at once. -
JASON PICCIONI Visual Effects Supervisor / 2Nd Unit Director
JASON PICCIONI Visual Effects Supervisor / 2nd Unit Director TELEVISION DIRECTOR/PRODUCER PROD. CO. / STUDIO CASTLE ROCK Sam Shaw Bad Robot / HULU VFX Supervisor RUN FOR YOUR LIFE (pilot) Patricia Riggen Blumhouse VFX Supervisor AMERICAN CRIME STORY: VERSACE Ryan Murphy FX VFX Supervisor AMERICAN HORROR STORY Ryan Murphy FX VFX Supervisor, 2nd Unit Director Bradley Buecker Winner - Primetime Emmy Award Alfonso Gomez-Rejon Winner - VES Award RUNAWAYS (pilot) Brett Morgan Marvel VFX Supervisor BARRY Bill Hader HBO VFX Supervisor SNOWFALL Thomas Schlamme FX VFX Supervisor AMERICAN CRIME (season 3) John Ridley ABC VFX Supervisor I’M DYING UP HERE Michael Aguilar Showtime VFX Supervisor FEUD Ryan Murphy 20th Century Fox VFX Supervisor CITIZEN (pilot) Alfonso Gomez-Rejon Paramount / HULU VFX Supervisor PRESENCE (pilot) John Ridley ABC VFX Supervisor SALEM Brannon Braga 20th Century Fox / WGN VFX Supervisor MANHATTAN Thomas Schlamme Lionsgate / WGN VFX Supervisor CRIMINAL MINDS: BEYOND BORDERS Colin Bucksey CBS / ABC VFX Supervisor REALLY (pilot) Jay Chandrasekhar Amazon Studios VFX Supervisor THE BLACKLIST (season 2) Michael Watkins NBC VFX Supervisor (LA) TALES FROM THE DARKSIDE (pilot) Bradley Buecker K&O / CBS VFX Supervisor THE REBELS (pilot) Jay Chandrasekhar Amazon Studios VFX Supervisor SCREAM QUEENS (pilot) Ryan Murphy 20th Century Fox VFX Supervisor GANG RELATED Nelson McCormick 20th Century Fox VFX Supervisor, 2nd Unit Director MURDER IN THE FIRST (pilot) Thomas Schlamme TNT VFX Supervisor WILD BLUE (pilot) Michael Dinner Sony Pictures Television VFX Supervisor LEGENDS (pilot) David Semel Fox 21 VFX Supervisor THE FRONTIER (pilot) Thomas Schlamme Sony Pictures Television VFX Supervisor, 2nd Unit Director GLEE Ryan Murphy 20th Century Fox VFX Supervisor INTERCEPT (pilot) Kevin Hooks ABC Family VFX Supervisor DEADWOOD (pilot) Walter Hill HBO Additional VFX Supervisor FEATURES DIRECTOR PROD. -
Feminism and the Horror Film 1974-1996 Robert Mehls a Thesis
In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996 Robert Mehls A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirements for the degree of Master of the Arts Department of Art History 2015 i This Thesis Entitled: In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996 Written By Robert Mehls has been approved for the Department of Art History _________________________ Melinda Barlow _________________________ Ernesto Acevedo-Muñoz _________________________ Paul Gordon Date: 11/18/2015 The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. ii Abstract Mehls, Robert (M.A. Art History) In History No One Can Hear You Scream: Feminism and the Horror Film 1974-1996 Thesis Directed by Associate Professor Melinda Barlow Horror films, like any cultural product, are a result of their time and place in the world. The traditional reading of horror films focuses primarily on the negative treatment of women. However, there are some moments of resistance that allow for a strong female representation. As the horror film is a genre that targets primarily the youth market, some of these women step beyond the traditional cannon fodder and emerge as feminist role models. Over time the ways and means by which women stepped out of the shadows in the horror genre changed. These changes can in part be traced to the larger societal movements of their era, including Second and Third Wave Feminism. -
Bad Boys and Final Girls: Fleshing out Gender in Slasher and Horror Media Brandon Bosch University of Nebraska-Lincoln, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of Spring 4-28-2018 Bad Boys and Final Girls: Fleshing Out Gender in Slasher and Horror Media Brandon Bosch University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, Film and Media Studies Commons, and the Social Psychology and Interaction Commons Bosch, Brandon, "Bad Boys and Final Girls: Fleshing Out Gender in Slasher and Horror Media" (2018). Sociology Department, Faculty Publications. 558. http://digitalcommons.unl.edu/sociologyfacpub/558 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Bad Boys and Final Girls: Fleshing Out Gender in Slasher and Horror Media Brandon Bosch When it comes to the slasher genre, typically only three types of people matter: the Slasher Villain, the Victims, and the Final Girl. Today I want to talk about how gender is often represented with these characters. Slasher villains-like many media villains-are often lacking in masculinity. We have characters like Jason Voorhees (Friday the 13th), Leatherface (Texas Chainsaw Massacre), Michael Myers (Halloween), and Norman Bates (Psycho) that are shown as being childlike and/or obsessed with family members (especially moms). We also see horror villains (not just slasher) having makeup (e.g., Leatherface, Texas Chainsaw Massacre; Pennywise, It), doll avatars (e.g., Child's Play, Saw), and speaking softly (e.g., NOlman Bates, Psycho; Hannibal Leete!', Silence ofthe Lambs). -
