DOCSLIB.ORG

“Kim Possible. She Can Do Anything”

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
“Kim Possible. She Can Do Anything” INTERVIEW 16 21/2008/E “Kim Possible. She can do anything” A conversation with Robert Schooley and Mark McCorkle* Kim Possible – is she a female just action, but girls want to see char- superhero? acters and a little more relationships. What Kim Possible does is pretty And the one thing we found what amazing and kind of implausible, but unites boys and girls is, everybody she still has real problems and teen likes to laugh, so we felt that if we issues she goes through. So we were could do a show that had some ad- careful not to make her impervious or venture, some relationships and hu- anything like superheroes are, be- mour throughout, then we would ap- cause we wanted Kim and Ron to be peal to a wider audience and more characters that kids can relate to. What kids would like it. And so far we’re makes Kim effective in the action good! world is gymnastics, cheerleading, Another thing that we consciously physical activity, something that any put into Kim, and it really helped to kid, any girl, in the world could do. form her character and it is part of The other thing about Kim that was why kids and adults respond positive- part of what made it really exciting ly to her, was this simple idea that when we first developed it, is the idea her goal is just to help people. If that she would have a website, she someone needs help, no matter how would have the communicator with a big or how small, she’ll do it, but then video screen. When we started in the when she needs a ride to Hong Kong, year 2000 there were only cell phones, she gets a ride from somebody and already tells you that this is going to and not every kid had a website – but we always play that gag: “Thank you be an arched show that is a little bit now kids do, and this is one of those for the ride” – “No, thank you, for over the top, but also that the girl is things that makes the world smaller. saving us …”. So it became a humour going to be the action lead and the It reflects that a little symbolically in thing, but also a nice thing that for guy is going to be funny. the series, where Kim can effortless- her it was never about money or med- There was this fun challenge for us: ly hop around the world and get back als or working for some organisation. in TV animation there’s a sort of an- in time for dinner. Which is pretty un- If someone goes to her website and cient truism that girls will watch a realistic, but it’s what kids can do on says “I need help”, she helps. show with a boy star, but boys will the internet now. They can talk to not watch a show where a girl is the somebody anywhere, so it’s one of How did you create the character star, for whatever reason. So we were those things that, at the time, we Kim Possible? thrilled when the show premiered and thought was kind of novel – and it is We got the request that the people at it was getting a pretty healthy sampl- actually just now part of kids’ every- Disney Channel were looking for a ing of boy fans. day lives. show that showed ordinary kids in And also because we’re both fathers extraordinary circumstances. Bob with daughters and when we were What role does humour play in this and I were on our way back from growing up we had heroes – James series? lunch and I just turned to him and Bond or Captain Kirk or the like. We It’s primarily a comedy series and it’s said: “Kim Possible. She can do had these guys who were larger-than- definitely parodying a lot of the con- anything.” And then Bob said: “Ron life characters, and when you were ventions of the James Bond movies Stoppable, he can’t”. And then we playing, you were pretending you and things like that. We found that came up with almost the entire show. were them. boys tend to really like action shows, A show with those kinds of names So we thought, why shouldn’t our INTERVIEW 21/2008/E 17 daughters have the same thing, a char- very appealing design, but we just boys was they did want to see Ron acter that they can pretend to be? wanted to keep it out of that realm of succeed a little more, so heading into Working out the whole Kim Possible video game heroine. season 4 we let him develop and be- universe was really collaborative. The come more confident so he wasn’t people at Disney Channel have input We did a representative study on always messing up. all the way and the actors help de- favourite television characters of 6- velop, if they bring something to it. to 12-year-olds in Germany and How did you develop Shego, the The designers of