Chainsaw Honeymoon a Ruby Navarro Disaster
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City Approves Soccer Field
ThePublished News since 1890 every Monday and Thursday Reporterfor the County of Columbus and her people. Monday, December 7, 2015 Unaffiliated Volume 125, Number 46 Whiteville, North Carolina candidate to 75 Cents challenge Russ By NICOLE CARTRETTE Inside News Editor Lavern Coleman, 61, of the Byrdville com- 3-A munity, said he plans to run as an unaffili- ated candidate in the November 2016 general • City worker certified election. as playground Coleman is a supervisor in the paper divi- inspector. sion at International Paper in Riegelwood where he has worked for 41 years. He must obtain signatures from 4 percent of registered 4-A voters in Columbus County Commissioner • Unusual wreck District 4 to get his name on the ballot. Thursday kills Unaffiliated candidates break-in suspect. may petition with the sig- natures of 4 percent of registered voters in the 5-A district by the last Friday • Virginia Lane is no in June to get on the bal- ‘ordinary’ woman. lot, according to the N.C. State Board of Elections and N.C. General Statutes DIDYOB? 163-122 a (3). Coleman said Friday he Russ Did you observe ... did not know how many names he needed to obtain and was originally told by Members of Peace Staff photo by FULLER ROYAL county election employees Baptist Church that he would have to run Candy over-loaded mother lode as a write-in candidate. He moving along This youngster grabs as much candy as he can during the Whiteville Christmas Parade after the was contacted the next day Madison Street riders on the Simply Dance float threw hundreds of pieces of candy all at once. -
Bad Boys and Final Girls: Fleshing out Gender in Slasher and Horror Media Brandon Bosch University of Nebraska-Lincoln, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of Spring 4-28-2018 Bad Boys and Final Girls: Fleshing Out Gender in Slasher and Horror Media Brandon Bosch University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, Film and Media Studies Commons, and the Social Psychology and Interaction Commons Bosch, Brandon, "Bad Boys and Final Girls: Fleshing Out Gender in Slasher and Horror Media" (2018). Sociology Department, Faculty Publications. 558. http://digitalcommons.unl.edu/sociologyfacpub/558 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Bad Boys and Final Girls: Fleshing Out Gender in Slasher and Horror Media Brandon Bosch When it comes to the slasher genre, typically only three types of people matter: the Slasher Villain, the Victims, and the Final Girl. Today I want to talk about how gender is often represented with these characters. Slasher villains-like many media villains-are often lacking in masculinity. We have characters like Jason Voorhees (Friday the 13th), Leatherface (Texas Chainsaw Massacre), Michael Myers (Halloween), and Norman Bates (Psycho) that are shown as being childlike and/or obsessed with family members (especially moms). We also see horror villains (not just slasher) having makeup (e.g., Leatherface, Texas Chainsaw Massacre; Pennywise, It), doll avatars (e.g., Child's Play, Saw), and speaking softly (e.g., NOlman Bates, Psycho; Hannibal Leete!', Silence ofthe Lambs). -
Queer Slashers
Wayne State University Wayne State University Dissertations January 2018 Queer Slashers Peter Marra Wayne State University, [email protected] Follow this and additional works at: https://digitalcommons.wayne.edu/oa_dissertations Part of the Film and Media Studies Commons Recommended Citation Marra, Peter, "Queer Slashers" (2018). Wayne State University Dissertations. 2049. https://digitalcommons.wayne.edu/oa_dissertations/2049 This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. QUEER SLASHERS by PETER MARRA DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2018 MAJOR: ENGLISH (Film & Media Studies) Approved By: ____________________________________ Advisor Date ____________________________________ ____________________________________ ____________________________________ ____________________________________ DEDICATION For Jon, without whom this would not be possible ii TABLE OF CONTENTS Dedication.........................................................................................................................ii Introduction.......................................................................................................................1 Chapter 1 Strange Pleasure: 1940s Proto-Slasher Cinema...........................................26 -
Queens of Scream: the New Blood
NVF Magazine Publications in Association with BearManor Media QUEENS of SCREAM: THE NEW BLOOD by David Byron Queens of Scream: The New Blood © 2009 David Byron. All Rights Reserved. All illustrations are copyright of their respective owners, and are also reproduced here in the spirit of publicity. Whilst we have made every effort to acknowledge specific credits whenever possible, we apologize for any omissions, and will undertake every effort to make any appropriate changes in future editions of this book if necessary. No part of this book may be reproduced in any form or by any means, electronic, mechanical, digital, photocopying or recording, except for the inclusion in a review, without permission in writ- ing from the publisher. Published in the USA by: BearManor Media P O Box 71426 Albany, Georgia 31708 www.bearmanormedia.com ISBN 1-59393-455-6 Printed in the United States of America. All interviews used by permission / edited by David Byron All photos and logos used by permission. Cover art by Dennis Willman Susan Adriensen photo by Mark Alan Lee Book design by Darlene Swanson of Van-garde Imagery, Inc. CONTENTS Acknowledgments . vi Introduction by David Byron . ix Interviews . 1 Afterword by David Byron . 183 The Queens: Brenna Lee Roth - star of Killer Biker Chicks and DOG and producer of Grind House Glory Scarlet Salem - star of Killer Biker Chicks Bianca Barnett star of Albino Farm Nicole Kruex - a.k.a. -Nikki Homicide K – star of Zen: Hunter Rachel Grubb - star of 13 Hours in a Warehouse Seregon O’Dassey - star of Ghost Watcher -
Made for TV Monsters: How Has the Rise of Horror on US Television Impacted on the Spectacle and Acceptability of the Genre?
