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GREAT SHOPPING! GREAT PRICES! PENN’SPENN’S PURCHASEPURCHASE FFACTORYACTORY OUTLETOUTLET STORESSTORES LAHASKA,LAHASKA, BUCKSBUCKS COUNTY,COUNTY, PAPA •Apparel - Women’s •Housewares & Accessories •Apparel -Men’s •Jewelry •Apparel-Children’s •Leather Goods •Edibles & Sweets •Lingerie •Gifts & Collectibles •Luggage •Health & Fitness •Restaurants/Food •Home Theater •Shoes Stereo/Speaker Equip. •Sports/Instruction •Toys On the Road to New Hope • Route 202 in Lahaska, PA (215) 794-0300 • www.pennspurchase.com ■ Aerosoles . K ■ Bose Factory Store. 1 Subway ■ 2 Brooks Brothers Factory Store . C BUILDING COLOR KEY 3 ■ Brownie City . 9 ■ Building 1 ■ Building D 6 Parking ■ Caffe Galleria . D ■ ■ 1 Building 2 Building E ■ Cena . J ■ ■ Building 3 Building F Bose 4 5 ■ ■ Building 4 ■ Building G Children’s Place . K ■ Building 5 ■ Building H ■ Chilly Kids. K ■ Building 6 ■ Building J Famous Footwear ■ Coach . D ■ Building 9 ■ Building K Parking ■ Curves for Women. 6 ■ Building B ■ Building L Parking 9 ■ Dairy Queen. 9 ■ Building C ■ Building M ■ Danskin. F Dairy Queen ■ Easy Spirit and Company . K Hours ■ Route 202 Main Entrance Check our web site for selective Enzo’s Fine Jewelry . F extended evening hours ■ Monday-Saturday: 10:00 am - 8:00 pm Famous Footwear . 5 Sunday: 10:00 am - 6:00 pm ■ Geoffrey Beene. L Call for Holiday Hours: 215-794-0300 ■ Parking Gertrude Hawk Chocolates . E Coach www.pennspurchase.com ■ G.H. Bass and Company. G Orvis Osh Kosh ■ Izod . L B D H Parking Nine ■ Jones New York. K West ■ Jones New York Sport. L E F C ■ KB Toy Outlet: . J Danskin J ■ Kitchen Collection . J Brooks Brothers L’eggs Hanes Bali Playtex ■ La Cena Restaurant & Pizzeria . 2 G Kitchen Collection ■ L’eggs Hanes Bali Playtex . J Bass ■ Van Heusen Nine West Outlet . E ■ Orvis Factory Store . B Parking L KB Toy Outlet Geoffrey Beene Aerosoles K ■ Osh Kosh B’Gosh . H Izod Children’s Place ■ Subway. 3 Jones New York Sport ■ Van Heusen . L Jones New York Parking ■ Villaggio . B Get your Frequent Shopper Driving Times New Hope - 10 minutes Philadelphia - 55 minutes New York City - 60 minutes Card today Doylestown - 10 minutes Lancaster - 2 hours Atlantic City - 90 minutes Quakertown - 20 minutes Trenton - 20 minutes Baltimore - 2 hours Go to www.pennspurchase.com to sign up. Valley Forge - 45 minutes Princeton - 20 minutes Washington, D.C. - 4 hours On the Road to New Hope • Route 202 in Lahaska, PA (215) 794-0300 • www.pennspurchase.com.