the characters for Kim Possible ranked # 1 in 2007 for female villain? the visual look of it certainly help set the girls. What makes her so espe- Well, in a lot of ways it evolved. The it apart, the various writers who work cially attractive to girls? Drakken/Shego-dynamic is sort of with us, everybody who can bring a It’s everything! When you create an this weird mirror of the Kim/Ron- little spark, that all adds up. And it animated character, the visual design dynamic. For some reason the girl is does develop, too. When you do that is a huge part of it and she’s a very very competent and the boy is a fum- many seasons the character gets to appealing design, but also very relat- bler. We had worked with Nicole Sul- grow and you usually discover new able. The voice actress Christy Carl- livan, the voice of Shego, on the Buzz things. We were lucky enough to be son Romano for us here in America Lightyear series, and we created this able to oversee the whole series and did a great job. I’ve actually heard character for her. In the very first ses- keep it consistent. some of the German translations and sion with John DiMaggio, who plays they match the voice pretty well. So, Drakken, they got this chemistry of Which considerations played into the voice actor is a huge part of the her being smarter than him and being the graphic realisation of the char- appeal. And then the character as we sarcastic – being the hallmark of acters? How much did you, as the created it, the fact that she’s a confi- those characters that really did come writers, take part in the decision- dent, competent, positive character is from the actors and what they could making of Kim’s appearance? really appealing. make funniest. Initially, Shego was We took a part in it a lot, but the credit supposed to be just a standard side- really has to go to the 1st season di- In our survey in 2007, Kim Possi- kick to him, but as soon as we cast rector Chris Bailey, and to our bril- ble was the only girl character Nicole and played with it, it became liant art director, Alan Bodner. He and ranking among the top ten of the clear that the funny dynamic there Stephen Silver, the character design- boys in Germany. Why is that so? was for her to just barely put up with er, put their heads together. We had Whenever there’s an action comple- him. an input considering we’ve had a fair ment to a show, boys get excited, and amount of experience in doing mo- when Kim does her martial arts and Would Kim have been your dream vie spin-offs. We knew what worked when she’s doing one of these girl in High School? in TV animation and what didn’t. And incredible stunts, boys love to watch Oh, absolutely! She would have been we knew, Kim had to be an appealing it. They think she’s so good at it that way out of our class though. character and Ron had to be a goofy- they have fun watching her do it! And appealing character. one of the things that we’ve always We tried a lot of things for Kim’s found is that boys of any age, going look. There were about 3 months of right up to the late teen years, love various developments. She started out humour and characters that are a little as a pretty standard-looking athletic goofy, sort of silly and weird. When blonde. It evolved; we just tried to we tested it, the kids were like: “Oh, make her more unique. I think one of Ron’s stupid funny” and that became the things that design-wise they push- sort of a buzz phrase. ed for was Lara Croft. But together And we tried to highlight from time with Disney Channel we came to re- to time in the show that even though alise that this is an interesting char- Ron is not a great action hero the way *A short version of a conversation acter and a fun character, but not a Kim is an action heroine, he goes of Elke Schlote (IZI) with Robert very real character. That’s where we along and puts himself in this danger, Schooley and Mark McCorkle, really pushed the designers into the so he’s still very courageous.
Load more

Recommended publications
  • Data Match Quest Couch Potatos