Made for TV Monsters: How has the rise of horror on US television impacted on the spectacle and acceptability of the genre? Stella Marie Gaynor Submitted in partial fulfillment of the requirements of the degree of Doctor of Philosophy September 2018 School of Arts and Media University of Salford, UK Table of Contents CHAPTER 1 INTRODUCTION ........................................................................................ 1 CHAPTER 2 LITERATURE REVIEW............................................................................... 7 2.1 Introduction. ............................................................................................................ 7 2.1.1 Horror Film. ........................................................................................................ 9 2.1.2 US television Industry ...................................................................................... 19 2.1.3 US television Drama. ....................................................................................... 21 2.1.4 Show runners and creative autonomy. ............................................................. 22 2.1.5 Spectacle. ........................................................................................................ 26 2.1.6 US television Horror. ........................................................................................ 31 2.2 Methodology. ......................................................................................................... 42 CHAPTER 3 INDUSTRIAL CONTEXTS: THE RISE OF HORROR -
Television and Podcast Reviews
Irish Journal of Gothic and Horror Studies 15 (Autumn 2016) TELEVISION AND PODCAST REVIEWS (Please note that reviews may contain spoilers) Lore: Season 1 (www.lorepodcast.com, 2015-present) Since it began broadcasting in early 2015, Lore, which is still in its first season, has rapidly become a successful podcast, based on gripping and eerie tales of folklore. In each episode, writer and producer Aaron Mahnke recounts myths and urban legends, in addition to tragic true stories. Episodes come out every other Monday and are available wherever podcasts are released. Usually, each episode is an intermingling of first-hand accounts of suspicious and mysterious events with hard facts that have been researched by Mahnke. The result is a constant questioning of what is and is not real, leaving the listener with a creeping sense that poltergeists and changelings might very well exist. Each episode of Lore begins with a different piece of instrumental music that runs throughout the majority of that particular episode. This invariably eerie yet beautiful music sets the mood for the podcast from the outset. This, in addition to Aaron Mahnke’s calm and comforting voice, creates the perfect setting for a scary story. This is essentially what the podcast is — a scary story — but it is also so much more than this, as elements of history, mystery, and horror flow through each episode. The structure of the podcasts, for the most part, is consistent. Each week, we begin with a preliminary story, taken either from recent history or from folklore, which introduces the theme of the episode. -
Her Body, Himself: Gender in the Slasher Film Author(S): Carol J
Her Body, Himself: Gender in the Slasher Film Author(s): Carol J. Clover Source: Representations, No. 20, Special Issue: Misogyny, Misandry, and Misanthropy (Autumn, 1987), pp. 187-228 Published by: University of California Press Stable URL: http://www.jstor.org/stable/2928507 Accessed: 02-10-2017 13:11 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Representations This content downloaded from 128.227.24.141 on Mon, 02 Oct 2017 13:11:36 UTC All use subject to http://about.jstor.org/terms CAROL J. CLOVER Her Body, Himself: Gender in the Slasher Film The Cinefantastic and Varieties of Horror ON THE HIGH SIDE OF HORROR lie the classics: F. W. Murnau's Nos- feratu, King Kong, Dracula, Frankenstein, and various works by Alfred Hitchcock, Carl Theodor Dreyer, and a few others-films that by virtue of age, literary ancestry, or fame of director have achieved reputability within the context of disreputability.' Further down the scale fall the productions of Brian De Palma, some of the glossier satanic films (Rosemary's Baby, The Omen, The Exorcist), certain sci-fi hybrids (Alien/Aliens, Blade Runner), some vampire and werewolf films (Wolfen, An American Werewolf in London), and an assortment of other highly pro- duced films, often with stars (Whatever Happened to Baby Jane, The Shining). -
