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Johanna Sapakie Johanna Sapakie’S Passion for Dance and Love for Choreography Have Always Played an Important Role in Her Life
Johanna Sapakie Johanna Sapakie’s passion for dance and love for choreography have always played an important role in her life. Her diligent work ethic and dedication to the craft have gotten her far in the ever-expanding world of entertainment. While coming from a strong ballet background, Johanna is an athletic aerialist and dancer schooled in a variety of forms including contemporary, jazz, hip-hop, lyrical, tap, modern, partnering, point work and aerial & pole acrobatics. She was trained from a very young age and has worked with such master teachers as Joe Tremaine, Debbie Allen, Liz Imperio, Marguerite Derricks, Wade Robson and Savion Glover. More recently, on the performance side of her career, Johanna has been involved in many projects on stage and on camera including the newest Cirque Du Soleil shows in Las Vegas Michael Jackson ONE with Jamie King and Viva ELVIS with Vincent Paterson, Super Bowl LIV with Jennifer Lopez, Dancing With the Stars, the Arabesque Festival at the Kennedy Center, "One Love..." with Franco Dragone, Songs of Soul and Inspiration with, among others, Debbie Allen, Queen Latifah and Chaka Khan, MEIFF with Otis Salid, The Mexican Billboard Awards with Liz Imperio, Miss USA, The MTV Movie Awards, New Year’s Eve Live at Mandalay Bay, the first animated ring tone for "Boom di Boom di", the lead female pole acrobat in That Rogue Romeo’s music video "Domino", Jazz Dance World Congress, The Professional Dancers’ Society Benefit with Dick Van Dyke, Steps In Time for Disney’s California Adventure, Mental Head Circus with Terry Beeman, the Hysterica Dance Company with Bubba Carr, NY’s Performance Outlet with Dee Caspary, Gucci, Redken, Volvo and Tarbell Realty industrials, a featured female aerialist in Argentum Silvereye, photography for the Dance Resource Center and much more. -
The Barns at Wolf Trap Welcomes International Guitar Night; Ari Hest
January 9, 2014 Contact: Camille Cintrón, Manager, Public Relations 703.255.4096 or [email protected] The Barns at Wolf Trap Welcomes International Guitar Night; Ari Hest with Special Guest Sarah Siskind; Sonny Landreth and Cindy Cashdollar; Paul Cebar Tomorrow Sound; and Maceo Parker All Shows at The Barns at Wolf Trap 1635 Trap Road, Vienna, VA 22182 International Guitar Night Featuring: Brian Gore, Italy’s Pino Forastiere, Mike Dawes from England, and Quique Sinesi from Argentina Thursday, January 16, 2014 at 8 pm Friday, January 17, 2014 at 8 pm $25-$27 Showcasing extraordinary songwriting and playing skills which demonstrate a high level of both technical ability and musicality, International Guitar Night has become a major force in live contemporary guitar music. This year’s version of North America’s premier touring guitar festival features guitarists from South America, Italy, England, and the United States. American “guitar poet” Brian Gore’s playing contains a “bounce and spaciousness all his own” (Los Angeles Times). He created International Guitar Night in 1995 and has released multiple albums and books on fingerstyle guitar. Italian steel-string guitarist Pino Forastiere fuses the classical, contemporary, and rock genres as he “employs a dazzling blend of slapping, tapping, strumming, altered tunings, and harmonics, combined with classical phrasing and a focus on distinct and addictive melodies” (Guitar Player). English fingerstyle guitarist Mike Dawes has developed a multifaceted repertoire of sound in his short but successful career, fusing Celtic, rock, jazz, and experimental music to create a product all his own. He has gained praise from artists like Gotye, Frank Turner, and Justin Hayward. -