    Who’s most like YOU at school? Your answers to the following questions will be matched with everyone else’s. And for way less than the cost of a few slices of pizza, you get two reports showing your best matches and help Make copies support a club or team at your school. for students. Couch Potatoes PLUS: You can even put your reports on AND you can WHITE PAPER Questionnaire created by Heritage High School see ALL your matches at your school at www.Data-Match.com. ONLY! Student Council Association, Leesburg, VA Choose one answer ONLY! 1 2 3 4 5 1. What personality type are you? Hopeless Romantic Heartbreaker Shy and Reserved Adventurous Social Buttery 2. What is your favorite Disney show? That’s So Raven Hannah Montana Suite Life of Zack & Cody Kim Possible Even Stevens 3. What is your future money plan? YOLO, Spend it Freely Rich & Successful Conservative, Save it Money Doesn’t Matter Hit the Lottery 4. What is your least favorite class? Algebra History Economics Biology PE 5. Favorite “style” of potato? Baked Potato French Fries Mashed Potatoes Potato Chips Couch Potato 6. What would you put into a time capsule? My Feelings for Chase Favorite Book Pictures of Family Favorite CD Letter to Myself 7. What is your preferred taste? Sweet Salty Sour Spicy Meat 8. Who would you call for advice? Mom/Dad Sibling Best Friend Coach Oprah 9. Favorite celebrity relationship? Kim/Kanye Taylor Swift/Current Muse Ashton/Mila Beyoncé/Jay-Z Mickey & Minnie 10. What type of person are you? Realistic Idealistic Pessimistic Optimistic Dreamer 11.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • Kim Possible – Sie Kann Alles«
    PROGRAMM 20/2007/2 11 »Kim Possible – sie kann alles« Ein Gespräch mit Robert Schooley und Mark McCorkle* Die Mitglieder von Team Possible und jetzt ist das tatsächlich im All- tion zu arbeiten. Wenn jemand Kim – sind das Helden? tag der Kinder angekommen. über ihre Website kontaktiert, dann Es sind Helden, aber wir wollten sie hilft sie. nicht zu Superhelden machen, d. h. Welche Rolle spielt Humor in der sie sind nicht unzerstörbar oder etwas Serie? Wie haben Sie die Figur Kim in der Art. Wir wollten, dass Kinder Kim Possible ist ja in erster Linie eine Possible entwickelt? sich in Kim und Ron wiederfinden Comedy-Serie. Die Serie parodiert Wir bekamen die Anfrage von den können. Was Kim macht, ist ziemlich viele der Konventionen von James- Leuten von Disney Channel, die eine fantastisch und unglaublich, aber Bond-Filmen und anderen Filmen neue Serie mit normalen Kindern in trotzdem muss sie sich mit Teenager- dieses Genres. Wir haben die Erfah- außergewöhnlichen Situationen woll- Problemen herumschlagen. Das war rung gemacht, dass Jungen Action ten. Bob und ich waren auf dem Weg es auch, was Disney Channel interes- mögen, auch wenn’s reine Action ist; zurück vom Mittagessen, und da habe sierte: normale Kinder in außerge- Mädchen wollen eher Persönlichkei- ich mich zu ihm umgedreht und ge- wöhnlichen Situationen. Also haben ten sehen und Beziehungen. Was sagt: »Kim Possible, sie kann alles.« wir ganz zu Anfang beschlossen: Kim Mädchen und Jungen vereint, ist, Und dann sagte Bob: »Ron Stopp- ist ein normales Mäd- dass sie gern lachen, able. Er nicht.« Und damit hatten wir chen, aber das, was sie und deswegen wollten praktisch schon das ganze Konzept.
    [Show full text]
  • Bob Iger Kevin Mayer Michael Paull Randy Freer James Pitaro Russell
    APRIL 11, 2019 Disney Speakers: Bob Iger Chairman and Chief Executive Officer Kevin Mayer Chairman, Direct-to-Consumer & International Michael Paull President, Disney Streaming Services Randy Freer Chief Executive Officer, Hulu James Pitaro Co-Chairman, Disney Media Networks Group and President, ESPN Russell Wolff Executive Vice President & General Manager, ESPN+ Uday Shankar President, The Walt Disney Company Asia Pacific and Chairman, Star & Disney India Ricky Strauss President, Content & Marketing, Disney+ Jennifer Lee Chief Creative Officer, Walt Disney Animation Studios ©Disney Disney Investor Day 2019 April 11, 2019 Disney Speakers (continued): Pete Docter Chief Creative Officer, Pixar Kevin Feige President, Marvel Studios Kathleen Kennedy President, Lucasfilm Sean Bailey President, Walt Disney Studios Motion Picture Productions Courteney Monroe President, National Geographic Global Television Networks Gary Marsh President & Chief Creative Officer, Disney Channel Agnes Chu Senior Vice President of Content, Disney+ Christine McCarthy Senior Executive Vice President and Chief Financial Officer Lowell Singer Senior Vice President, Investor Relations Page 2 Disney Investor Day 2019 April 11, 2019 PRESENTATION Lowell Singer – Senior Vice President, Investor Relations, The Walt Disney Company Good afternoon. I'm Lowell Singer, Senior Vice President of Investor Relations at THe Walt Disney Company, and it's my pleasure to welcome you to the webcast of our Disney Investor Day 2019. Over the past 1.5 years, you've Had many questions about our direct-to-consumer strategy and services. And our goal today is to answer as many of them as possible. So let me provide some details for the day. Disney's CHairman and CHief Executive Officer, Bob Iger, will start us off.
