B Ach C Antatas G Ardiner

Total Page:16

File Type:pdf, Size:1020Kb

B Ach C Antatas G Ardiner Johann Sebastian Bach 1685-1750 Cantatas Vol 15: New York SDG127 COVER SDG127 CD 76:15 For the Third Day of Christmas Sehet, welch eine Liebe hat uns der Vater erzeiget BWV 64 Süßer Trost, mein Jesus kömmt BWV 151 Selig ist der Mann BWV 57 (For the Second Day of Christmas) Ich freue mich in dir BWV 133 Katharine Fuge, Gillian Keith, Joanne Lunn sopranos CD 2 51:48 Robin Tyson, William Towers altos James Gilchrist tenor, Peter Harvey bass C M The Monteverdi Choir Y The English Baroque Soloists K John Eliot Gardiner Live recording from the Bach Cantata Pilgrimage St Bartholomew’s, New York, 27 December 2000 Soli Deo Gloria Volume 15 SDG 127 P 2006 Monteverdi Productions Ltd C 2006 Monteverdi Productions Ltd www.solideogloria.co.uk Edition by Reinhold Kubik, Breitkopf & Härtel Manufactured in Italy LC13772 8 43183 01272 5 15 SDG 127 Bach Cantatas Gardiner Bach Cantatas Gardiner CD 76:15 For the Third Day of Christmas The Monteverdi Choir The English Flute/Recorder 1-8 (17:39) Sehet, welch eine Liebe hat uns der Vater erzeiget BWV 64 Baroque Soloists Rachel Beckett Sopranos 9-13 (17:07) Süßer Trost, mein Jesus kömmt BWV 151 Suzanne Flowers First Violins Oboes 14-21 (22:56) Selig ist der Mann BWV 57 Katharine Fuge Kati Debretzeni Xenia Löffler Joanne Lunn Nicolette Moonen James Eastaway (For the Second Day of Christmas) Gillian Keith Penelope Spencer Mark Baigent Elin Manahan Thomas Matthew Truscott 22-27 (18:15) Ich freue mich in dir BWV 133 Bassoon Charlotte Mobbs Deborah Diamond Philip Turbett Altos Second Violins Gillian Keith soprano BWV 64, 151 Trumpets William Towers Peter Lissauer Gabriele Cassone Joanne Lunn soprano BWV 57, Katharine Fuge soprano BWV 133 Robin Tyson Rodolfo Richter Paul Sharp Frances Jellard Jane Gillie Robin Tyson alto BWV 64, 133, William Towers alto BWV 151 Mauro Bernasconi James Burton Deirdre Ward James Gilchrist tenor, Peter Harvey bass Sackbuts Tenors Violas Adam Woolf alto Vernon Kirk Jane Rogers Abigail Newman tenor Robert Murray Katherine McGillivray The Monteverdi Choir Stephen Saunders bass Nicolas Robertson Rosemary Nalden The English Baroque Soloists Timpani Basses Cellos Adrian Bending John Eliot Gardiner Julian Clarkson Alison McGillivray Christopher Foster Catherine Rimer Harpsichord Live recording from the Bach Cantata Pilgrimage Michael McCarthy Silas John Standage Double Bass Edward Caswell St Bartholomew’s, New York, 27 December 2000 Valerie Botwright Organ Howard Moody SDG127 BACK WALLET C M Y K CD 76:15 For the Third Day of Christmas The Monteverdi Choir The English Flute/Recorder 1-8 (17:39) Sehet, welch eine Liebe hat uns der Vater erzeiget BWV 64 Baroque Soloists Rachel Beckett Sopranos 9-13 (17:07) Süßer Trost, mein Jesus kömmt BWV 151 Suzanne Flowers First Violins Oboes 14-21 (22:56) Selig ist der Mann BWV 57 Katharine Fuge Kati Debretzeni Xenia Löffler Joanne Lunn Nicolette Moonen James Eastaway (For the Second Day of Christmas) Gillian Keith Penelope Spencer Mark Baigent Elin Manahan Thomas Matthew Truscott 22-27 (18:15) Ich freue mich in dir BWV 133 Bassoon Charlotte Mobbs Deborah Diamond Philip Turbett Altos Second Violins Gillian Keith soprano BWV 64, 151 Trumpets William Towers Peter Lissauer Gabriele Cassone Joanne Lunn soprano BWV 57, Katharine Fuge soprano BWV 133 Robin Tyson Rodolfo Richter Paul Sharp Frances Jellard Jane Gillie Robin Tyson alto BWV 64, 133, William Towers alto BWV 151 Mauro Bernasconi James Burton Deirdre Ward James Gilchrist tenor, Peter Harvey bass Sackbuts Tenors Violas Adam Woolf alto Vernon Kirk Jane Rogers Abigail Newman tenor Robert Murray Katherine McGillivray The Monteverdi Choir Stephen Saunders bass Nicolas Robertson Rosemary Nalden The English Baroque Soloists Timpani Basses Cellos Adrian Bending John Eliot Gardiner Julian Clarkson Alison McGillivray Christopher Foster Catherine Rimer Harpsichord Live recording from the Bach Cantata Pilgrimage Michael McCarthy Silas John Standage Double Bass