Wolf Trap Schedule Updates for 2014 Winter/Spring Season at the Barns
December 17, 2013 Contact: Camille Cintrón, Manager, Public Relations 703.255.4096 or [email protected] MEDIA ADVISORY: Wolf Trap Schedule Updates for 2014 Winter/Spring Season at The Barns LISTING OF PERFORMANCES BOOKED TO DATE: Atlantic Brass Quintet The Discovery Series Friday, January 10, 2014 at 8 pm $35 “This award-winning quintet, whose technique is flawless and musicianship impeccable, offers some of the most enjoyable chamber music there is.”—Fanfare More succinctly, “They kick butt.”—The Boston Globe This performance features a world premiere commissioned by Wolf Trap. International Guitar Night Featuring: Brian Gore, Italy’s Pino Forastiere, Mikes Dawes from England, and Quique Sinesi from Argentina Thursday, January 16, 2014 at 8 pm Friday, January 17, 2014 at 8 pm $25-$27 North America’s premier touring guitar festival features a lyricist (Gore), South American tango and folk-based improviser (Sinesi), percussive steel guitar star (Forastiere), and an up-and- coming fingerstyle maverick (Dawes). Ari Hest Special Guest: Sarah Siskind Saturday, January 18, 2014 at 7:30 pm $25 With his smoky, soothing voice and introspective lyrics, this acoustic singer/songwriter channels “poignant, acoustic reverie” (USA Today) in captivating shows. Sonny Landreth & Cindy Cashdollar Friday, January 24, 2014 at 8 pm $27 Louisiana’s slide guitar wizard proves his blues chops while a steel guitar and dobro expert showcases the folk rock talent that earned her a spot in the Texas Music Hall of Fame. Paul Cebar Tomorrow Sound General Admission Saturday, January 25, 2014 at 7:30 pm $25 These cosmopolitan rockers provide lively performances through a panoramic blend of African, Latin, and Caribbean-inspired jams. -
March 22 – May 26 Stackner Cabaret
MARCH 22 – MAY 26 STACKNER CABARET CREATED BY Richard Maltby, Jr., CONCEIVED BY William Meade ADAPTED FROM THE BROADWAY PRODUCTION BY Richard Maltby, Jr. AND Jason Edwards ORCHESTRATIONS BY Steven Bishop AND Jeff Lisenby ADDITIONAL ARRANGEMENTS BY David Abbinanti DIRECTED BY Dan Kazemi Broadway or ballet— you decide. WPS Medicare supplement insurance Want to keep your doctor? Pick a new one? It’s up to you. At home or traveling, choose any doctor or facility in the U.S. that accepts Medicare patients. wpsmedicaresolutions.com 1-800-236-1448 WPS Health Insurance is proud to support the arts. This is an advertisement for insurance. Neither Wisconsin Physicians Service Insurance Corporation nor its agents are connected with the federal Medicare program. WPS_FTLGHTSAD01_1804 ©2018 All rights reserved. JO8147 32847-100-1804 Gina Della General Manager Pella... Perfectly Beautiful. Take advantage of our most popular options 2.99% Interest for 84 months on approved credit -OR- 1/2 Off Pre-Finishing on all Wood Windows & Patio Doors on qualified orders Your windows and doors in harmony with you. www.PellaWI.com | 855-734-4373 Milwaukee 18-19 SEASON | VOLUME 29 | ISSUE #4 PRESIDENT + PUBLISHER Steve Marcus VICE PRESIDENT Matt Thiele DIRECTOR OF OPERATIONS Greg Widener ART DIRECTOR Sarah Sallmann GRAPHIC DESIGNERS Andrea Klohn | Kathleen Enders THEATRE + VENUE RELATIONS Ryan Albrechtson EDITOR + DIGITAL CONTENT MANAGER Stephanie Harte COMPANY COMPTROLLER Karin Marcus ACCOUNTING MANAGER Lisa Cunningham PRODUCTION SUPERVISOR Kyle Jewell PRODUCTION ASSISTANT Sean McGibany ADVERTISING SALES // CHICAGO Will M. McAuliffe ADVERTISING SALES // MADISON Courtney Neckar ADVERTISING SALES // MILWAUKEE Jacqueline Jaske | Barbara Kluth | Daryl Skardzinski CHICAGO // MADISON // MILWAUKEE Milwaukee: 262.782.9751 | Chicago 773.938.6697 | Madison: 608.257.4560 Toll Free: 888.376.3700 | Fax: 888.397.6160 | www.footlights.com Footlights is published by Marcus Promotions, Inc. -
