Hidden Legacies: the Trans-Atlantic Slave Trade and Glasgow’S Connection
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Safap October2016 Minutes Final
Minutes of the meeting of THE SCOTTISH ARCHAEOLOGICAL FINDS ALLOCATION PANEL 10:45am, Thursday 27th October 2016 Present: Dr Evelyn Silber (Chair), Neil Curtis, Dr Murray Cook (via Skype), Jilly Burns (NMS), Paul MacDonald, Richard Welander (HES), Mary McLeod Rivett In attendance: Stuart Campbell (TTU), Dr Natasha Ferguson (TTU), Andrew Brown (QLTR Solicitor). Dr Natasha Ferguson took the minutes 1. Apologies Apologies from Jacob O’Sullivan (MGS). 2. Chair Remarks The Chair informed the panel that the QLTR had received a response from SG to a letter highlighting issues relating to increasing numbers of disclaimed cases. It was agreed the points would be discussed further at the Annual Review Meeting on 14th November. The panel agreed to form a sub-committee (of NC, JB, RW & AB) to deal with revisions of the Code of Practice in relation to multiple applications. The next date of the panel meeting confirmed as Thursday 23rd March 2017. Further dates in 2017 to be proposed. It is proposed that the number of meetings is reduced to three by combining the Annual Review meeting with a panel meeting. This will be discussed at the next Annual Review meeting on 14th November 2016. 3. Discussion of Galloway Hoard, valuations and timescales JB (NMS) was absent from this discussion. The panel were updated on the current status of the Galloway Hoard, including projected timescales for allocation. The panel also discussed the criteria for assessing the valuations. The 31st January 2017 was agreed as a proposed date to hold an extraordinary SAFAP meeting in relation to allocating the Galloway Hoard. -
Kilmarnock Cultural Quarter a Vision
KILMARNOCK CULTURAL QUARTER A VISION Keppie Design September 2017 KILMARNOCK CULTURAL QUARTER A VISION Keppie Design August 2017 Copyright: Keppie Design Limited All work appearing in this document is the property of Keppie Design Limited and protected under international copyright laws. No work is to be copied, stored, manipulated, projected or used without the permission of Keppie Design Limited. Photography Credits: Photographs contained within this document are reproduced here under licence and/or credited where applicable. Contents 1 \ Introduction - Background 7 Core Theme 6 : Extension of Green ‘Spine’ 42 - Purpose of The Cultural Quarter Vision Report 7 - Reinforce Green Routes - The Cultural Quarter and the Town 8 - Key Nodal Points - Site Context and Historical Analysis 9 - Sketch Illustration Core Theme 7 : Extension of Green ‘Spine’ 44 2 \ Cultural Quarter Plan Development - Pedestrian Connections - The Palace Theatre Public Realm - Visioning Feedback and Central Aims 14 - Palace Theatre Landscape Site Plan - Key Vision Themes 19 Core Theme 8 : Redefining the Street Edge 48 - Car Parking 3 \ Cultural Quarter Vision Themes & Recommendations - Sketch Site Plan Core Theme 1 : The Dick Institute Redevelopment 22 - Dick Institute Programme 4\ Indicative Cost - Sculpture Park - Sketch Illustration - Cost Report 52 Core Theme 2 : Loanhead Primary School Arts Programme 26 - Loanhead Primary School 5 \ Summary and Suggested Time Line - Arts & Crafts Programme - Sketch Section Diagram - The Vision 60 (Short Term/ Mid Term / Long Term) -
Economic Development in Revolutionary Virginia : Fredericksburg, 1750-1810
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1982 Economic development in revolutionary Virginia : Fredericksburg, 1750-1810 William H. Siener College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the United States History Commons Recommended Citation Siener, William H., "Economic development in revolutionary Virginia : Fredericksburg, 1750-1810" (1982). Dissertations, Theses, and Masters Projects. Paper 1539623731. https://dx.doi.org/doi:10.21220/s2-xkwz-4c74 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. -
Glasgow's Tobacco Lords: an Examination of Wealth Creators in the Eighteenth Century