Edward Caswell St Bartholomew’s, New York, 27 December 2000 Valerie Botwright Organ Howard Moody SDG127 BACK WALLET C M Y K CD 76:15 For the Third Day of Christmas The Monteverdi Choir The English Flute/Recorder 1-8 (17:39) Sehet, welch eine Liebe hat uns der Vater erzeiget BWV 64 Baroque Soloists Rachel Beckett Sopranos 9-13 (17:07) Süßer Trost, mein Jesus kömmt BWV 151 Suzanne Flowers First Violins Oboes 14-21 (22:56) Selig ist der Mann BWV 57 Katharine Fuge Kati Debretzeni Xenia Löffler Joanne Lunn Nicolette Moonen James Eastaway (For the Second Day of Christmas) Gillian Keith Penelope Spencer Mark Baigent Elin Manahan Thomas Matthew Truscott 22-27 (18:15) Ich freue mich in dir BWV 133 Bassoon Charlotte Mobbs Deborah Diamond Philip Turbett Altos Second Violins Gillian Keith soprano BWV 64, 151 Trumpets William Towers Peter Lissauer Gabriele Cassone Joanne Lunn soprano BWV 57, Katharine Fuge soprano BWV 133 Robin Tyson Rodolfo Richter Paul Sharp Frances Jellard Jane Gillie Robin Tyson alto BWV 64, 133, William Towers alto BWV 151 Mauro Bernasconi James Burton Deirdre Ward James Gilchrist tenor, Peter Harvey bass Sackbuts Tenors Violas Adam Woolf alto Vernon Kirk Jane Rogers Abigail Newman tenor Robert Murray Katherine McGillivray The Monteverdi Choir Stephen Saunders bass Nicolas Robertson Rosemary Nalden The English Baroque Soloists Timpani Basses Cellos Adrian Bending John Eliot Gardiner Julian Clarkson Alison McGillivray Christopher Foster Catherine Rimer Harpsichord Live recording from the Bach Cantata Pilgrimage Michael McCarthy Silas John Standage Double Bass Edward Caswell St Bartholomew’s, New York, 27 December 2000 Valerie Botwright Organ Howard Moody SDG127 BACK WALLET C M Y K The Bach Cantata Pilgrimage The Bach Cantata Pilgrimage The harpsichord used for the Cantatas BWV 64 and 133 were Recorded live at project, made by Andrew recorded by kind permission of St Bartholomew’s, New York, On Christmas Day 1999 a unique celebration of Patron Wooderson, and the organ, made Deutsche Grammophon on 27 December 2000, as part the new Millennium began in the Herderkirche His Royal Highness, by Robin Jennings, were bought Gesellschaft of the Bach Cantata Pilgrimage The Prince of Wales and generously made available in Weimar, Germany: the Monteverdi Choir and to the Monteverdi by Sir David Producer: Isabella de Sabata English Baroque Soloists under the direction Principal Donors and Lady Walker (harpsichord) Balance engineer: Everett The Dunard Fund and Lord and Lady Burns (organ). Porter (Polyhymnia) of Sir John Eliot Gardiner set out to perform Mr and Mrs Donald Kahn Recording engineers: all Johann Sebastian Bach’s surviving church The Kohn Foundation Our thanks go to the Bach Carl Schuurbiers (Polyhymnia), Mr Alberto Vilar Cantata Pilgrimage committee, Dirk Sobotka (Soundbyte NYC) cantatas in the course of the year 2000, the who worked tirelessly to raise Tape editor: Ientje Mooij 250th anniversary of Bach’s death. Donors enough money to allow us to Edition by Reinhold Kubik Mrs Chappell complete the project, to the published by Breitkopf & Härtel The cantatas were performed on the liturgical Mr and Mrs Richard Davey Monteverdi staff, Polyhymnia’s Series executive producer: feasts for which they were composed, in a year- Mrs Fairbairn staff and, above all, to all the Isabella de Sabata Ms Juliet Gibbs singers and players who took long musical pilgrimage encompassing some of Mr and Mrs Edward Gottesman part in the project. Cover: Lhasa, Tibet, 1989. the most beautiful churches throughout Europe Sir Edwin and Lady Nixon Baby boy born to a nomadic Mr and Mrs David Quarmby The Recordings shepherd family © Steve (including many where Bach himself performed) Sir Ian and Lady Vallance The release of the Bach Cantata McCurry/Magnum Photos and culminating in three concerts in New York Mr and Mrs Andrew Wong Pilgrimage recordings has been Series design: Untitled made possible by financial and Frontispiece: Catherine Rimer over the Christmas festivities at the end of the Corporate