MURDOCK-A-RES.Pdf
ANDREW MURDOCK Production Designer S.W.A.T. (Pilot & Seasons 1-5) EP: Shawn Ryan CBS/Sony TV STAR TREK BEYOND (Add’l Photography) Dir: Justin Lin Bad Robot/Paramount Pictures AMERICAN HORROR STORY: ROANOKE (Season 6) Dir: Ryan Murphy Fox Art Directors Guild Award Nomination, Outstanding Production Design in a Television Movie or Limited Series SCREAM QUEENS (Pilot & Season 1) EP: Ryan Murphy Fox BATTLE CREEK (Season 1) EP: Bryan Singer CBS/Sony FEATURES AS ART DIRECTOR: STAR TREK INTO DARKNESS Dir: J.J. Abrams Paramount Pictures Production Designer: Scott Chambliss RED 2 (Add’l Photography) Dir: Dean Parisot Summit Entertainment Production Designer: Howard Cummings CONTAGION (Add’l Photography) Dir: Steven Soderbergh Warner Bros. Production Designer: Howard Cummings FASTER Dir: George Tillman, Jr. CBS Films Production Designer: David Lazan THE SORCERER’S APPRENTICE (Add’l Photog.) Dir: Jon Turteltaub Disney Production Designer: David Lazan PERCY JACKSON & THE OLYMPIANS: Dir: Chris Columbus Fox 2000 Pictures THE LIGHTENING THIEF (Add’l Photography) Production Designer: Howard Cummings COUPLES RETREAT Dir: Peter Billingsley Universal Pictures Production Designer: Shepherd Frankel MY BLOODY VALENTINE 3D Dir: Patrick Lussier Lionsgate Production Designer: Zack Grobler FOUR CHRISTMASES (Add’l Photography) Dir: Seth Gordon Warner Bros. Production Designer: Shepherd Frankel TELEVISION AS ART DIRECTOR: BATTLE CREEK (Pilot) Dir: Bryan Singer CBS Production Designer: Mark Worthington AMERICAN HORROR STORY: ASYLUM (Season 2) EP: Ryan Murphy Fox -
VILAS COUNTY NEWS-REVIEW the VILAS COUNTY SECTION of SPECIAL a with Live Remote WHDG 97.3 Saturday, Nov
PAID ECRWSS Eagle River PRSRT STD PRSRT U.S. Postage Permit No. 13 POSTAL PATRON POSTAL OPEN WEEK 7 DAYS A 7 DAYS lity. Always wear lity. Saturday, Saturday, Nov. 21, 2015 21, Nov. (715) 479-4421 AND THE THREE LAKES NEWS www.tracksideinc.com FROM 10 A.M. TO 2 P.M. 10 A.M. TO FROM A SPECIAL SECTION OF THE VILAS COUNTY NEWS-REVIEW THE VILAS COUNTY SECTION OF SPECIAL A with Live Remote WHDG 97.3 Saturday, Nov. 28 Nov. Saturday, and JACK 100.1 from 10 a.m. to noon 1651 HWY. 45 N • EAGLE RIVER, WI 54521 • (715) 479-2200 45 N • EAGLE RIVER, 1651 HWY. Located 1 Mile North of Eagle River on Hwy. 45 Located 1 Mile North of Eagle River on Hwy. NORTH WOODS NORTH THE PAUL BUNYAN OF NORTH WOODS ADVERTISING WOODS OF NORTH BUNYAN THE PAUL Warning: Professional riders on a closed course. Polaris recommends that all snowmobile riders take a training course. Polaris off-road vehicles can be hazardous to operate and are not intended for on-road use. Do attempt maneuvers beyond your capabi Professional riders on a closed course. Polaris recommends that all snowmobile take training off-road Warning: a helmet and other safety apparel. Driver must be at least 16 years old with a valid driver’s license to operate. Passengers, if permitted, must be at least 12 years old and tall enough to grasp the hand holds and plant feet firmly on the floor. Drivers and passengers should wear a helmet and other safety apparel. -
Mark Worthington Production Designer
MARK WORTHINGTON PRODUCTION DESIGNER www.markworthington.viewbook.com TELEVISION DIRECTOR/EP NETWORK/STUDIO STAR TREK (Pilot) Bryan Fuller, Alex Kurtzman CBS/ CBS Television Studios CITIZEN (Pilot) Alfonso Gomez-Rejon, Josh Pate Hulu/ Paramount AMERICAN HORROR STORY (Seasons 1-5) Brad Falchuk, Ryan Murphy FX/ FOX ADG Award Winner – Seasons 2, 4, 5 ADG Award Nominee – Seasons 1, 3 Primetime Emmy Nominee – Seasons 1, 2, 3, 5 OFTA Television Award Winner – Season 2 OFTA Television Award Nominee – Seasons 1, 3 SCREAM QUEENS (Pilot) Brad Falchuk, Ryan Murphy FOX BATTLE CREEK (Pilot) Dir. Bryan Singer CBS/ Sony Pictures Television BACKSTROM (Pilot) Dir. Mark Mylod ABC/ ABC Studios