    [Show full text]
  • Disney Channel’S That’S So Raven Is Classified in BARB As ‘Entertainment Situation Comedy US’
    Children’s television output analysis 2003-2006 Publication date: 2nd October 2007 ©Ofcom Contents • Introduction • Executive summary • Children’s subgenre range • Children’s subgenre range by channel • Children’s subgenre range by daypart: PSB main channels • Appendix ©Ofcom Introduction • This annex is published as a supplement to Section 2 ‘Broadcaster Output’ of Ofcom’s report The future of children’s television programming. • It provides detail on individual channel output by children’s sub-genre for the PSB main channels, the BBC’s dedicated children’s channels, CBBC and CBeebies, and the commercial children’s channels, as well as detail on genre output by day-part for the PSB main channels. (It does not include any children’s output on other commercial generalist non-terrestrial channels, such as GMTV,ABC1, Sky One.) • This output analysis examines the genre range within children’s programming and looks at how this range has changed since 2003. It is based on the BARB Children’s genre classification only and uses the BARB subgenres of Children’s Drama, Factual, Cartoons, Light entertainment/quizzes, Pre-school and Miscellaneous. • It is important to note that the BARB genre classifications have some drawbacks: – All programme output that is targeted at children is not classified as Children’s within BARB. Some shows targeted at younger viewers, either within children’s slots on the PSB main channels or on the dedicated children’s channels are not classified as Children’s. For example, Disney Channel’s That’s so raven is classified in BARB as ‘Entertainment Situation Comedy US’. This output analysis is not based on the total output of each specific children’s channel, e.g.
    [Show full text]
  • A Dpics-Ii Analysis of Parent-Child Interactions
    WHAT ARE YOUR CHILDREN WATCHING? A DPICS-II ANALYSIS OF PARENT-CHILD INTERACTIONS IN TELEVISION CARTOONS Except where reference is made to the work of others, the work described in this dissertation is my own or was done in collaboration with my advisory committee. This dissertation does not include proprietary or classified information. _______________________ Lori Jean Klinger Certificate of Approval: ________________________ ________________________ Steven K. Shapiro Elizabeth V. Brestan, Chair Associate Professor Associate Professor Psychology Psychology ________________________ ________________________ James F. McCoy Elaina M. Frieda Associate Professor Assistant Professor Psychology Experimental Psychology _________________________ Joe F. Pittman Interim Dean Graduate School WHAT ARE YOUR CHILDREN WATCHING? A DPICS-II ANALYSIS OF PARENT-CHILD INTERACTIONS IN TELEVISION CARTOONS Lori Jean Klinger A Dissertation Submitted to the Graduate Faculty of Auburn University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Auburn, Alabama December 15, 2006 WHAT ARE YOUR CHILDREN WATCHING? A DPICS-II ANALYSIS OF PARENT-CHILD INTERACTIONS IN TELEVISION CARTOONS Lori Jean Klinger Permission is granted to Auburn University to make copies of this dissertation at its discretion, upon request of individuals or institutions and at their expense. The author reserves all publication rights. ________________________ Signature of Author ________________________ Date of Graduation iii VITA Lori Jean Klinger, daughter of Chester Klinger and JoAnn (Fetterolf) Bachrach, was born October 24, 1965, in Ashland, Pennsylvania. She graduated from Owen J. Roberts High School as Valedictorian in 1984. She graduated from the United States Military Academy in 1988 and served as a Military Police Officer in the United States Army until 1992.
    [Show full text]
  • Master Class with Andrea Martin: Selected Filmography 1 the Higher
    Master Class with Andrea Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the Master Class 8½. Dir. Federico Fellini, 1963, Italy and France. 138 mins. Production Co.: Cineriz / Francinex. American Dad! (2005-2012). 7 seasons, 133 episodes. Creators: Seth MacFarlane, Mike Barker, and Matt Weitzman. U.S.A. Originally aired on Fox. 20th Century Fox Television / Atlantic Creative / Fuzzy Door Productions / Underdog Productions. Auntie Mame. Dir. Morton DaCosta, 1958, U.S.A. 143 mins. Production Co.: Warner Bros. Pictures. Breaking Upwards. Dir. Daryl Wein, 2009, U.S.A. 88mins. Production Co.: Daryl Wein Films. Bridesmaids. Dir. Paul Feig, 2011, U.S.A. 125 mins. Production Co.: Universal Pictures / Relativity Media / Apatow Productions. Cannibal Girls. Dir. Ivan Reitman, 1973, Canada. 84 mins. Production Co.: Scary Pictures Productions. The Cleveland Show (2009-2012). 3 seasons, 65 episodes. Creators: Richard Appel, Seth MacFarlane, and Mike Henry. U.S.A. Originally aired on Fox. Production Co.: Persons Unknown Productions / Happy Jack Productions / Fuzzy Door Productions / 20th Century Fox Television. Club Paradise. Dir. Harold Ramis, 1986, U.S.A.