Sponsors other support from His Royal Booklet photos: Steve Forrest millennial year. These recordings were made Gothaer Versicherungen Highness the Prince of Wales, (p.4), Bob Johnson courtesy of Bank of Scotland Countess Yoko Ceschina, St Bartholomew’s Church (p.6) during the course of the Pilgrimage. Huth Dietrich Hahn Mr Kevin Lavery, The Nagaunee Übersetzung: Gudrun Meier Rechtsanwaelte Foundation and many others PGGM Pensoenfonds who answered our appeal. We P 2006 The copyright in this Data Connection cannot name them all, but we sound recording is owned by Jaffe Associates are enormously grateful to them. Monteverdi Productions Ltd Singer and Friedlander For the help and advice in setting C 2006 Monteverdi up Monteverdi Productions, our Productions Ltd Charitable Foundations thanks to: Lord Burns, Richard Level 2, Hertsmere House and Public Funds Elliston, Neil Radford and Fiona 2 Hertsmere Road The European Commission Kinsella at Freshfields Bruckhaus London E14 4AB The Esmée Fairbairn Trust Deringer, Thomas Hoerner, The David Cohen Family Chaz Jenkins, John Kennedy, www.solideogloria.co.uk Charitable Trust Stephen Revell, and Richard The Foundation for Sport Schlagman and Amanda and the Arts Renshaw of Phaidon Press. The Arts Council of England The Garfield Weston Foundation Lauchentilly Foundation The Woodcock Foundation The Monteverdi Society The Warden of the Goldsmiths’ Company Soli Deo Gloria SDG 127 ENDPAPER The Bach Cantata Pilgrimage The Bach Cantata Pilgrimage The harpsichord used for the Cantatas BWV 64 and 133 were Recorded live at project, made by Andrew recorded by kind permission of St Bartholomew’s, New York, On Christmas Day 1999 a unique celebration of Patron Wooderson, and the organ, made Deutsche Grammophon on 27 December 2000, as part the new Millennium began in the Herderkirche His Royal Highness, by Robin Jennings, were bought Gesellschaft of the Bach Cantata Pilgrimage The Prince of Wales and generously made available in Weimar, Germany: the Monteverdi Choir and to the Monteverdi by Sir David Producer: Isabella de Sabata English Baroque Soloists under the direction Principal Donors and Lady Walker (harpsichord) Balance engineer: Everett The Dunard Fund and Lord and Lady Burns (organ).
Recommended publications
  • The Musical Heritage of the Lutheran Church Volume I
    The Musical Heritage of the Lutheran Church Volume I Edited by Theodore Hoelty-Nickel Valparaiso, Indiana The greatest contribution of the Lutheran Church to the culture of Western civilization lies in the field of music. Our Lutheran University is therefore particularly happy over the fact that, under the guidance of Professor Theodore Hoelty-Nickel, head of its Department of Music, it has been able to make a definite contribution to the advancement of musical taste in the Lutheran Church of America. The essays of this volume, originally presented at the Seminar in Church Music during the summer of 1944, are an encouraging evidence of the growing appreciation of our unique musical heritage. O. P. Kretzmann The Musical Heritage of the Lutheran Church Volume I Table of Contents Foreword Opening Address -Prof. Theo. Hoelty-Nickel, Valparaiso, Ind. Benefits Derived from a More Scholarly Approach to the Rich Musical and Liturgical Heritage of the Lutheran Church -Prof. Walter E. Buszin, Concordia College, Fort Wayne, Ind. The Chorale—Artistic Weapon of the Lutheran Church -Dr. Hans Rosenwald, Chicago, Ill. Problems Connected with Editing Lutheran Church Music -Prof. Walter E. Buszin The Radio and Our Musical Heritage -Mr. Gerhard Schroth, University of Chicago, Chicago, Ill. Is the Musical Training at Our Synodical Institutions Adequate for the Preserving of Our Musical Heritage? -Dr. Theo. G. Stelzer, Concordia Teachers College, Seward, Nebr. Problems of the Church Organist -Mr. Herbert D. Bruening, St. Luke’s Lutheran Church, Chicago, Ill. Members of the Seminar, 1944 From The Musical Heritage of the Lutheran Church, Volume I (Valparaiso, Ind.: Valparaiso University, 1945).