POLITICAL ANIMALS (Pilot) Dir. Greg Berlanti USA/ Warner Horizon ONCE UPON A TIME (Pilot) Dir. Mark Mylod ABC/ ABC Studios LOVE BITES (Season 1) Cindy Chupak NBC/ Universal UGLY BETTY (Pilot + Seasons 1-4) Silvio Horta ABC/ ABC Studios ADG Award Winner – Season 1 ADG Award Nominee – Seasons 2, 3, 4 Primetime Emmy Nominee – Seasons 1, 2 NIGHT LIFE (Pilot) Dir. Zach Braff FOX/ ABC Studios LOST (Pilot) J.J. Abrams ABC/ ABC Studios ADG Award Nominee ON THE EDGE (MOW) segments: Anne Heche, Hellen Mirren Showtime/ Paramount “Happy Birthday” and “Reaching Normal” FEATURES DIRECTOR STUDIO/ PROD. CO. BELIEVE IN ME Robert Collector IFC Films STRAIGHT-JACKET Richard Day Regent CHRISTMAS IN THE CLOUDS Kate Montgomery Independent FEATURES (AS ART DIRECTOR) DIRECTOR STUDIO/ PROD. CO. WIN A DATE WITH TAD HAMILTOM Robert Luketic Dreamworks MOONLIGHT MILE Brad Silberling Touchstone Pictures AUSTIN POWERS IN GOLDMEMBER Jay Roach New Line Cinema HEARTS IN ATLANTIS Scott Hicks Warner Bros/ Castle Rock WAG THE DOG Barry Levinson New Line Cinema THE CHAMBER James Foley Universal Pictures TOMBSTONE George P. -
Table of Contents
table of contents hello, i love you: introduction ix can’t fight this feeling: the origins ofglee 1 this is how we do it: the making of glee 14 you’re the one that i want: principal players matthew morrison (will schuester) 22 lea michele (rachel berry) 24 cory monteith (finn hudson) 26 dianna agron (quinn fabray) 28 jane lynch (sue sylvester) 30 jayma mays (emma pillsbury) 32 amber riley (mercedes jones) 33 chris colfer (kurt hummel) 35 jenna ushkowitz (tina cohen-chang) 37 kevin mchale (artie abrams) 38 mark salling (noah “puck” puckerman) 40 jessalyn gilsig (terri schuester) 41 iqbal theba (principal figgins) 43 patrick gallagher (ken tanaka) 45 heather morris (brittany) 46 naya rivera (santana lopez) 48 harry shum jr. (mike chang) 49 dijon talton (matt rutherford) 51 josh sussman (jacob ben israel) 52 season one: may 2009–june 2010 1.01 “pilot” 53 director’s cut differences 57 the evolution of glee: script differences 62 1.02 “showmance” 65 famous people who were in glee clubs 66 q&a: jennifer aspen as kendra giardi 69 1.03 “acafellas” 73 josh groban 74 01_DSBintro_2.indd 5 7/16/10 2:42:44 PM whit hertford as dakota Stanley 75 victor garber as will’s father 76 debra monk as will’s mother 78 john lloyd young as henri st. pierre 79 1.04 “preggers” 82 mike o’malley as burt hummel 83 q&a: stephen tobolowsky as sandy ryerson 85 1.05 “the rhodes not taken” 91 kristin chenoweth as april rhodes 93 gleek speak: amanda kind 96 1.06 “vitamin d” 99 show choirs versus glee clubs 104 1.07 “throwdown” 104 gleek speak: RPing glee 109 1.08 “mash-up” -
Queer Slashers
Wayne State University Wayne State University Dissertations January 2018 Queer Slashers Peter Marra Wayne State University, [email protected] Follow this and additional works at: https://digitalcommons.wayne.edu/oa_dissertations Part of the Film and Media Studies Commons Recommended Citation Marra, Peter, "Queer Slashers" (2018). Wayne State University Dissertations. 2049. https://digitalcommons.wayne.edu/oa_dissertations/2049 This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. QUEER SLASHERS by PETER MARRA DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2018 MAJOR: ENGLISH (Film & Media Studies) Approved By: ____________________________________ Advisor Date ____________________________________ ____________________________________ ____________________________________ ____________________________________ DEDICATION For Jon, without whom this would not be possible ii TABLE OF CONTENTS Dedication.........................................................................................................................ii Introduction.......................................................................................................................1 Chapter 1 Strange Pleasure: 1940s Proto-Slasher Cinema...........................................26 -
Queens of Scream: the New Blood