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Fashion Awards Preview
WWD A SUPPLEMENT TO WOMEN’S WEAR DAILY 2011 CFDA FASHION AWARDS PREVIEW 053111.CFDA.001.Cover.a;4.indd 1 5/23/11 12:47 PM marc jacobs stores worldwide helena bonham carter www.marcjacobs.com photographed by juergen teller marc jacobs stores worldwide helena bonham carter www.marcjacobs.com photographed by juergen teller NEW YORK LOS ANGELES BOSTON LAS VEGAS MIAMI DALLAS SAO PAULO LONDON PARIS SAINT TROPEZ BRUSSELS ANTWERPEN KNOKKE MADRID ATHENS ISTANBUL MOSCOW DUBAI HONG KONG BEIJING SHANGHAI MACAU JAKARTA KUALA LUMPUR SINGAPORE SEOUL TOKYO SYDNEY DVF.COM NEW YORK LOS ANGELES BOSTON LAS VEGAS MIAMI DALLAS SAO PAULO LONDON PARIS SAINT TROPEZ BRUSSELS ANTWERPEN KNOKKE MADRID ATHENS ISTANBUL MOSCOW DUBAI HONG KONG BEIJING SHANGHAI MACAU JAKARTA KUALA LUMPUR SINGAPORE SEOUL TOKYO SYDNEY DVF.COM IN CELEBRATION OF THE 10TH ANNIVERSARY OF SWAROVSKI’S SUPPORT OF THE CFDA FASHION AWARDS AVAILABLE EXCLUSIVELY THROUGH SWAROVSKI BOUTIQUES NEW YORK # LOS ANGELES COSTA MESA # CHICAGO # MIAMI # 1 800 426 3088 # WWW.ATELIERSWAROVSKI.COM BRAIDED BRACELET PHOTOGRAPHED BY MITCHELL FEINBERG IN CELEBRATION OF THE 10TH ANNIVERSARY OF SWAROVSKI’S SUPPORT OF THE CFDA FASHION AWARDS AVAILABLE EXCLUSIVELY THROUGH SWAROVSKI BOUTIQUES NEW YORK # LOS ANGELES COSTA MESA # CHICAGO # MIAMI # 1 800 426 3088 # WWW.ATELIERSWAROVSKI.COM BRAIDED BRACELET PHOTOGRAPHED BY MITCHELL FEINBERG WWD Published by Fairchild Fashion Group, a division of Advance Magazine Publishers Inc., 750 Third Avenue, New York, NY 10017 EDITOR IN CHIEF ADVERTISING Edward Nardoza ASSOCIATE PUBLISHER, Melissa Mattiace ADVERTISING DIRECTOR, Pamela Firestone EXECUTIVE EDITOR, BEAUTY Pete Born PUBLISHER, BEAUTY INC, Alison Adler Matz EXECUTIVE EDITOR Bridget Foley SALES DEVELOPMENT DIRECTOR, Jennifer Marder EDITOR James Fallon ASSOCIATE PUBLISHER, INNERWEAR/LEGWEAR/TEXTILE, Joel Fertel MANAGING EDITOR Peter Sadera EXECUTIVE DIRECTOR, INTERNATIONAL FASHION, Matt Rice MANAGING EDITOR, FASHION/SPECIAL REPORTS Dianne M.
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Council of Fashion Designers of America
Council of Fashion Designers of America ANNUAL REPORT 2017 The mission of the Council of Fashion Designers of America is to strengthen the impact of American fashion in the global economy. B 1 Letter from the Chairwoman, Diane von Furstenberg, and the President and Chief Executive Officer, Steven Kolb In fashion, we respond to the world we live in, a point that was powerfully driven home in 2017. We were excited to see talents with broad cultural backgrounds and political ideas begin to express their experiences and beliefs through their collections. Diversity moved into the spotlight in ways we have never seen before. Designers embraced new approaches to business, from varying show formats to disruptive delivery cycles. It was also the year to make your voices heard, and CFDA listened. We engaged in civic initiatives important to our industry and partnered with Planned Parenthood, the ACLU, and FWD.us. We also relaunched our CFDA Health Initiative with guidelines to help those impacted by sexual assault or other forms of abuse. There’s no going back. In 2018, CFDA is moving ahead at full speed with an increased focus on inclusivity and women in fashion, the latter through an exciting new study with Glamour magazine. We may be a reflection of the world we live in, but we also work hard to make that world a better place. Altruism, after all, never goes out of style. 3 CFDA STRENGTHENED PILLARS WITH MISSION-DRIVEN ACTIONS MEMBERSHIP Fashion Professional Fashion Civic+ Retail Partnership Week + Market Development Supply Chain Philanthropy Opportunities SUSTAINABILITY INDUSTRY ENGAGEMENT SOCIAL AND EDITORIAL MARKETING AND EVENTS KEY UNCHANGED MODIFIED NEW PROVIDED INITIATIVES RELEVANT TO DESIGNERS EMERITUS AT EVERY STAGE OF CAREER DESIGNERS • Board Engagement • Philanthropy and Civic ICONIC Responsibility DESIGNERS • Mentorship • Editorial Visibility • Board Engagement • Fashion Week • Philanthropy and Civic ESTABLISHED Responsibility DESIGNERS • Mentorship • Editorial Visibility • NETWORK.