The Lack of Recognition for the Film Choreographer in Hollywood
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 6-2020 The Lack of Recognition for the Film Choreographer in Hollywood Claire Ross Follow this and additional works at: https://digitalcommons.pace.edu/honorscollege_theses Part of the Dance Commons, and the Film and Media Studies Commons The Lack of Recognition for the Film Choreographer in Hollywood Claire Ross Commercial Dance Major Art & Entertainment Management Minor Virginia Cox, MS Dyson College of Arts and Sciences Presentation Date: June 2020 Graduation Date: May 2020 1 Abstract The following research directly addresses why the film choreographer has lacked adequate recognition within the Academy Awards, popularly known as the Oscars, presented by the Academy of Motion Picture Arts and Sciences. Additionally, this study aims to fill the research gap in relation to the minimal documentation that exists regarding the role and contributions of the film choreographer within the film industry. In order to move forward in assessing how the film choreographer can be recognized within the Oscars, one must address why they have not been sufficiently recognized within the history of the Academy Awards. By assessing the film choreographer’s value within the film industry through semi-structured interviews and data analysis methodologies, it was concluded their lack of recognition within the Oscars is due to the lack of dance’s presence in film, the undefined role of a film choreographer, and the general lack of awareness revolving around their contributions to film. All of which directly contribute to the film choreographer’s disproportionately perceived value within the film industry. Overall, this research intends to increase the dialogue revolving around the film choreographer as well as validate their value within the film industry. -
Episode 064: Vincent Paterson Special If Using Any of the Below
The MJCast – Episode 064: Vincent Paterson Special If using any of the below text, please reference The MJCast and display the following podcast URL. Thank-you. http://www.themjcast.com/episode-064-vincent-paterson-special/ Q (The MJCast): We got something pretty cool today to share with everyone, haven't we? Jamon (The MJCast): Yeah, we do. We've got an interview with one of Michael's chief collaborators, an amazing choreographer by the name of Vincent Paterson. He has a documentary that is titled "The Man Behind the Throne", and I think that's a really accurate way of describing him. He's a guy that often isn't in the limelight around Michael's career, but is somebody that had a crucial, crucial role in the in the visual aspects of a lot of Michael's art. Q: And a huge footprint in pop culture, I believe, so-- Jamon: Absolutely. Q: Yeah, well, I guess we should just get to the show. Jamon: Let's do it! [Intro] Q: Ladies and gentlemen, welcome to the MJCast! I'm Q, and I'm here today with my co-host and Jamon Bull. Now, when people talk about Michael Jackson's career, names often mentioned: studio geniuses Berry Gordy, Quincy Jones, and Bruce Swedien. For me, a name that should certainly be mentioned right alongside, and of just as much importance is choreographer and director Vincent Paterson. Jamon: Yeah, Vincent Paterson began his career with Michael working as an assistant choreographer and lead dancer on the "Beat It" and "Thriller" short films, before continuing on to ideate and choreograph the timeless masterpiece of film "Smooth Criminal". -