Peters, Carolyn Marie (1990) Glasgow's tobacco lords: an examination of wealth creators in the eighteenth century. PhD thesis http://theses.gla.ac.uk/4540/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] GLASGOW'S TOBACCO LORDS: AN EXAMINATION OF WEALTH CREATORS IN THE EIGHTEENTH CENTURY CAROLYN MARIE PETERS SUBMITTED FOR THE DEGREE OF PH.D DEPARTMENT OF SCOTTISH HISTORY SEPTEMBER 1990 @CAROLYN MARIE PETERS 1990 ACKNOWLEDGEMENTS In the process of writing this thesis, I have benefitted from the help and information of many people. I would like to thank the staff of the Mitchell Library and the Strathclyde Regional Archives in Glasgow, the staff of the Scottish Record Office in Edinburgh, and the staff of the Glasgow University Library and the Glasgow University Archives. In particular I would like to thank, first and foremost, my supervisor Dr. John McCaffrey who saw me through these three years, Professor Ian B. Cowan who always encouraged me, Professor Thomas Devine for his helpful suggestions, and my friends and family whose support was invaluable. -
Newsletter Contents 07-08
Newsletter No 28 Summer/Autumn 2008 He is currently working on a book on the nineteenth- From the Chair century travel photographer Baron Raimund von Stillfried. Welcome to the first of our new shorter-but- hopefully-more-frequent newsletters! The main casualty has been the listings section, which is no New SSAH Grant Scheme longer included. Apologies to those of you who found this useful but it takes absolutely ages to compile and As you’ll know from last issue, we recently launched a the information should all be readily available scheme offering research support grants from £50 to elsewhere. Otherwise you should still find the same £300 to assist with research costs and travel mix of SSAH news and general features – if you have expenses. We’re delighted to say that several any comments on the newsletter or would like to applications have already been received and so far we contribute to future issues, please let us know! have awarded five grants to researchers from around Now, let’s waste no more time and get on the world. Here we present the first two reports with the latest news… from grant recipients on how the money has been Matthew Jarron spent. Committee News Gabriel Montua, Humboldt-Universität Berlin, Germany As promised last issue, we present a profile of our newest committee member: The generous SSAH grant of £206.96 enabled me to cover my travel expanses to the Scottish National Luke Gartlan Gallery of Modern Art in Edinburgh, where I consulted item GMA A42/1/GKA008 from the Luke is a lecturer in the School of Art History at the Gabrielle Keiller Collection: letters exchanged University of St Andrews, where he currently teaches between Salvador Dalí and André Breton. -
List of Scottish Museums and Libraries with Strong Victorian Collections
Scottish museums and libraries with strong Victorian collections National Institutions National Library of Scotland National Gallery of Scotland National Museums Scotland National War Museum of Scotland National Museum of Costume Scottish Poetry Library Central Libraries The Mitchell Library, Glasgow Edinburgh Central Library Aberdeen Central Library Carnegie Library, Ayr Dick Institute, Kilmarnock Central Library, Dundee Paisley Central Library Ewart Library, Dumfries Inverness Library University Libraries Glasgow University Library University of Strathclyde Library Edinburgh University Library Sir Duncan Rice Library, Aberdeen University of Dundee Library University of St Andrews Library Municipal Art Galleries and Museums Kelvingrove Art Gallery, Glasgow Burrell Collection, Glasgow Aberdeen Art Gallery McManus Galleries, Dundee Perth Museum and Art Gallery Paisley Museum & Art Galleries Stirling Smith Art Gallery & Museum Stewartry Museum, Kirkcudbright V & A Dundee Shetland Museum Clydebank Museum Mclean Museum and Art Gallery, Greenock Hunterian Art Gallery & Museum Piers Art Centre, Orkney City Art Centre, Edinburgh Campbeltown Heritage Centre Montrose Museum Inverness Museum and Art Gallery Kirkcaldy Galleries Literary Institutions Moat Brae: National Centre for Children’s Literature Writers’ Museum, Edinburgh J. M. Barrie Birthplace Museum Industrial Heritage Summerlee: Museum of Scottish Industrial Life, North Lanarkshire Riverside Museum, Glasgow Scottish Maritime Museum Prestongrange Industrial Heritage Museum, Prestonpans Scottish -
Janice Mcnab — Curriculum Vitae