Four Star Films, Box Office Hits, Indies and Imports, Movies A
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of July 25 - 31, 2021 Annie Hall (1977) TMC Mon. 11:35 a.m. The Best Years of Our Lives (1946) TCM Sun. 11:45 a.m. Blade Runner: The Final Cut (1982) TCM Fri. 5 p.m. Bonnie and Clyde (1967) TCM Wed. 11:45 p.m. Casablanca (1942) TCM Mon. 9:15 p.m. The Conversation (1974) EPIX Wed. 4:05 p.m. Dances With Wolves (1990) Ovation Fri. 6:30 p.m. Ovation Sat. Noon Dead Man Walking (1995) Cinemax Sun. 12:33 p.m. Forrest Gump (1994) AMC Sun. 5 p.m. AMC Fri. 8 p.m. AMC Fri. 11 p.m. The Gay Divorcee (1934) TCM Tues. 7 p.m. Goodfellas (1990) AMC Mon. 7 p.m. His Girl Friday (1940) KVCR Sat. 8 p.m. Jaws (1975) Animal Planet Mon. 5 p.m. The Last Picture Show (1971) TCM Wed. 9:30 p.m. The Late Show (1977) TCM Sat. 3:15 p.m. Pulp Fiction (1994) Ovation Sun. 8:30 p.m. Ovation Mon. 4 p.m. The Road Warrior (1981) AMC Sun. 4 a.m. Rosemary's Baby (1968) TMC Wed. 5:35 p.m. Saving Private Ryan (1998) Showtime Tues. 5 p.m. Showtime Sat. 3 p.m. Showtime Sun. 3 a.m. The Searchers (1956) TCM Tues. 1:15 a.m. The Silence of the Lambs (1991) AMC Mon. 9 a.m. -
Televisionweek Local Listing for the Week of October 31-November 6, 2015
PRESS & DAKOTAN n FRIDAY, OCTOBER 30, 2015 PAGE 7B TelevisionWeek Local Listing For The Week Of October 31-November 6, 2015 SATURDAY PRIMETIME/LATE NIGHT OCTOBER 31, 2015 3:00 3:30 4:00 4:30 5:00 5:30 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 12:00 12:30 1:00 1:30 BROADCAST STATIONS Cook’s Victory Prairie America’s Classic Gospel The Lawrence Welk Doc Martin Doc S.D. High School All-State Chorus & Or- No Cover, No Mini- Austin City Limits Under- Sun Stu- (Off Air) PBS Country Garden’s Yard and Heartlnd “Heaven” Songs about Show Celebrating Hal- clashes with the new chestra 2015 mum “Hank Harris” “Gary Clark Jr.; Court- ground dio Ses- KUSD ^ 8 ^ Å Garden heaven. Å loween. midwife. Å ney Barnett” sions KTIV $ 4 $ 2015 Breeders’ Cup (N) Å Paid News News 4 Insider Dateline NBC (In Stereo) Å Saturday Night Live News 4 Saturday Night Live Å Extra (N) Å 1st Look House 2015 Breeders’ Cup (N) (In Stereo Live) Å Paid Pro- NBC KDLT The Big Dateline NBC (In Stereo) Å Saturday Night Live KDLT Saturday Night Live (In Stereo) Å The Simp- The Simp- KDLT News Å NBC gram Nightly News Bang (In Stereo) Å News sons sons KDLT % 5 % News (N) (N) Å Theory (N) Å KCAU ) 6 ) College Football Regional Coverage. (N) (Live) Football News Edition College Football Notre Dame at Temple. (N) (Live) Å News Castle Å Paid The Good Wife Blue College Football Florida vs. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. NCTE Bibliography
DOCUMENT RESUME ED 362 878 CS 214 064 AUTHOR Jensen, Julie M., Ed.; Roser, Nancy L,, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Tenth Edition. NCTE Bibliography Series. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-0079-1; ISSN-1051-4740 PUB DATE 93 NOTE 682p.; For the previous edition, see ED 311 453. AVAILABLE FROMNational Council of Teachers of English, 1111 W. Kenyon Rd., Urbana, IL 61801-1096 (Stock No. 00791-0015; $14.95 members, $19.95 nonmembers). PUB TYPE Reference Materials - Bibliographies (131) -- Books (010) EDRS PRICE MF04/PC28 Plus Postage. DESCRIPTORS Annotated Bibliographies; *Childrens Literature; Elementary Education; Fantasy; Fiction; Mathematical Concepts; Nonfiction; Poetry; Preschool Education; *Reading Material Selection; *Recreational Reading; Scientific Concepts; Social Studies IDENTIFIERS Eastorical Fiction; Trade Books ABSTRACT Designed to help teachers, librarians, arid parents introduce books of exceptional literary and artistic merit, accuracy, and appeal to preschool through sixth grade children, this annotated bibliography presents nearly 1,800 annotations of approximately 2,000 books (2 or more books in a series appear in a single review) published between 1988 and 1992. Annotations are grouped under 13 headings: Biography; Books for Young Children; Celebrations; Classics; Contemporary Realistic Fiction; Fantasy; Fine Arts; Historical Fiction; Language and Reading; Poetry; Sciences and Mathematics, Social Studies; and Traditional Literature. In addition to the author and title, each annotation lists illustrators where applicable and the recommended age range of potential readers. A selected list of literary awards given to children's books published between 1988 and 1992; a description of popular booklists; author, illustrator, subject, and title indexes; and a directory of publishers are attached.