“Flowers in the Desert”: Cirque Du Soleil in Las Vegas, 1993
“FLOWERS IN THE DESERT”: CIRQUE DU SOLEIL IN LAS VEGAS, 1993-2012 by ANNE MARGARET TOEWE B.S., The College of William and Mary, 1987 M.F.A., Tulane University, 1991 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre & Dance 2013 This thesis entitled: “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 written by Anne Margaret Toewe has been approved for the Department of Theatre & Dance ______________________________________________ Dr. Oliver Gerland (Committee Chair) ______________________________________________ Dr. Bud Coleman (Committee Member) Date_______________________________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Toewe, Anne Margaret (Ph.D., Department of Theatre & Dance) “Flowers in the Desert”: Cirque du Soleil in Las Vegas 1993 – 2012 Dissertation directed by Professor Oliver Gerland This dissertation examines Cirque du Soleil from its inception as a small band of street performers to the global entertainment machine it is today. The study focuses most closely on the years 1993 – 2012 and the shows that Cirque has produced in Las Vegas. Driven by Las Vegas’s culture of spectacle, Cirque uses elaborate stage technology to support the wordless acrobatics for which it is renowned. By so doing, the company has raised the bar for spectacular entertainment in Las Vegas I explore the beginning of Cirque du Soleil in Québec and the development of its world-tours. -
The Riverwest Food Pantry
p. 3 ......... Opinion: FoodShare Benefits to be Cut p. 4 ......... Further Down Stream p. 5 ......... Neighborhood News & Notes p. 6 ......... Spotlight: Jan Christensen p. 7 .......... Elyve Composting p. 8 .......... Long Arm Farm RSA p. 9-12 ...... Special Urban Ag Ordinances p. 13 ........ Chickens in the Yard pp. 14-15 .. Calendar p. 16 ........ Secret of the Green Revolution Outdoor Environmental Film Fest p. 17 ......... Classifieds Friday August 1st.- On the river p. 18 ........ The Sweet Life: Eat Local Resource Fair 2134 N Riverboat Road (ad page 2) p. 19 ........ Comics 11 short films at dusk FREE! News You Can Use • Riverwest, Harambee and The East Side Vol 13 Issue 8 August 2014 The Riverwest Food Pantry - A Loaf of Bread, a Can of Beans and So Much More by Peggy Schulz The motto of the Riverwest Food Pantry is, “Not by bread alone.” Those four words capture the operation of the pantry, in that it strives to provide as broad a selection of fresh, prepared and canned food as possible. The motto also speaks to figurative and longer-term objectives to improve the quality of life of the pantry’s clients. Because “food insecurity” is so pervasive in Milwaukee’s neighborhoods, the immediate need for the pantry – to fill emergency gaps in a family’s food supply – likely won’t be going away anytime soon. But the pantry’s director, Vincent Noth, has broader goals. They include addressing the root causes of food insecurity, looking at the types of food that frequently come through the pantry and improving the diets of the pantry’s guests. -
Language-Of-The-Blues.Pdf
