Contemporary Theatre, Film & Media
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Sesame Street Sesame Street Fever Mp3, Flac, Wma
Sesame Street Sesame Street Fever mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Sesame Street Fever Country: Taiwan Released: 1978 Style: Disco, Novelty MP3 version RAR size: 1601 mb FLAC version RAR size: 1968 mb WMA version RAR size: 1736 mb Rating: 4.4 Votes: 931 Other Formats: MP4 VQF AUD MIDI ASF MMF AAC Tracklist Hide Credits A1 –Robin Gibb, The Count , Grover , Ernie , Cookie Monster Sesame Street Fever A2 –Bert And The Girls Doin' The Pigeon Rubber Duckie A3 –Ernie And His Rubber Duckie* Composed By – Moss* B1 –Robin Gibb Trash B2 –Cookie Monster And The Girls C Is For Cookie B3 –Marty And Grover Has Anybody Seen My Dog? Credits Arranged By, Conductor – David Horowitz, Dick Lieb, Leon Pendarvis Arranged By, Conductor, Directed By [Musical Direction] – Joe Raposo Art Direction – Robert Pierce Bass – Herb Bushler Cello – Jesse Levy, Kermit Moore Co-producer, Engineer – Michael Delugg Composed By – Raposo* (tracks: A1, A2, B1 to B3) Congas – Jimmy Maelen Drums – Richard Crooks Guitar – Cliff Morris, Jack Cavari, Jeff Layton Keyboards – David Horowitz, Pat Rebillot Mixed By, Edited By – Michael Delugg Mixed By, Edited By, Other [Concieved By] – Joe Raposo Other [Concieved By] – Arthur Shimkin Other [Continuity By], Other [From An Idea By] – Normal Stiles Other [Created By], Voice [As Ernie] – Jim Henson Other [Muppet Disco Attire] – Calista Hendrickson, Sherry Amott Percussion – George Devons* Photography By [Cover] – Neil Selkirk Producer – Joe Raposo Reeds – Lou Marini Saxophone [Baritone] – Dave Tofani -
Sing the Hit Songs of Sesame Street Mp3, Flac, Wma
Sesame Street Sing The Hit Songs Of Sesame Street mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Children's Album: Sing The Hit Songs Of Sesame Street Country: US Released: 1974 Style: Educational, Story MP3 version RAR size: 1396 mb FLAC version RAR size: 1217 mb WMA version RAR size: 1658 mb Rating: 4.2 Votes: 288 Other Formats: DXD AHX WMA MOD MPC AA AU Tracklist A1 –The Kids Sesame Street Theme A2 –The Kids Sing A3 –Kermit* Bein' Green A4 –Grover What Do I Do When I'm Alone? A5 –Oscar* I Love Trash A6 –Grover And Marty Has Anyone Seen My Dog? B1 –Ernie Rubber Duckie B2 –Cookie Monster "C" Is For Cookie B3 –Big Bird AB-C-DEF-GHI B4 –The Kids Somebody Come And Play B5 –Susan* And The Kids Someday, Little Children B6 –Big Bird And Snuffle-upagus* Nobody Credits Art Direction – Robert Pierce Edited By – James Timmens* Lyrics By [Words By], Music By – Jeffrey Moss, Joe Raposo Other [Project Coordinator] – Jacquie Turner Other [Project Directors For Ctw] – Christopher Cerf, Sharon Lerner Other [Properties Director] – Nat Mongioi Photography – Judy Ross, Sandy Speiser Producer [Album Produced By], Directed By [Musical Director] – Joe Raposo Supervised By [Project] – Arthur Shimkin Voice Actor [Big Bird, Oscar] – Carrol Spinney* Voice Actor [Bob] – Bob McGrath Voice Actor [Cookie Monster, Grover, Bert] – Frank Oz Voice Actor [David] – Northern Calloway Voice Actor [Ernie] – Jim Henson Voice Actor [Gordon] – Hal Miller Voice Actor [Herbert Birdsfoot, Suffle-upagus, The Count, Sherlock Hemlock, Farley, Herry Monster, Marty] – Jerry Nelson Voice Actor [Luis] – Emilio Delgado Voice Actor [Mr. -
THE MUPPETS “Artist") (Also: Hessian, Headbanger, Or Heavy Metal Dude) by John Paine Sexual Dance, the Pigeon
NOT INSIDE • Crackhouse! Original Motion Picture Soundtrack •The Bruce Jenner Basement Tapes • Back-masking: Sinful Satan ism or Silly Sham? • TV Superstar or Rock Goddess? FM asks Justine Bateman Which is Hipper • Madonna Confesses: “Now I’m Androgynous!” full of these people with the Leather Lingerie clothes and the tans, and we just said, ‘Shit.’ We needed The Story of something smooth to say to betties at parties other than *What’s your major?' W e re a l an I.V. Band ized that we had to form a by Kim Kash and band, so that we’d have an Jeffrey P. McManus opener — Y ea h , I ’m in Leather Lingerie’. Cool, huh?” he grins, Leather Lingerie is the quin and takes a long drag from his tessential I.V. band. The smoke. drummer sucks. The amp got ,It is the band's first rehear left out in the rain last quarter. sal, and they don’t let the fact The bass player, Jimmy, has a that they’ve never played girlfriend who lives in L.A., so together get them down — he never makes it to practice (a they’re in a real band now. bimonthly event held in the Clarke is still in the bathroom. singer’s Sabado Tarde drive The jam begins, and the way). And they refuse to play at cupboard doors rattle to the any party with less than three feedback. They play a reggae Meister kegs. version of “Stepping Stone," We caught up with the LL then Steve and li’l Ricky, the boys in drummer Steve’s pad, guitarist, begin arguing about upstairs from a well-known what songs are to be on LL’s Isla Vista sandwich shop. -
Koleksi Musik Hendi Hendratman 70'S, 80'S & 90'S
Hendi Hendratman Music Collection Koleksi Musik Hendi Hendratman 70’s, 80’s & 90’s dst (Slow, Pop, Jazz, Reggae, Disco, Rock, Heavy Metal dll) 10 Cc - I'm Not In Love 10 Cc - Rubber Bullets 10000 Maniacs - What's The Matter Here 12 Stones - Lie To Me 20 Fingers - Lick It (Radio Mix) 21 Guns - Just A Wish 21 Guns - These Eyes 2xl - Disciples Of The Beat 3 Strange Days - School Of Fish 4 Non Blondes - What's Up 4 The Cause - Let Me Be 4 The Cause - Stand By Me 4 X 4 - Fresh One 68's - Sex As A Weapon 80's Console Allstars Vs Modern Talking Medley 98 Degrees - Because Of U 999 - Homicide A La Carte - Tell Him A Plus D - Whip My Hair Whip It Real Good A Taste Of Honey - Sukiyaki A Tear Fell A1 - Be The First To Believe Aaron Carter - (Have Some) Fun With The Funk Aaron Neville - Tell It Like It Is Ace - How Long Adam Hicks - Livin' On A High Wire Adam Wakeman - Owner Of A Lonely Heart Adina Howard - Freak Like Me Adrian Belew - Oh Daddy African Rhythm - Fresh & Fly After 7 - Till You Do Me Right After One - Real Sadness Ii Agnetha Faltskog & Tomas Ledin - Never Again Aileene Airbourne - Ready To Rock Airbourne - Runnin' Wild Airplay - Should We Carry On Al B. Sure - Night & Day Al Bano & Romina Power - Felicita Al Martino - Volare Alan Berry - Come On Remix Alan Jackson - Little Man Alan Ross - The Last Wall Albert One - Heart On Fire Aleph - Big Brothers Alex Dance - These Words Between Us Alex Gopher - Neon Disco Alias - More Than Words Can Say Alias - Waiting For Love Alisha - All Night Passion Alisha - Too Turned On Alison Krawss - When -
Chanticleer-February-3-1983.Pdf
Vol. *No. 4 February 3,1983 WHMA purchase contract finalized . By SUSIE IRWIN Editor The Jacksonville State University Communications Foundation contracted to purchase WHMA-TV for $2.9 million, from the Anniston Broadcasting Co. both parties announced Saturday. Officials from the university, as well as the station, en- thusiastically revealed the exchange of ownership to press representatives gathered in the Houston Cole Library. "I have never been involved in any transaction t?iat hat! more going for it than this one,"said the Commurlications Foundation attorney A. W. Bolt. Dr. Theron Montgomery cited t ree reasons for acquiring the television station. First, the purchase will enhance the university's new . school of communications. Montgomery said he is "op- timistic" about faculty and student involvement in WHMA in the future. Another reason Montgomery said was offering continued service to the corrmunity by its cooperation and main- taining local ownership. Finally, Montgomery c13clutieu that the purchase is a "financial investment" which will allow for the university's future expansion. The possibility of academic apprenticeships for students was mentioned although Montgomery would not offer Officials of the JSU Communications Foundation and the for the Foundation to purchase WHMA-TV at a cost of $2.9 details at this tie. Anniston Broadcasting Co. ink the contract which provides million. k Since the station's studio is located in Anniston, Mon- tgomery said construction of an "annex" in Jacksonville is vesting houses. He estimates that it will take some ten full The FCC ordered that the major owners of the television a possibility, yet no details were disclosed. -