    [Show full text]
  • '{6$+• O°&Ó° Þè* V
    557615bk Bach US 3/5/06 6:10 pm Page 5 Marianne Beate Kielland Cologne Chamber Orchestra Conductor: Helmut Müller-Brühl The Norwegian mezzo-soprano Marianne Beate Kielland studied at the Norwegian State Academy of Music in Oslo, graduating in the spring of 2000. She has quickly The Cologne Chamber Orchestra was founded in 1923 by Hermann Abendroth and gave established herself as one of Scandinavia’s foremost singers and regularly appears its first concerts in the Rhine Chamber Music Festival under the direction of Hermann with orchestras and in festivals throughout Europe, working with conductors of Abendroth and Otto Klemperer in the concert-hall of Brühl Castle. Three years later the international distinction. For the season 2001/02 she was a member of the ensemble ensemble was taken over by Erich Kraack, a pupil of Abendroth, and moved to at the Staatsoper in Hanover. Marianne Beate Kielland is especially sought after as a Leverkusen. In 1964 he handed over the direction of the Cologne Chamber Orchestra to J. S. BACH concert singer, with a wide repertoire ranging from the baroque to Berlioz, Bruckner, Helmut Müller-Brühl, who, through the study of philosophy and Catholic theology, as and Mahler. Her career has brought not only performances in Europe, but further well as art and musicology, had acquired a comprehensive theoretical foundation for the engagements as far afield as Japan. Her recordings include Bach’s St Mark and St interpretation of Baroque and Classical music, complemented through the early study of Matthew Passions, Mass in B minor, and the complete solo cantatas for alto, as well conducting and of the violin under his mentor Wolfgang Schneiderhahn.
    [Show full text]
  • Lutherans for Lent a Devotional Plan for the Season of Lent Designed to Acquaint Us with Our Lutheran Heritage, the Small Catechism, and the Four Gospels
    Lutherans for Lent A devotional plan for the season of Lent designed to acquaint us with our Lutheran heritage, the Small Catechism, and the four Gospels. Rev. Joshua V. Scheer 52 Other Notables (not exhaustive) The list of Lutherans included in this devotion are by no means the end of Lutherans for Lent Lutheranism’s contribution to history. There are many other Lutherans © 2010 by Rev. Joshua V. Scheer who could have been included in this devotion who may have actually been greater or had more influence than some that were included. Here is a list of other names (in no particular order): Nikolaus Decius J. T. Mueller August H. Francke Justus Jonas Kenneth Korby Reinhold Niebuhr This copy has been made available through a congregational license. Johann Walter Gustaf Wingren Helmut Thielecke Matthias Flacius J. A. O. Preus (II) Dietrich Bonheoffer Andres Quenstadt A.L. Barry J. Muhlhauser Timotheus Kirchner Gerhard Forde S. J. Stenerson Johann Olearius John H. C. Fritz F. A. Cramer If purchased under a congregational license, the purchasing congregation Nikolai Grundtvig Theodore Tappert F. Lochner may print copies as necessary for use in that congregation only. Paul Caspari August Crull J. A. Grabau Gisele Johnson Alfred Rehwinkel August Kavel H. A. Preus William Beck Adolf von Harnack J. A. O. Otteson J. P. Koehler Claus Harms U. V. Koren Theodore Graebner Johann Keil Adolf Hoenecke Edmund Schlink Hans Tausen Andreas Osiander Theodore Kliefoth Franz Delitzsch Albrecht Durer William Arndt Gottfried Thomasius August Pieper William Dallman Karl Ulmann Ludwig von Beethoven August Suelflow Ernst Cloeter W.