Janice McNab — Curriculum vitae Born in Aberfeldy, Scotland. Lives and works in The Hague. EDUCATION 2019 PhD, Amsterdam School for Cultural Analysis, University of Amsterdam 1997 MFA, Glasgow School of Art. Exchange to Hunter College of the Arts, New York 1986 BA, Edinburgh College of Art EMPLOYMENT 2020–2022 Post-doc researcher, ACPA, University of the Arts, The Hague and Leiden University 2015–ongoing Head, MA Artistic Research, The Royal Academy of Art, The Hague Previous teaching experience includes: 2013–2015 Thesis supervisor, Piet Zwart Masters Institute, Rotterdam 2011–2015 Thesis supervisor, Gerrit Rietveld Academy, Amsterdam 2009–2015 Studio tutor, The Royal Academy of Art, The Hague 2006–2008 Thesis supervisor, Piet Zwart Masters Institute, Rotterdam 1997–1999 Studio tutor, Glasgow School of Art External examiner, visiting artist and guest lecturer at various art schools across Britain and Europe, including, in 2020, lectures for DutchCulture.nl Brexit debates and ASCA, University of Amsterdam 30th anniversary conference. OTHER PROFESSIONAL EXPERIENCE 2018–ongoing Chair, Board of 1646 Experimental Art Space, The Hague 2009–2015 Co-editor, If I Can’t Dance Publications, Amsterdam 2008–2009 Mentor, My Miyagi Young Curator programme, Stichting Mama, Rotterdam 2006–2009 Co-curator, Artis Den Bosch, Art Space, ‘s Hertogenbosch 1/4 SELECTED EXHIBITIONS AND PROJECTS 2020 Slits and a Skull, Bradwolff Projects, Amsterdam A New World, Stroom, The Hague 2016 Hollandaise, The Dutch Embassy and New Art Projects, London 2015 Undone, Bradwolff -
Glasgow: Von Der Altindustriellen Stadt Zur
www.ssoar.info Glasgow: von der altindustriellen Stadt zur postindustriellen Metropole? Burdack, Joachim Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Burdack, J. (1997). Glasgow: von der altindustriellen Stadt zur postindustriellen Metropole? Europa Regional, 5.1997(1), 34-45. https://nbn-resolving.org/urn:nbn:de:0168-ssoar-48342-7 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under Deposit Licence (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, non- Gewährt wird ein nicht exklusives, nicht übertragbares, transferable, individual and limited right to using this document. persönliches und beschränktes Recht auf Nutzung dieses This document is solely intended for your personal, non- Dokuments. Dieses Dokument ist ausschließlich für commercial use. All of the copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute or otherwise use the nicht in irgendeiner Weise abändern, noch -
Dalziel + Scullion – CV
Curriculum Vitae Dalziel + Scullion Studio Dundee, Scotland + 44 (0) 1382 774630 www.dalzielscullion.com Matthew Dalziel [email protected] 1957 Born in Irvine, Scotland Education 1981-85 BA(HONS) Fine Art Duncan of Jordanstone College of Art and Design, Dundee 1985-87 HND in Documentary Photography, Gwent College of Higher Education, Newport, Wales 1987-88 Postgraduate Diploma in Sculpture and Fine Art Photography, Glasgow School of Art Louise Scullion [email protected] 1966 Born in Helensburgh, Scotland Education 1984-88 BA (1st CLASS HONS) Environmental Art, Glasgow School of Art Solo Exhibitions + Projects 2016 TUMADH is TURAS, for Scot:Lands, part of Edinburgh’s Hogmanay Festival, Venue St Pauls Church Edinburgh. A live performance of Dalziel + Scullion’s multi-media art installation, Tumadh is Turas: Immersion & Journey, in a "hauntingly atmospheric" venue with a live soundtrack from Aidan O’Rourke, Graeme Stephen and John Blease. 2015 Rain, Permanent building / pavilion with sound installation. Kaust, Thuwai Saudia Arabia. Nomadic Boulders, Permanent large scale sculptural work. John O’Groats Scotland, UK. The Voice of Nature,Video / film works. Robert Burns Birthplace Museum. Alloway, Ayr, Scotland, UK. 2014 Immersion, Solo Festival exhibition, Dovecot Studios, Edinburgh as part of Generation, 25 Years of Scottish Art Tumadh, Solo exhibition, An Lanntair Gallery, Stornoway, Outer Hebrides, as part of Generation, 25 Years of Scottish Art Rosnes Bench, permanent artwork for Dumfries & Galloway Forest 2013 Imprint, permanent artwork for Warwick University Allotments, permanent works commissioned by Vale Of Leven Health Centre 2012 Wolf, solo exhibition at Timespan Helmsdale 2011 Gold Leaf, permanent large-scale sculpture. Pooley Country Park, Warwickshire. -
The Early Annals of Greenock. Byby Archibald Brown Author of “Memorials of Argyllshire”