    [Show full text]
  • ©2014 Disney ©2014 Disney Enterprises, Inc
    ©2014 Disney ©2014 Disney Enterprises, Inc. All Rights Reserved. Disney.com/Neverbeast STORY Story Artists TROY ADOMITIS JOHN D. ANDERSON TOM BERNARDO EMMANUEL DELIGIANNIS RYAN GREEN DAVID KNOTT JIHYUN PARK ROBB PRATT LYNDON RUDDY SEUNG-HYUN OH SHANE ZALVIN Creative Development ............................VICKI LETIZIA PRODUCTION Production Managers ..................... JARED HEISTERKAMP JASON I. STRAHS Directed by ........................................ STEVE LOTER Production Coordinators ........................JILLIAN GOMEZ Produced by ...........................MICHAEL WIGERT, p.g.a. AMY PIJANOWSKI Executive Producer .............................JOHN LASSETER BARBRA PUSHIES Story by ........................................... STEVE LOTER ALLIE RUSSELL and TOM ROGERS Production Finance Lead ........................ TANYA SELLERS Screenplay by .................................... TOM ROGERS Production Secretary ....................... BRIAN MCMENAMIN and ROBERT SCHOOLEY & MARK MCCORKLE DESIGN and KATE KONDELL Original Score Composed by ..................... JOEL MCNEELY Character Design .............................RITSUKO NOTANI Editor ..........................................MARGARET HOU ELSA CHANG Art Director .....................................ELLEN JIN OVER DAVID COLMAN Animation Supervisor .................... MICHAEL GREENHOLT BOBBY CHIU Head of Story ................................. LAWRENCE GONG KEI ACEDERA CG Supervisor ...................................... MARC ELLIS Associate Producer ......................TIMOTHY
    [Show full text]
  • Mattel Announces a Slate of 22 Television Shows for Multi-Platform Distribution
    Mattel Announces A Slate Of 22 Television Shows For Multi-Platform Distribution February 15, 2019 - New television programs in development based on Mattel's beloved portfolio of franchises and characters as well as new IP across a range of genres - Mattel Television's slate of TV programs builds on the Company's strategy to capture the full value of its IP through film and television EL SEGUNDO, Calif., Feb. 15, 2019 /PRNewswire/ -- Mattel, Inc. (NASDAQ: MAT) today announced a new slate of 22 animated and live-action TV programs based on the company's iconic and globally-recognized characters and franchises. The new programs in development are created by Mattel Television for multi-platform distribution and are based on more than 20 properties in Mattel's rich IP portfolio. This innovative slate of high-quality episodic content for multi-platform distribution will encompass a broad range of genres, including action adventure, humor, game shows, music and more, and are designed to reach a range of demographics including toddlers and preschool, boys, girls, tweens, teens and families. Ynon Kreiz, Chairman and CEO of Mattel, said: "With the proliferation of broadcasting and streaming platforms, there is a growing demand for high-quality content driven by global brands. Mattel is the owner of one of the strongest portfolios of children's and family entertainment franchises in the world. We have countless opportunities to bring these brands to their fans through episodic programming that will capture the imaginations of kids and families worldwide. This marks another important step to capture the full value of our assets as we drive our transformation to become an IP-driven, high-performing toy company." Mattel Television is led by Adam Bonnett, a 21-year Disney Channel veteran behind Hannah Montana, Descendants, Kim Possible and other Emmy® Award-winning children's shows, who recently joined Mattel as Executive Producer.