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Council of Fashion Designers of America
Council of Fashion Designers of America ANNUAL REPORT 2018 The mission of the Council of Fashion Designers of America is to strengthen the impact of American fashion in the global economy. B Letter from the Chairwoman, Diane von Furstenberg When I became President of the CFDA 13 years ago, I had two initials goals—to turn the American fashion community into a family and to make it more global. Letter from the The first adventure Steven and I went on was to Washington, D.C., President & Chief to lobby for copyright protection for fashion designers. It was quite an experience to lobby to almost everybody in Congress, from John Executive Officer, McCain to Maxine Waters, Hillary Clinton, and Nancy Pelosi. While we didn’t manage to pass legislation, we did manage to give the Steven Kolb subject so much exposure—in Washington and beyond—that a lot of the people who used to copy realized the importance of hiring Much has changed since I started at CFDA thirteen years ago. original talent to lead their design teams. The Internet and social media have revolutionized the fashion Creating a family means coming together and supporting each other. landscape. Everything is immediately universal and faster, and We launched the Strategic Partnerships Group, which provides tangible everybody has a platform to express their views. In fashion, we used business services, education, and work opportunities for our designers. to talk among ourselves a lot. Now, we must listen to all the voices and engage with the world. As the digital revolution and the influence of social media were changing our industry, we felt obligated to reevaluate the purpose of This year, we introduced the CFDA Fashion Trust with Tania Fares, Fashion Week and empower the designers to do what’s best for each which brings in individuals and corporations to raise funds for U.S.-based one of them.
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For the Oral History Collection at the FASHION INSTITUTE OF
, · .. :· . , For the Oral History Collection at the FASHION INSTITUTE OF TECHNOLOGY an interview with GEOFFREY BEENE Interviewed by: Mildred Finger March 9, 1989 .. spee. CoLL, Tl '139 ~~013 v./O":f Q. For the Oral History Collection at the Fashion Institute of Technology, this will be an interview with Geoffrey Beene. The date is March 9th, 1989; the interviewer is Mildred Finger. Mr. Beene, let's talk about when you were a child, born in Hainesville, Louisiana. Right? A: Yes. Q: Nineteen-twenty-seven. A: Right. Q: Okay. What was your life like as a child? A: It was quite beautiful and quite lovely, because a great part of the time I spent on my grandfather's plantation in the South, and I became so aware of animals and plants and vegetables and flowers. A lushness that exists in the South is my first image of color and texture and beautiful things. Q: You must have been a very good student, because I noticed you were graduated from high school at 16. A: Right. Q: Which was very usual in New York in those days, but not in Louisiana or anywhere else in the United States that I know of. A: They were great schools, and I went to Tulane when I was 16. I had won a scholarship. I was the first male BEENE Side 1 - 2 student. I mean, in the class, and I won that scholarship to Tulane, so I was in the university when I was 16, and it was during the war years, and I had to do four years work in three years.
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Every Fur Coat Hurts!
Whims of Fashion Fatal to Furbearers What's it Like to be Trapped? Economics of the The raccoon on the cover of this report is Are young children taught to be insensi A fox emerges from the swamp grass and chews off his foot. The terror-stricken fox U.S. Fur Trade only one of about 17 million U.S. furbear tive to pain and suffering when there's a moves along its usual path of travel. limps off into the swamp grass leaving a ers killed each year. Most have been made trapping tradition in their homes? When WHAM! The jaws of the trap slam shut on trail of blood. The HSUS estimates that there are about to suffer the agony of the steel jaw trap. they see row upon row of fur coats in the the fox's right rear leg. The startled and ter This event, commonly called "wring 300,000 trappers in the United States, the The trapper's coup de grace is often admin department stores? rified fox struggles to break free. The off" by trappers, could have taken two vast majority of whom do not derive a sub istered with a club, a noose, or a boot heel. Parents are always confronted with ques smooth jaws of the trap bite into flesh caus hours, two days, or maybe even two weeks. stantial portion of their income from trap And let us not forget the millions of other tions such as: "How did they kill it Daddy? ing traumatic injury to skin, ligaments, and ping.