` ` Ebook published February 1, 2012 by Guitar International Group, LLC Editors: Rick Landers and Matt Warnock Cover Design: Debra Devi Originally published January 1, 2006 by Billboard Books Executive Editor: Bob Nirkind Editor: Meryl Greenblatt Design: Cooley Design Lab Production Manager: Harold Campbell Copyright (c) 2006 by Debra Devi Cover photograph of B.B. King by Dick Waterman courtesy Dick Waterman Music Photography Author photograph by Matt Warnock Additional photographs by: Steve LaVere, courtesy Delta Haze Corporation Joseph A. Rosen, courtesy Joseph A. Rosen Photography Sandy Schoenfeld, courtesy Howling Wolf Photos Mike Shea, courtesy Tritone Photography Toni Ann Mamary, courtesy Hubert Sumlin Blues Grateful acknowledgment is made to the following for permission to reprint previously published material: 6DPXHO&KDUWHUV³7KH6RQJRI$OKDML)DEDOD.DQXWHK´H[FHUSWIURPThe Roots of the Blues by Samuel Charters, originally published: Boston: M. Boyars, 1981. Transaction Publishers: Excerpt from Deep Down in the Jungle: Negro Narrative Folklore from the Streets of Philadelphia by Roger Abrahams. Warner-7DPHUODQH3XEOLVKLQJ&RUSRUDWLRQ6NXOO0XVLF/\ULFIURP³,:DON2Q*XLOGed 6SOLQWHUV´E\0DF5HEHQQDFN Library of Congress Control Number: 2005924574 All rights reserved. No part of this publication may be reproduced or used in any form or by any means- graphic, electronic, or mechanical, including photocopying, recording, taping, or information storage-and-retrieval systems- without the prior permission of the author. ` Guitar International Reston, Virginia ` Winner of the 2007 ASC AP Deems Taylor Award for Outstanding Book on Popular Music ³:KDWDJUHDWUHVRXUFH«DVfascinating as it is informative. Debra's passion for the blues VKLQHVWKURXJK´ ±Bonnie Raitt ³(YHU\EOXHVJXLWDULVWQHHGVWRNQRZWKHLUEOXHVKLVWRU\DQGZKHUHWKHEOXHVDUHFRPLQJ IURP'HEUD¶VERRNZLOOWHDFK\RXZKDW\RXUHDOO\QHHGWRNQRZ´± Joe Bonamassa ³7KLVLVDEHDXWLIXOERRN$IWHUKHDULQJµ+HOOKRXQGRQ0\7UDLO¶LQKLJKVFKRRO,ERXJKW every vintage blues record available at the time. -
Anna Netrebko · Rolando Villazón in Jules Massenet‘S Manon Jules Massenet‘S Manon from the Staatsoper Unter Den Linden
UNITEL and CLASSICA present Anna Netrebko · Rolando Villazón in Jules Massenet‘s Manon Jules Massenet‘s Manon from the Staatsoper Unter den Linden rom “dream team“ of the opera stage to “dream team“ of F classic and pop – Anna Netrebko and Rolando Villazón have long since conquered the entire world of music. Yet while their CD “Duets“ ranked third on the pop charts, the opera stage remains their preferred venue. And in Jules Massenet‘s Music by Jules Massenet “Manon,“ they have found a drama worthy of their combined Libretto by Henri Meilhac talents. and Philippe Gille Manon, the tragic heroine of Massenet‘s work, is torn Conducted by Daniel Barenboim between flirtatiousness and profound love, between frivolity Chorus Staatsopernchor and deep commitment. Netrebko seems predestined for this Chorus Master Eberhard Friedrich role, with her body language alternating between girlish, Orchestra Staatskapelle Berlin introspective and carefree, and her voice radiating brilliance, Manon Lescaut Anna Netrebko warmth, mystery and longing. As the impoverished young Le Chevalier Des Grieux Rolando Villazón nobleman Des Grieux, Rolando Villazón compellingly depicts Lescaut Alfredo Daza the burning passion of an ultimately doomed lover with his Le Comte Des Grieux Christof Fischesser glowing, supple, slender tenor voice. Guillot de Morfontaine Rémy Corazza The glittering production‘s distinctly Hollywood touch is due De Brétigny Arttu Kataja to director Vincent Paterson, who makes his operatic debut Poussette Hanan Alattar with “Manon.“ Paterson knows what stars want: he worked Javotte Gal James his way up from dancer to director of music video clips and Rosette Silvia de la Muela internationally renowned choreographer who has worked Publican Matthias Vieweg with Madonna, Michael Jackson and Paul McCartney, and Directed by Vincent Paterson staged several Broadway musicals. -
Moving Grammars of the Political, Affirm Different Verbs in Its Wake