    [Show full text]
  • ISBN 978-3-7995-0510-9 Musik In
    Sonderdruck aus: Michael Fischer, Norbert Haag, Gabriele Haug-Moritz (Hgg.) MUSIK IN NEUZEITLICHEN KONFESSIONS KULTUREN (16. BIS 19. JAHRHUNDERT) Räume – Medien – Funktionen Jan Thorbecke Verlag 005109_sonderdruck.indd5109_sonderdruck.indd 1 227.01.147.01.14 111:471:47 Gedruckt mit Unterstützung der Geisteswissenschaftlichen Fakultät und des Vizerektorats für Forschung und Nachwuchsförderung der Karl-Franzens-Universität Graz Gedruckt mit Unterstützung des Deutschen Volksliedarchivs in Freiburg Gedruckt mit Unterstützung des Evangelischen Oberkirchenrats Stuttgart sowie des Vereins für württembergische Kirchengeschichte. Für die Schwabenverlag AG ist Nachhaltigkeit ein wichtiger Maßstab ihres Handelns. Wir achten daher auf den Einsatz umweltschonender Ressourcen und Materialien. Dieses Buch wurde auf FSC®-zertifiziertem Papier gedruckt. FSC (Forest Stewardship Council®) ist eine nicht staatliche, gemeinnützige Organisation, die sich für eine ökologische und sozial verantwortliche Nutzung der Wälder unserer Erde einsetzt. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen National- bibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Alle Rechte vorbehalten © 2014 Jan Thorbecke Verlag der Schwabenverlag AG, Ostfildern www.thorbecke.de Umschlaggestaltung: Finken & Bumiller, Stuttgart Umschlagabbildung: Stahlstich Eine feste Burg ist unser Gott von H. Gugeler (Gesangbuch für die evangelische Kirche in Württemberg,
    [Show full text]
  • Christian Education in the Seventh-Day Adventist Church in Remo, Ogun State, Nigeria, 1959-2004
    CHRISTIAN EDUCATION IN THE SEVENTH-DAY ADVENTIST CHURCH IN REMO, OGUN STATE, NIGERIA, 1959-2004 BY ADESEGUN, ABIODUN AYODEJI B.A. (Andrews), M.A. (Ibadan) MATRIC NO 40172 A THESIS IN THE DEPARTMENT OF RELIGIOUS STUDIES, SUBMITTED TO THE FACULTY OF ARTS IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY, UNIVERSITY OF IBADAN, IBADAN, NIGERIA FEBRUARY, 2009 DEDICATION To the glory of God, and to my darling wife, Mrs.Olubusola Iretiola Adesegun, Chief Nursing Officer, Olabisi Onabanjo University Teaching Hospital, Sagamu, a pearl of inestimable value. ii CERTIFICATION I certify that this work was carried out by Mr. Abiodun Ayodeji ADESEGUN, under my direct supervision in the Department of Religious Studies, Faculty of Arts, University of Ibadan, Ibadan in Partial Fulfillment for the award of the degree of Doctor of Philosophy in Religious Studies …………………………… …………………………… Date Supervisor ‘Deji Ayegboyin B.A. Hons, (Legon), M.A. (Ibadan), Ph.D (Ibadan) iii ACKNOWLEDGMENTS I wish to express my profound gratitude to the triune God who gave me the grace, health and the means of sustenance with which I was able to undertake doctoral studies. He has intervened in my life in positive ways in years past and He has shown Himself as a reliable and present help in time of need. I am grateful and deeply indebted to my supervisor, Dr. ‘Deji Ayegboyin, an erudite intellectual and a humble and loving son of Africa who through sound scholarship, patience, and experience guided me through. In spite of his loaded academic schedule, he treated me and my colleagues in a thorough and personal way.