NVF Magazine Publications in Association with BearManor Media QUEENS of SCREAM: THE NEW BLOOD by David Byron Queens of Scream: The New Blood © 2009 David Byron. All Rights Reserved. All illustrations are copyright of their respective owners, and are also reproduced here in the spirit of publicity. Whilst we have made every effort to acknowledge specific credits whenever possible, we apologize for any omissions, and will undertake every effort to make any appropriate changes in future editions of this book if necessary. No part of this book may be reproduced in any form or by any means, electronic, mechanical, digital, photocopying or recording, except for the inclusion in a review, without permission in writ- ing from the publisher. Published in the USA by: BearManor Media P O Box 71426 Albany, Georgia 31708 www.bearmanormedia.com ISBN 1-59393-455-6 Printed in the United States of America. All interviews used by permission / edited by David Byron All photos and logos used by permission. Cover art by Dennis Willman Susan Adriensen photo by Mark Alan Lee Book design by Darlene Swanson of Van-garde Imagery, Inc. CONTENTS Acknowledgments . vi Introduction by David Byron . ix Interviews . 1 Afterword by David Byron . 183 The Queens: Brenna Lee Roth - star of Killer Biker Chicks and DOG and producer of Grind House Glory Scarlet Salem - star of Killer Biker Chicks Bianca Barnett star of Albino Farm Nicole Kruex - a.k.a. -Nikki Homicide K – star of Zen: Hunter Rachel Grubb - star of 13 Hours in a Warehouse Seregon O’Dassey - star of Ghost Watcher -
Made for TV Monsters: How Has the Rise of Horror on US Television Impacted on the Spectacle and Acceptability of the Genre?
Made for TV Monsters: How has the rise of horror on US television impacted on the spectacle and acceptability of the genre? Stella Marie Gaynor Submitted in partial fulfillment of the requirements of the degree of Doctor of Philosophy September 2018 School of Arts and Media University of Salford, UK Table of Contents CHAPTER 1 INTRODUCTION ........................................................................................ 1 CHAPTER 2 LITERATURE REVIEW............................................................................... 7 2.1 Introduction. ............................................................................................................ 7 2.1.1 Horror Film. ........................................................................................................ 9 2.1.2 US television Industry ...................................................................................... 19 2.1.3 US television Drama. ....................................................................................... 21 2.1.4 Show runners and creative autonomy. ............................................................. 22 2.1.5 Spectacle. ........................................................................................................ 26 2.1.6 US television Horror. ........................................................................................ 31 2.2 Methodology. ......................................................................................................... 42 CHAPTER 3 INDUSTRIAL CONTEXTS: THE RISE OF HORROR -
Directing for a Comedy Series
2021 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Gary Meets Dave Jack loses Helen’s money that she needs for the school mascot Pam the Ram’s surgery so he tells her it was stolen. The students help Jack try get the cash back. Meanwhile, Stef, Mary and Michelle run into trouble with their mall-walking group. Richie Keen, Directed by A.P. Bio Katie Holmes Day Jack vows to ruin the local holiday, Katie Holmes Day, because he’s jealous that a fellow Toledoan achieved their dreams. Meanwhile, Durbin is determined not to flub his line in the pageant this year. Mary and Stef run the holiday rummage sale. Anu Valia, Directed by B Positive Pilot Drew, a recently divorced father, discovers he needs a kidney and finds his donor in the last person he ever would've imagined. James Burrows, Directed by black-ish Our Wedding Dre Dre's (Anthony Anderson) intimate wedding plans for Pops (Laurence Fishburne) and Ruby (Jenifer Lewis) go awry when Pops' brother, Uncle Norman, (Danny Glover) shows up unexpectedly for the festivities. Meanwhile Ruby refuses Bow's (Tracee Ellis Ross) offer to help with preparations. Eric Dean Seaton, Directed by black-ish Please, Baby, Please Dre tries to soothe baby DeVante back to sleep by reading him a bedtime story that becomes a story expressing his own concerns about the state of our country. Kenya Barris, Directed by Breeders No Fear Luke’s anxiety is becoming a problem at home and school. Would a medical diagnosis make his life easier or harder? Ally faces further tension after her mother Leah is robbed.