J2P and P2J Ver 1
42 Sound business Shidio Track Talent Ivey and Terry Woodland are LOS ANGELES -Brian Ahem producing Em Homegrown Fidelity Recording Studios. Mandrill Gabriel also there Ipr Epic wrapping up an LP protects Clayton producing both projects. mybu Harris' new album at his Enaction mnbole also doing a second Arsta LP volt' wfnh" David pooled with Buzz Richmond producing and en In Action_ San Ahern also finishing up Rodney Campbell Karen Nelson and Billy T. for gmeenng And Kaye Smith has added comput At the Autonull in Francisco recently recording studio produces Continued from page 41 Amherst enured automated rooting Carlos Santana recording a solo for CBS, Fred ri Crowelrs ABM LP producing the Headhunters for Band Ru- prison. which, in spite d its sonatas message, Louie Shelton producing Alessi for ABM at Busy Group IV actrnly sees LA. Turnaround The Fanta Mobile truck cutting the Rolling Catero Ky binson A Friends for an Arista LP, David Rubin. still hadh enough limit relief to draw some Dawnbreaker, toe Began engoneenng Richie doing a project lot Arrowhead Records Dennis Stones at Memphis Tenn and Lexington, Hancock fora new Colum JOE D. PUCE Havens, Dash Crofts and Jim Seals are contrrb Sands engineering w1h help from Betsy Bang. venues Frank Jennings Syndicate, voted son producing Herbie yaks bra LP, and Rubinson producing, Gato Barbieri utong to the project Shelton also is producing a hart; also, Monty Alexander and loe Turner England's number une country band at the Cory Welk single for MM with Bogan engineer working separate protects for Pablo, Val Valentin Wembley festival for the past three years. -
La Exposición Sobre Jim Henson Una Imaginación Sin Límites
SE RUEGA NO SACAR DE LA GALERÍA La exposición sobre Jim Henson una imaginación sin límites AN EXHIBITION ORGANIZED BY ©MUPPETS/DISNEY. ©2019 SESAME WORKSHOP. ©THE JIM HENSON COMPANY. SE RUEGA NO SACAR DE LA GALERÍA 1. Proyección LA EXPOSICIÓN SOBRE JIM HENSON: UNA IMAGINACIÓN SIN LÍMITES A lo largo de su singular carrera que se extendió a lo largo de cuatro décadas, Jim Henson creó personajes de marionetas e historias que se convirtieron en iconos del cine y la televisión y han dejado una marca indeleble en la cultura popular. Con su sentido del humor delicadamente subversivo, su infatigable curiosidad y su mirada innovadora sobre el arte de las marionetas, Henson creó los Muppets/Teleñecos y los convirtió en una marca internacional perdurable, nos regaló los adorables personajes de Plaza/Barrio Sésamo y plasmó su rica imaginación en películas e historias para la gran pantalla. En esta exposición indagamos en las extraordinarias aportaciones con las que Jim Henson contribuyó al campo de la imagen en movimiento y desvelamos cómo él y su talentoso equipo de diseñadores, actores y escritores crearon una obra sin parangón que hoy día sigue inspirando y deleitando a personas de todas las edades. 2. Jim Henson y la rana René/Gustavo en el set de Llegan los Muppets/La película de los Teleñecos (1978) 3. Marioneta de la rana René/Gustavo, hacia 1978 Diseñada por Jim Henson Confeccionada por Caroly Wilcox a partir de patrones diseñados por Don Sahlin Manejada por Jim Henson Tela de vellón, fieltro, plástico, caucho y papel autoadhesivo de vinilo Cedido en préstamo por la familia de Jim Henson (Jim Henson confeccionó la primera marioneta de la rana René/Gustavo en 1955). -
WHMA Purchase Contract Finalized