    [Show full text]
  • May 2 Order of Worship
    FIRST BAPTIST CHURCH Historic | Liturgical | Vibrant FIFTH SUNDAY OF EASTERTIDE May 2, 2021 at 11:00 am WE GATHER TO PRAISE GOD Music Notes CHIMING OF THE HOUR Much of the music used in today’s worship service will be excerpts from “Der WELCOME Rev. Katie Callaway & Rev. John Callaway Himmel lacht! Die Erde jubilieret” (Heaven Laughs! Earth Exults) by INVOCATION Johann Sebastian Bach. This work is Bach’s 31st PRELUDE - “Sonata” from Cantata No. 31 by Johann Sebastian Bach church cantata and was North Carolina Baroque Orchestra written for the first day of the Easter season. It was first performed in CALL TO WORSHIP - Psalm 22:25-31 Ellen Davis, Lay Reader Weimar, Germany, on April 21, 1715 and later HYMN - “Christ Is Risen, Shout Hosanna” Tune: HYMN TO JOY reworked for performances in Leipzig. The work is scored for five Christ is risen! Shout hosanna! part choir, large Celebrate this day of days! orchestra, and soprano, tenor, and bass soloists. Christ is risen! Hush in wonder: All creation is amazed. In the desert all surrounding, Guest Musicians See, a spreading tree has grown. Healing leaves of grace abounding Today we welcome the Bring a taste of love unknown. choir of Wake Forest University from Winston Salem, NC. They are Christ is risen! Raise your spirits under the direction of Dr. From the caverns of despair. Christopher Gilliam and Walk with gladness in the morning. accompanied by the North See what love can do and dare. Carolina Baroque Orchestra. The choral Drink the wine of resurrection, program at Wake Not a servant, but a friend.
    [Show full text]
  • The Organ Music of Ethel Smyth
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IUScholarWorks THE ORGAN MUSIC OF ETHEL SMYTH: A GUIDE TO ITS HISTORY AND PERFORMANCE PRACTICE BY SARAH M. MOON Submitted to the faculty of the School of Music in partial fulfillment of the requirements for the degree, Doctor of Music, Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. __________________________________ Janette Fishell, Research Director __________________________________ Gretchen Horlacher __________________________________ Bruce Neswick __________________________________ Christopher Young ii Copyright © 2014 Sarah M. Moon iii This document is dedicated to my family. iv ACKNOWLEDGEMENTS I would foremost like to thank the members of my Doctoral Committee: Professor Janette Fishell, Professor Gretchen Horlacher, Professor Bruce Neswick, and Professor Christopher Young. I truly appreciate my five years at Indiana University under their guidance and admire their inspirational models of character and excellence. I would especially like to thank Dr. Janette Fishell, my organ professor and research director, who has provided invaluable musical and academic encouragement. I am also grateful to many people and institutions in England who helped with my research: Fiona McHenry and the helpful staff at the British Library’s Music and Rare Books Reading Room; Michael Mullen and the librarians at the Royal College of Music; Peter Graham Avis, a fellow Ethel Smyth scholar; and Alex Joannides from Boosey and Hawkes for granting me permission to make a copy of “Prelude on a Traditional Irish Air” for study purposes.
    [Show full text]
  • Bach and the Rationalist Philosophy of Wolff, Leibniz and Spinoza,” 60-71
    Chapter 1 On the Musically Theological in Bach’s Cantatas From informal Internet discussion groups to specialized aca­ demic conferences and publications, an ongoing debate has raged on whether J. S. Bach ought to be considered a purely artistic or also a religious figure.^ A recently formed but now disbanded group of scholars, the Internationale Arbeitsgemeinschaft fiir theologische Bachforschung, made up mostly of German theologians, has made significant contributions toward understanding the religious con­ texts of Bach’s liturgical music.^ These writers have not entirely captured the attention or respect of the wider world of Bach 1. For the academic side, the most influential has been Friedrich Blume, “Umrisse eines neuen Bach-Bildes,” Musica 16 (1962): 169-176, translated as “Outlines of a New Picture of Bach,” Music and Letters 44 (1963): 214-227. The most impor­ tant responses include Alfred Durr, “Zum Wandel des Bach-Bildes: Zu Friedrich Blumes Mainzer Vortrag,” Musik und Kirche 32 (1962): 145-152; see also Friedrich Blume, “Antwort von Friedrich Blume,” Musik und Kirche 32 (1962): 153-156; Friedrich Smend, “Was bleibt? Zu Friedrich Blumes Bach-Bild,” DerKirchenmusiker 13 (1962): 178-188; and Gerhard Herz, “Toward a New Image of Bach,” Bach 1, no. 4 (1970): 9-27, and Bach 2, no. 1 (1971): 7-28 (reprinted in Essays on J. S. Bach [Ann Arbor: UMI Reseach Press, 1985], 149-184). 2. For a convenient list of the group’s main publications, see Daniel R. Melamed and Michael Marissen, An Introduction to Bach Studies (New York: Oxford University Press, 1998), 15. For a full bibliography to 1996, see Renate Steiger, ed., Theologische Bachforschung heute: Dokumentation und Bibliographie der Intemationalen Arbeitsgemeinschaft fiir theologische Bachforschung 1976-1996 (Glienicke and Berlin: Galda and Walch, 1998), 353-445.