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Denim Risk: a Case Study by Five Fashion Designers with Nontraditional Seam Placement in a Creative Design Process Using Denim Fabric
Las Vegas, Nevada 201 9 Proceedings Denim Risk: A Case Study by Five Fashion Designers with Nontraditional Seam Placement in a Creative Design Process Using Denim Fabric Chanjuan Chen, Kent State University Melanie Carrico, University of North Carolina at Greensboro Krissi Riewe, University of North Texas Ashley Rougeaux-Burnes, Texas Tech University Sheri Dragoo, Baylor University This paper is intended to add to the conversation about scholarship and the creative process through the sharing of a case study by five designers. The study, focused on developing individual garment designs with nontraditional seam placement using an iconic American fabric, denim, builds on Bye’s (2010) framework for clothing and textile design scholarship, showing case study scholarship as part creative practice, part research through practice. The creative practice framework incorporates problem identification as well as defining the way each designer works. By gathering, reflecting on, and analyzing the results, however, the overall project enters the framework of research through practice. Five design educators came together to create original designs based on specific guidelines. By using 3 yards of denim as the primary fabric, they collaboratively established the main challenge to be avoiding traditional seam placement in an effort to spur creative pattern cuts. Additionally, allowance of trims and surface treatment or embellishment and incorporating technology into the designing and/or making of the garment were encouraged. As one of the most worn fabrics in the world, how the researchers realized new and creative designs that use the familiar fabric but avoid the traditional seam placement was the main goal for this project.
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Tommy Hilfiger Stands Behind Sustainability Mission with Fall 2020 Tommy Jeans Collection
TOMMY HILFIGER STANDS BEHIND SUSTAINABILITY MISSION WITH FALL 2020 TOMMY JEANS COLLECTION AMSTERDAM, THE NETHERLANDS (AUGUST 2020) – Tommy Hilfiger, which is owned by PVH Corp. [NYSE: PVH], announces the Fall 2020 TOMMY JEANS collection, which builds on Tommy Hilfiger’s ongoing sustainability mission to create fashion that Wastes Nothing and Welcomes All. In keeping with a growing portfolio of TOMMY JEANS sustainability strides, this season incorporates innovative materials and production methods at each step of the design and manufacturing process. The impact-conscious collection will be available online at tommy.com, at select TOMMY HILFIGER and TOMMY JEANS stores worldwide, and through select wholesale partners beginning September, 2020. To combat textile waste, a majority of the TOMMY JEANS collection is designed using 100% recycled denim styles made using an innovative technique that blends cotton scraps from the apparel industry’s factory floors and hotel industry’s bed linens, stitched with thread made from recycled plastic PET bottles. The season’s newly launched Critter-embroidered icon styles are also made of 100% recycled denim, to wear as stand-alone statement pieces or pair together for a bold coordinating set. Additional sustainable materials appearing throughout the collection include organic cotton, as featured across sweat pants, and 100% recycled cotton mom jeans. The collection maintains the rebellious spirit at the heart of TOMMY JEANS, while continuing the brand’s mission to reduce impact, without compromising quality. Building on the ‘Tune Into’ series that launched in Spring 2020, the Fall 2020 TOMMY JEANS campaign features an eclectic mix of creatives including musicians, models, DJs and dancers comprising of Sheani Gist, Havana Liu, Lucia Luciano, Wooseok Lee, Ohkemo, Salem Mitchell, G Meyer and Carlie Hanson.