Jacksonville State University JSU Digital Commons Chanticleer Historical Newspapers 1983-02-03 Chanticleer | Vol 29, Issue 4 Jacksonville State University Follow this and additional works at: https://digitalcommons.jsu.edu/lib_ac_chanty Recommended Citation Jacksonville State University, "Chanticleer | Vol 29, Issue 4" (1983). Chanticleer. 810. https://digitalcommons.jsu.edu/lib_ac_chanty/810 This Book is brought to you for free and open access by the Historical Newspapers at JSU Digital Commons. It has been accepted for inclusion in Chanticleer by an authorized administrator of JSU Digital Commons. For more information, please contact [email protected]. Vol. *No. 4 February 3,1983 WHMA purchase contract finalized . By SUSIE IRWIN Editor The Jacksonville State University Communications Foundation contracted to purchase WHMA-TV for $2.9 million, from the Anniston Broadcasting Co. both parties announced Saturday. Officials from the university, as well as the station, en- thusiastically revealed the exchange of ownership to press representatives gathered in the Houston Cole Library. "I have never been involved in any transaction t?iat hat! more going for it than this one,"said the Commurlications Foundation attorney A. W. Bolt. Dr. Theron Montgomery cited t ree reasons for acquiring the television station. First, the purchase will enhance the university's new . school of communications. Montgomery said he is "op- timistic" about faculty and student involvement in WHMA in the future. Another reason Montgomery said was offering continued service to the corrmunity by its cooperation and main- taining local ownership. Finally, Montgomery c13clutieu that the purchase is a "financial investment" which will allow for the university's future expansion. -
Cash Box N.Y
August 19. 1978 E-45519. A NEW SINGLE FROM HER FORTHCOMING - ALBUM:Il>i#l^ ### tii€> USA ( 6 E 1 5 5 ) — 14 — August 19, 197 I VOLUME XL NUMBER i^^^N^ERNATIONA^MUSIC^iECORCMWEEKU^ C4SHBCK GEORGE ALBERT President and Publisher EDITORIAL MEL ALBERT President and General Manager Flesh And Blood Vice STAN MONTEIRO of Marketing is Director It’s not just a piece of vinyl — it’s flesh and blood. outlet for an artist, although profit intended and DAVE FULTON With the abundance of records being produced expected. Editor In Chief and distributed these days, there is a detachment Physically, a record album is almost always black J.B. CARMICLE between the artistic endeavors and the sale of the and reveals little about what is imprinted in its General Manager, East Coast actual product. People are quick to label a slow- grooves. But many people invested part of them- JIM FOLLIS. Account Executive, West Coast selling album or little-programmed single as stiffs. selves in this effort to be recorded, manufactured East Coast Editorial KEN TERRY. Easf Coast Editor But someone believed in that record or it would not and sold. Songwriters, musicians, engineers, CHARLES PAIKERT LEO SACKS have been produced. producers and many others are necessary for this AARON FUCHS All kinds of music are not for all kinds of people. fantastic creative process to unfold. West Coast Editorial work and sometimes they ALAN SUTTON. West Coast Editor Some albums do reach a broader base, and conse- Sometimes records RANDY LEWIS should not don’t, but in every case there are throbbing minds JEFF CROSSAN quently sales rise accordingly. -
Building American Puppetry on the Jim Henson Foundation
BUILDING AMERICAN PUPPETRY ON THE JIM HENSON FOUNDATION DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Kathleen Stoessner, M.A. ***** The Ohio State University 2008 Dissertation Examination Committee: Approved by Dr. Joy Reilly, Adviser Dr. Beth Kattelman Adviser Dr. Alan Woods Graduate Program in Theatre Copyright by Jennifer Kathleen Stoessner 2008 ABSTRACT Historically the United States, with the exception of ritual performances by indigenous Americans, did not have a distinct puppetry tradition, utilizing instead the imported techniques of its immigrant population. In the twentieth century, puppeteers began to explore puppetry’s capabilities, producing challenging and innovative theatrical work in a distinctly American style. Puppetry was given a stage as popular broadcasting content on the newly invented television. In this media environment, Jim Henson pioneered new techniques, becoming the most famous puppeteer in history. His success enabled him to serve his field as a spokesman and sponsor. In 1982, he established the Jim Henson Foundation, a non-profit organization to support puppetry artists. The Jim Henson Foundation is the only organization in the United States devoted to funding puppet theater and its mission reflects Jim Henson’s commitment to the community of artists who make American puppetry the vivid panorama it has become. Without the Foundation, puppetry in the United States would not be experiencing the explosion of creativity and exposure it currently enjoys. To present a picture of puppetry in the United States and Henson’s work, a brief history of puppetry in America as well as an in-depth scrutiny of Jim Henson’s career is provided. -