    [Show full text]
  • Top 5 Hot Spots: December 2018
    Top 5 Hot Spots: December 2018 01.17.2019 Not surprisingly, holiday-themed promos pulled the sleigh when it came to Daily Brief's most popular Hot Spots in December, as networks and agencies came up with creatively festive twists. From Oxygen playing up the network's focus on true crime with a stop-motion spot featuring Santa getting pulled over in his sleigh, to Hungary's Paramount Network reminding us that Die Hard is in fact a Christmas story no matter what even star Bruce Willis himself says, here's a look at some of the most-viewed Hot Spots in Daily Brief in December. 5. Disney Channel's Live Action 'Kim Possible' Is Here to Save the World Disney Channel's superhero is joined by her loyal sidekick, Ron Stoppable, to fight villains Drakken and Shego as Kim Possible (Sadie Stanley) flies in to save the world in this trailer by Open Road for the live-action version of the show. 4. History's Blades Are 'Forged in Fire' As Well as Earth, Air and Water Wil Willis, host of History's Forged in Fire, explains how all four elements-earth, air, fire and water-are included in the making of great weapons in creative agency ThinkerFeeler's branded content spot for History Channel and Citizen Watches. 3. A Father Tells His Son the True Story of Christmas The inner children of the staff at Hungary's Paramount Network feel sure that no matter what even star Bruce Willis himself says, Die Hard is in fact a Christmas story.
    [Show full text]
  • Kim Possible
    FORSCHUNGSPAPIERE KINDER- UND JUGENDMEDIEN Forschungspapiere des Masterstudiengangs Kinder- und Jugendmedien der Universität Erfurt 4/2010 Kim Possible - Eine inhaltsanalytische Studie Tina Becherer Universität Erfurt | Masterstudiengang Kinder– und Jugendmedien Impressum Forschungspapiere Kinder- und Jugendmedien Herausgeber: Dr. Sandra Fleischer Dr. Sven Jöckel Kathleen Arendt Robert Seifet Universität Erfurt Masterstudiengang "Kinder- und Jugendmedien" Nordhäuser Straße 63 99089 Erfurt urn:nbn:de:gbv:547-201000745 © bei den Autoren 2 Inhaltsverzeichnis 1 Einleitung ............................................................................................................. 4 2 Methode ................................................................................................................ 5 3 Ergebnisse ............................................................................................................. 7 4 Diskussion ........................................................................................................... 13 5 Literatur .............................................................................................................. 15 6 Appendix ............................................................................................................. 16 Einleitung 1 Einleitung Ein kurzer Blick ins Fernsehprogramm für Kinder genügt um zu sehen, dass männliche Hauptfiguren in Zeichentrickserien für jedes Alter dominieren im Vergleich zu weiblichen Hauptfiguren. Demzufolge werden Jungen auf ihrer Suche
    [Show full text]
  • Answer to Friday's
    The Goodland Star-News / Tuesday, September 4, 2007 5 Like puzzles? Then you’ll love sudoku. This mind-bending puzzle will have FUN BY THE NUMBERS you hooked from the moment you square off, so sharpen your pencil and put your sudoku savvy to the test! Here’s How It Works: Sudoku puzzles are formatted as a 9x9 grid, broken down into nine 3x3 boxes. To solve a sudoku, the numbers 1 through 9 must fill each row, col- umn and box. Each number can appear only once in each row, column and box. You can figure out the order in which the numbers will appear by using the numeric clues already provided in the boxes. The more numbers you name, the easier it gets to solve the puzzle! ANSWER TO FRIDAY’S TUESDAY EVENING SEPTEMBER 4, 2007 WEDNESDAY EVENING SEPTEMBER 5, 2007 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 E S E = Eagle Cable S = S&T Telephone E S E = Eagle Cable S = S&T Telephone CSI: Miami: Death Pool CSI: Miami: If Looks Could The Sopranos: Two Two Coreys Two Coreys CSI: Miami: Death Pool Dog Bounty Dog Bounty Dog Bounty Dog Bnty Mindfreak Criss Angel Criss Angel Criss Angel Dog Bounty Dog Bounty 36 47 A&E 36 47 A&E (R) (R) (R) (TVPG) (TVPG) (R) (R) (R) (R) (R) 100 (TV14) (HD) Kill (TV14) (HD) Tonys (TVMA) (HD) (R) (R) 100 (TV14) (HD) According According NASCAR in Primetime Primetime: The Outsiders KAKE News Nightline (:01) Jimmy Kimmel Live Laughs Just for i-Caught Amateur video.
    [Show full text]