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Tommy Hilfiger Creates More Circular Footwear Using Apple Skin Technology
TOMMY HILFIGER CREATES MORE CIRCULAR FOOTWEAR USING APPLE SKIN TECHNOLOGY AMSTERDAM, THE NETHERLANDS (JANUARY 2019) – Tommy Hilfiger, which is owned by PVH Corp. [NYSE: PVH], announces two footwear styles have been designed using recycled apple skin fiber – a bio-based leather alternative derived from the apple farming industry’s waste. Available in in white and navy colorways, the styles for men and women feature 24% recycled apple fibers on the upper. Available as part of the Spring 2020 collection, the integration of apple skin fiber as a leather alternative builds on the brand’s ongoing journey to create fashion that opens minds and closes loops. The Spring 2020 apple skin fiber footwear options will be available on tommy.com and in select TOMMY HILFIGER stores and wholesale locations globally starting mid-February 2020. The apple skin technology stems from the Tyrol region of northern Italy, an area known for its apple farming. Recognizing the opportunities offered by Tyrol’s booming apple production, Frumat – an Italian start-up – developed a new raw material that addresses both the waste issue and the fashion industry’s increasing demand for ecological leather alternatives. The Spring 2020 TOMMY HILFIGER footwear styles utilize a sturdy and thick, recycled apple skin fiber with a lower environmental impact than other vegan leather alternatives, which typically contain high amounts of fossil-based materials. TOMMY HILFIGER is on a mission to create fashion that welcomes all and wastes nothing. As part of this journey, the company has set ambitious targets and joined forces with industry partners to move the needle.
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Tommy Hilfiger Celebrates Americana Heritage with Fall 2020 Hilfiger Collection
TOMMY HILFIGER CELEBRATES AMERICANA HERITAGE WITH FALL 2020 HILFIGER COLLECTION AMSTERDAM, THE NETHERLANDS (OCTOBER 2020) – Tommy Hilfiger, which is owned by PVH Corp. [NYSE: PVH], announces the Fall 2020 HILFIGER COLLECTION for men and women, the pinnacle of the Tommy Hilfiger product offering, designed through the lens of an all-American kaleidoscope. Styles honor timeless American craftsmanship, blending coast-to-coast Americana influences with a playful fashion edge. The collection will be available online at tommy.com, at TOMMY HILFIGER stores worldwide and select wholesale partners beginning early October 2020. For women, the season begins with vintage-inspired hand-drawn prints, laser-cut leathers and engineered blankets. Reminiscent of American cult classics, the rich and treasured traditions of quilt work, patchwork and stitch detailing are incorporated throughout. Outerwear silhouettes are reimagined in leather and shearling, as well as a warm color palette inspired by natural plains and deserts, before continuing to the black and white, gritty city lights of the East Coast. As the collection travels through the mid-west, crested buffalo checks and iconic TOMMY HILFIGER blackwatch tartan and checks make a statement in a series of two-piece dressing, tailored separates and fluid pajamas. Moving further east, varsity classics pay homage to the brand’s preppy heritage. At the season’s end, Tommy Hilfiger’s longstanding love of rock-and-roll takes hold in the form of black leather pieces elevated with edgy, urban details including crest monogram critters, studs and laser cut-outs. For men, the season opens with desert-ready designs that play with the tonalities of the chino color.
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Completion of the Acqusition of License Rights by Joint Venture Between Inbrands and Tommy Hilfiger
COMMUNICATION TO MARKET COMPLETION OF THE ACQUSITION OF LICENSE RIGHTS BY JOINT VENTURE BETWEEN INBRANDS AND TOMMY HILFIGER São Paulo and New York, January 4, 2013 – Inbrands S.A., a publicly held company with no shares registered for trade (“Inbrands”), announces, that it has completed the transactions previously announced in its Communication to Market issued on November 12, 2012 pursuant to which Tommy Hilfiger do Brasil S.A. (the “JV”), Inbrands’ joint venture with Tommy Hilfiger B.V. (“Tommy Hilfiger”), a wholly owned subsidiary of PVH Corp. (NYSE: PVH), and American Sportswear S.A. (“ASSA”) acquired the rights to operate, manage and distribute Tommy Hilfiger brand apparel products in Brazil for a minimum term of 10 years. About Inbrands Inbrands is a leading platform for the managing and consolidation of lifestyle and premium fashion brands regarded as “iconic brands” in Brazil. Inbrands´ focus is the acquisition, development and professional and efficient management of high end renowned brands with potential for high returns, innovation and wide distribution and exposure in Brazil. Inbrands has a multichannel distribution network with nationwide presence and a flexible production model. About The Tommy Hilfiger Group With a premium lifestyle brand portfolio that includes Tommy Hilfiger, Hilfiger Denim and Tommy Girl, the Tommy Hilfiger Group is one of the world’s most recognized designer apparel groups. Its focus is designing and marketing high-quality menswear, womenswear, children’s apparel and denim collections. Through select licensees, the Group offers complementary lifestyle products such as sportswear for men, women, juniors and children; footwear; athletic apparel (golf, swim and sailing); bodywear (underwear, robes and sleepwear); eyewear; sunwear; watches; handbags; men’s tailored clothing; men’s dress furnishings; socks; small leather goods; fragrances; home and bedding products; bathroom accessories; and luggage.