Moving Grammars ofthe Political: Beyond Sovereign Thought and Action A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN POLITICAL SCIENCE DECEMBER 2004 By Geoffrey Alexander Wallace Whitehall Dissertation Committee: Michael J. Shapiro, Chairperson Kathy Ferguson Jon Goldberg-Hiller Jon Goss Sankaran Krishna Nevzat Soguk ACKNOWLEDGEMENTS I would like to thank my entire committee for the generosity ofoffering their time to this project. iii ABSTRACT This dissertation challenges the failure of the contemporary political imagination. Effectively to do politics today is to say I oppose. With this failure in mind, the dissertation explores what it can mean to affirm new horizons of political possibility by being attentive to political grammars. I ask what it means to exceed the political grammar of sovereignty and, by moving grammars of the political, affirm different verbs in its wake. In the wake of sovereignty, I explore the following types of questions: 1) how can what exceeds accepted structures of intelligibility be appreciated. 2) How can difference be politicized without reducing it to the logic ofthe same? 3) How is it possible to think about a politics of time? How is language, grammatically and rhetorically, a set of limits that holds people to singular identities and calibrates political action to predetermined positions? With these questions in mind, the general question being asked is: how can different linguistic practices open up competing political grammars? To this end, the dissertation pushes Gilles Deleuze beyond his inherited political grammar. Specifically, I amplify Deleuze's philosophy, which celebrates creating concepts above all else, into a moving politics. -
Lebenslauf Alexander Donesch + Photo 2019
ALEXANDER DONESCH Kontakt:+43/676/9481826 [email protected] Stimmlage: Bariton Größe: 187cm Konfektion: 94 Haarfarbe: dunkelbraun Augenfarbe: braun Fremdsprachen: englisch,italienisch,französisch Dialekte: kärntnerisch, wienerisch Theater / Musical / Operette Frank Wildhorn „Der Graf von Monte Christo“ (Edmond Dantès) Theater Freiberg 2020 Regie Stefan Haufe John Kander „Cabaret“ (Clifford Bradshaw) TIPI am Kanzleramt Berlin 2019 ML Damian Omansen Regie Choreographie Vincent Paterson Frank Wildhorn “Jekyll und Hyde” (Dr. Henry Jekyll / Edward Hyde) Theater Freiberg 2019 ML Juheon Han Regie Stefan Haufe Andrew Lloyd Webber „Sunset Boulevard“ (Ensemble) Vereinigte Bühnen Bozen (I) 2019 ML Stephen Lloyd Regie Rudolf Frey Jerome Kern „Showboat“ (Pete / Jake ) Bühne Baden 2019 Regie Michael Lakner ML Michael Zehetner Michael Schanze „Scrooge“ (Jacob Marley /Mr. Fezziwig) Museumsquartier Wien 2018 Regie Christoph Weyers Davis/Wright/Forrest „Grand Hotel“ Chauffeur/Ensemble Bühne Baden 2017 ML Michael Zehetner Regie Werner Sobotka Ralph Benatzky „Im weißen Rössl“ (Sigismund Sülzheimer / Johann) Tschauner Bühne Wien 2017 ML & Regie Markus Richter Homer „Odyssee“ Odysseus, Achilleus Theater am akademischen Gymnasium Wien 2017 Regie Georg Zlabinger Henry Mancini & Leslie Bricusse „Victor&Victoria“ Richard Di Nardo/ Juke Bühne Baden 2017 ML Franz Josef Breznik Regie Alexandra Frankmann-Koepp Walter Bockmayer „Sissi Beuteljahre einer Kaiserin“ (Sissi) Tschauner Bühne Wien 2016 Regie/ML Markus Richter Euripidides/Grillparzer/Müller „Medea“ (Phryxus/Jason)Theater am akademischen Gymnasium 2016 Regie Georg Zlabinger Andrew Lloyd Webber „Jesus Christ Superstar“ (König Herodes) Dom Wiener Neustadt 2015 ML W. Zwittkovits William Shakespeare „Der Widerspenstigen Zähmnung“ (Petruchio) Sommerspiele Mödling 2015 Regie Nicole Fendesack Aischylos „Orestie“ (Agamemnon/Apollon) Theater am akademischen Gymnasium Wien 2014 Regie Georg Zlabinger Andrew Lloyd Webber „Jesus Christ Superstar“ (Apostel) Stadttheater Baden 2014 ML Franz Josef Breznik Regie Dr.