Archibald Brown – The Early Annals of Greenock – Published 1905 This download text is provided by the McLean Museum and Art Gallery, Greenock - © 2009 The Early Annals of Greenock. byby Archibald Brown author of “Memorials of Argyllshire” Greenock Telegraph printing works, Sugarhouse Lane. 1905 CONTENTS. CHAPTER I. Greenock: Its Name and Place. CHAPTER II. The Early Heirs of Greenock. Section 1.—The Galbraiths of Greenock. 2.—The Crawfurds of Loudoun and their titles to Easter Greenock. 3.—Charter to Crawfurds of Easter Greenock. 4-—Ratification of Easter Greenock to Crawfurd of Kilbirney. 5.—Sale of Easter Greenock by Lady Crawfurd to Crawfurd of Carsburn and Sir John Shaw of Wester Greenock. CHAPTER III. The Old Landmarks of Easter Greenock. Section 1.—The Old Castle. 2.—Crawfurdsdyke and Harbour. CHAPTER IV. The Celebrities of Easter Greenock. Section 1.—John Spreull. 2.—The Watts. 3.—Jean Adam. 4-—Neil Dougal. CHAPTER V. The Genealogy of the Shaws of Wester Greenock and Sauchie. CHAPTER VI. The rule of the Shaws during the Barony and Charters. CHAPTER VII. The Causes of the Rise and Progress of the Town of Greenock. Section 1.—The Herring Trade. 2.—Greenock's Trade Connection with Glasgow. CHAPTER VIII. The Celts or Gaelic-speaking People in General, and the Highlanders of Greenock in Particular. Section 1.—Enquiry as to their Origin. 2.—Gaelic Speech in West of Scotland. 3.—Feudalism Introduced. 4.—Origin and Effects of the Highland Clan system. 5.—Highland Migration to Greenock. 6.—Natives of Greenock in 1792. CHAPTER IX. Appendices. Arms of Greenock. Cross of Greenock. -
Merchant City Glasgow
MERCHANT CITY GLASGOW The Tobacco Lords were the entrepreneurs of 18th century Glasgow who traded with the Americas bringing to Scotland the three ‘evils’ of tobacco, rum and sugar. From Virginia Street and Virginia Court the Tobacco Lords of Glasgow controlled the bulk of the lucrative European market in tobacco, creating for themselves fine houses, offices and warehouses, examples of which can still be seen today. The Tobacco Exchange on Virginia Street, built in 1753, survived until 2003 and its site now features new city style apartments, restaurants and shops. It was largely the wealth generated by the Tobacco Lords which funded Glasgow’s shift into textile manufacture, banking and heavy industry in the nineteenth century. Gradual acquisition of the Virginia Street and Miller Street buildings has enabled Credential to fulfil a long cherished dream of providing Glasgow with a truly cosmopolitan and prestigious historical focal point. A UNIQUE RETAIL EXPERIENCE Virginia Court and Miller Street create an intimate and delightful place to shop, eat or simply partake of a coffee or glass of wine and contemplate the rich historical environment, providing a welcome contrast to the large-scale multiple stores located nearby. The retail renaissance of Glasgow has been design-led. New apartment blocks, fashionable shops and design studios have moved into the Merchant City to take advantage of the good location and attractive environment. Virginia Court and Miller Street offer fine examples of Glasgow’s Retail Renaissance. In addition to the excellent location, the courtyard’s blend of residential apartments, retail outlets, restaurants and tourist attractions offers shoppers and traders a first class opportunity to benefit from a thriving environment. -
A Counterblaste to Tobacco*
HISTORY JAMIE THE SAXT’S A COUNTERBLASTE TO TOBACCO* W.W. Buchanan, Emeritus Professor of Medicine at the McMaster University Faculty of Health Sciences, Hamilton, Ontario, Canada SUMMARY King James VI of Scotland (Jamie the Saxt) became James I of England in 1603. This led to what is now known as the United Kingdom: indeed the flag, the Union Jack, is named after him. He was probably the best educated king to sit on a European throne, although he often lacked sagacity. He authorised a new translation of the Bible, now known as the King James Bible. He is also remembered for his abhorrence of smoking tobacco, which he ably expressed in A Counterblaste to Tobacco in 1604. INTRODUCTION Jamie the Saxt (1566-1625) (Figure 1), King James VI of Scotland and James I of England, was the last King of Scotland, although not the last to be crowned there. Charles I (1600-1649), his son, was crowned at the Palace of Holyroodhouse, Edinburgh, in 1633. James’s grandson, Charles II (1630-1685) was crowned at Scone, Perthshire in 1651.1 James was the son of the ill-fated Mary, Queen of Scots (1542-1587) and her second husband Henry Stewart, Lord Darnley (c. 1545-1567), who was her cousin. Mary is generally treated kindly by historians, perhaps because she was beheaded on orders from Queen Elizabeth I of England.2 It is almost certain, however, that she was involved in the murder of Lord Darnley so that she could marry James Hepburn, fourth Earl of Bothwell (c. 1535-1578).