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CHARON KRANSEN ARTS 817 WEST END AVENUE NEW YORK NY 10025 USA PHONE: 212 627 5073 FAX: 212 663 9026 EMAIL: [email protected]
CHARON KRANSEN ARTS 817 WEST END AVENUE NEW YORK NY 10025 USA PHONE: 212 627 5073 FAX: 212 663 9026 EMAIL: [email protected] www.charonkransenarts.com SEP. 2019 A JEWELER’S GUIDE TO APPRENTICESHIPS: HOW TO CREATE EFFECTIVE PROGRAMS suitable for shop owners, students as well as instructors, the 208 page volume provides detailed, proven approaches for finding , training and retaining valuable employees. it features insights into all aspects of setting up an apprenticeship program, from preparing a shop and choosing the best candidates to training the apprentice in a variety of common shop procedures. an mjsa publication. $ 29.50 ABSOLUTE BEAUTY – 2007catalog of the silver competition in legnica poland, with international participants. the gallery has specialized for 30 years in promoting contemporary jewelry. 118 pages. full color. in english. $ 30.00 ADDENDA 2 1999- catalog of the international art symposium in norway in 1999 in which invited international jewelers worked with jewelry as an art object related to the body. in english. 58 pages. full color. $ 20.00 ADORN – NEW JEWELLERY - this showcase of new jewelry offers a global view of exciting work from nearly 200 cutting-edge jewelry designers. it highlights the diverse forms that contemporary jewelry takes, from simple rings to elaborate body jewelry that blurs the boundaries between art and adornment. 460 color illustrations. 272 pages. in english. $ 35.00 ADORNED – TRADITIONAL JEWELRY AND BODY DECORATION FROM AUSTRALIA AND THE PACIFIC adorned draws on the internationally recognised ethnographic collection of the macleay museum at the university of sidney and the collections of individual members of the oceanic art society of australia.
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PVH Annual Report 2018
ANNUAL REPORT 20 18 T H E pow E R·1 PVH TABLE OF CONTENTS 6 3 Year in Review Letter to Stockholders 20 18 12 HIGHLIGHTS Tommy Hilfiger 16 20 Calvin Klein Heritage Brands 24 28 Corporate Directors, Officers, Responsibility Executives & Brand Management 29 30 33 Other GAAP to Annual Report Information Non-GAAP on Form 10-K Reconciliations About PVH PVH is one of the most admired fashion and lifestyle companies in the world. We power brands that drive FASHION FORWARD – for good. Our brand portfolio includes the iconic CALVIN KLEIN, TOMMY HILFIGER, Van Heusen, IZOD, ARROW, Speedo*, Warner’s, Olga and Geoffrey Beene brands, as well as the digital-centric True&Co. intimates brand. We market a variety of goods under these and other nationally and internationally known owned and licensed brands. PVH has over 38,000 associates operating in over 40 countries and generated $9.7 billion in annual revenues in 2018. That’s the Power of Us. That’s the POWER OF PVH. *The Speedo brand is licensed for North America and the Caribbean in perpetuity from Speedo International Limited. BY THE NUMBERS GAAP EARNINGS NON-GAAP EARNINGS REVENUES PER SHARE PER SHARE1 ($ in millions) +8% +41% +21% $9,657 $9.65 $9.60 $8,915 $6.84 $7.94 $8,203 $6.79 $6.80 • 2018 • 2017 • 2016 • 2018 • 2017 • 2016 • 2018 • 2017 • 2016 2018 REVENUE BREAKDOWN By Business By Region2 % % • 45% Tommy Hilfiger • 46% U.S. • 39% Calvin Klein • 35% Europe • 16% Heritage Brands • 12% Asia Pacific • 7% Americas (excluding U.S.) 1 Figures exclude certain amounts that were deemed non-recurring or non-operational.
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