    [Show full text]
  • Brass Quartet Score Catalog
    Richard Jordan Lutheran-Hymnal.Com 1307 Tanager Ave Ocheyedan, Iowa 51354 USA Brass Quartet Scores for Sale At Lutheran-Hymnal.Com Scores are $3.00 each and are sent via email in adobe acrobat format. Please enclose check with order, payable in US dollars, and made out to Richard Jordan. Please double check your email address, so that we can deliver your score. Name Street City/State/Zip Email Scores @ $3.00ea bq280 Abends - Herbet Oakeley 1871 bq087 Antioch - George Handel 1742 TLH280 Return, O Wanderer, Return TLH087 Joy to the World, the Lord is Come bq292 Ach bleib bei uns - Leipzig 1580 bq192 Auf, auf, mein Herz - Johann Cruger 1648 TLH292 Lord Jesus Christ, with Us Abide TLH192 Awake, My Heart, with Gladness bq102 Adeste fidelus - English? c.1700 bq473 Aurelia - Samuel Wesley 1864 TLH102 Oh, Come, All Ye Faithful TLH473 The Church's One Foundation bq476 Alford - John Dykes 1875 bq248lw Aus Tiefer Not II - Strassburg 1525 TLH476 Ten Thousand Times Ten Thousand LW 248 Lord Jesus Christ, Life-Giving Bread bq236 All Ehr un Lob - Strassburg 1541 bq548 Aus meines Herzens Grunde - Hamburg 1598 TLH236 Creator Spirit, by Whose Aid TLH548 My Inmost Heart Now Raises bq452 All Saints New - Henry Cutter 1872 bq281 Azmon - Carl Glaser 1829 TLH452 The Son of God Goes Forth to War TLH281 The Savior Calls; Let Every Ear bq282 Alles ist an Gottes Segen - Johann Konig 1732 bq481 Baltimore - Bernard Schumacher 1910 TLH282 Christians, Come, in Sweetest Measures TLH481 Through the Night of Doubt and Sorrow bq352 Angel's Story - Arthur
    [Show full text]
  • Music and Bell Ringing Catalog
    Catalog of Music and Bell Ringing for the Chime Master VERSION 3.0 www.ChimeMaster.com Selections Catalog This catalog is provided as a supplement to the Chime Master System Millennium manual. It contains lists of frequently used bell ringing functions as well as specific music selection numbers. Should you need additional instruction, please refer to the Overview and Scheduling Automatic Performances sections of the operating manual. Typically you will only need to enter selection numbers when editing your program schedule, programming function buttons or using the Play Selections menu for special occasions. We highly recommend using random music groups for your weekly program schedule. This both saves you time and the community will always have a great variety of music to enjoy. Entering Selections New selections may be entered over the existing program selections. Entering all zeros for a selection will delete it. In the Setup Function Button menu, and the Play Selections menu, if only one selection is entered, 001 Time(s) will be displayed allowing you to repeat the selection up to 199 times. These repeats are usually used to program the number of strikes of a toll. On Screen Title Lookup Whenever a four digit number is flashing on the editing display, and you don’t remember the number for your favorite selection, press the [NO] cursor down button (as in “No, I don’t know what number I want"). This will bring up the Title Lookup Screen which is subdivided into four groups: User Recordings Titles of recordings that have been recorded by you. Any untitled selections will be displayed as untitled nnnn with its catalog number.