Kenny Loggins
DEDICATED TO THE NEEDS OF THE MUSIC/RECORD INDUSTRYRY ianr`1DECEMBER 9, 1978 $1.95 91M12: Zi,zZ t78 1 1II Kenny Loggins FOREIGNER, "BLUE MORNING, BLUE STEPHEN BISHOP, "ANIMAL HOUSE" NEIL DIAMOND, "YOU DON'T DAY" (prod. by Olsen -Jones -Mc- (prod. by K. Vance) (writer: Bi- B Donald) (writers: Gramm -Jones) shop) (Stephen Bishop/Duchess, b bO9I6 (Somerset/Evansongs/WB, BMI) EMI) (2:55). could this be the titi *VD `AWID OIQf1,LS (3:08). This third single from their lilting voice of "On and On." Yup, du Ip should follow the others, quick- one and the same and expertly to I,LInOD b2.1f1.LN3/1 OfiI ly, to the top of the charts. weirded up for this theme from son SQLI':)D3L: Q'IO`J Q'a.LI'/.I'INfl Lou Gramm's vocals are penetrat- the big movie hit. To -Ga. ABC ble SIIHD T76 6G -0,I S ing. Atlantic 3543. 12435 tati - ROLLING STONES, "SHATTERED" (prod. TED NUGENT, "NEED YOU BAD" (prod. by CAT STEVENS, "BACK TO by Glimmer Twins) (writers: Futterman-Daies-Werman) (writ- EARTH." An album of varied moods Jagger -Richards) (Colgems, er: NJgent) (Magicland, ASCAP) from Stevens ranging from the rock- ASCAP) (2:44). This third release (2:44). The certifiable rock crazy ing "Bad Brakes" (the single) to from their new Ip shculd already proves, once again, to be one of the instrumental "Nascimento." be as familiar to AOR listeners as the genre's p-emier guitarists on Still very much a distinctive stylist, their previous singles. It's rock 'n this relentlessly driving new he holds this new work together roll funk with a flourish. -
Music 96676 Songs, 259:07:12:12 Total Time, 549.09 GB
Music 96676 songs, 259:07:12:12 total time, 549.09 GB Artist Album # Items Total Time A.R. Rahman slumdog millionaire 13 51:30 ABBA the best of ABBA 11 43:42 ABBA Gold 9 36:57 Abbey Lincoln, Stan Getz you gotta pay the band 10 58:27 Abd al Malik Gibraltar 15 54:19 Dante 13 50:54 Abecedarians Smiling Monarchs 2 11:59 Eureka 6 35:21 Resin 8 38:26 Abel Ferreira Conjunto Chorando Baixinho 12 31:00 Ace of Base The Sign 12 45:49 Achim Reichel Volxlieder 15 47:57 Acid House Kings Sing Along With 12 35:40 The Acorn glory hope mountain 12 48:22 Acoustic Alchemy Early Alchemy 14 45:42 arcanum 12 54:00 the very best of (Acoustic Alchemy) 16 1:16:10 Active Force active force 9 42:17 Ad Vielle Que Pourra Ad Vielle Que Pourra 13 52:14 Adam Clayton Mission Impossible 1 3:27 Adam Green Gemstones 15 31:46 Adele 19 12 43:40 Adele Sebastan Desert Fairy Princess 6 38:19 Adem Homesongs 10 44:54 Adult. Entertainment 4 18:32 the Adventures Theodore And Friends 16 1:09:12 The Sea Of Love 9 41:14 trading secrets with the moon 11 48:40 Lions And Tigers And Bears 13 55:45 Aerosmith Aerosmith's Greatest Hits 10 37:30 The African Brothers Band Me Poma 5 37:32 Afro Celt Sound System Sound Magic 3 13:00 Release 8 45:52 Further In Time 12 1:10:44 Afro Celt Sound System, Sinéad O'Connor Stigmata 1 4:14 After Life 'Cauchemar' 11 45:41 Afterglow Afterglow 11 25:58 Agincourt Fly Away 13 40:17 The Agnostic Mountain Gospel Choir Saint Hubert 11 38:26 Ahmad El-Sherif Ben Ennas 9 37:02 Ahmed Abdul-Malik East Meets West 8 34:06 Aim Cold Water Music 12 50:03 Aimee Mann The Forgotten Arm 12 47:11 Air Moon Safari 10 43:47 Premiers Symptomes 7 33:51 Talkie Walkie 10 43:41 Air Bureau Fool My Heart 6 33:57 Air Supply Greatest Hits (Air Supply) 9 38:10 Airto Moreira Fingers 7 35:28 Airto Moreira, Flora Purim, Joe Farrell Three-Way Mirror 8 52:52 Akira Ifukube Godzilla 26 45:33 Akosh S.