    [Show full text]
  • Heinrich Albert's Pumpkin
    Heinrich Albert’s Pumpkin Hut Dorothee Mields Hathor Consort Romina Lischka 1 Programme Ensemble English text German text French text Poetry Imprint Heinrich Albert’s Pumpkin Hut Heinrich Albert’s Pumpkin Hut Fighting the Horrors of the Thirty Years’ War with Music, Poetry and Friendship Mit Freundschaft, Musik und Poesie gegen die Grauen des Dreissigjährigen Krieges Avec amitié, musique et poésie contre les atrocités de la guerre de Trente Ans I War 1 Samuel Scheidt (1587–1654) Galliard Battaglia à 5, SSWV 59 3:47 2 Heinrich Schütz (1585–1672) Es steh Gott auf, SWV 356 5:59 3 Samuel Scheidt Paduan Dolorosa à 4, SSWV 42 6:06 4 Johann Hildebrand (1614–1684) Der V. Kriegs-Angst-Seufft zer 2:03 5 Samuel Scheidt Courant Dolorosa à 4, SSWV 47 2:12 II Longing for Peace in the Face of Mortality — Heinrich Albert’s Pumpkin Garden in Königsberg Heinrich Albert (1604–1651) from: Musicalische Kürbs-Hütte 6 i Mit der Zeit ich kommen bin 1:05 7 iv Mensch, ich kann es leichtlich gläuben 0:26 8 vi Sieh mich an und denke dran 1:12 9 ix Die Zeit und wir vergehn 0:40 10 x Ich und meine Blätter wissen 0:52 11 Johann Bach (1604–1673) Unser Leben ist ein Schatten 6:06 ^menu III A Fragile Truce 12 Heinrich Schütz Siehe, wie fein und lieblich ist’s (Prima pars), SWV 48 4:27 13 Heinrich Albert Jetzund liebet 1:01 14 Andreas Hammerschmidt (1611–1675) from Suite a 5 in d: Gagliard 0:57 15 Heinrich Albert Auf und springet 0:51 16 Andreas Hammerschmidt from Suite a 5 in d: Sarabande 0:21 17 Heinrich Albert In seiner Liebsten Armen 0:33 18 Andreas Hammerschmidt from Suite a 5 in C: Gagliard 0:42 19 Andreas Hammerschmidt from Suite a 5 in C: Ballet 0:48 20 Heinrich Albert Mein liebstes Seelchen, lasst uns leben 2:23 21 Johann Nauwach (c.
    [Show full text]
  • (Cycle A) 2019 - 2020
    TAKING FAITH HOME (CYCLE A) 2019 - 2020 HYMNS OF THE WEEK LISTING OF TEXT AND MUSIC AUTHORS SEASON DATE TFH INSERT HYMN TEXT MUSIC 1-Dec-19 FIRST SUNDAY OF ADVENT This Little Light of Mine African American Spiritual African American Spiritual 8-Dec-19 SECOND SUNDAY OF ADVENT Come Now, O Prince of Peace Geonyong Lee (1947- ) Geonyong Lee (1947- ) ADVENT 15-Dec-19 THIRD SUNDAY OF ADVENT Joy to the World Isaac Watts (1674-1748) George F. Handel (1685-1759) 22-Dec-19 FOURTH SUNDAY OF ADVENT Light One Candle Wayne L. Wold (1954- ) Yiddish folk tune 25-Dec-19 CHIRSTMAS EVE, CHRISTMAS DAY Away in a Manger North American (19th century) James R. Murray (1841-1905) 29-Dec-19 FIRST SUNDAY AFTER CHRISTMAS O Little Town of Bethlehem Phillips Brooks (1835-1893) Lewis H. Redner (1831-1908) CHRISTMAS 1-Jan-20 NEW YEARS EVE, NEW YEARS DAY O God, Our Help in Ages Past Isaac Watts (1674-1748) William Croft (1678-1727) 5-Jan-20 SECOND SUNDAY AFTER CHRISTMAS Hark the Herald Angels Sing Charles Wesley (1707-1788) Felix Mendelssohn (1809-1847) 6-Jan-20 EPIPHANY OF OUR LORD Rise, Shine, You People! Ronald A. Klug (1939- ) Dale Wood (1934-2003) 12-Jan-20 BAPTISM OF OUR LORD Christ, When for Us You Were Baptized F. Bland Tucker (1895-1984) Nikolaus Herman (1480-1561) 19-Jan-20 SECOND SUNDAY AFTER EPIPHANY Will You Come and Follow Me John L. Bell (1949- ) Scottish traditional 26-Jan-20 THIRD SUNDAY AFTER EPIPHANY Christ, Be Our Light Bernadette Farrell (1957- ) Bernadette Farrell (1957- ) EPIPHANY 2-Feb-20 FOURTH SUNDAY AFTER EPIPHANY Blest Are They David Haas (1957- ) David Haas (1957- ) 9-Feb-20 FIFTH SUNDAY AFTER EPIPHANY Let Us Ever Walk with Jesus Sigismund von Birken (1626-1681) Georg G.
    [Show full text]